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Second movement:
Sheetmusicplus
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750
Piano & keyboards
Piano solo
444
Easy Piano
82
Organ
39
Piano, Vocal and Guitar
31
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21
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16
Piano Trio: piano, violin, cello
15
1 Piano, 4 hands
15
Organ, Piano (duet)
8
C Instruments
6
Piano Quartet: piano, violin, viola, cello
6
Piano Quintet: piano, 2 violins, viola, cello
3
Piano Accompaniment
2
Piano Quartet: piano, 2 violins, cello
2
Keyboard
1
2 Accordions
1
2 Pianos, 8 hands
1
+ 12 instrumentations
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43
Guitar notes and tablatures
19
2 Guitars (duet)
11
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2
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2
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106
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11
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8
Choral 3-part
6
Choral SSAA
6
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3
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High voice
2
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2
Choral 2-part
1
+ 5 instrumentations
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Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
82
Saxophone Quartet: 4 saxophones
70
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66
Clarinet and Piano
61
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44
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39
Saxophone Quintet: 5 Saxophones
36
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35
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31
2 Saxophones (duet)
28
2 Flutes, Piano
26
Flute, Oboe, Clarinet, Bassoon
26
2 Clarinets (duet)
22
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22
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21
Saxophone ensemble
21
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19
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19
3 Saxophones (trio)
18
Flute ensemble
17
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15
Clarinet
15
Soprano Saxophone and Piano
15
Flute
13
Flute Quintet : 5 flutes
12
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12
Baritone Saxophone, Piano
11
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10
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10
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8
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8
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8
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8
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8
2 Oboes (duet)
7
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6
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6
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6
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6
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5
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5
English Horn
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4
3 Recorders (trio)
4
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3
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3
2 English horns and Pianoforte
3
Oboe, Bassoon (duet)
3
Flute (band part)
3
Descent (Soprano) Recorder, Piano
3
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Oboe, Harp
2
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2
Flute, Clarinet, Piano (trio)
2
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2
Clarinet, Cello (duet)
2
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2
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2
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2
Flute, Violin
2
Oboe ensemble
1
Flute, Saxophone (duet)
1
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1
Flute, Viola and harp
1
Oboe, Cello
1
Flute, Oboe, Bassoon
1
Recorder
1
2 Saxophones, Piano
1
Clarinet, Trombone (duet)
1
Flute, Oboe (duet)
1
Saxophone and Harp
1
Flute, Oboe, Piano (trio)
1
Flute, Bassoon, and Piano
1
Flute, Viola and Piano
1
2 Clarinets, Piano
1
Recorder, Piano
1
Flute, Harp and Cello
1
Flute, Violin and Violoncello
1
Saxophone
1
Clarinet, Bassoon, Piano (trio)
1
Tenor Recorder
1
Saxophone, Clarinet (duet)
1
Piccolo, Piano
1
Clarinet Quintet: Clarinet, String Quartet
1
+ 80 instrumentations
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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
61
Brass quartet : 2 trumpets, trombone, tuba
56
Trombone and Piano
42
Trumpet, Piano
38
French Horn and Piano
24
Trumpet
18
2 Trumpets (duet)
15
Tuba and Piano
14
French horn
10
Trombone
9
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9
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8
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8
English horn, Piano
8
Trumpet ensemble
7
2 Trombones (duet)
7
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7
Trombone ensemble
6
Horn Ensemble
6
French horn (band part)
5
Trumpet (band part)
5
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5
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5
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5
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5
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4
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4
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4
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4
4 Tubas
4
2 Euphoniums and 2 Tubas
3
2 English horns and Pianoforte
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3
Tuba
3
3 Tubas (trio)
3
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2
2 Tubas (duet)
2
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1
Euphonium, Tuba (duet)
1
3 French horns (trio)
1
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1
French Horn and Harp
1
Bass Trombone and Piano
1
+ 42 instrumentations
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Strings
String Quartet: 2 violins, viola, cello
177
Violin and Piano
90
Cello, Piano
52
Violin
42
Viola, Piano
36
2 Violins (duet)
23
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18
Cello
15
Harp
15
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13
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12
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10
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9
String quartet: 4 violins
8
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7
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7
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5
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4
String Quartet : 4 violas
4
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4
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2
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1
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1
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1
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1
String Quintet: 2 violins, 2 violas, cello
1
Flute, Doublebass (duet)
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1
Harp and Piano
1
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1
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202
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132
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124
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80
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10
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1
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1
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1
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1
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Second movement:
SheetMusicPlus
Tuba
Sheetmusic to print
3 sheet music found
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1
Unaccompanied Tuba Suite #3: Rhapsody in A
#
Tuba
#
ADVANCED
#
Jason Allie
#
Unaccompanied Tuba Suite #3: R
#
Joaba LLC
#
SheetMusicPlus
Tuba Solo - Level 5 - Digital Download SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Publ...
(+)
Tuba Solo - Level 5 - Digital Download SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Published by Joaba LLC (A0.991806). Description Total Duration: 11 minutes. A vigorous, advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. In an enjoyable and delightful manner, tubists will build dexterity, endurance, expressiveness, effective volume and range (going up to D/C# above the staff). This work will charm, captivate, and rouse/impress audiences. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba in whole or in part. Please send feedback, praises and more to contact@joaba.com. Performance Notes from the Composer Édesen Édesen translates to sweetly in Hungarian, and is this movement’s purpose: to be a centering, calming moment before the following tumult.The first 10 bars serve as an introduction to warm up to the melody. The melody has three contrasting articulations that must be respected: staccato, legato, and normal. The melody easily leads to high and low range notes-excellent for beginner/intermediate tubists to expand and solidify their range. Give more air for the range’s extremities so pitches don’t become too thin or muddled. The second theme in the dominant (E major) should be played with luscious legato and bright staccato. LassanLassan translates to slowly in Hungarian usually conveying stateliness or seriousness. This argumentative movement breaks the former’s idyll and sets the case for the next movement’s defiance and victory.The first section is to be played serious and strong. Increase air support for the higher pitches. Make the descending scales resound and bounce off the lowest notes. The second theme starting at 81 should be played with great charm and ease. For the solo passages, show-off but slow the tempo into the fermatas: (m77-80, m102-103, and m132-133). Friska Friska translates to fresh in Hungarian and in this case, it’s a duality of turbulence and final elation.Start the piece fast, but not too boisterous-embellishments are added in the repeat demanding boisterousness. Epitomizing the turbulence, the con moto sections (at m161 & m260) emphasize a 1 beat per measure feel-accelerate the tempo as is comfortable. The digressionary, crab-like sections (at m176 & m275) should be played as light as possible to help build up to the elated sections. The first elated section (m188) should be played as if gleefully discovered but not yet won; the second elated section (m291), with a victorious finality that cannot be diminished or tarnished.
$12.99
When I can Read About the Lily
#
Tuba
#
INTERMEDIATE/ADVANCED
#
Alexander Johnson, William S
#
Gordon Wolfe
#
When I can Read About the Lily
#
Gordon Wolfe
#
SheetMusicPlus
Tuba Solo - Level 4 - Digital Download SKU: A0.1003255 Composed by Alexander Johnson, William S. Hays. Arranged by Gordon Wolfe. Christian. Individual pa...
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Tuba Solo - Level 4 - Digital Download SKU: A0.1003255 Composed by Alexander Johnson, William S. Hays. Arranged by Gordon Wolfe. Christian. Individual part. 2 pages. Gordon Wolfe #3048025. Published by Gordon Wolfe (A0.1003255). A Sonata Form solo for Tuba intended as the second and primary movement of a Church Sonata in Gospel style. It is based on two hymns: When I can Read my Title Clear and Lily of the Valley.
$2.10
Unaccompanied Tuba Suite #1 in B-flat Major
#
Tuba
#
INTERMEDIATE
#
Jason Allie
#
Unaccompanied Tuba Suite #1 in
#
Joaba LLC
#
SheetMusicPlus
Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC ...
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Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
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