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3:15
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Piano & keyboards
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8,304
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Piano, Voice
5,066
Easy Piano
2,231
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724
Organ
313
C Instruments
96
1 Piano, 4 hands
75
Accordion, Voice
71
Piano Trio: piano, violin, cello
42
Piano (band part)
29
Piano Accompaniment
18
Piano Quartet: piano, violin, viola, cello
17
2 Pianos, 4 hands
17
Piano Quintet: piano, 2 violins, viola, cello
16
Solo instrument and Organ
15
Accordion
15
Piano Quartet: piano, 2 violins, cello
14
Organ, Piano (duet)
13
Organ, Trumpet (duet)
9
Organ, Voice
7
Melody line, Piano
6
1 Piano, 6 hands
4
Harpsichord
3
Accordion ensemble
2
Keyboard
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2 Pianos, 8 hands
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2 Accordions
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+ 23 instrumentations
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24
3 Guitars (trio)
18
Banjo
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Guitar (band part)
14
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7
Dulcimer
5
Guitar Ensemble
2
Mandolin
2
Electric Bass (band part)
1
Guitar, Violin, Cello (trio)
1
3 Dulcimers (trio)
1
+ 12 instrumentations
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Choral 2-part
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Choral TTBB
171
Choral SSAA
96
Choral
50
Voice, Guitar
49
Choral Instrumental Pak
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Choral Unison
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Vocal duet, Piano
18
Tenor voice, Piano
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Baritone voice, Piano
17
Soprano voice, Piano
17
Alto voice, Piano
15
Voice, Basso continuo
8
High voice
4
Choral SSATBB
3
Choral SSAATTBB
2
Choral SSAB a cappella
2
Choral SSAB, Piano
2
Vocal duet
1
Choral SSATTB
1
Choral SATTBB, keyboard
1
Choral SATTB
1
Voice solo
1
Mezzo-Soprano voice, Piano
1
High voice, Piano
1
Low voice, Piano
1
Choral SSATB
1
Medium voice, Piano
1
+ 25 instrumentations
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Woodwind
Saxophone Quartet: 4 saxophones
262
Flute and Piano
256
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243
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199
Clarinet and Piano
190
Saxophone (band part)
158
Clarinet (band part)
152
Alto Saxophone and Piano
140
Flute
137
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
135
3 Saxophones (trio)
118
Oboe, Piano (duet)
118
Alto Saxophone
117
3 Clarinets (trio)
103
Flute Quartet: 4 flutes
92
Flute (band part)
86
Tenor Saxophone and Piano
84
Eb Instruments
64
Clarinet
63
Soprano Saxophone and Piano
63
2 Saxophones (duet)
61
Flute Trio: 3 flutes
60
Saxophone Quintet: 5 Saxophones
57
Tenor Saxophone
49
Clarinet Ensemble
47
2 Flutes (duet)
44
2 Clarinets (duet)
34
Oboe (band part)
34
Baritone Saxophone, Piano
33
Saxophone ensemble
31
English horn, Piano
29
Flute ensemble
26
Clarinet Quintet: 5 clarinets
21
Bass Clarinet, Piano
20
2 Oboes (duet)
19
Flute and Guitar
15
Oboe
15
Flute, Violin, Piano
14
Recorder Quartet
14
2 Clarinets, Piano
13
Flute, Clarinet and Bassoon.
12
Oboe, Clarinet, Bassoon (trio)
10
2 Flutes, Piano
9
Recorder, Piano
9
Flute, trombone and piano
9
Oboe, Bassoon (duet)
9
Flute, Viola and Piano
8
3 Recorders (trio)
8
Clarinet, Bassoon (duet)
8
Flute, Clarinet, Piano (trio)
8
Flute, Clarinet (duet)
7
Flute, Cello, Piano (trio)
7
Flute, Oboe, Clarinet (trio)
7
Flute, Violin and Violoncello
7
5 Recorders
7
Clarinet, Cello, Piano (trio)
6
2 Recorders (duet)
6
Saxophone
6
Flute Quintet : 5 flutes
6
Flute, Oboe, Piano (trio)
6
Flute, Bassoon, and Piano
5
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5
Clarinet, Guitar (duet)
5
Clarinet, Harp (duet)
5
Clarinet, Violin (duet)
5
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5
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4
3 Oboes
4
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4
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4
Flute, Violin, Violoncello and Piano
3
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3
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3
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3
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English Horn
3
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3
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3
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3
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2
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2
Oboe, Flute
2
Recorder
2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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1
4 Oboes
1
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1
Recorder, Harp
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1
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1
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1
Flute, Organ (duet)
1
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Harmonica
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Oboe, Clarinet and Piano (Trio)
1
2 English horns and Pianoforte
1
Clarinet Quintet: Clarinet, String Quartet
1
Flute, Violin, Guitar
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+ 110 instrumentations
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Brass Quintet: 2 trumpets, horn, trombone, tuba
193
Trumpet (band part)
142
Trumpet
129
Brass quartet : 2 trumpets, trombone, tuba
129
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115
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105
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85
French Horn and Piano
83
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65
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62
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54
3 Trombones (trio)
49
Brass Quartet
38
Euphonium, Piano (duet)
37
Tuba and Piano
32
English horn, Piano
29
Trombone
28
Brass Quartet: 2 trumpets, horn, trombone
28
Brass Trio
26
Tuba (band part)
25
3 Trumpets (trio)
21
2 Trumpets (duet)
21
French horn
20
2 French horns (duet)
18
Brass Quartet: 4 trombones
16
Trumpet, Trombone (duet)
14
Brass Quartet: 4 horns
11
Horn Ensemble
11
2 Trombones (duet)
10
2 Euphoniums and 2 Tubas
10
Tuba or Euphonium or Saxhorn
7
3 French horns (trio)
7
Tuba
7
Bass Trombone and Piano
7
Trumpet, Harp
6
Trombone ensemble
6
Brass Quartet: 4 trumpets
5
4 Tubas
5
2 Euphoniums (duet)
4
2 Tubas (duet)
4
Euphonium, Tuba (duet)
4
Trumpet ensemble
4
English Horn
3
Trumpet, Horn (duert)
3
French Horn and Harp
3
Trumpet, Cello, Piano
3
Euphonium
2
Bass Trombone
2
Brass Quartet: 2 trumpets, 2 trombones
2
Cornet
1
Euphonium (band part)
1
Tuba ensemble
1
F Instruments
1
3 Tubas (trio)
1
Horn, Cello (duet)
1
2 English horns and Pianoforte
1
Bass Saxhorn or Euphonium or Tuba and Piano
1
Trumpet, Tuba (duet)
1
+ 53 instrumentations
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803
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242
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206
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143
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135
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130
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114
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99
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71
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56
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51
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48
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46
2 Violins (duet)
44
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39
String trio
36
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30
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29
String Trio: 3 violas
28
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22
4 Cellos
20
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18
String Trio: 3 violins
18
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17
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10
String quartet: 4 violins
10
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10
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10
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8
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6
Piano Trio: Violin, Viola, Piano
6
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5
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5
String Trio: 2 violins, viola
4
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4
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4
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2
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2
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2
3 Harps
2
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2
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2
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1
Flute, Doublebass (duet)
1
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1
Harp (band part)
1
Harp and mandolin
1
2 Cellos, Piano
1
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Retract
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525
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219
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147
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146
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139
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107
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45
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35
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27
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11
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9
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2 Marimbas
2
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3 Percussions
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You've selected:
3:15
Tuba
Sheetmusic to print
7 sheet music found
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1
Partita No. 3 BWV 1006 for Unaccompanied Tuba
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Tuba
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ADVANCED
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Classical
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Johann Sebastian Bach
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Robert Coulter
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Partita No. 3 BWV 1006 for Una
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Cherry Classics Music
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SheetMusicPlus
Tuba - Advanced - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Robert Coulter. Classical Period, Baroque Period, Renai...
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Tuba - Advanced - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Robert Coulter. Classical Period, Baroque Period, Renaissance. Solo Part. 15 pages. Published by Cherry Classics Music
Bach's Partita No. 3, BWV 1006 originally composed for Violin, is the last work in a series of Sonatas and Partitas and includes the following movements: 1. Preludio, 2. Lourée, 3. Gavotte en Rondeau, 4. Menuets I and II, 5. Bourrée and 6. Gigue.
This great arrangement by Robert Coulter for Tuba in the key of E-flat, is about 20 minutes in length and appropriate for advanced performers.
$22.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
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Tuba
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Tuba Solo - Level 3 - Digital Download SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published...
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Tuba Solo - Level 3 - Digital Download SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Das Große Gastmahl (Tuba)
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Tuba
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INTERMEDIATE/ADVANCED
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Stephan Langenberg
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Das Große Gastmahl
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Stephan Langenberg
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SheetMusicPlus
B-Flat Tuba,Tuba Solo - Level 4 - Digital Download SKU: A0.1435146 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Indiv...
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B-Flat Tuba,Tuba Solo - Level 4 - Digital Download SKU: A0.1435146 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 17 pages. Stephan Langenberg #1015252. Published by Stephan Langenberg (A0.1435146). Inhaltlich orientiert sich das Werk am Evangelium nach Lukas 14,15-24:Ein großes Fest ist bereitet. Der Gastgeber schickt seinen Knecht (Sprecher) um drei auserwählte Gäste (Chöre 1-3) einzuladen. Nachdem ihm alle Gäste eine Absage erteilen, kehrt der Knecht zu seinem Herrn zurück. Dieser schickt ihn aber erneut hinaus. Nun jedoch zu allen anderen Menschen um sie zum Fest einzuladen (Schlusschor: Geh hinaus). Jeder Gast in diesem Gleichnis wird durch eine Chornummer repräsentiert. Zu jedem unterschiedlichen Charakter sind unterschiedliche Stilistiken gewählt worden.Besetzung· gemischter Chor (SATB) 4 bis 8 stimmig (vereinzelt Solisten aus dem Chor) · Sprecher· Blechbläserquintett (2Tr/Flg, 1 Hrn, 1 Trb, 1 Tb) · Klavier, Hammond Orgel (alternativ Pfeifenorgel)Aufführungsdauer: ca. 30 Minuten (Bearbeitungen der einzelnen Chorstücke für Chor und Klavier ebenfalls verfügbar)Inhalt1. Choral: „Selig die am Tisch des Herrn” (1)2. Der Knecht3. Der Weg zum ersten Gast (instrumental + Sprecher)4. Chor: „Du hast der Güter reich” (der erste Gast)5. Die Einladung/ die Absage (1)6. Der Weg zum zweiten Gast (s.o.)7. Chor: „Stark ist dein Arm” (der zweite Gast)8. Die Einladung/ die Absage (2)9. Der Weg zum dritten Gast (s.o)10. Chor: „Wie schön du bist” (der dritte Gast)11. Die Einladung/ die Absage (3)12. Der Knecht (Reprise)13. Chor: „Geh hinaus”14. Choral: „Selig die am Tisch des Herrn” (2)UraufführungDie Uraufführung im Rahmen der “Nacht der offenen Kirchen” in der Stadtkirche Unna fand große Zustimmung von Publikum und Ausführenden gleichermaßen. Sie fand am 08.06.2014 in der Stadtkirche Unna statt. Ausführende waren die Philipp-Nicolai Kantorei Unna, das Ensemble Grazination Brass aus Graz und Guntram Höft als Sprecher unter der Leitung von KMD Hannelore Höft.Im Anschluss an das Konzert wurde die Nacht der offenen Kirchen mit einem großen Abendmahl im Kirchenraum gefeiert.Hier geht zum Notenmaterial: Sheet MusicWeitere Informationen zu meiner Person und meinen Werken finden Sie auf meiner neuen Internetseite: www.langenbergmedia.com
$4.99
Faith Is The Victory
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Tuba
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Folkloric/Traditional
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John H
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Dana F
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Faith Is The Victory
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David E. Smith
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SheetMusicPlus
Composed by John H. Yates. Arranged by Dana F. Everson. Traditional. Sacred instrumental music. Score and parts. Composed 1995. 6 pages. Duration 3 minutes, 15 ...
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Composed by John H. Yates. Arranged by Dana F. Everson. Traditional. Sacred instrumental music. Score and parts. Composed 1995. 6 pages. Duration 3 minutes, 15 seconds. Published by David E. Smith (DX.143122). - score and parts - Sacred instrumental music - David E. Smith
$4.00
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It Be?" T
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Ar...
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
Unaccompanied Tuba Suite #2 in B-flat Major
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Tuba
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INTERMEDIATE/ADVANCED
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Jason Allie
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Unaccompanied Tuba Suite #2 in
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Joaba LLC
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SheetMusicPlus
Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages...
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Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99
Pirates of the Caribbean Medley by Scott Sutherland - Tuba Solo
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Tuba
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Film/TV
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Scott Sutherland
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Pirates of the Caribbean Medle
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Musicnotes
Performed by: Scott Sutherland: Pirates of the Caribbean Medley - (The Medallion Calls - To the Pirates' Cave! - One Last Shot - He's a Pirate) Digita...
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Performed by: Scott Sutherland: Pirates of the Caribbean Medley - (The Medallion Calls - To the Pirates' Cave! - One Last Shot - He's a Pirate) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Tuba; 3 pages -- Soundtrack~~Movie/TV~~Solo Instrumental
$4.99
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