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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
There\\\\\\\\
Not classified
7,030
Piano & keyboards
Piano solo
4,189
Big Note Piano
3,368
Organ
1,831
Piano, Vocal and Guitar
1,676
Piano, Voice
1,656
Easy Piano
1,026
C Instruments
300
Piano Accompaniment
162
1 Piano, 4 hands
132
Piano Trio: piano, violin, cello
83
Keyboard
65
2 Pianos, 4 hands
60
Piano (band part)
47
Accordion
30
Organ, Piano (duet)
16
Piano Quartet: piano, violin, viola, cello
15
Organ, Trumpet (duet)
10
Piano Quintet: piano, 2 violins, viola, cello
8
Harpsichord
6
Melody line, Piano
6
Piano Quartet: piano, 2 violins, cello
6
1 Piano, 6 hands
5
2 Pianos, 8 hands
4
Solo instrument and Organ
2
Accordion, Voice
2
Organ, Voice
2
2 Accordions
2
Accordion ensemble
1
Fake Book
1
+ 24 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
692
Melody line, (Lyrics) and Chords
514
Guitar
499
Bass guitar
366
Ukulele
208
Lyrics and Chords
174
Guitar (band part)
91
2 Guitars (duet)
61
Mandolin
32
4 Guitars (Quartet)
29
Dulcimer
22
Banjo
20
Guitar Ensemble
12
3 Guitars (trio)
11
Piano, Guitar (duet)
11
Ukulele Ensemble
3
2 Dulcimers (duet)
3
2 Mandolins (duet)
2
Electric Bass (band part)
2
Guitar, Orchestra
2
Mandolin, Guitar (duet)
2
Baritone Ukulele
2
Guitar, Violin, Cello (trio)
1
Band Scores
1
+ 19 instrumentations
-
Retract
Voice
Choral SATB
2,287
Choral 3-part
758
Choral 2-part
502
Choral Unison
484
Choral Instrumental Pak
469
Choral TTBB
368
Choral SSAA
234
Vocal duet, Piano
134
Alto voice, Piano
113
Choral
104
Soprano voice, Piano
103
Tenor voice, Piano
79
Voice solo
60
Baritone voice, Piano
51
Vocal duet
51
High voice
32
Tenor voice
30
Soprano voice
26
Medium voice, Piano
18
Low voice, Piano
8
Choral SSAATTBB
8
Choral SSATB
4
Choral SSATTB
3
Mezzo-Soprano voice, Piano
2
Low voice
2
Choral SAATB A Cappella
2
Choral SSAB, Piano
2
Soli, Mixted choir and accompaniment
2
Choral SSAB a cappella
1
Voice, Guitar
1
Choral SSATBB
1
High voice, Piano
1
+ 27 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
984
Flute and Piano
721
2 Clarinets (duet)
473
Oboe, Piano (duet)
458
Saxophone, Clarinet (duet)
439
2 Flutes (duet)
429
Clarinet and Piano
389
Saxophone (band part)
338
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
332
Clarinet, Violin (duet)
316
Alto Saxophone and Piano
297
Flute
291
Saxophone Quartet: 4 saxophones
270
Clarinet, Trumpet (duet)
263
Clarinet
252
Flute, Clarinet (duet)
214
Flute, Oboe, Clarinet, Bassoon
211
Alto Saxophone
203
Tenor Saxophone and Piano
198
2 Oboes (duet)
187
Clarinet Quartet: 4 clarinets
167
Flute, Violin
167
Oboe, Bassoon (duet)
166
Oboe, Clarinet (duet)
165
Clarinet and Viola
160
Flute, Saxophone (duet)
151
Saxophone Quintet: 5 Saxophones
150
Tenor Saxophone
143
Oboe, Flute
133
Flute, Viola (duet)
131
Flute, Trumpet (duet)
122
Clarinet Ensemble
120
Soprano Saxophone and Piano
119
English horn, Piano
113
Flute ensemble
110
Flute Quartet: 4 flutes
110
Saxophone ensemble
108
Pennywhistle
84
Flute (band part)
78
Baritone Saxophone, Piano
75
Oboe (band part)
66
Oboe
59
Clarinet Quintet: 5 clarinets
59
Flute, Violin, Piano
58
Flute and Guitar
57
3 Clarinets (trio)
54
Clarinet (band part)
53
Flute Quintet : 5 flutes
53
2 Recorders (duet)
49
3 Saxophones (trio)
46
Recorder
44
Bass Clarinet, Piano
43
Flute, Harp and Cello
42
2 Flutes, Piano
39
Flute Trio: 3 flutes
38
Saxophone
34
Soprano Saxophone
27
Flute, Oboe (duet)
26
Descant (Soprano) Recorder
25
Flute, Clarinet, Piano (trio)
25
Clarinet, Guitar (duet)
24
Flute, Oboe, Clarinet (trio)
18
Recorder Quartet
18
Clarinet, Bassoon (duet)
17
Oboe, Violin (duet)
16
Oboe, Clarinet, Bassoon (trio)
15
Harmonica
14
Clarinet, Harp (duet)
14
Ocarina
13
2 Clarinets, Piano
13
Flute, harp and violin
13
Flute, Violoncello
13
3 Recorders (trio)
11
Flute, Oboe, Piano (trio)
11
Clarinet, Trombone (duet)
10
Descent (Soprano) Recorder, Piano
10
Flute, Clarinet and Bassoon.
9
Eb Instruments
9
Tenor Recorder
9
Clarinet, Cello (duet)
9
Flute, Oboe, Bassoon
8
English Horn
8
Treble (Alto) Recorder
8
Oboe, Guitar (duet)
7
English Horn, Guitar (duet)
7
Treble (Alto) Recorder, Piano
7
Recorder Ensemble
6
Saxophone and Guitar
6
2 Saxophones, Piano
6
Flute, Viola and Piano
5
Clarinet, Cello, Piano (trio)
5
Flute, Violin and Violoncello
4
Baritone Saxophone
4
Flute, trombone and piano
4
2 Oboes, Piano
4
Saxophone and Harp
3
Piccolo, Piano
3
Oboe, Harp
3
3 Oboes
3
Flute, Cello, Piano (trio)
3
Bass Clarinet
2
Recorder, Piano
2
Oboe, Clarinet and Piano (Trio)
2
2 English horns and Pianoforte
2
Flute, Clarinet, Violin (trio)
2
Oboe, Bassoon and Piano
2
Flute, Bassoon, and Piano
2
Saxophone and Organ
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
2 Clarinets, Bassoon
2
Flute, Cello, Guitar
2
5 Recorders
1
Flute, Organ (duet)
1
Oboe, Cello
1
Clarinet Quintet: Clarinet, String Quartet
1
Oboe ensemble
1
Flute, Oboe, Violin
1
Clarinette, Viola and Piano (trio)
1
Wind ensemble
1
Oboe, Violin, Piano
1
2 Flutes and Harp
1
Oboe and viola (duet)
1
Clarinet, trumpet and piano
1
Flute, Violin, Violoncello and Piano
1
Piccolo
1
Clarinet, Bassoon, Piano (trio)
1
+ 121 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
390
Trumpet, Saxophone (duet)
313
Trumpet
285
Trombone (band part)
275
Trombone and Piano
255
Brass quartet : 2 trumpets, trombone, tuba
252
Trumpet (band part)
235
Trumpet, Piano
227
2 Trombones (duet)
203
Trombone
202
French Horn and Piano
201
2 Trumpets (duet)
193
Trumpet, Trombone (duet)
188
French horn
121
English horn, Piano
113
Tuba and Piano
78
Euphonium, Piano (duet)
77
Brass Quartet
77
Brass Quartet: 2 trumpets, horn, trombone
69
Tuba
60
Trombone ensemble
59
Trumpet ensemble
52
Brass Quartet: 4 trombones
49
French horn (band part)
46
2 French horns (duet)
40
Tuba (band part)
37
Brass Quartet: 4 horns
26
Bass Clef Instruments
17
3 Trumpets (trio)
16
2 Tubas (duet)
14
3 Trombones (trio)
14
Brass Trio
13
Bb Instruments
12
2 Euphoniums and 2 Tubas
11
Brass Quartet: 4 trumpets
11
Horn Ensemble
10
Trumpet, Horn (duert)
9
2 Euphoniums (duet)
8
4 Tubas
8
English Horn
8
Euphonium
7
English Horn, Guitar (duet)
7
2 Trumpets, Keyboard (piano or organ)
7
Trumpet, Tuba (duet)
6
Trombone, Horn (duet)
5
Brass Quintet: 2 trumpets, horn, 2 trombones
5
Horn, Tuba (duet)
4
2 French horns, Piano
4
3 French horns (trio)
4
Trombone, Tuba (duet)
4
French Horn and Harp
3
Trumpet, Trombone, Piano
3
Euphonium, Tuba (duet)
3
Bass Trombone
2
Trombone, Organ
2
2 English horns and Pianoforte
2
3 Tubas (trio)
2
Tuba and Organ
2
Trumpet, Harp
2
Brass Quartet: 2 trumpets, 2 trombones
2
3 Euphoniums
2
Trombone, Violin (duet)
1
Trumpet, Cello, Piano
1
Trumpet, Euphonium (duet)
1
Bass Trombone and Piano
1
Clarinet, Horn (duet)
1
+ 61 instrumentations
-
Retract
Strings
Harp
1,231
String Quartet: 2 violins, viola, cello
996
Violin and Piano
878
Violin, Cello (duet)
438
Violin
425
Cello, Piano
370
Viola, Piano
332
2 Violins (duet)
300
String Trio: violin, viola, cello
285
Cello
255
Violin, Viola (duet)
242
2 Cellos (duet)
230
2 Violas (duet)
227
Viola
165
String Quintet: 2 violins, viola, cello, bass
105
Doublebass (band part)
79
2 Harps (duet)
62
Violin (band part)
60
String Trio: 2 violins, cello
58
Double Bass
44
Harp, Flute (duet)
44
Double bass, Piano (duet)
44
Viola, Cello (duet)
42
Viola (band part)
38
Harp, Violin (duet)
33
String Trio: 3 violins
28
4 Cellos
21
Cello (band part)
18
Piano Trio: Violin, Viola, Piano
18
Violin ensemble
17
Violin, Guitar (duet)
16
Viola ensemble
16
Cello, Guitar (duet)
13
Cello, String Bass (duet)
13
2 Violins, Piano
12
Harp, Voice
11
String Trio: 3 cellos
11
String Quintet: 2 violins, 2 violas, cello
10
String quartet: 4 violins
8
String Trio: 2 violins, viola
8
String Trio: 3 violas
7
2 Double basses (duet)
7
String Quartet : 4 violas
6
Flute, Doublebass (duet)
5
Viola and Harp
4
Violin, Clarinet, Piano (trio)
4
Cello, Organ
3
Cello Ensemble
3
Harp, Cello (duet)
3
String trio
3
4 Double Basses
3
2 Violas, Piano
3
2 Cellos, Piano
3
String Quintet: 2 violins, viola, 2 cellos
2
3 double basses
2
Viola, Guitar (duet)
2
Violin, Bassoon (duet)
1
Harp, Violin, Violoncello
1
3 Harps
1
Harp and Piano
1
Harp, Trombone (duet)
1
Cello, Orchestra
1
Viola and Bassoon
1
Violin, Organ
1
Violoncello, Basso continuo
1
+ 60 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,761
String Orchestra
645
Jazz Ensemble
561
Orchestra
513
Handbells
317
Brass ensemble
277
Chamber Orchestra
162
Marching band
152
Jazz combo
102
Drums
91
Percussion Ensemble
61
Drum (band part)
57
Percussion (band part)
34
Marimba
10
Vibraphone
8
Percussion
7
2 Xylophones
5
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Xylophone
3
Timpani
2
Brass Quintet: other combinaisons
1
Bongos
1
School Ensemble
1
Bodhran
1
Vibraphone and Marimba
1
Flexible Instrumentation
1
Timpani (band part)
1
Woodwind Quintet
1
Big band
1
Piano and Orchestra
1
Xylophone, Piano
1
Conga
1
Orchestra, Violin
1
2 Marimbas
1
+ 29 instrumentations
-
Retract
Others
Musical course - Solfege
1
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There\\\\\\\\
Baritone Saxophone, Piano
Sheetmusic to print
75 sheet music found
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1
26
51
Sicilienne (Maria-Theresia von Paradis) for Baritone Saxophone and Piano
#
Baritone Saxophone, Piano
#
INTERMEDIATE
#
Maria Theresia von Paradis
#
Harry Walker
#
Sicilienne
#
SCORE EDITIONS
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1502735 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical...
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1502735 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Score and part. 7 pages. SCORE EDITIONS #1078404. Published by SCORE EDITIONS (A0.1502735). Sicilienne is a charming and melodious piece attributed to Austrian composer Maria Theresia von Paradis, a prominent figure in 18th-century music. Despite debates about its true authorship, the piece remains a beloved masterpiece due to its lyrical simplicity and elegance. This timeless work enchants listeners and performers alike with its pastoral melody and serene lyricism. Sicilienne offers a glimpse into von Paradis's talent and musical sensitivity, maintaining its popularity in concert programs worldwide. Its simple and elegant beauty ensures that it will be cherished for generations to come. In this version, the composition was arranged for Baritone Saxophone and Piano by Harry Walker.
$5.99
Were You There, Gospel Hymn for Baritone Saxophone and Piano
#
Baritone Saxophone, Piano
#
EASY
#
Sacred music
#
Gospel/Spiritual
#
Traditional
#
David McKeown
#
Were You There, Gospel Hymn fo
#
David McKeown
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.593425 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worshi...
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.593425 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6419049. Published by David McKeown (A0.593425). Were You There is a beautiful spiritual arranged here for Solo Baritone Saxophone and Piano.Were You There was first published in 1899 but its origins stretch back into the nineteenth century. Like many spirituals there are coded references to the Afro- American experience. The mention of crucifixion in such songs was often associated with the lynchings that were a common occurrence right into the late twentieth century.
$2.49
There is a Fountain Filled with Blood, Gospel Hymn for Baritone Saxophone and Piano
#
Baritone Saxophone, Piano
#
EASY
#
Sacred music
#
Gospel/Spiritual
#
William Cowper
#
David McKeown
#
There is a Fountain Filled wit
#
David McKeown
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.593324 Composed by William Cowper. Arranged by David McKeown. Christian,Gospel,Praise & Wor...
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.593324 Composed by William Cowper. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418335. Published by David McKeown (A0.593324). There is a Fountain Filled with Blood is a beautiful hymn arranged here for Solo Baritone Saxophone and Piano.The words of There is a Fountain Filled with Blood were written by William Cowper in 1772 after a major bout of depression.
$2.49
There is Power in the Blood, Gospel Hymn for Baritone Saxophone and Piano
#
Baritone Saxophone, Piano
#
EASY
#
Sacred music
#
Gospel/Spiritual
#
Lewis Edgar Jones
#
David McKeown
#
There is Power in the Blood, G
#
David McKeown
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.593351 Composed by Lewis Edgar Jones. Arranged by David McKeown. Christian,Gospel,Praise & ...
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.593351 Composed by Lewis Edgar Jones. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418449. Published by David McKeown (A0.593351). There is Power in the Blood is a beautiful hymn arranged here for Solo Baritone Saxophone and Piano.There is Power in the Blood was written by Lewis Edgar Jones in 1899, one of 200 published hymns by this prolific writer.
$2.49
There Is A Balm In Gilead (Baritone Saxophone and Piano)
#
Baritone Saxophone, Piano
#
EASY
#
Sacred music
#
Stephen DeCesare
#
Stephen DeCesare
#
There Is A Balm In Gilead
#
Exultet Music
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1362250 By Stephen DeCesare. By Spiritual. Arranged by Stephen DeCesare. Christian,Lent,Sac...
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1362250 By Stephen DeCesare. By Spiritual. Arranged by Stephen DeCesare. Christian,Lent,Sacred,Spiritual,Standards. Score and part. 10 pages. Exultet Music #946728. Published by Exultet Music (A0.1362250). The traditional African American spiritual which refers to the concept of salvation through Jesus Christ has been freshly arranged for a Baritone Saxophone solo with Piano accompaniment. Â Accessible for any church or concert setting. Â An accompaniment track is also available.
$4.99
Over There
#
Baritone Saxophone, Piano
#
INTERMEDIATE
#
Contemporary
#
George M
#
Dominic Meccia
#
Over There
#
Dominic Meccia
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.704373 Composed by George M. Cohan. Arranged by Dominic Meccia. Contemporary. Score and par...
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.704373 Composed by George M. Cohan. Arranged by Dominic Meccia. Contemporary. Score and part. 8 pages. Dominic Meccia #5314705. Published by Dominic Meccia (A0.704373).
$4.99
Jesus Paid It All (with "Were You There") (Baritone Saxophone and Piano)
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Baritone Saxophone, Piano
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EASY
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Sacred music
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Sacred music
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Stephen DeCesare
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Stephen DeCesare
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Jesus Paid It All
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Exultet Music
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1201294 By Stephen DeCesare. By John T. Grape, Spiritual. Arranged by Stephen DeCesare. Chr...
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1201294 By Stephen DeCesare. By John T. Grape, Spiritual. Arranged by Stephen DeCesare. Christian,Contemporary,Easter,Praise & Worship,Sacred. Score and part. 12 pages. Exultet Music #799948. Published by Exultet Music (A0.1201294). Two of the most played hymns during Lent and Holy Week have now been freshly arranged and joined together. Scored for a Baritone Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
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Baritone Saxophone, Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,...
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505851. Published by jmsgu3 (A0.549534). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Sax & Piano
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Baritone Saxophone, Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549579 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549579 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509399. Published by jmsgu3 (A0.549579). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Sax & Piano
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Baritone Saxophone, Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549558 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549558 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507681. Published by jmsgu3 (A0.549558). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Peer Gynt Suite Complete for Baritone Sax & Piano
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Baritone Saxophone, Piano
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INTERMEDIATE/ADVANCED
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Classical
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.551499 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instru...
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.551499 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306305. Published by jmsgu3 (A0.551499). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Fauré: Élégie Op. 24 for Baritone Sax & Piano
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Baritone Saxophone, Piano
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INTERMEDIATE/ADVANCED
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Classical
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Ba
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicu...
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
DvoÅ™ák: Largo from the New World Symphony for Baritone Sax & Piano
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Baritone Saxophone, Piano
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EASY
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Classical
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from the Ne
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Roman...
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494017. Published by jmsgu3 (A0.549425). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
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Baritone Saxophone, Piano
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EASY
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,East...
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888325. Published by jmsgu3 (A0.550924). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Baritone Sax & Piano
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Baritone Saxophone, Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
#
Grieg: Morning Mood from Peer
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549512 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549512 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502515. Published by jmsgu3 (A0.549512). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
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Baritone Saxophone, Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,East...
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468854. Published by jmsgu3 (A0.549237). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Schubert: Ave Maria for Baritone Sax & Piano
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Baritone Saxophone, Piano
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BEGINNER
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Classical
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Franz Schubert
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James M
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Schubert: Ave Maria for Barito
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,St...
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Schubert: Moment Musicaux for Baritone Sax & Piano
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Baritone Saxophone, Piano
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EASY
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Classical
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Pe...
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
16 Favourite Easter Hymns for Solo Baritone Saxophone and Piano
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Baritone Saxophone, Piano
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EASY
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Sacred music
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.587869 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and p...
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.587869 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037719. Published by David McKeown (A0.587869). 16 Favourite Easter Hymns for Solo Baritone Saxophone and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Baritone Saxophone part are included in the single PDF file.16 Favourite Easter Hymns for Solo Baritone Saxophone and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Baritone Saxophone and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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Baritone Saxophone, Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruc...
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Sullivan: The Lost Chord for Baritone Sax & Piano
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Baritone Saxophone, Piano
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INTERMEDIATE/ADVANCED
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instru...
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Wade in the Water, Gospel Song for Baritone Saxophone and Piano
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Baritone Saxophone, Piano
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EASY
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Sacred music
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Gospel/Spiritual
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Traditional
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David McKeown
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Wade in the Water, Gospel Song
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David McKeown
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.593401 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worshi...
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.593401 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418761. Published by David McKeown (A0.593401). Wade in the Water is a beautiful spiritual arranged here for Solo Baritone Saxophone and Piano.Wade in the Water was first published in 1901 but its origins stretch back into the nineteenth century. It is often associated with the Underground Railway. It is said that the song made a coded reference to the advice escaped slaves received to wade in the water, thereby putting the slavers’ dogs off their scent.
$2.49
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