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6,306
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Piano solo
5,019
Piano, Voice
1,886
Easy Piano
1,502
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964
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676
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585
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330
1 Piano, 4 hands
97
Piano Trio: piano, violin, cello
75
2 Pianos, 4 hands
49
Piano Quartet: piano, 2 violins, cello
41
Big Note Piano
27
Organ, Piano (duet)
18
Piano Quartet: piano, violin, viola, cello
17
Piano Quintet: piano, 2 violins, viola, cello
17
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15
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12
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9
1 Piano, 6 hands
8
Piano (band part)
4
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3
Solo instrument and Organ
2
2 Organs (duet)
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+ 18 instrumentations
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Bass guitar
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3 Guitars (trio)
5
Guitar (band part)
4
Guitar, Violin, Cello (trio)
2
Electric Bass (band part)
2
Dobro
1
Guitar Ensemble
1
+ 13 instrumentations
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Voice
Choral SATB
4,281
Choral 3-part
1,504
Choral 2-part
1,474
Choral Unison
1,145
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784
Choral TTBB
445
Choral Instrumental Pak
264
Choral SSAA
182
Choral
156
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139
Tenor voice, Piano
109
Alto voice, Piano
108
Vocal duet
87
High voice
75
Baritone voice, Piano
40
Voice solo
35
Low voice, Piano
26
Medium voice, Piano
25
Voice, Guitar
24
Children choir
10
Tenor voice
9
Low voice
7
Choral SSATB
5
Choral SSAB a cappella
4
Choral SSAB, Piano
3
Soprano voice
3
Choral SSATBB
2
Mezzo-Soprano voice, Piano
2
Choral SSATTB
2
Choral SSAATTBB
1
Choral SSAATB
1
+ 26 instrumentations
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Flute and Piano
472
Clarinet and Piano
405
Oboe, Piano (duet)
354
2 Saxophones (duet)
348
Flute
346
Alto Saxophone and Piano
336
Tenor Saxophone and Piano
302
Saxophone Quartet: 4 saxophones
250
Flute, Oboe, Clarinet, Bassoon
236
Soprano Saxophone and Piano
224
2 Flutes (duet)
208
2 Clarinets (duet)
172
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
171
Clarinet
155
Alto Saxophone
155
English horn, Piano
139
Clarinet Quartet: 4 clarinets
134
Saxophone (band part)
111
Baritone Saxophone, Piano
110
3 Saxophones (trio)
107
Oboe (band part)
101
Tenor Saxophone
97
Flute, Clarinet (duet)
95
Flute Quartet: 4 flutes
80
3 Clarinets (trio)
77
Saxophone Quintet: 5 Saxophones
76
Flute, Violin
73
Saxophone, Clarinet (duet)
70
Flute Trio: 3 flutes
60
2 Oboes (duet)
57
Treble (Alto) Recorder
56
Harmonica
56
Clarinet, Violin (duet)
55
Oboe, Bassoon (duet)
54
Clarinet, Trumpet (duet)
51
Clarinet (band part)
47
Descant (Soprano) Recorder
46
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40
2 Recorders (duet)
39
Flute (band part)
38
Oboe, Clarinet (duet)
35
Oboe
34
Flute, Trumpet (duet)
32
2 Flutes, Piano
29
Clarinet and Viola
28
Clarinet Ensemble
28
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26
Flute, Saxophone (duet)
26
Flute ensemble
25
Clarinet, Bassoon (duet)
24
Flute, Violin, Piano
23
Treble (Alto) Recorder, Piano
23
Flute, Cello, Piano (trio)
22
Descent (Soprano) Recorder, Piano
22
Flute and Guitar
17
Flute, Violin and Violoncello
17
Oboe, Flute
17
Soprano Saxophone
15
Clarinet Quintet: 5 clarinets
15
Clarinet, Cello, Piano (trio)
14
Flute, Oboe, Bassoon
14
Flute, Clarinet, Piano (trio)
13
Flute, Clarinet and Bassoon.
13
Flute, Oboe, Clarinet (trio)
12
2 Clarinets, Piano
11
Saxophone ensemble
11
Flute Quintet : 5 flutes
10
Clarinet, trumpet and piano
10
3 Oboes
10
Flute, Oboe, Piano (trio)
10
Flute, Clarinet, Violin (trio)
9
Oboe, Guitar (duet)
9
Flute, Organ (duet)
9
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9
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8
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8
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8
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6
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6
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6
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6
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6
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6
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5
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5
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5
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5
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4
Oboe, Cello
4
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4
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4
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3
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3
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3
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2
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2
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2
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2
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2
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2
Bagpipe
2
3 Recorders (trio)
2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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351
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305
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233
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205
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161
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151
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139
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121
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118
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99
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93
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90
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90
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81
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54
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53
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49
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48
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44
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42
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42
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41
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34
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26
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22
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22
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20
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17
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17
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16
Tuba (band part)
13
2 Tubas (duet)
12
2 Euphoniums and 2 Tubas
10
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9
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8
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8
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7
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7
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6
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5
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4
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4
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3
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3
Trumpet, Trombone, Piano
3
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3
Trumpet ensemble
2
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2
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2
2 French horns, Piano
2
Brass Quintet: 2 trumpets, horn, 2 trombones
2
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4 Euphoniums
1
Trumpet, Tuba (duet)
1
Horn, Tuba (duet)
1
Trombone, Horn (duet)
1
Horn, Trumpet, Trombone (trio)
1
+ 55 instrumentations
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Retract
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String Quartet: 2 violins, viola, cello
733
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665
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416
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363
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327
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316
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211
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196
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158
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155
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145
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98
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96
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92
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71
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65
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52
Piano Trio: Violin, Viola, Piano
45
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44
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41
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37
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36
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35
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30
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22
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21
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15
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15
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12
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12
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11
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8
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7
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4
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4
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3
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3
String Trio: 2 violins, viola
2
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2
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2
Violin ensemble
2
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2
Cello Ensemble
2
4 Double Basses
1
Harp (band part)
1
Autoharp
1
2 Violas, Piano
1
+ 53 instrumentations
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309
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265
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251
String Orchestra
215
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143
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105
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85
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68
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40
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25
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21
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19
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18
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16
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11
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7
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6
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6
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3
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
#
Violin ensemble
#
INTERMEDIATE
#
Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Fo...
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String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
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