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Sheetmusicplus
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3,763
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1,977
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1,826
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1,575
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1,452
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956
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185
Big Note Piano
76
Organ
58
Accordion
52
1 Piano, 4 hands
31
Piano Trio: piano, violin, cello
30
2 Pianos, 4 hands
10
2 Accordions
10
Piano Quartet: piano, violin, viola, cello
7
Piano Quartet: piano, 2 violins, cello
5
Piano Quintet: piano, 2 violins, viola, cello
4
Piano (band part)
2
Accordion ensemble
1
Organ, Piano (duet)
1
+ 14 instrumentations
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Retract
Guitars
Melody line, (Lyrics) and Chords
1,014
Guitar notes and tablatures
663
Ukulele
321
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263
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137
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2 Ukuleles
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Dobro
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Mandolin, Piano (duet)
1
+ 16 instrumentations
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Voice
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1,104
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481
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419
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192
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164
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136
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104
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92
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92
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80
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69
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61
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38
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36
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33
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26
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18
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11
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6
Voice, Guitar
4
Choral
4
Mezzo-Soprano voice, Piano
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Choral SSAATTBB
3
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1
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+ 20 instrumentations
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Retract
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268
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258
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179
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175
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162
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154
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141
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138
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135
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134
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95
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92
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81
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80
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71
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69
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65
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62
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52
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51
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42
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39
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35
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33
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32
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29
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27
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23
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21
3 Saxophones (trio)
21
Clarinet Ensemble
21
Oboe
21
Clarinet Quintet: 5 clarinets
20
Flute, Violin
20
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19
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18
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16
Harmonica
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16
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13
English Horn
11
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11
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9
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7
Treble (Alto) Recorder
6
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6
Flute, Clarinet and Bassoon.
6
Recorder
6
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6
Baritone Saxophone
5
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4
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4
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3
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3
2 Clarinets, Piano
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2
3 Recorders (trio)
2
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2
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2
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2
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2
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2
Bagpipe
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2 Oboes, Piano
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2
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2
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2
Saxophone and Guitar
1
Oboe and viola (duet)
1
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1
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1
Oboe, Cello
1
Oboe, Trumpet (duet)
1
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1
Flute and Strings Trio
1
Clarinet, Trombone (duet)
1
Clarinet, Tuba
1
Saxophone and cello
1
Saxophone
1
Flute, Trombone (duet)
1
Oboe ensemble
1
Treble (Alto) Recorder, Piano
1
Piccolo, Piano
1
Pennywhistle
1
Oboe, Harp
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Descent (Soprano) Recorder, Piano
1
Flute, Oboe (duet)
1
Flute, Violoncello
1
Oboe, Trombone (duet)
1
Tenor Recorder
1
+ 97 instrumentations
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Trumpet
235
Trombone
181
Brass Quintet: 2 trumpets, horn, trombone, tuba
151
French horn
129
Trumpet, Piano
123
Tuba
122
Trombone and Piano
122
French Horn and Piano
109
Brass quartet : 2 trumpets, trombone, tuba
92
Tuba and Piano
71
2 Trumpets (duet)
38
Trumpet, Saxophone (duet)
37
Brass Quartet
36
2 Trombones (duet)
35
Euphonium
33
Brass Quartet: 2 trumpets, horn, trombone
30
Euphonium, Piano (duet)
29
Trumpet, Trombone (duet)
28
English horn, Piano
26
Trumpet (band part)
23
2 French horns (duet)
16
Brass Quartet: 4 trombones
14
English Horn
11
Trumpet, Horn (duert)
10
Brass Quartet: 4 horns
10
Trombone ensemble
9
Trombone (band part)
9
Trumpet ensemble
7
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6
Brass Trio
6
Brass Quartet: 4 trumpets
4
2 Trumpets, Keyboard (piano or organ)
3
Tuba and Organ
3
3 Trombones (trio)
3
Bass Trombone
3
2 Euphoniums and 2 Tubas
3
Trumpet, Tuba (duet)
3
2 French horns, Piano
2
Bass Trombone and Piano
2
4 Tubas
2
Horn Ensemble
2
Horn, Cello (duet)
1
Trombone, Violin (duet)
1
Trombone, Horn (duet)
1
French Horn and Harp
1
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1
3 French horns (trio)
1
Trumpet, violin (duet)
1
Trumpet, Harp
1
French horn (band part)
1
Tuba (band part)
1
Trumpet, Bassoon (duet)
1
3 Tubas (trio)
1
Tuba ensemble
1
+ 49 instrumentations
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355
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303
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271
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233
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186
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153
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137
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69
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68
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65
Harp
58
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55
Viola (band part)
53
String Trio: 2 violins, cello
53
String Trio: violin, viola, cello
53
String Quintet: 2 violins, viola, cello, bass
36
2 Violas (duet)
34
2 Cellos (duet)
33
Violin, Viola (duet)
30
2 Harps (duet)
23
Violin, Guitar (duet)
20
4 Cellos
12
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9
String Trio: 2 violins, viola
9
Piano Trio: Violin, Viola, Piano
8
Doublebass (band part)
7
String Trio: 3 violins
7
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7
Violin ensemble
4
Viola, Cello (duet)
3
String Trio: 3 cellos
3
String Quintet: 2 violins, 2 violas, cello
3
String Trio: 3 violas
2
Autoharp
2
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2
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2
String Quintet: 2 violins, viola, 2 cellos
2
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2
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2
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2
Viola ensemble
2
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2
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2
Harp, Violin (duet)
2
String Quartet : 4 violas
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1
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1
Viola, Guitar (duet)
1
String quartet: 4 violins
1
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1
Violin, Tuba (duet)
1
Cello, Organ
1
+ 47 instrumentations
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210
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133
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108
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70
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70
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56
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38
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38
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7
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5
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3
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2
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2
Drum (band part)
2
Brass Quintet: other combinaisons
1
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1
Marimba
1
Xylophone
1
+ 13 instrumentations
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4 sheet music found
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1
Carol of the Bells (F min) (Violin Quintet)
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Violin ensemble
#
INTERMEDIATE
#
Christmas
#
Mykola Leontovych
#
Regis Bookshar
#
Carol of the Bells
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813267 Composed by Mykola Leontovych. Arranged by Regis Bookshar. 20th Century...
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String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813267 Composed by Mykola Leontovych. Arranged by Regis Bookshar. 20th Century,A Cappella,Christmas,Multicultural,Standards,World. Score and parts. 16 pages. Regis Bookshar #6167875. Published by Regis Bookshar (A0.813267). Violin Quintet - Intermediate - Digital Download. This selection, Carol of the Bells, also known as Ring, Christmas Bells, is suitable for high school and college students and is perfect for Christmas concerts and church services. Carol of the Bells was written by the Ukrainian composer Mykola Leontovych in 1914 with lyrics by Peter J. Wilhousky. The song is based on the Ukrainian folk chant Shchedryk, a New Year's song, known in English as The Little Swallow, and utilizes a four-note ostinato which brings to mind the ringing of bells. Originally intended to be sung a capella by a mixed four-part choir it has since been recorded into over 150 versions and re-arrangements for various vocal and instrumental compositions. One version, Ring, Christmas Bells, an English-language variant with Nativity-based lyrics, was written by Minna Louise Hohman in 1947. Regis Bookshar has now arranged the music for a Violin Quintet. Included are a score and a complete set of parts (16 pages). In addition to this version for 5 Violins, many other arrangements of this selection are also available for a variety of instrumental ensembles, including Quintets, Sextets, Septets and Octets, as well as numerous other selections in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come.
$12.00
Silent Night (Bb) (Violin Quintet)
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Violin ensemble
#
INTERMEDIATE
#
Christmas
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813977 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instruction...
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String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813977 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural,World. Score and parts. 7 pages. Regis Bookshar #6635881. Published by Regis Bookshar (A0.813977). Violin Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Violin Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Violin ensemble
#
INTERMEDIATE
#
Classical
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Sacred music
#
Antonin Dvorak
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Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Fo...
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String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
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