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The Last Stand
Not classified
601
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240
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90
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59
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53
Piano, Voice
48
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19
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18
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7
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4
Piano Quartet: piano, violin, viola, cello
4
1 Piano, 4 hands
4
Piano (band part)
3
Piano Quintet: piano, 2 violins, viola, cello
2
Harpsichord
1
Accordion
1
+ 10 instrumentations
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48
Melody line, (Lyrics) and Chords
47
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29
Ukulele
13
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5
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4
Bass guitar
4
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4
Mandolin
2
Banjo
2
Dulcimer
2
4 Guitars (Quartet)
1
+ 7 instrumentations
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Voice
Choral SATB
45
Choral 3-part
20
Vocal duet, Piano
12
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10
Choral Unison
9
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6
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6
Soprano voice, Piano
6
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4
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3
Voice solo
3
Medium voice, Piano
2
Choral Instrumental Pak
2
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2
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2
Low voice, Piano
2
Tenor voice
1
Soprano voice
1
Alto voice, Piano
1
Low voice
1
Vocal duet
1
+ 16 instrumentations
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2 Saxophones (duet)
53
Flute, Oboe, Clarinet, Bassoon
36
Flute and Piano
33
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30
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29
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28
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27
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27
2 Flutes (duet)
26
Alto Saxophone and Piano
24
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23
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19
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18
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17
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17
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16
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13
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11
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10
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8
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8
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7
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7
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7
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6
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6
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5
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5
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4
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3
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3
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3
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3
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2
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2
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1
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1
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1
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1
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1
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1
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1
2 Flutes, Piano
1
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1
Bass Clarinet
1
Oboe, Clarinet, Bassoon (trio)
1
Piccolo, Piano
1
+ 59 instrumentations
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18
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16
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16
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16
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14
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14
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13
Trumpet
11
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10
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10
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10
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8
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7
Trombone
6
English horn, Piano
5
Tuba and Piano
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French horn
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4
2 French horns (duet)
4
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2
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1
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1
Brass Quartet: 2 trumpets, horn, trombone
1
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Tuba
1
2 Euphoniums and 2 Tubas
1
+ 23 instrumentations
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51
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37
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23
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17
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17
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15
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10
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6
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5
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2
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2
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1
4 Double Basses
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1
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1
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1
+ 28 instrumentations
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105
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30
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You've selected:
The Last Stand
English horn, Piano
Sheetmusic to print
5 sheet music found
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1
Stand Up, Stand Up for Jesus, Gospel Hymn for Cor Anglais and Piano
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English horn, Piano
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EASY
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Sacred music
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Gospel/Spiritual
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George Duffield Jr
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David McKeown
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Stand Up, Stand Up for Jesus,
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 2 - Digital Download SKU: A0.593214 Composed by George Duffield Jr. Arranged by David McKeown. Christian,Gospel,Praise & Worsh...
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English Horn,Piano - Level 2 - Digital Download SKU: A0.593214 Composed by George Duffield Jr. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6417817. Published by David McKeown (A0.593214). Stand Up, Stand Up for Jesus is a beautiful gospel song arranged here for Solo Cor Anglais and Piano.Stand Up, Stand Up for Jesus was written by George Duffield Jr in 1858, reportedly based on the last words on his friend and anti-slavery campaigner, Dudley Atkins Tyng. The hymn was popular with soldiers on both sides of the American Civil War.
$2.49
Stand Up, Stand Up for Jesus, Gospel Hymn for English Horn and Piano
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English horn, Piano
#
EASY
#
Sacred music
#
Gospel/Spiritual
#
George Duffield Jr
#
David McKeown
#
Stand Up, Stand Up for Jesus,
#
David McKeown
#
SheetMusicPlus
English Horn,Piano - Level 2 - Digital Download SKU: A0.593218 Composed by George Duffield Jr. Arranged by David McKeown. Christian,Gospel,Praise & Worsh...
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English Horn,Piano - Level 2 - Digital Download SKU: A0.593218 Composed by George Duffield Jr. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6417825. Published by David McKeown (A0.593218). Stand Up, Stand Up for Jesus is a beautiful gospel song arranged here for Solo English Horn and Piano.Stand Up, Stand Up for Jesus was written by George Duffield Jr in 1858, reportedly based on the last words on his friend and anti-slavery campaigner, Dudley Atkins Tyng. The hymn was popular with soldiers on both sides of the American Civil War.
$2.49
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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English horn, Piano
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INTERMEDIATE
#
Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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