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Con Alma
Flute, Oboe, Clarinet, Bassoon
Sheetmusic to print
4 sheet music found
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1
Yerbero Moderno
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE
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Contemporary
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Celia Cruz
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Jan Thalman
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Yerbero Moderno
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Jan Thalman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.937491 By Celia Cruz. By Nestor Mili. Arranged by Jan Thalman. Contemporary. 24 p...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.937491 By Celia Cruz. By Nestor Mili. Arranged by Jan Thalman. Contemporary. 24 pages. Jan Thalman #6432127. Published by Jan Thalman (A0.937491). Yerbero ModernoYerbero Moderno es una pieza compuesta por Nestor Nili, alrededor de 1950.Esta versión para cuarteto de saxofones mantiene los ritmos originales de cha-cha-chá y bolero en letra B.La improvisación del saxofón soprano en el compás 70, puede sustituirse cantando la melodÃa escrita en letra J. Los tumbaos tanto en la improvisación del saxofón soprano, como en letra J, pueden repetirse libremente hasta que se de una señal para continuar con la partitura.Los tumbaos son usualmente la repetición de un patrón de dos o cuatro compases interpretado por el piano, bajo o guitarra como acompañamiento y deben ser tocados con relación a la clave. En este caso, el tumbao se hace con dos saxofones.___________________Yerbero ModernoThis tune was composed by Nestor Nili around 1950. This version for a saxophone quartet keeps the original Cha-cha-chá and Bolero rhythms of the melody, at letter B. The improvisation of the soprano saxophone in measure 70 can be substituted by the singing of the lyrics at letter J.Both tumbaos, at letter J and at the solo of the soprano saxophone, can be repeated as many times as needed, until there is a signal to continue with the score.Tumbaos are usually a repetitive two or four bar rhythmic vamp played by the piano, bass or guitar and they must be played in relation to the clave. In this case, the tumbao is played using two saxophones.
$12.99
Lluvia, Viento Y Cana
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE/ADVANCED
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Contemporary
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Israel Lopez
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Jan Thalman
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Lluvia, Viento Y Cana
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Jan Thalman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.937490 Composed by Israel Lopez. Arranged by Jan Thalman. Contemporary. 26 pages....
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.937490 Composed by Israel Lopez. Arranged by Jan Thalman. Contemporary. 26 pages. Jan Thalman #6429683. Published by Jan Thalman (A0.937490). Lluvia, viento y caña es una pieza compuesta por el bajista cubano Israel López Cachao. Esta versión para cuarteto de saxofones inicia con un estilo clásico. Luego, la melodÃa cambia en letra A siguiendo un ritmo de calipso el cual es originario de las costas del caribe. La obra retoma el carácter de música clásica por un instante en letra J, y termina con ritmo de calipso.La parte de percusión es opcional, puede no utilizarse.*Esta pieza ha sido tocada en el World Saxophone Congress._______________-It was composed by the Cuban bass player Israel Cachao Lopez.This version for a saxophone quartet starts with a classical style. Later, the melody changes at letter A with a Calipso rhythm, an original genre from the Caribbean coasts. The piece takes again its classical music character at letter J and finishes with a calipso rhythm.The use of percussion is optional.info@thalmanmusic.com
$12.99
Andersen Viana: Quartet for flute, oboe, Bb clarinet and bassoon
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Flute, Oboe, Clarinet, Bassoon
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ADVANCED
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Andersen Viana
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Andersen Viana: Quartet for fl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.533546 Composed by Andersen Viana. 20th Century,Conce...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.533546 Composed by Andersen Viana. 20th Century,Concert,Contemporary,Standards. 42 pages. Musik Fabrik Music Publishing #3017639. Published by Musik Fabrik Music Publishing (A0.533546). This seven minute modernist work uses both structured and aleatoric elements. Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.
$19.95
Son De La Loma
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Flute, Oboe, Clarinet, Bassoon
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Contemporary
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Miguel Matamoros
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Jan Thalman
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Son De La Loma
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Jan Thalman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Digital Download SKU: A0.937494 Composed by Miguel Matamoros. Arranged by Jan Thalman. Contemporary. 23 pages. Jan T...
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Woodwind Ensemble,Woodwind Quartet - Digital Download SKU: A0.937494 Composed by Miguel Matamoros. Arranged by Jan Thalman. Contemporary. 23 pages. Jan Thalman #6439553. Published by Jan Thalman (A0.937494). Son de la loma es una pieza compuesta por el cubano Miguel Matamoros, alrededor de 1945. Es una melodÃa muy conocida en ritmo de son, sin embargo, esta versión para cuarteto de saxofones está escrita para que se interprete en ritmo de samba. La samba es una danza brasileña de origen africano.En caso de no utilizar la percusión:- Los primeros 3 compases de la introducción deben eliminarse. Se empieza, entonces en el compás 4- El solo de percusión en el compás 91 debe ser omitido.- Letra G no se toca. De manera que, del compás 122 se pasa al compás 4.La parte percusión es opcional, puede incorporarla a los saxofones si asà lo prefiere.Son de la lomaThis piece was composed by the Cuban musician Miguel Matamoros around 1945. The tune was originally written with a Son rhythm, however, in this version for a saxophone quartet the rhythm is Samba, a Brazilian dance.The use of percussion is optional. If it is not used, the player should follow these recomendations:- The first three measures of the introduction must be eliminated to start in measure four.- The percussion solo in measure 91 must be omitted- Letter G is not played, as a result, the player must move on from measure 122 tomeasure 4.The use of percussion is optional.
$14.00
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