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Epic Nature
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3 sheet music found
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1
The Lunatic
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Piano, Voice
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INTERMEDIATE
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Contemporary
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Charles Simic
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The Lunatic
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Abundant Silence
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1137412 By Charles Simic. By Che Buford. Contemporary. Score. 13 pages. Abundant Silence #737616. ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1137412 By Charles Simic. By Che Buford. Contemporary. Score. 13 pages. Abundant Silence #737616. Published by Abundant Silence (A0.1137412). When I read Charles Simic’s poem, The Lunatic for the first time, I was impressed by the minimalist but evocative feel of the work. The poem describes the nature of a snowflake. As I read it more, I felt an unusual fixation on the action of the snowflake. The piece starts off by depicting the erratic nature of the snowflake in the right hand of the piano. It then transitions into descending plaintive, melancholy music. The singer repeats ‘’The same snowflake kept falling out of the great sky’’ three times but each time more bothered and adding words from the poem. I tried to convey the obsessive nature that the POV expresses along with the piano material depicting the falling and ‘’picking itself off the ground’’ that the snowflake does.
$15.00
He Will Lead Me Home
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin Longley
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Kevin Longley
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He Will Lead Me Home
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Kevin Longley
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Prais...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99
Radiance
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Piano, Voice
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Contemporary
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Neil Olmstead
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Radiance
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R Neil Olmstead
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.1026538 Composed by Neil Olmstead. Contemporary. Score. 10 pages. R Neil Olmstead #6203687. Published by R N...
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Piano,Vocal,Voice - Digital Download SKU: A0.1026538 Composed by Neil Olmstead. Contemporary. Score. 10 pages. R Neil Olmstead #6203687. Published by R Neil Olmstead (A0.1026538). Secrets of Ferns is a song-cycle of five pieces for mezzo-soprano and piano. The pieces depict the beauty, passion, love and suffering of human life and its relation to nature. The tonal inferences are abstracted in a way to compel thoughtful reflection of our natural world while leading us toward inner contemplation of the suffering and beauty of our personal lives.Radiance was previously written as a jazz instrumental tune. The adapted version, replete with lyric, is a reflection on the muse.
$4.99
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