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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
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MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
One, Two, Three
Not classified
899
Piano & keyboards
Piano solo
152
Easy Piano
41
Piano, Vocal and Guitar
26
Piano, Voice
20
Organ
16
1 Piano, 4 hands
12
C Instruments
11
2 Pianos, 4 hands
8
Piano Accompaniment
5
Piano Trio: piano, violin, cello
4
Organ, Piano (duet)
3
Harpsichord
2
Organ, Trumpet (duet)
2
Accordion
2
1 Piano, 6 hands
2
Piano Quartet: piano, 2 violins, cello
1
Piano Quintet: piano, 2 violins, viola, cello
1
Piano (band part)
1
+ 13 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
28
Guitar
27
Dulcimer
9
4 Guitars (Quartet)
7
Melody line, (Lyrics) and Chords
5
3 Guitars (trio)
5
Banjo
3
Mandolin
3
2 Guitars (duet)
3
2 Dulcimers (duet)
3
Guitar (band part)
2
Ukulele
2
Bass guitar
1
2 Mandolins (duet)
1
Guitar Ensemble
1
+ 10 instrumentations
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Retract
Voice
Choral SATB
112
Choral 3-part
61
Choral 2-part
19
Choral Unison
17
Choral TTBB
10
Choral SSAA
4
Vocal duet
4
Soprano voice, Piano
4
Vocal duet, Piano
3
Baritone voice, Piano
2
Choral
2
Soprano voice, Orchestra
1
Tenor voice
1
High voice
1
Tenor voice, Piano
1
+ 10 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
302
2 Flutes (duet)
87
2 Clarinets (duet)
62
Saxophone Quartet: 4 saxophones
54
2 Oboes (duet)
46
Saxophone, Clarinet (duet)
43
Clarinet, Violin (duet)
29
Flute and Piano
27
Alto Saxophone and Piano
26
3 Saxophones (trio)
24
Clarinet
23
Clarinet, Trumpet (duet)
23
Saxophone Quintet: 5 Saxophones
23
Flute, Clarinet (duet)
22
3 Clarinets (trio)
21
Tenor Saxophone and Piano
18
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
17
Soprano Saxophone and Piano
17
Oboe, Piano (duet)
17
Clarinet and Piano
16
Alto Saxophone
16
Clarinet and Viola
16
Flute, Violin
16
Oboe, Bassoon (duet)
15
Oboe, Clarinet (duet)
15
Flute
14
Oboe, Flute
14
Clarinet Quartet: 4 clarinets
14
Saxophone (band part)
14
Oboe (band part)
13
Flute, Viola (duet)
13
Flute, Saxophone (duet)
13
Flute Trio: 3 flutes
12
Flute, Oboe, Clarinet, Bassoon
12
Flute, Trumpet (duet)
10
Tenor Saxophone
10
Flute Quartet: 4 flutes
9
Clarinet Quintet: 5 clarinets
7
Saxophone ensemble
7
Clarinet Ensemble
7
Baritone Saxophone, Piano
6
Flute ensemble
6
English horn, Piano
6
Oboe, Clarinet, Bassoon (trio)
5
Descant (Soprano) Recorder
5
English Horn
4
3 Recorders (trio)
3
Clarinet, Bassoon (duet)
3
Recorder Quartet
3
Flute Quintet : 5 flutes
3
Flute, Oboe (duet)
3
Flute and Guitar
2
Recorder
2
Clarinet, Trombone (duet)
2
Clarinet (band part)
2
Flute, Oboe, Bassoon
2
Clarinet, Cello (duet)
2
Flute, Violoncello
2
Tenor Recorder
2
Bass Clarinet, Piano
2
Flute, harp and violin
2
Saxophone and Organ
2
Flute (band part)
2
Flute, Clarinet and Bassoon.
2
Wind ensemble
2
Saxophone and Harp
1
Harmonica
1
Descent (Soprano) Recorder, Piano
1
Oboe, Cello
1
Saxophone and cello
1
Piccolo, Piano
1
Soprano Saxophone
1
Flute, Violin and Violoncello
1
4 Oboes
1
Flute, Oboe, Clarinet (trio)
1
2 English horns and Pianoforte
1
2 Saxophones, Piano
1
2 Flutes, Piano
1
Oboe, Bassoon and Piano
1
Oboe and viola (duet)
1
Flute, Oboe, Piano (trio)
1
Saxophone, Bassoon (duet)
1
+ 77 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
94
2 Trombones (duet)
89
2 Trumpets (duet)
47
Trumpet, Saxophone (duet)
32
Trombone and Piano
31
Brass quartet : 2 trumpets, trombone, tuba
26
Trumpet, Trombone (duet)
24
Trombone ensemble
13
Tuba and Piano
13
Brass Quartet: 2 trumpets, horn, trombone
12
3 Trombones (trio)
12
Trombone
9
Trumpet, Piano
9
Trumpet ensemble
8
Brass Quartet: 4 trombones
8
Brass Quartet
8
Trumpet
7
Trombone (band part)
7
Tuba
6
English horn, Piano
6
Euphonium, Piano (duet)
6
Trumpet (band part)
5
French Horn and Piano
5
2 French horns (duet)
5
Brass Quartet: 2 trumpets, 2 trombones
5
Brass Trio
4
English Horn
4
3 Trumpets (trio)
4
Euphonium
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Bass Trombone
3
2 Tubas (duet)
3
French horn
3
2 Euphoniums (duet)
2
3 Euphoniums
2
3 Tubas (trio)
2
Trombone, Organ
1
Tuba (band part)
1
French horn (band part)
1
Euphonium, Tuba (duet)
1
2 English horns and Pianoforte
1
3 French horns (trio)
1
Trumpet, Tuba (duet)
1
Horn, Cello (duet)
1
2 French horns, Piano
1
2 Trombones, Piano
1
Horn Ensemble
1
Bass Trombone and Piano
1
+ 43 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
257
Violin, Cello (duet)
244
Violin
200
String Trio: violin, viola, cello
200
String Quintet: 2 violins, viola, cello, bass
77
2 Violins (duet)
69
2 Violas (duet)
51
2 Cellos (duet)
50
Violin and Piano
47
Harp
45
Violin, Viola (duet)
37
Cello, Piano
22
Viola
19
Cello
17
Viola, Piano
15
Viola, Cello (duet)
14
String Trio: 2 violins, cello
13
Viola (band part)
6
String Trio: 3 violins
4
Viola ensemble
4
4 Cellos
4
Harp, Voice
4
Violin ensemble
4
String Trio: 3 cellos
3
String Quintet: 2 violins, 2 violas, cello
3
String Trio: 2 violins, viola
3
Doublebass (band part)
3
Violin (band part)
2
Violin, Guitar (duet)
2
Double Bass
2
Cello, Guitar (duet)
1
Viola, Guitar (duet)
1
3 double basses
1
Violin, Clarinet, Piano (trio)
1
Piano Trio: Violin, Viola, Piano
1
Harp, Trombone (duet)
1
3 Harps
1
Violoncello, Basso continuo
1
Harp and Piano
1
2 Double basses (duet)
1
2 Violins, Piano
1
Cello (band part)
1
String Trio: 3 violas
1
+ 38 instrumentations
-
Retract
Orchestra & Percussion
String Orchestra
119
Concert band
116
Orchestra
45
Brass ensemble
40
Jazz Ensemble
25
Handbells
23
Chamber Orchestra
18
Jazz combo
16
Percussion Ensemble
12
Marching band
6
Percussion
2
Orchestra, Violin
1
Piano and Orchestra
1
Brass Quintet: other combinaisons
1
Drum (band part)
1
Marimba
1
Drums
1
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One, Two, Three
Tuba
Sheetmusic to print
6 sheet music found
<
1
Christmas Carols for the Lonely Tubist, Vol. 2
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Tuba
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ADVANCED
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Christmas
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Various
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Sean A
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Christmas Carols for the Lonel
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SeanBrownMusic
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SheetMusicPlus
Tuba Solo - Level 5 - Digital Download SKU: A0.878326 Composed by Various. Arranged by Sean A. Brown. Christmas. Individual part. 20 pages. SeanBrownMusi...
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Tuba Solo - Level 5 - Digital Download SKU: A0.878326 Composed by Various. Arranged by Sean A. Brown. Christmas. Individual part. 20 pages. SeanBrownMusic #3405441. Published by SeanBrownMusic (A0.878326). This is a set of Christmas tunes for a solo tuba player. Each tune usually consists of a simple statement of the first verse, with one or two verses following, with variation. It is manageable for an advanced high school player and up. The book consists of the following Christmas carols:Here We Come A-WassailingLo How a Rose E'er BloomingUp On the HousetopAngels from the Realms of GloryAway in a MangerThe Holly and the IvyGreensleevesFum Fum FumGo Tell It On the MountainI Saw Three ShipsIn the Bleak MidwinterDing Dong Merrily On HighThe 12 Days of ChristmasO Little Town of BethlehemAuld Lang Syne​We Wish You a Merry ChristmasPublished by Sean A. Brown, SeanBrownMusic.Weebly.com.
$15.00
Unaccompanied Tuba Suite #1 in B-flat Major
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Tuba
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INTERMEDIATE
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Jason Allie
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Unaccompanied Tuba Suite #1 in
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Joaba LLC
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SheetMusicPlus
Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC ...
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Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
Practice With Bach for the Tuba Volumes 1, 2 and 3-complete
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Tuba
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ADVANCED
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Ralph Sauer
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Cherry Classics Music
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Practice With Bach for the Tub
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Gordon Cherry
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SheetMusicPlus
Tuba Solo - Level 5 - Digital Download SKU: A0.811068 Composed by Ralph Sauer. Arranged by Cherry Classics Music. Baroque,Classical,Instructional,Renaiss...
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Tuba Solo - Level 5 - Digital Download SKU: A0.811068 Composed by Ralph Sauer. Arranged by Cherry Classics Music. Baroque,Classical,Instructional,Renaissance. Individual part. 99 pages. Gordon Cherry #4846955. Published by Gordon Cherry (A0.811068). Ralph Sauer's landmark new works, Practice With Bach for The Tuba Volumes 1, 2, & 3, are now available as a complete set. These demanding études will challenge your technique and musicality. Based on the keyboard works of J. S. Bach, the complete set of Three Volumes totalling 97 pages and 86 études is available in five different versions--Alto Trombone, Tenor Trombone, Bass Trombone, Euphonium, and Tuba. Each version is customized for the individual instrument (choice of key, range, ornaments, etc.). Euphoniumists will find these studies valuable for developing a strong and vibrant low register. • Volume One contains Twenty-four études in all keys, based upon The Preludes from The Well-Tempered Clavier. • Volume Two contains Twenty-four études, based upon The Six Partitas (BWV 825-830). • Volume Three contains Thirty-eight études, based upon The Six French Suites (BWV 812-817).
$49.50
Tuba Serenade
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Tuba
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ADVANCED
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Contemporary
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David
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Tuba Serenade
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Modrana Music Publishers Ltd
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SheetMusicPlus
Tuba Solo - Level 5 - Digital Download SKU: A0.966280 Composed by David. F. Golightly. Contemporary. Individual part. 14 pages. Modrana Music Publishers ...
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Tuba Solo - Level 5 - Digital Download SKU: A0.966280 Composed by David. F. Golightly. Contemporary. Individual part. 14 pages. Modrana Music Publishers Ltd #2020021. Published by Modrana Music Publishers Ltd (A0.966280). Serenade For Solo Tuba Review Serenade for solo Tuba by David Golightly Modrana Music Publishers Ltd. The Serenade for solo Tuba was premiered by James Anderson, Professor of Tuba at The Guildhall School of Music and Drama, London, England in May 1980. My only question is, why did it take so long to get published and into the repertoire of serious tubists all over the globe? It is definitely a welcome addition to the library of the solo tubist. Good solo pieces that are entertaining for audiences are quite hard to come by. This piece will most assuredly be one of those to join the ranks of Penderecki's Capriccio and Gregson's Alarum. The Serenade is set up in three movements and is metered throughout. The range of the work is from DD-g1. Movement One entitled March, is in 2/4 and m.m. equals 112. It is quite spirited in style and will require a performer with agile abilities to navigate through wide intervals and varied articulations. Movement Two is not your typical slow, melodic song that one would imagine from a title such as Elegy. It is extremely doloroso in nature and has the soloist soaring into the extreme upper range (g1) utilizing strict rhythmic patterns. The Gallop, movement three, is quite animated and encompasses mixed meters with the majority of the piece being in 6/8. Just when you think your triplets are moving along, a duple figure is thrown in to add variety to the melodic lines, which is actually quiet refreshing and prevents it from becoming a boring, technical exercise. As was stated before, this work will require a performer with great technique. Not for the less than advanced tubist. If you have conquered the other reputable solo tuba pieces, then this one should definitely be next. Raul I. Rodriguez Tuba Journal 1998. David writes music with great intelligence and accessibility, that also captures a human spirit that makes you want to share his music in-performance Ewan Easton (Halle Tuba) The MP3 is a computer generated file of the first movement March.
$11.99
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It Be?" T
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Ar...
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
Practice With Bach for the Tuba, Volume 2
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Tuba
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ADVANCED
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Sauer, Ralph
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Sauer, Ralph
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Practice With Bach for the Tub
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Gordon Cherry
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SheetMusicPlus
Tuba Solo - Level 5 - Digital Download SKU: A0.810985 Composed by Sauer, Ralph. Arranged by Sauer, Ralph. Baroque,Classical,Instructional. Individual par...
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Tuba Solo - Level 5 - Digital Download SKU: A0.810985 Composed by Sauer, Ralph. Arranged by Sauer, Ralph. Baroque,Classical,Instructional. Individual part. 32 pages. Gordon Cherry #4601935. Published by Gordon Cherry (A0.810985). Ralph Sauer's landmark new work, Practice With Bach for tuba Volume II, will challenge your technique and musicality with demanding new études. Based on the keyboard works of J. S. Bach, each of the Three Volumes is available in five different versions--Alto Trombone, Tenor Trombone, Bass Trombone, Euphonium, and Tuba. Each version is customized for the individual instrument (choice of key, range, ornaments, etc.). Volume Two contains Twenty-four études, based upon the Six Partitas (BWV 825-830).
$20.00
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