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They Can
Sheetmusicplus
Not classified
1,714
Piano & keyboards
Piano solo
827
Easy Piano
323
Piano, Voice
288
Piano, Vocal and Guitar
139
Organ
74
C Instruments
71
1 Piano, 4 hands
28
2 Pianos, 4 hands
23
Piano Accompaniment
17
Big Note Piano
9
Piano Quartet: piano, violin, viola, cello
6
Organ, Piano (duet)
5
Piano Trio: piano, violin, cello
5
Piano (band part)
3
Piano Quintet: piano, 2 violins, viola, cello
2
Piano Quartet: piano, 2 violins, cello
2
Organ, Trumpet (duet)
2
Accordion
1
+ 13 instrumentations
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Retract
Guitars
Piano, Guitar (duet)
114
Guitar
103
Guitar notes and tablatures
42
Ukulele
18
Melody line, (Lyrics) and Chords
16
Bass guitar
10
Banjo
6
2 Guitars (duet)
6
Dulcimer
5
3 Guitars (trio)
5
4 Guitars (Quartet)
4
Mandolin
3
Guitar (band part)
3
Lyrics and Chords
3
Guitar, Violin, Cello (trio)
2
Guitar Ensemble
1
Baritone Ukulele
1
Mandolin, Guitar (duet)
1
+ 13 instrumentations
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Retract
Voice
Choral SATB
358
Choral 3-part
98
Choral 2-part
82
Choral Unison
67
Soprano voice, Piano
66
Alto voice, Piano
58
Tenor voice, Piano
55
Choral TTBB
40
Choral SSAA
38
Vocal duet
10
Vocal duet, Piano
9
High voice
8
Voice solo
5
Medium voice, Piano
4
Baritone voice, Piano
4
Soprano voice
3
Tenor voice
2
Choral SSAATTBB
2
Choral SSATTB
2
Soli, Mixted choir and accompaniment
1
Low voice
1
+ 16 instrumentations
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Retract
Woodwind
Oboe, Piano (duet)
238
Clarinet and Piano
210
Flute and Piano
205
Alto Saxophone and Piano
157
Tenor Saxophone and Piano
146
2 Saxophones (duet)
98
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
87
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82
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69
Flute
59
Clarinet
50
Oboe (band part)
46
2 Clarinets (duet)
46
Clarinet Quartet: 4 clarinets
45
Saxophone Quintet: 5 Saxophones
45
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42
Flute Quartet: 4 flutes
30
Flute Quintet : 5 flutes
30
3 Saxophones (trio)
26
Clarinet Quintet: 5 clarinets
25
Saxophone, Clarinet (duet)
24
Clarinet, Violin (duet)
23
Flute, Oboe, Clarinet (trio)
23
Clarinet Ensemble
23
Descant (Soprano) Recorder
21
Saxophone (band part)
21
Alto Saxophone
20
Flute, Clarinet (duet)
20
3 Clarinets (trio)
19
Flute, Oboe, Bassoon
18
Oboe, Bassoon (duet)
18
Flute, Violin and Violoncello
17
Saxophone ensemble
15
Flute ensemble
15
Clarinet, Trumpet (duet)
14
Soprano Saxophone and Piano
14
2 Oboes (duet)
13
2 Recorders (duet)
13
Flute, Clarinet and Bassoon.
13
Flute, Violin
13
Flute Trio: 3 flutes
13
Oboe, Clarinet (duet)
12
Recorder
12
2 Clarinets, Bassoon
11
Clarinet and Viola
10
Flute, Viola (duet)
10
Tenor Saxophone
10
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9
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9
Flute and Guitar
8
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8
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7
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7
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7
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5
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5
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5
Flute, Oboe (duet)
5
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5
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4
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4
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4
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4
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2
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2
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2
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2
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2
2 Flutes, Piano
2
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2
English Horn
2
Oboe, Violin (duet)
2
English horn, Piano
2
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2
Clarinet, Cello, Piano (trio)
2
Baritone Saxophone
2
Saxophone, Violin (duet)
2
Oboe ensemble
1
Oboe, Bassoon and Piano
1
Oboe and viola (duet)
1
2 Oboes and Basson
1
Tenor Recorder
1
3 Recorders (trio)
1
Flute and Strings Trio
1
Melodica
1
Flute, Oboe, Piano (trio)
1
5 Recorders
1
Pennywhistle
1
Piccolo
1
2 Clarinets, Piano
1
Oboe, Guitar (duet)
1
Piccolo, Piano
1
Flute and String Quartet
1
Treble (Alto) Recorder, Basso continuo
1
+ 93 instrumentations
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Trombone and Piano
183
Trumpet
118
Brass Quintet: 2 trumpets, horn, trombone, tuba
100
Trumpet, Piano
90
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60
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39
Trombone
33
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32
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26
Trumpet (band part)
25
2 Trumpets (duet)
23
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22
2 Trombones (duet)
19
Trumpet, Saxophone (duet)
18
Trumpet, Trombone (duet)
18
Tuba and Piano
17
French horn
17
Tuba
15
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15
Euphonium, Piano (duet)
14
Brass Quartet
10
Brass Quartet: 2 trumpets, horn, trombone
9
2 Tubas (duet)
8
2 French horns (duet)
7
2 Euphoniums and 2 Tubas
5
Brass Quartet: 4 horns
4
2 Euphoniums (duet)
4
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3
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3
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3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
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2
Trumpet, violin (duet)
2
3 Trumpets (trio)
2
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2
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2
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2
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2
English Horn, Guitar (duet)
2
English Horn
2
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2
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2
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1
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1
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1
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1
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1
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1
Bass Trombone and Piano
1
Tuba ensemble
1
4 Tubas
1
Trombone, Horn (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
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String Quartet: 2 violins, viola, cello
363
Violin
218
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217
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214
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187
String Trio: violin, viola, cello
172
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162
Cello
55
Harp
52
2 Violins (duet)
40
String Quintet: 2 violins, viola, cello, bass
31
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29
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28
2 Cellos (duet)
25
2 Violas (duet)
24
2 Harps (duet)
19
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14
Double Bass
14
String Trio: 2 violins, cello
13
Viola (band part)
13
4 Cellos
10
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8
Violin (band part)
8
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5
Doublebass (band part)
5
String Quintet: 2 violins, 2 violas, cello
5
Viola, Cello (duet)
5
Violin ensemble
4
String Trio: 3 cellos
4
String Trio: 3 violins
3
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3
String Quartet : 4 violas
2
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2
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2
String Trio: 2 violins, viola
2
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2
Harp, Violin (duet)
2
Violin, Bassoon (duet)
2
4 Double Basses
2
Viola ensemble
2
Cello (band part)
2
3 Harps
2
String quartet: 4 violins
2
2 Double basses (duet)
1
Viola and Bassoon
1
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1
Harp and Piano
1
Piano Trio: Violin, Viola, Piano
1
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1
Autoharp
1
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523
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196
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124
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69
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48
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47
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33
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25
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20
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18
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17
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16
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5
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
3
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3
Vibraphone
3
Percussion (band part)
2
Piano and Orchestra
1
Xylophone
1
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1
School Ensemble
1
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1
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Violin ensemble
#
INTERMEDIATE
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
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Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Fo...
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String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
Three selections based on "Christ lag in Todesbanden" (Violin Quintet)
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Violin ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on "Chr
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Regis Bookshar
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SheetMusicPlus
String Quintet Violin - Level 4 - Digital Download SKU: A0.1257411 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christi...
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String Quintet Violin - Level 4 - Digital Download SKU: A0.1257411 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #850734. Published by Regis Bookshar (A0.1257411). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Violin Quintet - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar had transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Violin Quintet. Included are a score and a complete set of parts (28 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Silent Night (Bb) (Violin Quintet)
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Violin ensemble
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INTERMEDIATE
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Christmas
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813977 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instruction...
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String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813977 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural,World. Score and parts. 7 pages. Regis Bookshar #6635881. Published by Regis Bookshar (A0.813977). Violin Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Violin Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
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