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Op. 21
Piano, Voice
Sheetmusic to print
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426
Siryen' / Siren' / The Lilacs Op.21 No.5 Lower Key (E-flat) DICTION SCORE with IPA and translation
#
Piano, Voice
#
INTERMEDIATE/ADVANCED
#
Sergei Rachmaninoff
#
Russian for Singers
#
Siryen' / Siren' / The Lilacs
#
Natalia Melnik
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1160647 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 19th Cent...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1160647 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 19th Century,20th Century,Classical,Opera,Romantic Period. Score. 3 pages. Natalia Melnik #760943. Published by Natalia Melnik (A0.1160647). S. Rachmaninoff. Сирень / Siryen' / Siren' / The Lilacs Op.21 No.5. Lower key E-flat majorDiction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation.FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available at https://www.russian4singers.com/product-page-2/s-rachmaninoff-lilacs-op-21-n5-lower-key-e-flat-full-pack We are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$8.50
Siryen' / Siren' / The Lilacs Op.21 No.5 Original key DICTION SCORE with IPA and translation
#
Piano, Voice
#
INTERMEDIATE/ADVANCED
#
Sergei Rachmaninoff
#
Russian for Singers
#
Siryen' / Siren' / The Lilacs
#
Natalia Melnik
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.503128 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. Classical,...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.503128 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. Classical,Opera,Romantic Period. Score. 3 pages. Natalia Melnik #115321. Published by Natalia Melnik (A0.503128). S. Rachmaninoff. Сирень / Siryen' / Siren' / The Lilacs Op.21 No.5. Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation. FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available at https://www.russian4singers.com/product-page-2/s-rachmaninoff-lilacs-op-21-n5-original-key-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$8.50
"A Fragment From A.Musset" Op.21 N6 Original key. DICTION SCORE with IPA and translation
#
Piano, Voice
#
INTERMEDIATE/ADVANCED
#
Sergei Rachmaninoff
#
Russian for Singers
#
"A Fragment From A.Musset" Op.
#
Natalia Melnik
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1215805 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 19th Cent...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1215805 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 19th Century,20th Century,Classical,Opera,Romantic Period. Score. 5 pages. Natalia Melnik #812536. Published by Natalia Melnik (A0.1215805). Rachmaninoff. Отрывок из Ð.МюÑÑе / Otryvok iz A.Musset / A Fragment from A.Musset (Loneliness) Op 21 No.6. Original keyRange:C#4 - A5 (Soprano)C#3 - A4 (Tenor)FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/s-rachmaninoff-a-fragment-from-a-musset-op-21-n6-orig-key-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel and watch the free diction guidehttps://youtu.be/07F1pnT908o
$8.50
"A Fragment From A.Musset" Op.21 N6 Lower key. DICTION SCORE with IPA and translation
#
Piano, Voice
#
INTERMEDIATE/ADVANCED
#
Sergei Rachmaninoff
#
Russian for Singers
#
"A Fragment From A.Musset" Op.
#
Natalia Melnik
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1214664 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 19th Cent...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1214664 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 19th Century,20th Century,Classical,Opera,Romantic Period. Score. 5 pages. Natalia Melnik #811651. Published by Natalia Melnik (A0.1214664). Rachmaninoff. Отрывок из Ð.МюÑÑе / Otryvok iz A.Musset / A Fragment from A.Musset (Loneliness) Op 21 No.6. Lower keyRange:B4 - G5 (Mezzo-Soprano)B3 - G4 (Baritone)FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/s-rachmaninoff-a-fragment-from-a-musset-op-21-n6-lower-key-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel and watch the free diction guidehttps://youtu.be/07F1pnT908o
$8.50
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 3: Le Matin au bor
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 5: Feuilles qui chuchotez from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 5: Feuilles qui ch
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-23E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 9 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-23E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #8492-23E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-23E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 4: Dans les bois from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 4: Dans les bois f
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-22E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-22E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 6: Amour brisé from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 6: Amour brisé fr
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-24E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-24E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-24E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-24E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 2: Consolation from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 2: Consolation fro
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-20E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-20E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 1: À L’Absente
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-19E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Wie Ulfru fischt, by Schubert, Op.21 No.3, in f minor
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Piano, Voice
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INTERMEDIATE
#
Classical
#
Franz Schubert
#
Editions Dao
#
Wie Ulfru fischt, by Schubert,
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Editions Dao
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417632 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417632 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions Dao #999171. Published by Editions Dao (A0.1417632). Wie Ulfru fischt by Schubert, Op.21 No.3, for Voice and Piano.7 Pages.
$6.69
Wie Ulfru fischt, by Schubert, Op.21 No.3, in d minor
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Piano, Voice
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INTERMEDIATE
#
Classical
#
Franz Schubert
#
Editions Dao
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Wie Ulfru fischt, by Schubert,
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Editions Dao
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417629 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417629 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions Dao #999167. Published by Editions Dao (A0.1417629). Wie Ulfru fischt by Schubert, Op.21 No.3, for Voice and Piano.7 Pages.
$6.69
Wie Ulfru fischt, by Schubert, Op.21 No.3, in c sharp minor
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Piano, Voice
#
INTERMEDIATE
#
Classical
#
Franz Schubert
#
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Wie Ulfru fischt, by Schubert,
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Editions Dao
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417635 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417635 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions Dao #999174. Published by Editions Dao (A0.1417635). Wie Ulfru fischt by Schubert, Op.21 No.3, for Voice and Piano.7 Pages.
$6.69
Wie Ulfru fischt, by Schubert, Op.21 No.3, in f sharp minor
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Piano, Voice
#
INTERMEDIATE
#
Classical
#
Franz Schubert
#
Editions Dao
#
Wie Ulfru fischt, by Schubert,
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Editions Dao
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417634 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417634 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions Dao #999173. Published by Editions Dao (A0.1417634). Wie Ulfru fischt by Schubert, Op.21 No.3, for Voice and Piano.7 Pages.
$6.69
Wie Ulfru fischt, by Schubert, Op.21 No.3, in c minor
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Piano, Voice
#
INTERMEDIATE
#
Classical
#
Franz Schubert
#
Editions Dao
#
Wie Ulfru fischt, by Schubert,
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Editions Dao
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417636 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417636 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions Dao #999175. Published by Editions Dao (A0.1417636). Wie Ulfru fischt by Schubert, Op.21 No.3, for Voice and Piano.7 Pages.
$6.69
Wie Ulfru fischt, by Schubert, Op.21 No.3, in b flat minor
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Piano, Voice
#
INTERMEDIATE
#
Classical
#
Franz Schubert
#
Editions Dao
#
Wie Ulfru fischt, by Schubert,
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Editions Dao
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417638 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417638 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions Dao #999177. Published by Editions Dao (A0.1417638). Wie Ulfru fischt by Schubert, Op.21 No.3, for Voice and Piano.7 Pages.
$6.69
Wie Ulfru fischt, by Schubert, Op.21 No.3, in e flat minor
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Piano, Voice
#
INTERMEDIATE
#
Classical
#
Franz Schubert
#
Editions Dao
#
Wie Ulfru fischt, by Schubert,
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Editions Dao
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417630 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417630 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions Dao #999168. Published by Editions Dao (A0.1417630). Wie Ulfru fischt by Schubert, Op.21 No.3, for Voice and Piano.7 Pages.
$6.69
Wie Ulfru fischt, by Schubert, Op.21 No.3, in b minor
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Piano, Voice
#
INTERMEDIATE
#
Classical
#
Franz Schubert
#
Editions Dao
#
Wie Ulfru fischt, by Schubert,
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Editions Dao
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417637 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417637 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions Dao #999176. Published by Editions Dao (A0.1417637). Wie Ulfru fischt by Schubert, Op.21 No.3, for Voice and Piano.7 Pages.
$6.69
Wie Ulfru fischt, by Schubert, Op.21 No.3, in e minor
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Piano, Voice
#
INTERMEDIATE
#
Classical
#
Franz Schubert
#
Editions Dao
#
Wie Ulfru fischt, by Schubert,
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Editions Dao
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417631 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417631 Composed by Franz Schubert. Arranged by Editions Dao. Classical. Score. 7 pages. Editions Dao #999170. Published by Editions Dao (A0.1417631). Wie Ulfru fischt by Schubert, Op.21 No.3, for Voice and Piano.7 Pages.
$6.69
Schubert-Wie Ulfru fischt in #F minor,Op.21,No.3,for Vocal and Piano
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Piano, Voice
#
INTERMEDIATE
#
Classical
#
Franz Schubert
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Schubert-Wie Ulfru fischt in #
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Classic Piano sheetz
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.657384 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 12 pages. Classic Pian...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.657384 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 12 pages. Classic Piano sheetz #6229771. Published by Classic Piano sheetz (A0.657384). Schubert-Wie Ulfru fischt in #F minor,Op.21,No.3,for Vocal and Piano.
$5.99
Schubert-Wie Ulfru fischt in c minor,Op.21,No.3,for Vocal and Piano
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#
INTERMEDIATE
#
Classical
#
Franz Schubert
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Schubert-Wie Ulfru fischt in c
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Classic Piano sheetz
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.657388 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 12 pages. Classic Pian...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.657388 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 12 pages. Classic Piano sheetz #6229779. Published by Classic Piano sheetz (A0.657388). Schubert-Wie Ulfru fischt in c minor,Op.21,No.3,for Vocal and Piano.
$5.99
Schubert-Der Schiffer,Op.21 No.2 in bG for Vocal and Piano
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Piano, Voice
#
INTERMEDIATE
#
Classical
#
Franz Schubert
#
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Schubert-Der Schiffer,Op.21 No
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.653638 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 14 pages. Classic Pian...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.653638 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 14 pages. Classic Piano sheetz #6221777. Published by Classic Piano sheetz (A0.653638). Schubert-Der Schiffer,Op.21 No.2 in bG for Vocal and Piano.
$5.99
Schubert-Wie Ulfru fischt in bE minor,Op.21,No.3,for Vocal and Piano
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Piano, Voice
#
INTERMEDIATE
#
Classical
#
Franz Schubert
#
MPS
#
Schubert-Wie Ulfru fischt in b
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Classic Piano sheetz
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.657386 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 12 pages. Classic Pian...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.657386 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 12 pages. Classic Piano sheetz #6229777. Published by Classic Piano sheetz (A0.657386). Schubert-Wie Ulfru fischt in bE minor,Op.21,No.3,for Vocal and Piano.
$5.99
Schubert-Der Schiffer,Op.21 No.2 in A for Vocal and Piano
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Piano, Voice
#
INTERMEDIATE
#
Classical
#
Franz Schubert
#
MPS
#
Schubert-Der Schiffer,Op.21 No
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Classic Piano sheetz
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.653633 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 14 pages. Classic Pian...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.653633 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 14 pages. Classic Piano sheetz #6221767. Published by Classic Piano sheetz (A0.653633). Schubert-Der Schiffer,Op.21 No.2 in A for Vocal and Piano.
$5.99
Schubert-Der Schiffer,Op.21 No.2 in F for Vocal and Piano
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Piano, Voice
#
INTERMEDIATE
#
Classical
#
Franz Schubert
#
MPS
#
Schubert-Der Schiffer,Op.21 No
#
Classic Piano sheetz
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.653640 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 14 pages. Classic Pian...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.653640 Composed by Franz Schubert. Arranged by MPS. Romantic Period. Score. 14 pages. Classic Piano sheetz #6221781. Published by Classic Piano sheetz (A0.653640). Schubert-Der Schiffer,Op.21 No.2 in F for Vocal and Piano.
$5.99
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