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Table For Two
Not classified
833
Piano & keyboards
Piano solo
295
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171
Piano, Voice
88
Easy Piano
57
Organ
57
1 Piano, 4 hands
56
2 Pianos, 4 hands
35
C Instruments
15
Piano Accompaniment
7
Piano Trio: piano, violin, cello
6
Organ, Piano (duet)
3
Accordion
3
Big Note Piano
2
+ 8 instrumentations
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Retract
Guitars
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109
Lyrics and Chords
103
Melody line, (Lyrics) and Chords
73
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46
Dulcimer
44
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31
Ukulele
24
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11
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3
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3
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2
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2
2 Dulcimers (duet)
2
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1
3 Guitars (trio)
1
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1
+ 12 instrumentations
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147
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117
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68
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55
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32
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23
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13
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10
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5
High voice
2
Voice solo
2
Mezzo-Soprano voice, Piano
1
Low voice, Piano
1
Medium voice, Piano
1
Low voice
1
+ 10 instrumentations
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Woodwind
2 Saxophones (duet)
540
2 Flutes (duet)
460
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392
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109
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79
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67
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63
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48
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47
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41
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41
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39
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37
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36
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32
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30
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28
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28
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28
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28
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23
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23
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22
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21
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21
3 Saxophones (trio)
20
Clarinet Ensemble
20
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20
Oboe, Clarinet (duet)
20
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20
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18
Oboe, Flute
17
Clarinet
17
Alto Saxophone
16
Tenor Saxophone
15
Flute Quintet : 5 flutes
12
English horn, Piano
11
3 Clarinets (trio)
11
Tenor Saxophone and Piano
10
2 Flutes, Piano
9
Baritone Saxophone, Piano
8
Flute Trio: 3 flutes
8
Soprano Saxophone
7
Flute, Violin, Piano
7
Clarinet Quintet: 5 clarinets
6
Descant (Soprano) Recorder
6
Flute ensemble
6
Flute, Oboe, Clarinet (trio)
5
Flute, Clarinet and Bassoon.
5
Recorder
4
Oboe (band part)
4
Bass Clarinet, Piano
4
Recorder Quartet
3
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3
Flute, harp and violin
3
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3
Clarinet, Bassoon (duet)
3
5 Recorders
3
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3
Descent (Soprano) Recorder, Piano
2
Treble (Alto) Recorder, Piano
2
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2
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2
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2
3 Recorders (trio)
2
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1
4 Oboes
1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
Oboe, Violin, Viola and Violoncello (Quartet)
1
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1
+ 81 instrumentations
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2 Trumpets (duet)
350
2 Trombones (duet)
349
Brass Quintet: 2 trumpets, horn, trombone, tuba
47
Brass quartet : 2 trumpets, trombone, tuba
45
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43
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28
Trumpet, Trombone (duet)
26
Trumpet
24
French Horn and Piano
18
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17
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17
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15
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14
Brass Quartet
12
English horn, Piano
11
Trumpet ensemble
11
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10
French horn
8
2 Tubas (duet)
8
Trombone
8
Trumpet (band part)
7
Trombone (band part)
6
3 Trumpets (trio)
6
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6
3 Trombones (trio)
5
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5
Tuba
3
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3
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3
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3
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2
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2
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2
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2
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1
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1
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1
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1
Horn, Cello (duet)
1
+ 35 instrumentations
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661
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436
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123
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83
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79
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74
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73
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38
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38
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34
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34
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30
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28
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20
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18
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9
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8
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6
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6
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6
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5
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4
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4
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4
4 Cellos
4
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3
2 Violins, Piano
3
String Quartet : 4 violas
2
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2
5 Harps
2
String Quintet: 2 violins, 2 violas, cello
2
Piano Trio: Violin, Viola, Piano
2
String Trio: 3 violas
2
String Trio: 3 cellos
2
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2
String Quintet: 2 violins, viola, cello, bass
2
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2
Viola and Bassoon
2
3 Harps
2
3 double basses
1
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1
Violoncello, Basso continuo
1
Double Bass
1
Harp and Piano
1
Viola (band part)
1
Violin, Clarinet, Piano (trio)
1
+ 41 instrumentations
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162
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66
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47
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40
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38
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19
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16
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10
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8
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6
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3
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2
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1
2 Xylophones
1
School Ensemble
1
Marimba
1
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You've selected:
Table For Two
Tuba
Sheetmusic to print
3 sheet music found
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1
Unaccompanied Tuba Suite #1 in B-flat Major
#
Tuba
#
INTERMEDIATE
#
Jason Allie
#
Unaccompanied Tuba Suite #1 in
#
Joaba LLC
#
SheetMusicPlus
Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC ...
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Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
Unaccompanied Tuba Suite #2 in B-flat Major
#
Tuba
#
INTERMEDIATE/ADVANCED
#
Jason Allie
#
Unaccompanied Tuba Suite #2 in
#
Joaba LLC
#
SheetMusicPlus
Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages...
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Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99
Tuba Serenade
#
Tuba
#
ADVANCED
#
Contemporary
#
David
#
Tuba Serenade
#
Modrana Music Publishers Ltd
#
SheetMusicPlus
Tuba Solo - Level 5 - Digital Download SKU: A0.966280 Composed by David. F. Golightly. Contemporary. Individual part. 14 pages. Modrana Music Publishers ...
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Tuba Solo - Level 5 - Digital Download SKU: A0.966280 Composed by David. F. Golightly. Contemporary. Individual part. 14 pages. Modrana Music Publishers Ltd #2020021. Published by Modrana Music Publishers Ltd (A0.966280). Serenade For Solo Tuba Review Serenade for solo Tuba by David Golightly Modrana Music Publishers Ltd. The Serenade for solo Tuba was premiered by James Anderson, Professor of Tuba at The Guildhall School of Music and Drama, London, England in May 1980. My only question is, why did it take so long to get published and into the repertoire of serious tubists all over the globe? It is definitely a welcome addition to the library of the solo tubist. Good solo pieces that are entertaining for audiences are quite hard to come by. This piece will most assuredly be one of those to join the ranks of Penderecki's Capriccio and Gregson's Alarum. The Serenade is set up in three movements and is metered throughout. The range of the work is from DD-g1. Movement One entitled March, is in 2/4 and m.m. equals 112. It is quite spirited in style and will require a performer with agile abilities to navigate through wide intervals and varied articulations. Movement Two is not your typical slow, melodic song that one would imagine from a title such as Elegy. It is extremely doloroso in nature and has the soloist soaring into the extreme upper range (g1) utilizing strict rhythmic patterns. The Gallop, movement three, is quite animated and encompasses mixed meters with the majority of the piece being in 6/8. Just when you think your triplets are moving along, a duple figure is thrown in to add variety to the melodic lines, which is actually quiet refreshing and prevents it from becoming a boring, technical exercise. As was stated before, this work will require a performer with great technique. Not for the less than advanced tubist. If you have conquered the other reputable solo tuba pieces, then this one should definitely be next. Raul I. Rodriguez Tuba Journal 1998. David writes music with great intelligence and accessibility, that also captures a human spirit that makes you want to share his music in-performance Ewan Easton (Halle Tuba) The MP3 is a computer generated file of the first movement March.
$11.99
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