Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
When It\'s Over
Not classified
261
Piano & keyboards
Piano solo
191
Piano, Voice
61
Piano, Vocal and Guitar
49
Easy Piano
28
C Instruments
14
Organ
8
Piano Trio: piano, violin, cello
5
Big Note Piano
4
Piano Quartet: piano, violin, viola, cello
3
Accordion ensemble
2
2 Pianos, 8 hands
2
Piano Accompaniment
1
2 Pianos, 4 hands
1
1 Piano, 4 hands
1
Piano Quintet: piano, 2 violins, viola, cello
1
Keyboard
1
+ 11 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
23
Guitar
16
Ukulele
6
Melody line, (Lyrics) and Chords
6
Bass guitar
5
2 Guitars (duet)
3
Banjo
2
4 Guitars (Quartet)
1
Lyrics and Chords
1
Mandolin
1
Dulcimer
1
+ 6 instrumentations
-
Retract
Voice
Choral SATB
83
Choral 3-part
19
Alto voice, Piano
11
Choral 2-part
10
Soprano voice, Piano
9
Choral TTBB
8
Choral SSAA
8
High voice
2
Choral Unison
2
Baritone voice, Piano
2
Medium voice, Piano
2
Voice solo
1
Low voice, Piano
1
Tenor voice
1
Tenor voice, Piano
1
+ 10 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
24
2 Flutes (duet)
20
Flute and Piano
17
Oboe (band part)
16
Clarinet
14
2 Saxophones (duet)
14
Clarinet Quartet: 4 clarinets
14
Clarinet and Piano
13
Tenor Saxophone and Piano
12
Alto Saxophone and Piano
11
Flute, Oboe, Clarinet, Bassoon
10
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
10
Oboe, Piano (duet)
9
Saxophone, Clarinet (duet)
9
Saxophone (band part)
8
Harmonica
8
Flute Quartet: 4 flutes
8
Soprano Saxophone and Piano
7
Alto Saxophone
7
Flute ensemble
6
Baritone Saxophone, Piano
5
Flute
4
Clarinet, Violin (duet)
4
Tenor Saxophone
4
Clarinet Quintet: 5 clarinets
4
English horn, Piano
4
Oboe, Clarinet (duet)
3
Flute, Clarinet (duet)
3
Bass Clarinet, Piano
3
2 Clarinets (duet)
3
Flute, Violin
3
Oboe, Flute
3
2 Oboes (duet)
3
Oboe, Bassoon (duet)
2
Clarinet Ensemble
2
Flute, Viola (duet)
2
Clarinet and Viola
2
Flute, Trumpet (duet)
2
Flute and Guitar
2
Flute Trio: 3 flutes
1
English horn, Harp (duet)
1
Descant (Soprano) Recorder
1
3 Saxophones (trio)
1
Clarinet, Guitar (duet)
1
Clarinet, Cello (duet)
1
Saxophone and Organ
1
Flute Quintet : 5 flutes
1
Clarinet, Bassoon (duet)
1
3 Clarinets (trio)
1
Flute (band part)
1
Flute, Saxophone (duet)
1
Flute, Bassoon, and Piano
1
+ 47 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
32
Trumpet
9
Trombone and Piano
9
Brass quartet : 2 trumpets, trombone, tuba
9
French Horn and Piano
8
Trumpet, Piano
6
Trumpet, Saxophone (duet)
6
French horn
5
Tuba
4
2 Trumpets (duet)
4
Euphonium, Piano (duet)
4
English horn, Piano
4
Trombone
4
Tuba and Piano
4
Trumpet, Trombone (duet)
4
Brass Quartet: 4 trombones
2
Trumpet (band part)
2
Brass Quartet
2
Brass Quartet: 2 trumpets, horn, trombone
2
English horn, Harp (duet)
1
2 Trombones (duet)
1
Trumpet, Euphonium (duet)
1
Trombone ensemble
1
Tuba ensemble
1
Brass Quartet: 4 horns
1
2 Euphoniums and 2 Tubas
1
+ 21 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
58
Violin and Piano
14
Viola, Piano
13
2 Violins (duet)
13
Violin, Cello (duet)
10
Violin
9
Cello, Piano
8
Harp
8
Cello
8
String Trio: violin, viola, cello
6
4 Cellos
4
2 Cellos (duet)
4
Double Bass
4
Harp, Flute (duet)
3
Viola (band part)
3
Violin, Viola (duet)
3
2 Violas (duet)
3
Viola
3
String Trio: 2 violins, cello
2
String quartet: 4 violins
1
Violin, Guitar (duet)
1
String Trio: 3 cellos
1
2 Harps (duet)
1
String Quintet: 2 violins, 2 violas, cello
1
Harp, Voice
1
Cello, String Bass (duet)
1
String Quartet : 4 violas
1
+ 22 instrumentations
-
Retract
Orchestra & Percussion
Concert band
81
Orchestra
35
String Orchestra
24
Chamber Orchestra
17
Brass ensemble
9
Jazz Ensemble
9
Jazz combo
6
Percussion Ensemble
4
Handbells
4
School Ensemble
3
Marching band
2
Drums
1
+ 7 instrumentations
-
Retract
Others
Free Sheet Music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
Digital Sheet Music
4
Sheet Music Books
2
Music Equipment
916
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
When It\'s Over
English horn, Piano
Sheetmusic to print
4 sheet music found
<
1
Bach: Wachet auf for English Horn & Piano
#
English horn, Piano
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
 
#
Bach: Wachet auf for English H
#
jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 2 - Digital Download SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
(+)
English Horn,Piano - Level 2 - Digital Download SKU: A0.549848 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555009. Published by jmsgu3 (A0.549848). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach: Bist du bei mir BWV 508 for English Horn & Piano
#
English horn, Piano
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 2 - Digital Download SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sta...
(+)
English Horn,Piano - Level 2 - Digital Download SKU: A0.549228 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468366. Published by jmsgu3 (A0.549228). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Trois pièces : Andante, Sérénade et Chant Serbe
#
English horn, Piano
#
INTERMEDIATE/ADVANCED
#
Classical
#
Clémence de Grandval
#
Paul Wehage
#
Trois pièces : Andante, Sér
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
English Horn,Piano - Level 4 - Digital Download SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classica...
(+)
English Horn,Piano - Level 4 - Digital Download SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 34 pages. Musik Fabrik Music Publishing #1069729. Published by Musik Fabrik Music Publishing (A0.1493039). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Luther: Out of the Depths for English Horn & Piano
#
English horn, Piano
#
BEGINNER
#
Martin Luther
#
James M
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 1 - Digital Download SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Stand...
(+)
English Horn,Piano - Level 1 - Digital Download SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
<
1
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version