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--INSTRUMENTS--
ACCORDION
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BAGPIPE
BANJO
BASS
BASSOON
BOOKS
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BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
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FRENCH HORN
GUITAR
HANDBELLS
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HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
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MUSIC COURSE
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ORCHESTRA - BA…
ORGAN
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PERCUSSION
PIANO
RECORDER
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TROMBONE
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UKULELE
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VIOLIN - FIDDL…
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Time Was
Not classified
3,253
Piano & keyboards
Piano solo
1,697
Piano, Voice
735
Piano, Vocal and Guitar
315
Easy Piano
231
C Instruments
159
Organ
104
Piano Accompaniment
74
Piano Trio: piano, violin, cello
36
1 Piano, 4 hands
30
2 Pianos, 4 hands
23
Piano Quartet: piano, violin, viola, cello
17
Piano Quartet: piano, 2 violins, cello
9
Harpsichord
7
Piano (band part)
4
Piano Quintet: piano, 2 violins, viola, cello
4
Organ, Trumpet (duet)
3
Accordion
3
2 Pianos, 8 hands
2
Big Note Piano
2
Organ, Piano (duet)
1
1 Piano, 6 hands
1
+ 16 instrumentations
-
Retract
Guitars
Guitar
182
Guitar notes and tablatures
129
Melody line, (Lyrics) and Chords
84
Bass guitar
38
Mandolin
38
Ukulele
31
2 Guitars (duet)
29
Lyrics and Chords
12
Piano, Guitar (duet)
11
Guitar (band part)
8
Mandolin, Guitar (duet)
7
Banjo
5
4 Guitars (Quartet)
4
3 Guitars (trio)
3
Guitar, Violin, Cello (trio)
2
Mandolin, Piano (duet)
1
Guitar Ensemble
1
2 Mandolins (duet)
1
Guitar, Orchestra
1
+ 14 instrumentations
-
Retract
Voice
Choral SATB
731
Choral 3-part
208
Choral 2-part
160
Choral TTBB
99
Choral SSAA
80
Choral Unison
73
Vocal duet, Piano
70
Tenor voice, Piano
52
Alto voice, Piano
44
Soprano voice, Piano
43
Baritone voice, Piano
35
Vocal duet
29
Voice solo
25
High voice
9
Medium voice, Piano
9
Tenor voice
6
Choral SSAATTBB
4
Low voice, Piano
3
Choral SSAATB
1
Soprano voice
1
+ 15 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
519
Flute and Piano
338
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
334
Clarinet and Piano
280
Saxophone Quartet: 4 saxophones
260
Saxophone, Clarinet (duet)
249
2 Clarinets (duet)
221
Flute, Oboe, Clarinet, Bassoon
218
Saxophone Quintet: 5 Saxophones
214
Alto Saxophone and Piano
187
Oboe, Piano (duet)
184
2 Flutes (duet)
182
Clarinet, Violin (duet)
164
Clarinet Quartet: 4 clarinets
163
Soprano Saxophone and Piano
144
Clarinet, Trumpet (duet)
138
Tenor Saxophone and Piano
131
Flute
129
Clarinet
120
Flute, Clarinet (duet)
108
Alto Saxophone
106
2 Oboes (duet)
99
Oboe, Bassoon (duet)
87
Flute, Violin
86
Tenor Saxophone
85
Clarinet and Viola
85
Oboe, Clarinet (duet)
84
Saxophone ensemble
84
Flute, Saxophone (duet)
82
English horn, Piano
81
Oboe, Flute
81
Baritone Saxophone, Piano
78
Saxophone (band part)
75
Clarinet Ensemble
69
Flute Quartet: 4 flutes
68
Flute, Trumpet (duet)
65
Flute, Viola (duet)
61
Bass Clarinet, Piano
54
Oboe (band part)
50
Saxophone
45
Flute ensemble
41
Descant (Soprano) Recorder
35
3 Saxophones (trio)
34
Clarinet Quintet: 5 clarinets
30
Flute Quintet : 5 flutes
25
2 Recorders (duet)
24
Flute and Guitar
23
Recorder Ensemble
23
3 Clarinets (trio)
22
Flute Trio: 3 flutes
20
Soprano Saxophone
17
Recorder Quartet
16
Clarinet, Guitar (duet)
15
English Horn
14
Clarinet, Bassoon (duet)
13
Oboe, Clarinet, Bassoon (trio)
10
Flute (band part)
10
Ocarina
9
Flute, Clarinet, Horn and Bassoon (Quartet)
8
Flute, Oboe, Clarinet (trio)
8
Treble (Alto) Recorder
8
Oboe
7
3 Recorders (trio)
7
Flute, Violoncello
7
Clarinet, Cello (duet)
7
Recorder
7
Piccolo, Piano
6
Clarinet, Cello, Piano (trio)
6
5 Recorders
6
Flute, Cello, Piano (trio)
5
Treble (Alto) Recorder, Piano
5
Descent (Soprano) Recorder, Piano
5
Clarinet (band part)
5
Harmonica
5
2 English horns and Pianoforte
4
2 Flutes, Piano
4
Flute, Oboe (duet)
4
Oboe, Guitar (duet)
4
Flute, Viola and Piano
3
Flute, Clarinet and Bassoon.
3
2 Clarinets, Piano
3
Tenor Recorder
3
Flute, Violin, Piano
3
Saxophone and Organ
2
Pennywhistle
2
Flute, Basso continuo
2
Flute, Oboe, Piano (trio)
2
Bass Clarinet
2
Clarinet, Trombone (duet)
2
Flute, Violin, Violoncello and Piano
2
English Horn, Guitar (duet)
2
Saxophone and Guitar
2
Recorder, Piano
2
Oboe ensemble
1
Bagpipe
1
Baritone Saxophone
1
Flute, Oboe, Bassoon
1
Flute, Clarinet, Violin (trio)
1
Oboe, Violin (duet)
1
Saxophone and Piano
1
Piccolo
1
Treble (Alto) Recorder, Basso continuo
1
Recorder, Guitar (duet)
1
Clarinet, Harp (duet)
1
Clarinette, Viola and Piano (trio)
1
Oboe, Cello
1
English horn, Harp (duet)
1
Wind ensemble
1
Flute, Organ (duet)
1
+ 104 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
423
Brass quartet : 2 trumpets, trombone, tuba
221
Trombone and Piano
180
Trumpet, Saxophone (duet)
174
Trumpet, Piano
145
Trumpet
136
2 Trombones (duet)
105
French Horn and Piano
101
Brass Quartet
99
Trumpet, Trombone (duet)
97
2 Trumpets (duet)
95
Trombone
89
Euphonium, Piano (duet)
86
English horn, Piano
81
Brass Quartet: 2 trumpets, horn, trombone
55
Tuba and Piano
45
Trombone ensemble
37
Trumpet ensemble
36
French horn
33
Trumpet (band part)
29
Brass Quartet: 4 trombones
27
Tuba
22
Brass Quartet: 4 horns
20
Trombone (band part)
19
2 French horns (duet)
19
2 Euphoniums and 2 Tubas
16
English Horn
14
Horn Ensemble
14
Brass Trio
9
Euphonium
6
2 Tubas (duet)
5
Trumpet, Horn (duert)
5
Brass Quartet: 4 trumpets
5
4 Tubas
5
2 English horns and Pianoforte
4
Tuba and Organ
4
Tuba (band part)
4
French horn (band part)
4
Bass Trombone and Piano
3
3 Trombones (trio)
3
3 Trumpets (trio)
2
2 Trumpets, Keyboard (piano or organ)
2
3 Tubas (trio)
2
Euphonium, Tuba (duet)
2
Trombone, Horn (duet)
2
2 Euphoniums (duet)
2
English Horn, Guitar (duet)
2
2 French horns, Piano
1
3 French horns (trio)
1
Tuba ensemble
1
Trumpet, Euphonium (duet)
1
Trombone and Orchestra
1
Trumpet, Cello (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trombone, Tuba (duet)
1
English horn, Harp (duet)
1
Bass Trombone
1
+ 52 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
572
Violin and Piano
341
Viola, Piano
256
Cello, Piano
256
Violin
177
Violin, Cello (duet)
176
Cello
127
2 Violins (duet)
121
2 Violas (duet)
107
2 Cellos (duet)
107
String Trio: violin, viola, cello
106
Violin, Viola (duet)
105
Harp
95
String Trio: 2 violins, cello
82
String Quintet: 2 violins, viola, cello, bass
82
Viola
60
2 Harps (duet)
47
Double bass, Piano (duet)
32
Viola (band part)
21
Violin, Guitar (duet)
18
4 Cellos
16
Double Bass
15
Violin ensemble
15
String Trio: 3 cellos
13
Violin (band part)
13
Viola, Cello (duet)
13
Viola ensemble
13
Cello, Guitar (duet)
11
Harp, Flute (duet)
9
Piano Trio: Violin, Viola, Piano
8
Doublebass (band part)
8
String Trio: 3 violas
6
String Quartet : 4 violas
6
String Quintet: 2 violins, 2 violas, cello
6
String quartet: 4 violins
6
String Trio: 3 violins
6
Viola, Guitar (duet)
5
Cello, Orchestra
4
Violoncello, Basso continuo
3
Harp, Voice
3
Harp, Violin, Violoncello
2
Cello, Organ
2
4 Double Basses
2
2 Double basses (duet)
2
Cello Ensemble
2
Cello (band part)
2
3 Harps
1
Viola, Organ
1
Cello, String Bass (duet)
1
Violin, Clarinet, Piano (trio)
1
Harp and mandolin
1
String Trio: 2 violins, viola
1
Harp, Trombone (duet)
1
Viola and Harp
1
+ 49 instrumentations
-
Retract
Orchestra & Percussion
Concert band
870
String Orchestra
247
Orchestra
228
Brass ensemble
154
Jazz Ensemble
112
Chamber Orchestra
96
Drums
43
Handbells
42
Jazz combo
35
Percussion Ensemble
20
Marching band
19
Drum (band part)
4
Vibraphone
4
Percussion (band part)
4
Marimba
3
Piano and Orchestra
2
Brass Quintet: other combinaisons
2
Orchestra, Violin
1
School Ensemble
1
2 Marimbas
1
Voice Mezzo-Soprano, Orchestra
1
Xylophone
1
+ 17 instrumentations
-
Retract
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You've selected:
Time Was
Organ
Sheetmusic to print
104 sheet music found
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1
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51
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101
Playtime for organ
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Organ
#
INTERMEDIATE/ADVANCED
#
Contemporary
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David Warin Solomons
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Playtime for organ
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published ...
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Organ - Level 4 - Digital Download SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin Solomons (A0.576013). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00
Organ Works for Communion and Quiet Times, organ works by Phil Lehenbauer
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Organ
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INTERMEDIATE
#
Phil Lehenbauer
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Phil Lehenbauer
#
Organ Works for Communion and
#
Phil Lehenbauer
#
SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1511881 Composed by Phil Lehenbauer. Arranged by Phil Lehenbauer. Classical,Contemporary,Religious,Sacred,Trad...
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Organ - Level 3 - Digital Download SKU: A0.1511881 Composed by Phil Lehenbauer. Arranged by Phil Lehenbauer. Classical,Contemporary,Religious,Sacred,Traditional. Score. 19 pages. Phil Lehenbauer #1086996. Published by Phil Lehenbauer (A0.1511881). This collection includes five works that will fit the bill when quieter music is needed, during communion, offering, or prayer time. Included in this collection are:Just As I Am, Without One Plea (Woodworth)An Offering of ThanksOffertory on Liebster JesuChant for ChuckPastorale on The Ash GroveEach was written and recorded on a two manual instrument, and I hope they add a meditative touch to your services.
$10.00
Twas in the Moon of Wintertime (Downloadable)
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Organ
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INTERMEDIATE
#
Paul Manz
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Twas in the Moon of Wintertime
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Medium - Digital Download SKU: MQ.10-360-07E Composed by Paul Manz. Advent, Christmas, Passion/Palm Sunday. 2 pages. MorningStar Music Publishers...
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Organ - Medium - Digital Download SKU: MQ.10-360-07E Composed by Paul Manz. Advent, Christmas, Passion/Palm Sunday. 2 pages. MorningStar Music Publishers - Digital Sheet Music #10-360-07E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-360-07E). Set 10 of the commemorative edition of the Ten Chorale Improvisation books that made Paul Manz such a well respected composer. Written over a period of time from 1968 to 1980, and include some of the most well-known works of Paul Manz. Each volume contains a biography of Dr. Manz, full indexes of his complete works as well as historical information.Tunes include: Go Tell It Gottes Sohn ist kommen O Jesu Christ, dein Kripplein Still, Still, Still Stowey Une jeune pucelle Valet will ich dir geben (2 settings) W zlobie lezy Wachet auf.
$5.00
Time
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Organ
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INTERMEDIATE
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The Alan Parsons Project
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James Michael Stevens
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Time
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James M Stevens Music ASCAP
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1265507 By The Alan Parsons Project. By Alan Parsons and Eric Woolfson. Arranged by James Michael Stevens. Con...
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Organ - Level 3 - Digital Download SKU: A0.1265507 By The Alan Parsons Project. By Alan Parsons and Eric Woolfson. Arranged by James Michael Stevens. Contemporary,Lent,Pop,Rock,Sacred. Score. 4 pages. James M Stevens Music ASCAP #858308. Published by James M Stevens Music ASCAP (A0.1265507). Written July 17, 2023, this is an original organ arrangement of the classic rock ballad, “Time,†written by Eric Woolfson and Alan Parsons which was performed by the Alan Parsons Project. I’ve always loved this song as it has a dreamy and almost mystical quality. Hope you enjoy this organ cover of “Time.†James Michael Stevens is a prolific composer residing in Nashville, TN and whose organ works are performed around the world.
$5.99
Time To Say Goodbye
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Organ
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INTERMEDIATE
#
Contemporary
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Andrea Bocelli & Sarah Brightm
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Marcus Martin
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Time To Say Goodbye
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Cornelius Edition
#
SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.805602 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Marcus Martin. Contemporary. Sco...
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Organ - Level 3 - Digital Download SKU: A0.805602 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Marcus Martin. Contemporary. Score. 6 pages. Cornelius Edition (uk) #6254309. Published by Cornelius Edition (uk) (A0.805602). Con te partirò or 'Time to Say Goodbye' is an Italian song written with music by Francesco Sartori. It was first performed by Andrea Bocelli at the 1995 Sanremo Music Festival, but the more famous version - Bocelli duetting with Sarah Brightman - dates from a year later. Over the years this piece has become extremely popular for inclusion at funeral and memorial services and this organ version will be useful for that purpose amongst others. It requires a two manual organ with pedals although suggestions are included for a larger instrument if available.
$4.99
Hommage à Langlais: Song of Peace in a Time of War (Downloadable)
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Organ
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INTERMEDIATE
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Mary Beth Bennett
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Hommage à Langlais: Song of P
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Organ solo - Medium - Digital Download SKU: MQ.8691-E Composed by Mary Beth Bennett. 5 pages. E. C. Schirmer Music Company - Digital #8691-E. Published b...
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Organ solo - Medium - Digital Download SKU: MQ.8691-E Composed by Mary Beth Bennett. 5 pages. E. C. Schirmer Music Company - Digital #8691-E. Published by E. C. Schirmer Music Company - Digital (MQ.8691-E). This engaging work by Mary Beth Bennett was commissioned by the Northern Virginia Chapter of the American Guild of Organists to celebrate its 50th anniversary. A soft misterioso section, reminiscent of Jean Langlais' Song of Peace, begins the work, followed by a section of loud musical cries of anguish. An introspective central section of free melody in a Middle-Eastern mode ensues, and the work concludes with the hymn tune VICTORY (The Strife is O'er) superimposed over it. Duration: 5:00.
$9.00
Jan Zach - Fugue in C Minor
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Organ
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Classical
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early 1745 he was living in Au
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Jan Zach
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Guido Menestrina
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published ...
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Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99
Passacaglia for organ solo
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Organ
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INTERMEDIATE/ADVANCED
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Contemporary
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David Warin Solomons
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Passacaglia for organ solo
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published ...
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Organ - Level 4 - Digital Download SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin Solomons (A0.575684). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00
Camden Town for organ solo
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Organ
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INTERMEDIATE/ADVANCED
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Contemporary
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David Warin Solomons
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Camden Town for organ solo
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published ...
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Organ - Level 4 - Digital Download SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published by David Warin Solomons (A0.576014). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00
5 pieces for organ
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Organ
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INTERMEDIATE/ADVANCED
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Contemporary
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David Warin Solomons
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5 pieces for organ
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published...
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Organ - Level 4 - Digital Download SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin Solomons (A0.576016). This is a suite of 5 organ pieces composed by David W Solomons originally performed by David Carlston Williams on 17 August 2014 on the organ of St Paul's Springfield Road, Sale (Cheshire, UK) Registrations are as suggested by the performer. (the sound sample is a recording of Passacaglia from the subsequent CD recording performed by David Carlston WIlliams in June 2015) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The suite is also available as separate pieces (with performances by David Carlston Williams).
$31.00
Dorina for organ
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Organ
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INTERMEDIATE/ADVANCED
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Contemporary
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David Warin Solomons
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Dorina for organ
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published ...
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Organ - Level 4 - Digital Download SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published by David Warin Solomons (A0.576012). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams Registrations are as suggested by the performer. (the sound sample is from the CD, available from this site) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set Video of Dorina:https://www.youtube.com/watch?v=tunykPeiU4M
$13.00
Orgelsinfonie No. 16
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Organ
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ADVANCED
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration ...
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Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
Tribute for Organ
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Organ
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INTERMEDIATE/ADVANCED
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Dr
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Tribute for Organ
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School Sisters of St. Francis
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.1393791 By Dr. Sheri Masiakowski. By Sr. Mary Hueller OSF (Sr. Maurelia Hueller OSF). 20th Century,Sacred. Sco...
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Organ - Level 4 - Digital Download SKU: A0.1393791 By Dr. Sheri Masiakowski. By Sr. Mary Hueller OSF (Sr. Maurelia Hueller OSF). 20th Century,Sacred. Score. 6 pages. School Sisters of St. Francis #977263. Published by School Sisters of St. Francis (A0.1393791). Sister Mary Hueller (1921-2017), DMA from the Eastman School of Music, colleague of Sr. Theophane Hytrek OSF, was professor of organ, piano, and liturgical music at Alverno College (Milwaukee, Wisconsin) throughout her professional career. At various times Sister Mary chaired the Fine Arts Division, coordinated the Music Department, and served on many college committees. After Sr. Theophane Hytrek's passing in 1992, Sr. Mary succeeded her as organist at St. Joseph Chapel for several decades.  “Tribute†was written in response to Sr. Theophane Hytrek’s choral compostion  “Canticle of the Creatures†(SSAA) sung by the School Sisters of St. Francis choirs regularly for community celebrations since it was written in 1949. The choral composition will soon be published in both SSAA and SATB arrangements.“Tribute†is of intermediate difficulty but has a challenging pedal part. At the time of composition Sr. Mary had learned to use Finale software and engraved the original score herself. This editor enjoyed spending time with Sr. Mary once a week as tutor while she developed this skill. Unfortunately the original computer file is no longer available and extant copies are not of sufficient quality to publish. Dr. Masiakowski produced the following edition based on Sr. Mary’s score. Fingering and pedal suggestions are those of Sr. Mary Hueller.We invite you to browse other creative works by the School Sisters of St. Francis on our website:  https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$4.99
Tribute for Organ
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Organ
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INTERMEDIATE/ADVANCED
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Dr
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Dr
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Tribute for Organ
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School Sisters of St. Francis
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SheetMusicPlus
Pipe Organ - Level 4 - Digital Download SKU: A0.1393797 By Dr. Sheri Masiakowski. By Sr. Mary Hueller OSF (Sr. Maurelia Hueller OSF). Arranged by Dr. She...
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Pipe Organ - Level 4 - Digital Download SKU: A0.1393797 By Dr. Sheri Masiakowski. By Sr. Mary Hueller OSF (Sr. Maurelia Hueller OSF). Arranged by Dr. Sheri Masiakowski. 20th Century,Sacred. Full Performance. Duration 165. School Sisters of St. Francis #977269. Published by School Sisters of St. Francis (A0.1393797). Sister Mary Hueller (1921-2017), DMA from the Eastman School of Music, colleague of Sr. Theophane Hytrek OSF, was professor of organ, piano, and liturgical music at Alverno College (Milwaukee, Wisconsin) throughout her professional career. At various times Sister Mary chaired the Fine Arts Division, coordinated the Music Department, and served on many college committees. After Sr. Theophane Hytrek's passing in 1992, Sr. Mary succeeded her as organist at St. Joseph Chapel for several decades. “Tribute†was written in response to Sr. Theophane Hytrek’s choral compostion “Canticle of the Creatures†(SSAA) sung by the School Sisters of St. Francis choirs regularly for community celebrations since it was written in 1949. The choral composition will soon be published in both SSAA and SATB arrangements. “Tribute†is of intermediate difficulty but has a challenging pedal part. At the time of composition Sr. Mary had learned to use Finale software and engraved the original score herself. This editor enjoyed spending time with Sr. Mary once a week as tutor while she developed this skill. Unfortunately the original computer file is no longer available and extant copies are not of sufficient quality to publish. Dr. Masiakowski produced the following edition based on Sr. Mary’s score. Fingering and pedal suggestions are those of Sr. Mary Hueller. We invite you to browse other creative works by the School Sisters of St. Francis on our website: https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$1.99
Ave Eva
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Organ
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INTERMEDIATE
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Lewis A
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Ave Eva
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Lewis A. Kocher
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.943029 Composed by Lewis A. Kocher. Christian,Christmas,Contemporary,Holiday,Sacred. Score. 8 pages. Lewis A. ...
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Organ - Level 3 - Digital Download SKU: A0.943029 Composed by Lewis A. Kocher. Christian,Christmas,Contemporary,Holiday,Sacred. Score. 8 pages. Lewis A. Kocher #4613703. Published by Lewis A. Kocher (A0.943029). Services: Christmas, Annunciation, Marian; Prelude, Processional, Special MusicTime 2:39The title of this piece, which is a palindrome, has an interesting history. In medieval times much was made of things like numerology and words, and one day it was discovered that Ave (Hail) spelled backwards was Eva (an archaic spelling of Eve). Thus Ave Eva was Hail, Eve! and Mary was seen as a type of Eve. In other words, Ave Eva read the same forwards and backwards, giving us Hail Mary in both directions. This was seen as a miraculous sign and songs and poems were written about it. The piece given here is my original work for pipe organ, and following the lead of the title and history, it gives the descending figure F-E-D to provide the thematic material, developing into a canon-like style, then reverses the figure later to an ascending D-E-F, eventually playfully mixing both versions of the theme before exploding into an exciting end. The work itself is relatively easy to perform, with perhaps the exception of the duple-over-triplets passage near the end which may require a little more attention than the rest of the piece. For clarity of the lines I have suggested a Principal Chorus, with some contrast provided by passages using Flutes and soft Strings. Thank you for performing this work, and God bless!
$5.95
Adam Ondi Ahman - Organ Prelude
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Organ
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EASY
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William W
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Jacob Hershberger
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Adam Ondi Ahman - Organ Prelud
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Jasberger Music
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SheetMusicPlus
Organ - Level 2 - Digital Download SKU: A0.1487587 By William W. Phelps. By Anon. Arranged by Jacob Hershberger. Contemporary,Religious,Sacred,Soul,Spiri...
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Organ - Level 2 - Digital Download SKU: A0.1487587 By William W. Phelps. By Anon. Arranged by Jacob Hershberger. Contemporary,Religious,Sacred,Soul,Spiritual. Score. 3 pages. Jasberger Music #1064507. Published by Jasberger Music (A0.1487587). Experience the divine serenity of our newest organ prelude sheet music release, Adam Ondi Ahman. This exquisite piece is inspired by the revered Latter-day Saint hymn, Adam Ondi-Ahman, which eloquently captures the essence of a time when the earth was a paradisiacal garden, and humanity lived in holiness, worshipping Jesus Christ face to face.The hymn's text paints a vivid picture of this sacred era:This earth was once a garden place,With all her glories common,And men did live a holy race,And worship Jesus face to face,In Adam-ondi-Ahman.We read that Enoch walked with God,Above the pow’r of mammon,While Zion spread herself abroad,And Saints and angels sang aloud,In Adam-ondi-Ahman.Her land was good and greatly blest,Beyond all Israel’s Canaan;Her fame was known from east to west,Her peace was great, and pure the restOf Adam-ondi-Ahman.Hosanna to such days to come,The Savior’s second coming,When all the earth in glorious bloomAffords the Saints a holy home,Like Adam-ondi-Ahman.In addition to the poetic text, this prelude is deeply rooted in the scriptural texts of Doctrine and Covenants 116:1 and Doctrine and Covenants 107:53–57. These scriptures provide a spiritual foundation that enriches the music, making it not only a beautiful piece to play but also a profound spiritual experience.Key Features: Beginner-Friendly: Designed for novice organists looking to expand their repertoire, this prelude is easy to learn and play. Consistent Key: The piece remains in the key of Eb Major throughout, ensuring a smooth and cohesive performance. Flexible Performance: The composition allows for easy stops midway through, catering to the varying needs of prelude requirements. Spiritual Connection: This music is intended to touch the souls of listeners, evoking feelings of the genesis of the human family and the doctrines of the Latter-day Saint faith. As recorded on the organ album Restoration Hymns from the Church of Jesus Christ of Latter-day Saints available on all major streaming platforms This organ prelude is perfect for church services, personal practice, or any setting where sacred and contemplative music is desired. Adam Ondi Ahman not only offers a delightful musical experience but also provides a profound connection to the spiritual heritage of the Latter-day Saint tradition. Enhance your musical journey with this beautifully crafted piece, and let the timeless message of Adam Ondi Ahman inspire and uplift all who hear it.
$5.99
Missa in Angustiis D minor
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Organ
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Latin/World Music
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Franz Joseph Haydn
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Missa in Angustiis D minor
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
3 Trp - Pk - Org - Str soloists, mixed choir (SATB), orchestra and organ - Digital Download SKU: S9.Q19179 Nelson Mass. Composed by Franz Joseph H...
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3 Trp - Pk - Org - Str soloists, mixed choir (SATB), orchestra and organ - Digital Download SKU: S9.Q19179 Nelson Mass. Composed by Franz Joseph Haydn. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 38' 0. Ernst Eulenburg & Co. GmbH - Digital #Q19179. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q19179). Key: D minor. Latin.Haydn's 'Mass in Times of Fear' is also known under the epithet 'Nelson Mass' which alludes to the famous Battle of Abukir in which the British Admiral Nelson fought the French victoriously. Haydn could not have known anything about this at the time of completion of the Mass, but it was not least the instrumentation with its military character – trumpets and timpani play a major role – that captures the threatening atmosphere of that time of unrest. The study score is published in an easy-to-read large format for the first time.
$23.99
Meditation on Es brent, Op. 223 (Organ Solo) by Vidas Pinkevicius
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Organ
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EASY
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Vidas Pinkevicius
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Meditation on Es brent, Op. 22
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 2 - Digital Download SKU: A0.1164168 Composed by Vidas Pinkevicius. Contemporary,Jewish,Multicultural,World. Score. 4 pages. Vidas Pinkevic...
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Organ - Level 2 - Digital Download SKU: A0.1164168 Composed by Vidas Pinkevicius. Contemporary,Jewish,Multicultural,World. Score. 4 pages. Vidas Pinkevicius #764516. Published by Vidas Pinkevicius (A0.1164168). This is a gentle meditation on the Yiddish poem–song Es brent or It's burning, also known as ××•× ×“×–×¢×¨ שטעטל ×‘×¨×¢× ×˜ undzer shtetl brent our town is burning, written in 1936 by Mordechai Gebirtig. Although the poem is generally said to have been written in response to the Przytyk Pogrom of 1936, after the Holocaust the song was often used in Holocaust commemoration or in programmes of World War II Ghetto music, both in the original Yiddish and in Hebrew translation. In this piece the tune is presented twice, both times in the right hand but the first time as a solo voice and then the second time in a more chordal texture, creating culmination. The meditation ends quietly as it started. This composition will be very effective on the program of the Holocaust remembrance events.
$4.99
Guthrie: Organ Variations on Herzlich tut mich verlangen
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Organ
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INTERMEDIATE/ADVANCED
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Contemporary
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James M
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Guthrie: Organ Variations on H
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jmsgu3
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.547959 Composed by James M. Guthrie. 20th Century,Contemporary. Score. 20 pages. Jmsgu3 #3089193. Published by...
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Organ - Level 4 - Digital Download SKU: A0.547959 Composed by James M. Guthrie. 20th Century,Contemporary. Score. 20 pages. Jmsgu3 #3089193. Published by jmsgu3 (A0.547959). Theme and seven variations for organ, suitable for performance in church or recital hall. Contents/Durations:Theme: 1:15Canon: 2:06Fugue I: 2:29Fantasia: 2:09Trio: 1:55Fugue II:1:43Interlude/Double Fugue 4:51Meditation: 1:47Herzlich tut mich verlangen is a German hymn with lyrics written in 1599 by Christoph Knoll. It contains 11 stanzas and is known for its plaintive character.  The melody was adapted from a secular song by Hans Leo Hassler called Mein G'müt ist mir verwirret. The tune, Befiehl du deine Wege, first appeared in print in the 1601 Lustgarten Neuer Teutscher Gesäng.The melody is associated with the prayer for a blessed death, beginning Herzlich tut mich verlangen nach einem sel'gen End (I do desire dearly a blessed end). The hymn has been referenced in the works of composers such as J.S. Bach and Brahms, and it is also associated with the organ piece BWV 727. The title is sometimes confused with O Haupt voll Blut und Wunden, as the two melodies are occasionally interchangeable in hymnals from the time.
$29.95
Machaut: La Messe de Nostre Dame for Organ
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Organ
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INTERMEDIATE/ADVANCED
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Musi...
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
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Organ
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INTERMEDIATE/ADVANCED
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Musi...
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
Toccata & Fugue for Organ
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Organ
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Christian contemporary
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Sacred music
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Aris Antoniades
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Toccata & Fugue for Organ
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Aris Antoniades
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SheetMusicPlus
Organ - Digital Download SKU: A0.942949 Composed by Aris Antoniades. Contemporary,Sacred. Score. 20 pages. Aris Antoniades #4346549. Published by Aris An...
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Organ - Digital Download SKU: A0.942949 Composed by Aris Antoniades. Contemporary,Sacred. Score. 20 pages. Aris Antoniades #4346549. Published by Aris Antoniades (A0.942949). Toccata & Fugue for Organ (2018)Composed by Aris AntoniadesRunning time: approx. 7' 50'' Writing for Organ always seemed like a very distant dream for me. Born and raised in Cyprus, an isolated Mediterranean island-state in Europe where the religious musical tradition (Greek Orthodox Christianity) relies solely on voices (no instruments used during services), I never had access to an Organ. In fact, to the best of my knowledge, there’s not a single Organ in my entire country. The first time I ever saw one was during my college years in New York – and it was love at first sight! I was fascinated by its sound capabilities, its mechanism, and the sheer skill required to play it. You can, therefore, understand how thrilled I am to have had the opportunity to write for this great instrument. I would like to sincerely thank Shannon Murphy and Austin Philemon for believing in my work, and for commissioning this piece. Both the Toccata and the Fugue are based on the same (but altered) motivic materials. The Toccata is a piece that was inspired by the idea that life is a continuous marathon, represented by the ‘mechanical’ sixteenth-note ostinato figure which never stops – despite the contrapuntal obstacles that are thrown within its path. The motive, however, does transform and adapt along the way, in order to make the best of the situation. The Fugue, on the other hand, represents the cerebral aspect of life: the concept of choices. The ostinato motive of the Toccata has now morphed into the subject of the Fugue, which will be attacked by some violent chromatic enemies. Estimated running time: ca. 8 minutesAbout the PDFs:Score size: 14 PagesContact the composer: https://www.arisantoniades.com or aris.antoniades@gmail.com
$13.00
Concerto in Eb (Dumbarton Oaks)
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Organ
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ADVANCED
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Classical
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Igor Stravinsky
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Leif Thybo
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Concerto in Eb
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Schott Music - Digital
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SheetMusicPlus
Organ - difficult - Digital Download SKU: S9.Q52740 Version for organ by Leif Thybo (1952). Composed by Igor Stravinsky. Arranged by Leif Thybo. T...
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Organ - difficult - Digital Download SKU: S9.Q52740 Version for organ by Leif Thybo (1952). Composed by Igor Stravinsky. Arranged by Leif Thybo. This edition: single sheet. Downloadable, Separate edition. Duration 15 minutes. Schott Music - Digital #Q52740. Published by Schott Music - Digital (S9.Q52740). Key: E flat major.The American musical patrons Mildred and Robert Wood Bliss were considering which distinguished composer to commission to create a work in celebration of their 30th wedding anniversary in 1938. The couple had made the acquaintance of Igor Stravinsky in April the preceding year at the première of his ballet Jeu de Cartes in New York and had subsequently invited the composer to their country home ’Dumbarton Oaks’ in Washington D.C. to talk about a new composition. Stravinsky only just managed to complete the work in time for the anniversary celebrations: its date of completion was also the date of its first performance. For his classically styled three-movement work, he selected the title Concerto in E flat, adding the subtitle Dumbarton Oaks as a dedication. The structure of the work references the concerto grosso: it features a soloist ensemble which unites in the tutti sequences but also plays in concertino groups during the solo episodes. Broken chordal structures characterise the central movement whereas the outer movements are distinguished through their use of fugato. Dumbarton Oaks went on to become one of Stravinsky’s most successful works, performed widely and delighting Mildred Bliss so much that she immediately issued another commission, for the Symphony in C. Its composer’s very public commitment to American cultural life helped pave the way for Stravinsky’s emigration to the USA in 1945. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.Inspired by Bach’s Brandenburg Concertos, Igor Stravinsky’s three-movement concerto ‘Dumbarton Oaks’ is a musical monument to two major American patrons: Mildred and Robert Woods Bliss commissioned this work to mark the 30th anniversary of their wedding. It was performed for the first time at a private celebration at their country house Dumbarton Oaks in Washington, D.C. under the direction of Nadia Boulanger in 1938. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.
$25.99
Variations for Organ on "Nkosi Sikelel' iAfrika" ("Bless, O Lord, Our Country, Africa")
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Organ
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EASY
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David Neff and Enoch Sontonga
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David Neff
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Variations for Organ on "Nkosi
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David Neff
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SheetMusicPlus
Organ - Level 2 - Digital Download SKU: A0.1083503 Composed by David Neff and Enoch Sontonga. Arranged by David Neff. Folk,Multicultural,Patriotic,Sacred...
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Organ - Level 2 - Digital Download SKU: A0.1083503 Composed by David Neff and Enoch Sontonga. Arranged by David Neff. Folk,Multicultural,Patriotic,Sacred,Traditional,World. Score. 4 pages. David Neff #687709. Published by David Neff (A0.1083503). Nkosi Sikelel' iAfrika was written as a prayer for the freedom and prosperity Africa during a time when most of the continent was dominated by European colonial powers. It later became the anthem of several African countries, and during the presidency of Nelson Mandela, it was folded into the South African national anthem. The song had been banned during the apartheid years because of its association with the ANC. It was the South African counterpart to the role played by We Shall Overcome in the Civil Rights struggle in the U.S. These gentle. reflective variations for organ are appropriate at any time of year, but especially during Black History Month. I wrote this piece to honor the African immigrant families in the church I serve as music director.
$4.99
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