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BASIC PIANO STUDIES
SheetMusicPlus
Piano, Voice
Sheetmusic to print
2 sheet music found
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1
Play - Sing (Multi-dimensional Music Reading Studies)
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Piano, Voice
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EASY
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Onder Ozkoc
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Play - Sing
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Onder Ozkoc
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1003152 Composed by Onder Ozkoc. Contemporary,Instructional. Score. 73 pages. Onder Ozkoc #6694811...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1003152 Composed by Onder Ozkoc. Contemporary,Instructional. Score. 73 pages. Onder Ozkoc #6694811. Published by Onder Ozkoc (A0.1003152). This book has been prepared for the purpose of doing self-accompanied music reading (solfeggio) practice. For this, 70 pieces were designed; with these pieces, it is aimed to develop multi-layered thinking and hearing elements in music. The four parts in the book, which are sorted according to the level of difficulty, are written on a single string, the notes with the stems downwards are accompanied by the notes, and the ones that upwards belong to the reading party. The accompaniment of the pieces is sometimes considered as a single sound, chord, or rhythmic structure, and sometimes as a combination of these structures. The accompaniment, which comes as a rhythmic structure in the 2nd and 4th chapters, is written with rhythmic notation on a separate staff.The accompaniments of the pieces in the first part can be played with instruments such as the piano or guitar, where two or three voices can be played at the same time and music can be played while performing, while the accompaniments are designed only as a rhythm for the parts in the second part can be played by hitting them with the hand or another instrument.The pieces in the third part were written in a way that the upper part can be read when the lower part is played and the lower part is read when the upper part is played, considering the translatable counterpoint technique, thus 4 working ways are derived from one piece. The monophonic accompaniments of the pieces in this section can also be played with instruments that can be read while playing.The fourth chapter of the book contains pieces that combine the understanding of the first two chapters, which can be called advanced when compared to the other chapters.The pieces in the book were read many times with students from different age groups at different levels, and their interpretations contributed to the shaping of the pieces. It is thought that the book, which includes studies that can help with simultaneous melody/rhythm hearing, reading scores, or rhythmic analysis, will contribute to the development of multi-layered thinking and hearing in music by making accompanying music reading studies on its own, and this is a basic requirement for every musician.
$10.00
Die rote Blume
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Fredrik Schwenk
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Die rote Blume
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Fredrik Schwenk
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1022048 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score. 51 pages. Fredrik Schwenk #...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1022048 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score. 51 pages. Fredrik Schwenk #6319871. Published by Fredrik Schwenk (A0.1022048). The nine songs after poems by Gustav Mahler (1860-1911) were commissioned by the Dutch mezzo-soprano Christianne Stotijn. Mahler was already planning a late Romantic cantata entitled Das klagende Lied shortly after beginning his studies at the Vienna Conservatory in 1878, for which he conceived a three-part cycle of poems for his own setting. When Mahler completed the score in October 1880, he was already at the beginning of a great conducting career. The quality of the poem could be debated, especially in view of the successful Lieder eines fahrenden Gesellen from 1883 and 1884; and yet the ballad, inspired by a mixture of fairy tales by the Brothers Grimm and the poet Ludwig Bechstein, reflects almost the complete range of voices of Mahler's first great creative period, from the songs from Des Knaben Wunderhorn to the Fourth Symphony. At the special request of mezzo-soprano Chrisianne Stotijn and pianist Joseph Breinl, the complete text of the plaintive song was newly set to music. A particular challenge of the new setting of Gustav Mahler's poems consisted for me above all in compromising the genial imperfection of the poetry with a compositional aesthetic that emphasizes precisely the unrhymed, edgy and clichéd as its own quality and does not seek to conceal it. In doing so, it seemed wise and prudent to me, not only for reasons of historical distance(ization), not to implement an intersubjective subjectability to the songs. The serious and ballad-like basic tone was to be preserved, the way in which the text was implemented stems from the idea of a thoroughly pluralistic and therefore stylistic tightrope walk, which in a kind of music about music reflects the relationship to one's own tradition and its changing values and thus repeats the phenomenon of Mahler per se in the context of the 21st century.
$7.50
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