Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Rather Be - Marimba
Not classified
289
Piano & keyboards
Piano solo
211
Piano, Voice
128
Piano, Vocal and Guitar
51
Easy Piano
34
C Instruments
16
Organ
10
Piano Trio: piano, violin, cello
4
Big Note Piano
2
Piano Accompaniment
2
Organ, Piano (duet)
2
Piano Quartet: piano, violin, viola, cello
2
1 Piano, 4 hands
2
Keyboard
1
2 Pianos, 4 hands
1
Harpsichord
1
Piano Quintet: piano, 2 violins, viola, cello
1
+ 11 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
31
Guitar
25
Melody line, (Lyrics) and Chords
13
Ukulele
9
Banjo
5
Bass guitar
4
4 Guitars (Quartet)
4
Dulcimer
3
Mandolin
3
Mandolin, Guitar (duet)
2
Lyrics and Chords
2
2 Guitars (duet)
1
+ 7 instrumentations
-
Retract
Voice
Choral SATB
84
Choral 3-part
25
Choral TTBB
16
Choral SSAA
13
Choral Instrumental Pak
5
Choral 2-part
4
Choral Unison
4
Choral
2
Baritone voice, Piano
2
Choral SSAB a cappella
1
High voice
1
Tenor voice
1
Soprano voice, Piano
1
Vocal duet
1
Choral SSAATTBB
1
Alto voice, Piano
1
+ 11 instrumentations
-
Retract
Woodwind
Flute and Piano
32
Oboe, Piano (duet)
24
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
21
Clarinet and Piano
19
Saxophone Quartet: 4 saxophones
18
Saxophone Quintet: 5 Saxophones
14
Soprano Saxophone and Piano
13
Tenor Saxophone and Piano
13
Baritone Saxophone, Piano
12
English horn, Piano
12
Alto Saxophone and Piano
12
Clarinet Quartet: 4 clarinets
11
Clarinet
10
2 Clarinets (duet)
10
Bass Clarinet, Piano
10
2 Flutes (duet)
8
Clarinet Ensemble
8
Flute ensemble
8
Flute, Oboe, Clarinet, Bassoon
7
Alto Saxophone
7
Flute Quartet: 4 flutes
7
Saxophone ensemble
6
2 Saxophones (duet)
5
Clarinet, Violin (duet)
4
Flute Quintet : 5 flutes
4
Flute
4
Flute, Violin
3
Flute, Saxophone (duet)
2
Flute and Guitar
2
Clarinet, Trumpet (duet)
2
Oboe (band part)
2
Saxophone (band part)
2
Flute, Clarinet (duet)
2
Saxophone, Clarinet (duet)
2
Clarinet and Viola
1
2 Oboes (duet)
1
Oboe, Flute
1
Flute, Viola (duet)
1
Flute, Oboe, Clarinet (trio)
1
Oboe, Bassoon (duet)
1
Tenor Saxophone
1
Flute Trio: 3 flutes
1
Eb Instruments
1
Flute (band part)
1
Flute, Trumpet (duet)
1
Flute, Violin, Piano
1
2 Recorders (duet)
1
Clarinet (band part)
1
+ 43 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
16
Euphonium, Piano (duet)
15
Trombone and Piano
14
Brass quartet : 2 trumpets, trombone, tuba
13
English horn, Piano
12
French Horn and Piano
12
Trumpet, Piano
9
Trumpet (band part)
8
Trumpet
8
Trombone (band part)
6
French horn
6
Tuba and Piano
4
Trumpet ensemble
4
Trombone ensemble
4
Brass Quartet: 2 trumpets, horn, trombone
4
Trumpet, Trombone (duet)
3
2 Trumpets (duet)
2
Trumpet, Saxophone (duet)
2
2 Trombones (duet)
1
French horn (band part)
1
Brass Quartet
1
Brass Quartet: 4 trombones
1
Trumpet, Tuba (duet)
1
Bass Trombone and Piano
1
Bass Clef Instruments
1
3 French horns (trio)
1
3 Trombones (trio)
1
Bb Instruments
1
Trombone
1
Euphonium
1
Tuba
1
Trombone, Violin (duet)
1
Brass Trio
1
+ 28 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
64
Violin and Piano
25
Violin
19
Cello, Piano
16
Viola, Piano
15
Cello
13
Harp
11
Violin, Cello (duet)
10
String Trio: violin, viola, cello
9
String Trio: 2 violins, cello
7
Viola
5
Viola ensemble
4
Violin ensemble
4
Viola (band part)
4
2 Violins (duet)
4
4 Cellos
2
Violin, Viola (duet)
2
Double Bass
2
String quartet: 4 violins
1
String Quintet: 2 violins, viola, cello, bass
1
Doublebass (band part)
1
Cello (band part)
1
String trio
1
2 Violas (duet)
1
2 Cellos (duet)
1
Violin (band part)
1
String Trio: 3 cellos
1
String Quartet : 4 violas
1
+ 23 instrumentations
-
Retract
Orchestra & Percussion
Concert band
49
Jazz Ensemble
22
String Orchestra
22
Orchestra
17
Brass ensemble
10
Marching band
8
Handbells
4
Chamber Orchestra
4
Vibraphone
3
Drums
3
Percussion Ensemble
2
Orchestra, Violin
1
Vibraphone (band part)
1
Brass Quintet: other combinaisons
1
Jazz combo
1
Xylophone (band part)
1
Piano and Orchestra
1
+ 12 instrumentations
-
Retract
Others
Free Sheet Music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
Digital Sheet Music
6
Sheet Music Books
2
Music Equipment
135
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Rather Be - Marimba
French horn
Sheetmusic to print
6 sheet music found
<
1
Horn Sonata No. 1 (Complete)
#
French horn
#
ADVANCED
#
Mike Lyons
#
Horn Sonata No. 1
#
Lyons Music Services
#
SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services...
(+)
French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Horn Sonata No. 2 (Complete)
#
French horn
#
ADVANCED
#
Contemporary
#
Mike Lyons
#
Horn Sonata No. 2
#
Lyons Music Services
#
SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #351854...
(+)
French Horn Solo - Level 5 - Digital Download SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00
Unaccompanied Suites for Horn
#
French horn
#
ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Ralph Sauer
#
Unaccompanied Suites for Horn
#
Gordon Cherry
#
SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.792112 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Individual part. 49 pag...
(+)
French Horn Solo - Level 5 - Digital Download SKU: A0.792112 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Individual part. 49 pages. Gordon Cherry #3464523. Published by Gordon Cherry (A0.792112). Bach's Unaccompanied Suites beautifully and meticulously edited for Horn by Ralph Sauer, 48 page textbook. Mr. Sauer's thoughtful version of the Six Suites gives the performer room to breathe musically. To quote Mr. Sauer and Pablo Casals,I refrained from using fanciful descriptive terms such as con brio, or quasi una fantasia because they may suggest a particular style...This transcription is not intended to be a blueprint to be followed exactly, but rather, it is the raw material from which a personal interpretation can be built.To quote Pablo Casals, Where interpreting Bach's music is concerned, there are no hard and fast rules...The best thing to do is to discard all preconceived ideas and try to approach in our performances whatever the music conveys to us...
$20.00
Horn Sonata - No. 2 - 1st. Movement - Andante a piacere
#
French horn
#
ADVANCED
#
Contemporary
#
Mike Lyons
#
Horn Sonata - No. 2 - 1st. Mov
#
Lyons Music Services
#
SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #351682...
(+)
French Horn Solo - Level 5 - Digital Download SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by Lyons Music Services (A0.767343). This is the first movement of my second Horn Sonata. The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall befor letter C, frome where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar.
$8.00
Kommos (Lamentation) / "When the World Moved On" - Horn 1 in F
#
French horn
#
INTERMEDIATE/ADVANCED
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 4 - Digital Download SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benja...
(+)
French Horn Solo - Level 4 - Digital Download SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078687. Published by Benjamin Sajo (A0.1018950). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Horn 2 in F
#
French horn
#
INTERMEDIATE/ADVANCED
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 4 - Digital Download SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benja...
(+)
French Horn Solo - Level 4 - Digital Download SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078691. Published by Benjamin Sajo (A0.1018951). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
<
1
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
