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Piano-Volume 2
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You've selected:
Piano-Volume 2
Piano, Voice
Sheetmusic to print
81 sheet music found
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76
"Blues & Funky Music Collection" for Piano-Volume 2
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Piano, Voice
#
INTERMEDIATE
#
Fishel Pustilnik
#
Fishel Pustilnik
#
"Blues & Funky Music Collectio
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F & N Enterprise
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.634175 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score. 10 pag...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.634175 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score. 10 pages. F & N Enterprise #3532703. Published by F & N Enterprise (A0.634175). An excellent arrangement of Blues & Funky Music Collection for Piano-Volume-2. (6 Original Blues & Funky pieces)
$5.99
"Impressive Technical Piano Pieces Collection"-Volume 2
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Fishel Pustilnik
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Fishel Pustilnik
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"Impressive Technical Piano Pi
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F & N Enterprise
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634182 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634182 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 12 pages. F & N Enterprise #3534925. Published by F & N Enterprise (A0.634182). An excellent arrangement of Impressive Technical Piano Pieces Collection-Volume 2. (5 Original Technical Piano Pieces)
$4.99
"Fun Piano Pieces Collection For Kids"-Volume 2
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Piano, Voice
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INTERMEDIATE
#
Fishel Pustilnik
#
Fishel Pustilnik
#
"Fun Piano Pieces Collection F
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F & N Enterprise
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.634185 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.634185 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 10 pages. F & N Enterprise #3535105. Published by F & N Enterprise (A0.634185). An excellent arrangement of Fun Piano Pieces Collection For Kids-Volume 2. (5 Original Fun Piano Pieces)
$4.99
"Beautiful Piano Pieces Collection For Kids"-Volume 2
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Piano, Voice
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INTERMEDIATE
#
Fishel Pustilnik
#
Fishel Pustilnik
#
"Beautiful Piano Pieces Collec
#
F & N Enterprise
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.634193 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.634193 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 10 pages. F & N Enterprise #3536787. Published by F & N Enterprise (A0.634193). An excellent arrangement of Beautiful Piano Pieces Collection For Kids-Volume 2. (5 Original Piano Pieces)
$4.99
"Romantic Piano Music Collection"-Volume 2
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Piano, Voice
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INTERMEDIATE/ADVANCED
#
Fishel Pustilnik
#
Fishel Pustilnik
#
"Romantic Piano Music Collecti
#
F & N Enterprise
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634198 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634198 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 12 pages. F & N Enterprise #3537475. Published by F & N Enterprise (A0.634198). An excellent arrangement of Romantic Piano Music Collection-Volume 2. (5 Original Piano Pieces)
$5.99
Selections from Light Upon Silver, volume 2
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Piano, Voice
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ADVANCED
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James Sclater
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accessible for the audience
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Selections from Light Upon Sil
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James S Sclater
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.961270 Composed by James Sclater. 20th Century,Concert,Contemporary,Jazz. Score. 48 pages. James S...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.961270 Composed by James Sclater. 20th Century,Concert,Contemporary,Jazz. Score. 48 pages. James S Sclater #5992163. Published by James S Sclater (A0.961270). Seven more songs from Light Upon Silver. For medium voice and piano. These songs are based upon photographs by the composer's father, Arthur Sclater. Good recital literature for college level and higher performers. Fun and challenging for the singers; accessible for the audience.
$14.00
True Songs Songbook Volume 2 (high voice)
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Piano, Voice
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INTERMEDIATE
#
Sacred music
#
Christian contemporary
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Jayne Nitz
#
True Songs Songbook Volume 2
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Jayne Nitz
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.922905 Composed by Jayne Nitz. Christian,Contemporary,Praise & Worship. Score. 82 pages. Jayne Nit...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.922905 Composed by Jayne Nitz. Christian,Contemporary,Praise & Worship. Score. 82 pages. Jayne Nitz #6502281. Published by Jayne Nitz (A0.922905). If you’re tired of singing the same Christian pop radio songs as everyone else, try this songbook of contemporary Christian originals. Peaceful and beautiful, these songs are based on God’s true words in the Bible and address a refreshing variety of Christian topics- witnessing, heaven, grief, the elusive Christian break-up song, and more. Piano, vocals and guitar chords are included, as well as reproducible lead sheets.
$17.00
Canciones Clásicas Españolas, Volume 1
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Fernando J
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ulysses77
#
Canciones Clásicas Españolas
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ulysses77
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1388856 Composed by Fernando J. Obradors. Arranged by ulysses77. 20th Century,Classical,Opera. Sco...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1388856 Composed by Fernando J. Obradors. Arranged by ulysses77. 20th Century,Classical,Opera. Score. 29 pages. Ulysses77 #972364. Published by ulysses77 (A0.1388856). Song cycle Canciones Clásicas Españolas (Volume1) by Fernando J. Obradors for voice and piano1. La mi sola, Laureola2. Al amor3. Corazón porque pasais4. El majo celoso5. Con amores, la mi madre6. Dos cantares populares7. Coplas de Curro Dulce.
$15.00
Collected Songs, Volume II (1998-2016)
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Piano, Voice
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ADVANCED
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Contemporary
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William Hawley
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https://williamhawley.net
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Collected Songs, Volume II
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William Hawley
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.889738 Composed by William Hawley. Contemporary. Score. 180 pages. William Hawley #4983929. Publis...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.889738 Composed by William Hawley. Contemporary. Score. 180 pages. William Hawley #4983929. Published by William Hawley (A0.889738). This is Volume II (1998-2016) of the collected songs of William Hawley for Voice and Piano. The volume comprises 24 works. All of the poetry was set in the original languages (English, German, Italian, and French), and the songs have been computer-engraved by the composer in one fully bookmarked PDF file of 180 pages, with Table of Contents in hypertext. The audio clip is from the live recording of the Three New England Songs, 3. We Learned the Whole of Love (complete song, Joyce Andrews, Soprano, Esther Wang, Piano, World Premiere Performance, October 2, 1998, University of Wisconsin, Oshkosh. ASCAP https://williamhawley.net
$5.99
Op. 41, No. 2: Prends cette rose from Songs of Gouvy, V1 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 41, No. 2: Prends cette ro
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-08E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-08E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 37, No. 2: Du grand Turc je n’ai souci from Songs of Gouvy, V1 (Downloadable)
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Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 37, No. 2: Du grand Turc j
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7 pages. E. C. Schirmer Music Company - Digital #8491-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-02E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 48, No. 2: Nymphes, mêlez vos plus vermeilles roses from Songs of Gouvy, V1 (Downloadable)
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Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 48, No. 2: Nymphes, mêlez
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-42E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-42E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-42E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-42E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 44, No. 2: Rossignol, mon mignon from Songs of Gouvy, V1 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 44, No. 2: Rossignol, mon
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-27E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-27E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 47, No. 2: Que vous ai-je fait? from Songs of Gouvy, V1 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 47, No. 2: Que vous ai-je
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-35E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-35E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 42, No. 2: Le Rossignol from Songs of Gouvy, V1 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 42, No. 2: Le Rossignol fr
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-17E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 8...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-17E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 8 pages. E. C. Schirmer Music Company - Digital #8491-17E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-17E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 43, No. 2: À Nicolas from Songs of Gouvy, V1 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 43, No. 2: À Nicolas from
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-23E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-23E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-23E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-23E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 2: Barque légère,
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 2: Je te l’avais
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-02E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 2: Consolation from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 21, No. 2: Consolation fro
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-20E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-20E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
COLOURS - Volume 1
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Piano, Voice
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ADVANCED
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Ross Fiddes
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COLOURS - Volume 1
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1262432 Composed by Ross Fiddes. 20th Century,21st Century,Chamber,Classical. Score. 36 pages. Ros...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1262432 Composed by Ross Fiddes. 20th Century,21st Century,Chamber,Classical. Score. 36 pages. Ross Fiddes #855473. Published by Ross Fiddes (A0.1262432). COLOURS – a song collection for mezzo-soprano & pianoLargely untrained, only basically educated and living most his life as a rural worker, Neilson became known as one of Australia's finest lyric poets, who wrote much about the natural world, and the beauty in it.  His poetry is peppered with references to colours particularly of the Australian landscape, notably green, yellow and orange.  There is an art gallery named for him and an art prize in his name requires competing artists to interpret his poems in paint.. His lyricism has appealed to many composers, and in this collection setting six of his poems, I have attempted to capture both his lyricism and his “colouringsâ€. The songs are dedicated variously to the superb mezzo-sopranos, Alessandra Volpe and Deborah Humble.The six song I have set for this Volume 1 are:1.    Paint Me A Petticoat Green2.    Roses Three3.    To Dulcie in a White Dress4.    You and Yellow Air5.    The Orange Tree6.    Song in the Yellow.
$35.00
Lavignac-Solfège des solfèges,Volume 9B,No.2,for Voice
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Piano, Voice
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INTERMEDIATE
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Classical
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Lavignac
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MSM
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Lavignac-Solfège des solfège
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.673255 Composed by Lavignac. Arranged by MSM. Classical,Romantic Period. Score. 7 pages. Open Clou...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.673255 Composed by Lavignac. Arranged by MSM. Classical,Romantic Period. Score. 7 pages. Open Cloud #5991173. Published by Open Cloud (A0.673255). This product is a digital sheet music in PDF format. The music was composed by Lavignac（Lavignac),for Voice .published by More Sheet Music Press.
$1.99
Lavignac-Solfège des solfèges,Volume 9A,No.2,for Voice
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Piano, Voice
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INTERMEDIATE
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Classical
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Lavignac
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MSM
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Lavignac-Solfège des solfège
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.673267 Composed by Lavignac. Arranged by MSM. Classical,Romantic Period. Score. 4 pages. Open Clou...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.673267 Composed by Lavignac. Arranged by MSM. Classical,Romantic Period. Score. 4 pages. Open Cloud #5991211. Published by Open Cloud (A0.673267). This product is a digital sheet music in PDF format. The music was composed by Lavignac（Lavignac),for Voice .published by More Sheet Music Press.
$1.99
Lavignac-Solfège des solfèges,Volume 10,No.2,for Voice
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Piano, Voice
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INTERMEDIATE
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Classical
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Lavignac
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MSM
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Lavignac-Solfège des solfège
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.673234 Composed by Lavignac. Arranged by MSM. Classical,Romantic Period. Score. 4 pages. Open Clou...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.673234 Composed by Lavignac. Arranged by MSM. Classical,Romantic Period. Score. 4 pages. Open Cloud #5991121. Published by Open Cloud (A0.673234). This product is a digital sheet music in PDF format. The music was composed by Lavignac（Lavignac),for Voice .published by More Sheet Music Press.
$1.99
Caruso
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Piano, Voice
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INTERMEDIATE
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Andrea Bocelli
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Sérgio Matias da Cunha
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Caruso
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Sérgio Matias da Cunha
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1292739 By Andrea Bocelli. By Lucio Dalla. Arranged by Sérgio Matias da Cunha. 20th Century,Ope...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1292739 By Andrea Bocelli. By Lucio Dalla. Arranged by Sérgio Matias da Cunha. 20th Century,Opera,Wedding. Score. 2 pages. Sérgio Matias da Cunha #883302. Published by Sérgio Matias da Cunha (A0.1292739). Arranjo claro, objetivo, conciso e acessÃvel apresentando marcação de cifra, figuras rÃtmicas menores que a colcheia, quiálteras, notas sincopadas, sinais de intensidade, sinais de expressão e linhas de oitava, buscando a maior fidelidade com a versão original através das notas mais marcantes e caracterÃsticas, visando o melhor resultado com equilÃbrio e harmonia, oferecendo as devidas informações para uma expressiva interpretação através da exposição deste fio melódico acompanhado por piano, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Presença de sinais de repetição também contribuem para a praticidade e a concisão deste arranjo, distribuindo toda a música em duas páginas. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$6.99
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