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AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
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In three movements:
Not classified
591
Piano & keyboards
Piano solo
204
Organ
34
2 Pianos, 4 hands
12
Piano Trio: piano, violin, cello
10
Easy Piano
7
Piano, Voice
7
1 Piano, 4 hands
6
Harpsichord
4
Piano Quartet: piano, violin, viola, cello
3
Organ, Piano (duet)
2
Piano Accompaniment
2
Piano Quartet: piano, 2 violins, cello
1
Piano, Vocal and Guitar
1
C Instruments
1
+ 9 instrumentations
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Retract
Guitars
Guitar
21
2 Guitars (duet)
2
Ukulele
2
2 Mandolins (duet)
1
Guitar notes and tablatures
1
Voice
Choral SATB
39
Choral 3-part
12
Choral TTBB
8
Choral Unison
3
Choral 2-part
2
Choral SSAA
2
Soprano voice, Piano
2
Soli, Mixted choir and accompaniment
1
Tenor voice, Piano
1
+ 4 instrumentations
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Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
50
Clarinet and Piano
46
Flute and Piano
33
Oboe, Piano (duet)
32
Alto Saxophone and Piano
27
2 Flutes (duet)
23
Saxophone Quartet: 4 saxophones
23
Soprano Saxophone and Piano
22
Flute, Oboe, Clarinet (trio)
19
Clarinet Quartet: 4 clarinets
19
Saxophone ensemble
17
2 Clarinets (duet)
16
Flute, Oboe, Clarinet, Bassoon
13
Saxophone Quintet: 5 Saxophones
10
3 Clarinets (trio)
10
Oboe, Bassoon (duet)
9
Flute
9
Flute Quartet: 4 flutes
9
2 Saxophones (duet)
9
Tenor Saxophone and Piano
8
Clarinet
8
Flute Trio: 3 flutes
8
3 Saxophones (trio)
6
Baritone Saxophone, Piano
6
Clarinet Ensemble
6
Flute, Oboe, Bassoon
5
Flute, Clarinet and Bassoon.
5
Flute, Clarinet (duet)
5
Bass Clarinet, Piano
5
Flute, Violin
4
Clarinet, Cello (duet)
4
Flute, Violoncello
4
English horn, Piano
3
Clarinet (band part)
3
Flute ensemble
3
Recorder Quartet
3
2 Recorders (duet)
3
2 Oboes (duet)
2
Oboe, Clarinet, Bassoon (trio)
2
Flute Quintet : 5 flutes
2
Oboe (band part)
2
Alto Saxophone
2
Clarinet Quintet: 5 clarinets
2
Recorder
2
5 Recorders
2
Flute, Oboe (duet)
2
Flute, Cello, Piano (trio)
2
Treble (Alto) Recorder, Piano
1
Flute, Viola and Piano
1
3 Recorders (trio)
1
Clarinet, Guitar (duet)
1
Flute, Clarinet, Piano (trio)
1
Clarinet, Trombone (duet)
1
Flute (band part)
1
Clarinet, Bassoon (duet)
1
Flute, Viola and harp
1
Flute and Guitar
1
Saxophone and Organ
1
Saxophone (band part)
1
2 English horns and Pianoforte
1
Flute, harp and violin
1
Clarinet and Viola
1
Saxophone
1
Flute, Bassoon, and Piano
1
Flute, Viola (duet)
1
Clarinet, Cello, Piano (trio)
1
2 Clarinets, Bassoon
1
2 Saxophones, Piano
1
Clarinet, Violin (duet)
1
2 Clarinets, Piano
1
English horn, Harp (duet)
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Flute, Saxophone (duet)
1
+ 68 instrumentations
-
Retract
Woodbrass
Trombone and Piano
36
Trumpet, Piano
27
Brass quartet : 2 trumpets, trombone, tuba
25
Brass Quintet: 2 trumpets, horn, trombone, tuba
21
Euphonium, Piano (duet)
16
Tuba and Piano
15
French Horn and Piano
12
Trumpet
8
Trombone ensemble
7
Trombone
6
Brass Quartet: 4 trombones
5
2 Trombones (duet)
5
French horn
5
2 French horns (duet)
4
Tuba
4
Trumpet (band part)
4
Trumpet ensemble
4
English horn, Piano
3
4 Tubas
3
2 Tubas (duet)
3
Horn, Cello (duet)
3
2 Trumpets (duet)
3
Brass Quartet: 4 horns
3
3 Trombones (trio)
3
3 Euphoniums
2
Bass Trombone
2
Trombone, cello (duet)
2
Brass Quartet
1
Trombone, Organ
1
Trumpet, Cello (duet)
1
2 Euphoniums (duet)
1
Trombone (band part)
1
Trombone and Orchestra
1
2 English horns and Pianoforte
1
3 Tubas (trio)
1
Brass Quartet: 2 trumpets, horn, trombone
1
Tuba (band part)
1
Brass Trio
1
French horn (band part)
1
Horn Ensemble
1
English horn, Harp (duet)
1
Brass Quartet: 4 trumpets
1
+ 37 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
74
Violin and Piano
56
Cello, Piano
33
Viola, Piano
32
String Trio: violin, viola, cello
26
Violin
13
Violin, Viola (duet)
8
2 Violins (duet)
7
Cello
7
Viola, Cello (duet)
7
2 Cellos (duet)
6
Violin (band part)
6
Violin, Cello (duet)
6
Viola (band part)
5
Cello, String Bass (duet)
4
2 Violas (duet)
4
String Trio: 3 cellos
3
4 Cellos
3
Double bass, Piano (duet)
3
Doublebass (band part)
3
String Trio: 3 violins
2
Harp
2
Harp, Flute (duet)
2
Cello, Organ
1
Cello Ensemble
1
Cello, Orchestra
1
String Trio: 3 violas
1
Violin, Clarinet, Piano (trio)
1
Double Bass
1
String quartet: 4 violins
1
String Trio: 2 violins, cello
1
Viola ensemble
1
2 Double basses (duet)
1
String Quintet: 2 violins, viola, cello, bass
1
Viola, Guitar (duet)
1
Harp and Piano
1
Violin ensemble
1
Cello (band part)
1
Piano Trio: Violin, Viola, Piano
1
Violoncello, Basso continuo
1
Violin, Cello, Clarinet
1
+ 36 instrumentations
-
Retract
Orchestra & Percussion
Concert band
256
Orchestra
93
Chamber Orchestra
56
String Orchestra
47
Brass ensemble
29
Percussion Ensemble
5
Handbells
5
Piano and Orchestra
5
Drums
2
Vibraphone and Marimba
1
Marching band
1
Percussion (band part)
1
Vibraphone
1
Jazz Ensemble
1
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In three movements:
French horn
Sheetmusic to print
5 sheet music found
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1
Sonata For Trumpet, Horn and Organ Second Movement-Horn in F Part
#
French horn
#
ADVANCED
#
Contemporary
#
Thomas R
#
Sonata For Trumpet, Horn and O
#
Thomas R. Schadl
#
SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Sc...
(+)
French Horn Solo - Level 5 - Digital Download SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. Published by Thomas R. Schadl (A0.912494). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
Sonata For Trumpet, Horn And Organ First Movement-Horn In F Part
#
French horn
#
ADVANCED
#
Contemporary
#
Thomas R
#
Sonata For Trumpet, Horn And O
#
Thomas R. Schadl
#
SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Sc...
(+)
French Horn Solo - Level 5 - Digital Download SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. Published by Thomas R. Schadl (A0.912493). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
Sonatina for French Horn and Piano
#
French horn
#
Jeffrey Kaufman
#
Sonatina for French Horn and P
#
KEM Enterprises, Inc.
#
SheetMusicPlus
French Horn Solo - Digital Download SKU: A0.985962 Composed by Jeffrey Kaufman. 20th Century,Contemporary. Individual part. 22 pages. KEM Enterprises, In...
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French Horn Solo - Digital Download SKU: A0.985962 Composed by Jeffrey Kaufman. 20th Century,Contemporary. Individual part. 22 pages. KEM Enterprises, Inc. #3009973. Published by KEM Enterprises, Inc. (A0.985962). The Sonatina for French Horn and Piano by Jeffrey Kaufman, is a work in three movements. The work is available as a download or may be purchased as a bound score and part directly from KEM Publications jeffkauf@ix.netcom.com.
$12.99
Horn Sonata No. 1 (Complete)
#
French horn
#
ADVANCED
#
Mike Lyons
#
Horn Sonata No. 1
#
Lyons Music Services
#
SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services...
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French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Horn Sonata No. 3 (Complete)
#
French horn
#
ADVANCED
#
Mike Lyons
#
Horn Sonata No. 3
#
Lyons Music Services
#
SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services...
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French Horn Solo - Level 5 - Digital Download SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$18.00
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