Home page
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
TIME TO
Not classified
10,169
Piano & keyboards
Piano solo
31,223
Piano, Voice
4,600
Easy Piano
2,621
Accordion
2,274
Piano, Vocal and Guitar
1,459
C Instruments
685
Organ
407
Piano Accompaniment
294
1 Piano, 4 hands
287
Piano Trio: piano, violin, cello
118
Big Note Piano
79
2 Pianos, 4 hands
55
Piano (band part)
47
Piano Quartet: piano, violin, viola, cello
32
Piano Quartet: piano, 2 violins, cello
19
Organ, Piano (duet)
13
Piano Quintet: piano, 2 violins, viola, cello
10
Harpsichord
9
Organ, Trumpet (duet)
7
1 Piano, 6 hands
5
2 Pianos, 8 hands
3
Accordion ensemble
2
+ 17 instrumentations
-
Retract
Guitars
Guitar
4,724
Bass guitar
3,413
Guitar notes and tablatures
1,583
Melody line, (Lyrics) and Chords
473
Ukulele
348
Lyrics and Chords
135
2 Guitars (duet)
107
Guitar (band part)
96
Mandolin
36
4 Guitars (Quartet)
31
Banjo
27
Piano, Guitar (duet)
25
Dulcimer
20
Guitar Ensemble
12
3 Guitars (trio)
11
Mandolin, Guitar (duet)
5
Guitar, Violin, Cello (trio)
3
2 Ukuleles
3
Ukulele Ensemble
2
2 Dulcimers (duet)
2
Guitar, Flute, Clarinet
2
2 Mandolins (duet)
1
Guitar, Orchestra
1
Mandolin, Piano (duet)
1
Baritone Ukulele
1
Dobro
1
Zither
1
+ 22 instrumentations
-
Retract
Voice
Voice solo
5,765
Choral SATB
3,299
Choral 3-part
979
Choral 2-part
888
Choral Unison
645
Choral TTBB
394
Choral SSAA
255
Vocal duet, Piano
255
Tenor voice, Piano
108
Soprano voice, Piano
103
Alto voice, Piano
94
Vocal duet
87
Baritone voice, Piano
66
Choral
64
High voice
37
Medium voice, Piano
12
Tenor voice
10
Low voice, Piano
10
Choral SSAATTBB
8
Choral Instrumental Pak
5
Mezzo-Soprano voice, Piano
4
Choral SSATB
4
Choral SSAB, Piano
3
Voix Masculines
2
Soprano voice
2
Low voice
2
Soli, Mixted choir and accompaniment
1
Choral SSAB a cappella
1
Soprano voice, Orchestra
1
Choral SATTBB A Cappella
1
Choral SAATB A Cappella
1
Choral SSAATB
1
+ 27 instrumentations
-
Retract
Woodwind
Saxophone
16,645
Flute
8,024
Clarinet
7,460
Alto Saxophone
1,662
Tenor Saxophone
1,522
Recorder
1,222
2 Saxophones (duet)
1,187
Saxophone Quartet: 4 saxophones
911
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
895
Oboe
853
Flute, Oboe, Clarinet, Bassoon
804
Flute and Piano
781
Clarinet and Piano
697
Saxophone Quintet: 5 Saxophones
626
Soprano Saxophone
625
2 Flutes (duet)
586
Oboe, Piano (duet)
563
2 Clarinets (duet)
540
Alto Saxophone and Piano
495
Clarinet Quartet: 4 clarinets
490
Saxophone, Clarinet (duet)
418
Saxophone (band part)
413
Tenor Saxophone and Piano
354
Soprano Saxophone and Piano
325
Clarinet, Violin (duet)
309
Flute, Clarinet (duet)
272
2 Oboes (duet)
267
Clarinet, Trumpet (duet)
249
Oboe, Bassoon (duet)
213
Oboe, Clarinet (duet)
211
Oboe (band part)
208
Baritone Saxophone, Piano
201
Flute Quartet: 4 flutes
181
2 Recorders (duet)
180
3 Saxophones (trio)
179
Flute, Violin
168
Clarinet and Viola
158
Flute, Saxophone (duet)
144
Oboe, Flute
143
Clarinet Ensemble
141
Saxophone ensemble
138
Flute, Viola (duet)
131
English horn, Piano
122
3 Clarinets (trio)
117
Clarinet Quintet: 5 clarinets
113
Flute, Trumpet (duet)
113
Flute ensemble
92
Flute Trio: 3 flutes
87
Bass Clarinet, Piano
83
Descant (Soprano) Recorder
81
Flute Quintet : 5 flutes
67
Clarinet, Bassoon (duet)
62
Flute, Clarinet and Bassoon.
61
Baritone Saxophone
57
Flute and Guitar
56
Flute (band part)
55
Oboe, Cello
54
Clarinet (band part)
52
Flute, Oboe, Clarinet (trio)
51
English Horn
48
Flute, Violoncello
47
Flute, Oboe (duet)
46
Clarinet, Cello (duet)
45
Oboe, Clarinet, Bassoon (trio)
44
Pennywhistle
40
Recorder Quartet
36
Treble (Alto) Recorder
33
Flute, Oboe, Bassoon
31
Recorder Ensemble
24
Flute, Violin, Piano
23
Clarinet, Guitar (duet)
23
Flute, Oboe, Piano (trio)
22
Oboe, Violin (duet)
21
3 Recorders (trio)
20
Harmonica
18
Oboe and viola (duet)
17
Clarinet, Trombone (duet)
17
5 Recorders
17
Flute, Cello, Piano (trio)
16
2 Flutes, Piano
15
Flute, Clarinet, Horn and Bassoon (Quartet)
13
Clarinet, Cello, Piano (trio)
13
Flute, Clarinet, Piano (trio)
13
Bass Clarinet
12
Ocarina
12
Descent (Soprano) Recorder, Piano
12
Flute, Violin and Violoncello
12
Tenor Recorder
10
Treble (Alto) Recorder, Piano
10
Flute, Bassoon, and Piano
8
Piccolo, Piano
8
2 Clarinets, Piano
8
Flute, Viola and Piano
8
Clarinet, Harp (duet)
7
Oboe, Guitar (duet)
7
2 Saxophones, Piano
6
Saxophone and Organ
6
Oboe, Clarinet and Piano (Trio)
6
Oboe, Cello and Piano
5
Clarinet, Bassoon, Piano (trio)
5
Piccolo
5
Flute, trombone and piano
4
Flute, Trombone (duet)
4
Oboe, Bassoon and Piano
4
Clarinette, Viola and Piano (trio)
4
Clarinet, Double bass (duet)
4
Clarinet, Tuba
3
Saxophone and Guitar
3
3 Oboes
3
2 English horns and Pianoforte
3
Eb Instruments
3
Treble (Alto) Recorder, Basso continuo
3
Flute, Organ (duet)
3
Oboe, Trombone (duet)
3
English Horn, Guitar (duet)
3
Oboe, Violin, Piano
3
Flute, Violin, Violoncello and Piano
2
Flute, Clarinet, Violin (trio)
2
Flute, Basso continuo
2
Wind ensemble
2
Flute, Tuba (duet)
2
2 Oboes, Piano
2
Oboe ensemble
2
Flute, harp and violin
2
4 Oboes
2
Saxophone and Piano
1
Oboe, Trumpet (duet)
1
2 Clarinets, Bassoon
1
Recorder, Guitar (duet)
1
Flute, Violin, Guitar
1
Clarinet, Organ
1
Oboe, Harp
1
Recorder, Piano
1
Pan Flute
1
Bagpipe
1
Flute and Strings Trio
1
English horn, Harp (duet)
1
+ 132 instrumentations
-
Retract
Woodbrass
Trumpet
6,592
Trombone
6,069
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,120
French horn
762
Trumpet, Piano
531
Tuba
516
Trombone and Piano
516
Brass quartet : 2 trumpets, trombone, tuba
491
Euphonium
403
French Horn and Piano
401
2 Trumpets (duet)
299
2 Trombones (duet)
297
Trumpet, Saxophone (duet)
295
Trombone (band part)
266
Tuba and Piano
264
Trumpet, Trombone (duet)
243
Trumpet (band part)
204
Brass Quartet: 2 trumpets, horn, trombone
195
Brass Quartet
157
2 French horns (duet)
126
English horn, Piano
122
Euphonium, Piano (duet)
115
Trumpet ensemble
103
2 Tubas (duet)
59
Brass Quartet: 4 trombones
55
French horn (band part)
52
Trombone ensemble
49
Trumpet, Horn (duert)
49
English Horn
48
Tuba (band part)
46
Brass Quartet: 4 horns
41
Brass Trio
24
Brass Quartet: 4 trumpets
23
3 Trombones (trio)
23
2 Euphoniums and 2 Tubas
21
Horn Ensemble
20
Horn, Cello (duet)
18
Tuba and Organ
17
3 Trumpets (trio)
17
4 Tubas
16
2 Euphoniums (duet)
14
Bass Trombone
14
Trumpet, Cello (duet)
12
Trombone, Horn (duet)
11
Bass Trombone and Piano
11
Trumpet, Bassoon (duet)
9
French horn and Basson (duet)
9
Trumpet, Tuba (duet)
9
3 Tubas (trio)
7
Trombone, Organ
6
Trombone, Tuba (duet)
5
Brass Quartet: 2 trumpets, 2 trombones
5
Euphonium, Tuba (duet)
4
Horn, Tuba (duet)
4
Bass Clef Instruments
4
3 French horns (trio)
4
Bb Instruments
3
2 English horns and Pianoforte
3
English Horn, Guitar (duet)
3
Trumpet, Trombone, Piano
3
Trumpet, Cello, Piano
2
2 French horns, Piano
2
2 Trumpets, Keyboard (piano or organ)
2
Brass Quintet: 2 trumpets, horn, 2 trombones
2
Trumpet, violin (duet)
2
Tuba ensemble
1
Horn and Organ
1
3 Euphoniums
1
Trumpet, Euphonium (duet)
1
Trombone, Violin (duet)
1
Trombone and Orchestra
1
Trumpet and Guitar
1
French Horn and Harp
1
English horn, Harp (duet)
1
+ 69 instrumentations
-
Retract
Strings
Violin
5,169
Cello
3,335
Viola
2,659
String Quartet: 2 violins, viola, cello
2,108
Violin and Piano
983
Violin, Cello (duet)
799
Viola, Piano
683
Cello, Piano
682
String Trio: violin, viola, cello
546
2 Violins (duet)
421
String Quintet: 2 violins, viola, cello, bass
416
Double Bass
409
Harp
323
Violin, Viola (duet)
319
2 Cellos (duet)
316
2 Violas (duet)
286
Double bass, Piano (duet)
221
String Trio: 2 violins, cello
168
Violin (band part)
90
Viola, Cello (duet)
90
Viola (band part)
88
Doublebass (band part)
80
2 Harps (duet)
59
4 Cellos
54
2 Double basses (duet)
52
Violin, Bassoon (duet)
47
String Trio: 3 violins
45
String Trio: 3 cellos
44
Piano Trio: Violin, Viola, Piano
42
Violin, Guitar (duet)
24
Harp, Flute (duet)
23
String Quartet : 4 violas
23
String quartet: 4 violins
23
Violin ensemble
22
String Trio: 2 violins, viola
20
2 Violins, Piano
19
Viola ensemble
19
Viola and Bassoon
19
String Quintet: 2 violins, viola, 2 cellos
16
String Trio: 3 violas
15
String Quintet: 2 violins, 2 violas, cello
14
Cello (band part)
13
Cello, String Bass (duet)
12
Cello, Guitar (duet)
11
Harp, Voice
8
Violin, Clarinet, Piano (trio)
7
Harp, Violin (duet)
7
Harp, Violin, Violoncello
6
Viola, Guitar (duet)
5
Flute, Doublebass (duet)
5
2 Cellos, Piano
5
Cello, Organ
4
Cello, Orchestra
4
Violoncello, Basso continuo
3
2 Violas, Piano
3
4 Double Basses
3
4 Harps
3
Cello Ensemble
3
Viola and orchestra
2
Violin, Tuba (duet)
2
Harp, Trombone (duet)
2
Violin, Cello, Clarinet
2
Viola and Harp
1
Harp, Cello (duet)
1
Harp and Organ
1
Violin, Organ
1
Autoharp
1
Harp and mandolin
1
String trio
1
3 Harps
1
+ 65 instrumentations
-
Retract
Orchestra & Percussion
Drums
5,937
Concert band
3,077
Orchestra
1,717
String Orchestra
877
Jazz Ensemble
649
Brass ensemble
365
Marching band
355
Handbells
343
Chamber Orchestra
183
Percussion
151
Jazz combo
120
Percussion Ensemble
76
Drum (band part)
52
Percussion (band part)
39
Marimba
38
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
22
Xylophone, Piano
20
Xylophone
20
Vibraphone
7
School Ensemble
5
Brass Quintet: other combinaisons
3
Flexible Instrumentation
3
Snare drums
3
2 Xylophones
2
Orchestra, Violin
2
Vibraphone and Marimba
2
Piano and Orchestra
2
Timpani (band part)
1
Voice Mezzo-Soprano, Orchestra
1
Bodhran
1
2 Marimbas
1
+ 26 instrumentations
-
Retract
Others
Musical course - Solfege
39
Music Theory
1
Instruments
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HARMONICA
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HARPSICHORD
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LUTE, THEOR…
MANDOLIN
MARCHING BA…
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ORGAN - ORG…
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TROMBONE
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English horn, Piano
Sheetmusic to print
122 sheet music found
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1
26
51
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101
It's Been A Long, Long Time
#
English horn, Piano
#
INTERMEDIATE
#
Contemporary
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
English Horn,Piano - Level 3 - Digital Download SKU: A0.592536 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. ...
(+)
English Horn,Piano - Level 3 - Digital Download SKU: A0.592536 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366341. Published by David McKeown (A0.592536). It’s Been a Long Long Time is arranged as a solo for one English Horn with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
It's Been A Long, Long Time
#
English horn, Piano
#
INTERMEDIATE
#
Contemporary
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
English Horn,Piano - Level 3 - Digital Download SKU: A0.592532 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. ...
(+)
English Horn,Piano - Level 3 - Digital Download SKU: A0.592532 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366333. Published by David McKeown (A0.592532). It’s Been a Long Long Time is arranged as a solo for one Cor Anglais with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Maybe This Time
#
English horn, Piano
#
INTERMEDIATE
#
Contemporary
#
John Kander
#
Andrew Middleton
#
Maybe This Time
#
Andrew Middleton
#
SheetMusicPlus
English Horn,Piano - Level 3 - Digital Download SKU: A0.735328 Composed by John Kander. Arranged by Andrew Middleton. 20th Century. Score and part. 5 pag...
(+)
English Horn,Piano - Level 3 - Digital Download SKU: A0.735328 Composed by John Kander. Arranged by Andrew Middleton. 20th Century. Score and part. 5 pages. Andrew Middleton #4356101. Published by Andrew Middleton (A0.735328). From the musical Cabaret and made famous by Liza Minelli's icon voice, Maybe This Time arranged for cor anglais and piano. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
Con Te Partiro (time To Say Goodbye)
#
English horn, Piano
#
INTERMEDIATE
#
Pop music
#
Andrea Bocelli
#
Matthew pyeon
#
Con Te Partiro
#
sungil
#
SheetMusicPlus
English Horn,Piano - Level 3 - Digital Download SKU: A0.702561 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Matthew pyeon. ...
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English Horn,Piano - Level 3 - Digital Download SKU: A0.702561 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Matthew pyeon. Pop. Score and part. 15 pages. Sungil (Matthew) Pyeon #311130. Published by sungil (Matthew) Pyeon (A0.702561).
$4.99
Mendelssohn: Song Without Words Op. 109 for English Horn & Piano
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English horn, Piano
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INTERMEDIATE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - Digital Download SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. In...
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501027. Published by jmsgu3 (A0.549496). ENGLISH HORN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Maple Leaf Rag, by Scott Joplin, for Cor Anglais (or English Horn) and Piano
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English horn, Piano
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INTERMEDIATE/ADVANCED
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 4 - Digital Download SKU: A0.1112415 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and...
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English Horn,Piano - Level 4 - Digital Download SKU: A0.1112415 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714450. Published by David McKeown (A0.1112415). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Cor Anglais (or English Horn) and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Bach: Bist du bei mir BWV 508 for English Horn & Piano
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English horn, Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - Digital Download SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sta...
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English Horn,Piano - Level 2 - Digital Download SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468366. Published by jmsgu3 (A0.549228). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
The Favorite for solo Cor Anglais (or English Horn) and Piano
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English horn, Piano
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INTERMEDIATE
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Ragtime
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Scott Joplin
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David McKeown
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The Favorite for solo Cor Angl
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 3 - Digital Download SKU: A0.1092659 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Scor...
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English Horn,Piano - Level 3 - Digital Download SKU: A0.1092659 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #696760. Published by David McKeown (A0.1092659). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Cor Anglais (or English Horn) with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Cor Anglais and Piano
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English horn, Piano
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EASY
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - Digital Download SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score ...
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English Horn,Piano - Level 2 - Digital Download SKU: A0.587919 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044825. Published by David McKeown (A0.587919). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Cor Anglais and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Grieg: Ase's Death from Peer Gynt Suite for English Horn & Piano
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English horn, Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - Digital Download SKU: A0.549543 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romant...
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549543 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506325. Published by jmsgu3 (A0.549543). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for English Horn and Piano
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English horn, Piano
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EASY
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - Digital Download SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score ...
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English Horn,Piano - Level 2 - Digital Download SKU: A0.587918 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044823. Published by David McKeown (A0.587918). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for English Horn and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Grieg: Anitra's Dance from Peer Gynt Suite for English Horn & Piano
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English horn, Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - Digital Download SKU: A0.549564 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roman...
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549564 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508043. Published by jmsgu3 (A0.549564). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
The Elite Syncopations for Solo Cor Anglais (or English Horn) and Piano
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English horn, Piano
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INTERMEDIATE/ADVANCED
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Ragtime
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Scott Joplin
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David McKeown
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The Elite Syncopations for Sol
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 4 - Digital Download SKU: A0.1090780 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Scor...
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English Horn,Piano - Level 4 - Digital Download SKU: A0.1090780 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694910. Published by David McKeown (A0.1090780). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Cor Anglais (or English Horn) with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Luther: Out of the Depths for English Horn & Piano
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English horn, Piano
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BEGINNER
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 1 - Digital Download SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Stand...
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English Horn,Piano - Level 1 - Digital Download SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Bach: Wachet auf for English Horn & Piano
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English horn, Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for English H
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 2 - Digital Download SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
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English Horn,Piano - Level 2 - Digital Download SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555009. Published by jmsgu3 (A0.549848). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Gaúcho (Corta-Jaca) - English Horn and Piano (Full Score and Parts)
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English horn, Piano
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INTERMEDIATE
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Chiquinha Gonzaga
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César Madeira
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Gaúcho
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Sheet Music To Play Editions
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SheetMusicPlus
English Horn,Piano - Level 3 - Digital Download SKU: A0.1310946 Composed by Chiquinha Gonzaga. Arranged by César Madeira. Children,Classical,Latin,Rag...
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English Horn,Piano - Level 3 - Digital Download SKU: A0.1310946 Composed by Chiquinha Gonzaga. Arranged by César Madeira. Children,Classical,Latin,Ragtime,Romantic Period. Score and part. 9 pages. Sheet Music To Play Editions #899919. Published by Sheet Music To Play Editions (A0.1310946). Gaúcho (Corta-Jaca) - Brazilian Tango by Francisca Gonzaga. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!Francisca Gonzaga, better known as Chiquinha Gonzaga (1847 – 1935) was a Brazilian composer, pianist and the first woman conductor in Brazil. Chiquinha Gonzaga was the first pianist of choro and author of the first carnival march, Ó Abre Alas (1899). Her plays and operettas, such as Forrobodó and JuritÃ, were a great success with the public because they used elements of Brazilian popular culture of the time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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English horn, Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Onward Christian Soldiers, Gospel Hymn for Cor Anglais and Piano
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English horn, Piano
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EASY
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Sacred music
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Gospel/Spiritual
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Sabine Baring-Gould
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David McKeown
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Onward Christian Soldiers, Gos
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - Digital Download SKU: A0.593139 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Wors...
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English Horn,Piano - Level 2 - Digital Download SKU: A0.593139 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416467. Published by David McKeown (A0.593139). Onward Christian Soldiers is a beautiful gospel song arranged here for Solo Cor Anglais and Piano.Onward Christian Soldiers was written by Sabine Baring-Gould in 1865 and set to music by Arthur Sullivan in 1871. Churchill later chose the hymn to be sung at a wartime service when he met Roosevelt in 1941. In more recent times there have been attempts, some successful, some not, to alter the military flavor of the lyrics.
$2.49
Onward Christian Soldiers, Gospel Hymn for English Horn and Piano
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English horn, Piano
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EASY
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Sacred music
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Gospel/Spiritual
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Sabine Baring-Gould
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David McKeown
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Onward Christian Soldiers, Gos
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - Digital Download SKU: A0.593143 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Wors...
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English Horn,Piano - Level 2 - Digital Download SKU: A0.593143 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416475. Published by David McKeown (A0.593143). Onward Christian Soldiers is a beautiful gospel song arranged here for Solo English Horn and Piano.Onward Christian Soldiers was written by Sabine Baring-Gould in 1865 and set to music by Arthur Sullivan in 1871. Churchill later chose the hymn to be sung at a wartime service when he met Roosevelt in 1941. In more recent times there have been attempts, some successful, some not, to alter the military flavor of the lyrics.
$2.49
Steal Away, Gospel Song for Cor Anglais and Piano
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English horn, Piano
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EASY
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Sacred music
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Gospel/Spiritual
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Wallis Willis
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David McKeown
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Steal Away, Gospel Song for Co
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - Digital Download SKU: A0.593264 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sa...
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English Horn,Piano - Level 2 - Digital Download SKU: A0.593264 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418045. Published by David McKeown (A0.593264). Steal Away is a beautiful spiritual arranged here for Solo Cor Anglais and Piano.The words and music of Steal Away are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song and within a few years it became a firm gospel favourite. The words have a meaning beyond the spiritual, with hidden references to the Underground Railway of the time that helped escaped slaves cross to Canada. In more recent times Steal Away to Jesus was arranged by Michael Tippett in 1944 and recorded famously by Mahalia Jackson and Nat King Cole.
$2.49
Steal Away, Gospel Song for English Horn and Piano
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English horn, Piano
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EASY
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Sacred music
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Gospel/Spiritual
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Wallis Willis
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David McKeown
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Steal Away, Gospel Song for En
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - Digital Download SKU: A0.593268 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sa...
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English Horn,Piano - Level 2 - Digital Download SKU: A0.593268 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418053. Published by David McKeown (A0.593268). Steal Away is a beautiful spiritual arranged here for Solo English Horn and Piano.The words and music of Steal Away are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song and within a few years it became a firm gospel favourite. The words have a meaning beyond the spiritual, with hidden references to the Underground Railway of the time that helped escaped slaves cross to Canada. In more recent times Steal Away to Jesus was arranged by Michael Tippett in 1944 and recorded famously by Mahalia Jackson and Nat King Cole.
$2.49
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