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You've selected:
Variations and Fugue
Organ
Sheetmusic to print
9 sheet music found
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1
Variations and Fugue on a Christmas Carol (Downloadable)
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Organ
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INTERMEDIATE
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Christmas
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Byron Adams
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Variations and Fugue on a Chri
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Composed by Byron Adams. Christmas, Lessons and Carols. Score. 13 pages. Duration 6 minutes, 45 seconds. MorningStar Music Publishers - Digital Sheet ...
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Composed by Byron Adams. Christmas, Lessons and Carols. Score. 13 pages. Duration 6 minutes, 45 seconds. MorningStar Music Publishers - Digital Sheet Music #8764-E. Published by MorningStar Music Publishers - Digital Sheet Music
This score is based on the old British Carol "I saw three ships." There are seven variations preceding the fugue. After the theme has been stated, the first two variations extend the theme; the third variation introduces the pedals. The next three variations are in the style of Baroque genres: the fourth variation is a noel written as an homage to Daquin; the fifth variation is a figured chorale, in which the chorale Von Himmel hoch, da komm ich her makes its first appearance; and the sixth is a Handelian rigaudon. The seventh variation is a "carillion" in which Von Himmel hoch reappears. After a dramatic, dissonant chord, the score concludes with a chorale fugue during which Von Himmel hoch appears in the pedal. Composed for and dedicated to David Higgs, in celebration of his twenty-five years of teaching at the Eastman School of Music. Duration: 6:45.
$11.00
Variations and Fugue on a Theme by Handel
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Organ
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ADVANCED
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Classical
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Johannes Brahms
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Martin Schmeding
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Variations and Fugue on a Them
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - Digital Download SKU: S9.Q21332 Bearbeitung für Orgel. Composed by Johannes Brahms. Arranged by Martin Schmeding. This editi...
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Organ - advanced - Digital Download SKU: S9.Q21332 Bearbeitung für Orgel. Composed by Johannes Brahms. Arranged by Martin Schmeding. This edition: Sheet music. Downloadable. Op. 24. Duration 16 minutes. Schott Music - Digital #Q21332. Published by Schott Music - Digital (S9.Q21332). Key: B flat major.This work is based on an aria from Handel's Suite I in B-flat major for harpsichord HWV 434. The 25 variations with final fugue in their ornate polyphonic design lend themselves excellently to the organ.
$16.99
Variations and Fugue on Saint Theodulph - Organ
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Organ
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INTERMEDIATE/ADVANCED
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Sacred music
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Christina Harmon
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Variations and Fugue on Saint
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Christina Harmon
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.753537 Composed by Christina Harmon. Christian,Concert. Score. 13 pages. Christina Harmon #6794569. Published ...
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Organ - Level 4 - Digital Download SKU: A0.753537 Composed by Christina Harmon. Christian,Concert. Score. 13 pages. Christina Harmon #6794569. Published by Christina Harmon (A0.753537). Variations and Fugue on the theme ST THEODULPH. Prelude (3 pages, 2:31), Offertory (2 pages, 1:40), Processional (3 pages, 3:41), and Fugue (4 pages, 2:53) for Organ.
$12.00
Prelude Variations and Fugue on "Slane"
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Organ
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INTERMEDIATE/ADVANCED
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Sacred music
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Wedding/Ballad
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Michael Anthony Joseph
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Prelude Variations and Fugue o
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Michael A. Joseph
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SheetMusicPlus
Composed by Michael Anthony Joseph. 20th Century, Concert, Sacred, Wedding. Score. 4 pages. Michael A. Joseph #6637835. Published by Michael A. Joseph...
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Composed by Michael Anthony Joseph. 20th Century, Concert, Sacred, Wedding. Score. 4 pages. Michael A. Joseph #6637835. Published by Michael A. Joseph
Here is anaddition to your church or recital repertoire. The well-known Irish tune isideal for a set of variations on a theme in five parts. The prelude featuresthe tune in the tenor range on a solo stop. The imitation of the Irish flute isthe focal point of the lively first variation. The second variation is anadagio in the minor mode to create a darker contrast to the rest of the piece.The third variation is an andante with the theme in the pedal, making use ofthe hemiola. The fourth variation is a sprightly fugue to end in a rhythmicfinale.
$2.00
Guthrie: Organ Variations on Herzlich tut mich verlangen
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Organ
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INTERMEDIATE/ADVANCED
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Contemporary
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James M
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Guthrie: Organ Variations on H
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jmsgu3
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.547959 Composed by James M. Guthrie. 20th Century,Contemporary. Score. 20 pages. Jmsgu3 #3089193. Published by...
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Organ - Level 4 - Digital Download SKU: A0.547959 Composed by James M. Guthrie. 20th Century,Contemporary. Score. 20 pages. Jmsgu3 #3089193. Published by jmsgu3 (A0.547959). Theme and seven variations for organ, suitable for performance in church or recital hall. Contents/Durations:Theme: 1:15Canon: 2:06Fugue I: 2:29Fantasia: 2:09Trio: 1:55Fugue II:1:43Interlude/Double Fugue 4:51Meditation: 1:47Herzlich tut mich verlangen is a German hymn with lyrics written in 1599 by Christoph Knoll. It contains 11 stanzas and is known for its plaintive character.  The melody was adapted from a secular song by Hans Leo Hassler called Mein G'müt ist mir verwirret. The tune, Befiehl du deine Wege, first appeared in print in the 1601 Lustgarten Neuer Teutscher Gesäng.The melody is associated with the prayer for a blessed death, beginning Herzlich tut mich verlangen nach einem sel'gen End (I do desire dearly a blessed end). The hymn has been referenced in the works of composers such as J.S. Bach and Brahms, and it is also associated with the organ piece BWV 727. The title is sometimes confused with O Haupt voll Blut und Wunden, as the two melodies are occasionally interchangeable in hymnals from the time.
$29.95
12 Preludes for Organ op. 17
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Organ
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EASY
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August Freyer
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Ascalon
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12 Preludes for Organ op. 17
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Ascalon
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SheetMusicPlus
Organ - Level 2 - Digital Download SKU: A0.1207714 Composed by August Freyer. Arranged by Ascalon. Christian,Classical,Religious. Score. 12 pages. Ascalo...
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Organ - Level 2 - Digital Download SKU: A0.1207714 Composed by August Freyer. Arranged by Ascalon. Christian,Classical,Religious. Score. 12 pages. Ascalon #805840. Published by Ascalon (A0.1207714). The collection contains 12 easy preludes for organ without a pedal. The preludes lend themselves very well to a church service and are excellent pedagogical material.August Freyer (15 December 1801 – 28 May 1883) was a Polish musician and composer, specializing in both performance and composition on the organ.August was born in Saxony in 1801. He moved to Warsaw and began his musical career there as a double bass player. He became organist at the Warsaw Evangelical Church, had the organ rebuilt, and turned his church into a prominent musical location while becoming the prominent organist and organ teacher in Warsaw. He made a tour of northern Germany as an organist, from which he received wide acclaim.August was a musical pupil of Józef Elsner. He became a close associate of Adolf Friedrich Hesse. He promoted Hesse's music to Mikhail Glinka, successful in his performance to the point of reducing his listener to tears. At an early age Stanisław Moniuszko became his pupil, his parents relocated to Warsaw in order to have Stanisław study with Freyer. He died in 1883.Freyer was largely responsible for the revival of organ music in Poland. He was a master at music balance, both homophonic and polyphonic. His playing was appreciated by Felix Mendelssohn and Louis Spohr. In addition to the aforementioned German concerts, he toured Paris to enthusiastic reception. His most famous composition was a set of Concert Variations of which the final-movement fugue is the most recognized.
$6.99
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Organ
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Classical
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima -
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Guido Menestrina
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SheetMusicPlus
Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Publis...
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Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
$3.99
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