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That's It! - Trombone 3
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You've selected:
That's It! - Trombone 3
Piano, Voice
Sheetmusic to print
491 sheet music found
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1
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51
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476
Beethoven's Wig Sing Along Symphonies
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Piano, Voice
#
INTERMEDIATE
#
Beethoven's Wig, Richard Perlm
#
Clifton J
#
#
Beethoven's Wig Sing Along Sym
#
Beethoven's Wig, Inc.
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928570 Composed by Beethoven's Wig, Richard Perlmutter. Arranged by Clifton J. Noble Jr. Children,...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928570 Composed by Beethoven's Wig, Richard Perlmutter. Arranged by Clifton J. Noble Jr. Children,Classical,Instructional,Romantic Period,Standards. Score. 52 pages. Beethoven's Wig, Inc. #6383983. Published by Beethoven's Wig, Inc. (A0.928570). Inspired and wildly imaginative, Beethoven's Wig Sing Along Symphonies are zany, stick-in-your-head lyrics set to masterpieces by great composers. The lyrics are filled with fact and fancy about the composers and their music opening a door to serious music that's fun. Each piece is carefully arranged for piano so that it’s fun to play and sing along!GREAT FOR PIANO STUDENTS AND TEACHERSPiano teachers often tell their students they should sing the instrumental pieces they play to improve their performance. This helps students to interpret pieces lyrically. The witty and delightful lyrics in this collection are an entertaining means to that end. They are great to sing along with when playing, and are educational and fun!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children...and a classical piece like Beethoven's Fifth Symphony. Not a good bet. But what if that work had words? - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer.- Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.-Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association. CONTENTS Beethoven’s Wig (5th Symphony, Beethoven), Sing Verdi Very Loud (La donna é mobile, Verdi), Drip Drip Drip (Pizzicato from Sylvia, Delibes), Bull In A China Shop (Toreador Song from Carmen, Bizet), Haydn’s Great Surprise (Surprise Symphony, Haydn), King and Queens of England (Trumpet Tune in D, Purcell), Stuck In The Saddle Again Light Cavalry Overture, von Suppé), Forever We’re Marching (Washington Post March, Sousa), Tchaikovsky’s Cannonball, Tchaikovsky), Midnight Snack (Habanera from Carmen, Bizet), Can You Can Can? (Can Can, Offenbach), Wow! What A Wedding Cake! (Wedding March, Mendelssohn
$17.99
Beethoven's Wig _ Bull In A China Shop (Music: Toreador Song, Bizet)
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Piano, Voice
#
INTERMEDIATE
#
Richard Perlmutter, Bizet
#
Clifton J
#
Beethoven's Wig _ Bull In A Ch
#
Beethoven's Wig, Inc.
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928579 Composed by Richard Perlmutter, Bizet. Arranged by Clifton J. Noble Jr. Children,Contempora...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928579 Composed by Richard Perlmutter, Bizet. Arranged by Clifton J. Noble Jr. Children,Contemporary,Instructional,Romantic Period,Standards. Score. 4 pages. Beethoven's Wig, Inc. #6385107. Published by Beethoven's Wig, Inc. (A0.928579). Inspired and wildly imaginative, Beethoven's Wig songs are zany, stick-in-your-head lyrics set to masterpieces by great composers. The lyrics are filled with fact and fancy about the composers and their music opening a door to serious music that's fun. Each piece is carefully arranged for piano so that it’s fun to play and sing along!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children...and a classical piece like Beethoven's Fifth Symphony. Not a good bet. But what if that work had words? - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer.- Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.-Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association.CONTENTS This piano/vocal sheet music contains lyrics set to a piano arrangement of the music for Habanera from Carmen by Bizet. The piano arrangement is by Clifton J Noble Jr. The lyrics are by Richard Perlmutter.
$4.99
Beethoven's Wig - La De Da Sonata (Music: Sonata In C, Mozart)
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Piano, Voice
#
INTERMEDIATE
#
Richard Perlmutter, Mozart
#
Beethoven's Wig - La De Da Son
#
Beethoven's Wig, Inc.
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928574 Composed by Richard Perlmutter, Mozart. Children,Classical,Contemporary,Instructional,Stand...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928574 Composed by Richard Perlmutter, Mozart. Children,Classical,Contemporary,Instructional,Standards. Score. 8 pages. Beethoven's Wig, Inc. #6385071. Published by Beethoven's Wig, Inc. (A0.928574). Inspired and wildly imaginative, Beethoven's Wig songs are zany, stick-in-your-head lyrics set to masterpieces by great composers. The lyrics are filled with fact and fancy about the composers and their music opening a door to serious music that's fun. Each piece is carefully arranged for piano so that it’s fun to play and sing along!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children...and a classical piece like Beethoven's Fifth Symphony. Not a good bet. But what if that work had words? - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer.- Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.-Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association.CONTENTS This piano/vocal sheet music contains lyrics set to the music for Sonata in C as originally composed by Mozart. The lyrics are by Richard Perlmutter.
$4.99
Beethoven's Wig - Sing Verdi Very Loud (Music: La donna é mobile, Verdi)
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Piano, Voice
#
INTERMEDIATE
#
Richard Perlmutter, Verdi
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Clifton J
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Beethoven's Wig - Sing Verdi V
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Beethoven's Wig, Inc.
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928578 Composed by Richard Perlmutter, Verdi. Arranged by Clifton J. Noble Jr. Children,Contempora...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928578 Composed by Richard Perlmutter, Verdi. Arranged by Clifton J. Noble Jr. Children,Contemporary,Instructional,Romantic Period,Standards. Score. 5 pages. Beethoven's Wig, Inc. #6385099. Published by Beethoven's Wig, Inc. (A0.928578). Inspired and wildly imaginative, Beethoven's Wig songs are zany, stick-in-your-head lyrics set to masterpieces by great composers. The lyrics are filled with fact and fancy about the composers and their music opening a door to serious music that's fun. Each piece is carefully arranged for piano so that it’s fun to play and sing along!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children...and a classical piece like Beethoven's Fifth Symphony. Not a good bet. But what if that work had words? - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer.- Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.-Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association.CONTENTS This piano/vocal sheet music contains lyrics set to a piano arrangement of the music for La donna é mobile from Rigoletto by Verdi. The piano arrangement is by Clifton J Noble Jr. The lyrics are by Richard Perlmutter.
$4.99
Beethoven's Wig - Beep Beep Beep (Music: Moonlight Sonata, Beethoven)
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Piano, Voice
#
INTERMEDIATE
#
Richard Perlmutter, Beethoven
#
Beethoven's Wig - Beep Beep Be
#
Beethoven's Wig, Inc.
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928575 Composed by Richard Perlmutter, Beethoven. Children,Contemporary,Romantic Period. Score. 7 ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928575 Composed by Richard Perlmutter, Beethoven. Children,Contemporary,Romantic Period. Score. 7 pages. Beethoven's Wig, Inc. #6385087. Published by Beethoven's Wig, Inc. (A0.928575). Inspired and wildly imaginative, Beethoven's Wig songs are zany, stick-in-your-head lyrics set to masterpieces by great composers. The lyrics are filled with fact and fancy about the composers and their music opening a door to serious music that's fun. Each piece is carefully arranged for piano so that it’s fun to play and sing along!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children...and a classical piece like Beethoven's Fifth Symphony. Not a good bet. But what if that work had words? - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer.- Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.-Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association.CONTENTS This piano/vocal sheet music contains lyrics set to the music for Moonlight Sonata as originally composed by Beethoven. The lyrics are by Richard Perlmutter.
$4.99
Too-Ra-Loo-Ra-Loo-Ral (That's an Irish Lullaby)
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Piano, Voice
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INTERMEDIATE
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James Royce Shannon
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Dennis Frayne
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Too-Ra-Loo-Ra-Loo-Ral
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Presto! It's Music Magic Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.879446 Composed by James Royce Shannon. Arranged by Dennis Frayne. Broadway,Film/TV,Holiday,Musica...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.879446 Composed by James Royce Shannon. Arranged by Dennis Frayne. Broadway,Film/TV,Holiday,Musical/Show,Standards. Score. 1 pages. Presto! It's Music Magic Publishing #6365279. Published by Presto! It's Music Magic Publishing (A0.879446). Too-Ra-Loo-Ra-Loo-Ral (That's an Irish Lullaby) is a classic Irish-American parlor song and lullaby composed in 1913 by James Royce Shannon (1881–1946) for the Tin Pan Alley musical Shameen Dhu. The song was made even more popular by Bing Crosby's performance in the 1944 film, Going My Way. This arrangement for intermediate piano is written in the key of Db Major, and includes lyrics and solfege syllables.
$2.99
That's Amore (that's Love)
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Piano, Voice
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INTERMEDIATE
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Harry Warren and Jack Brooks
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Dave Gingras and John E
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That's Amore
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1279933 Composed by Harry Warren and Jack Brooks. Arranged by Dave Gingras and John E. Dosher. Fil...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1279933 Composed by Harry Warren and Jack Brooks. Arranged by Dave Gingras and John E. Dosher. Film/TV,Jazz. Score. 4 pages. DAVID LEE GINGRAS #871347. Published by DAVID LEE GINGRAS (A0.1279933). That's Amore is a 1953 song by composer Harry Warren and lyricist Jack Brooks, and became a major hit and signature song for Dean Martin, who first recorded and released it that year. Amore (pronounced [aˈmoËre]) means love in Italian. The song was played in the 1987 film Moonstruck, the 1995 film Grumpier Old Men and the 1999 film Stuart Little. This version features a root-based chord blocking that John and I have used in a number of our arrangements, we also added what we think are some pretty cool left-hand fills. We hope you like what we've done with this grand old tune!
$4.99
That's Just The Way It Goes
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Piano, Voice
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INTERMEDIATE
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Jazz
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Traditional arranged by Jan Po
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Jan Powell
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That's Just The Way It Goes
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Jan Powell
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1143083 By Traditional arranged by Jan Powell. By Unknown. Arranged by Jan Powell. Jazz. Score. 10...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1143083 By Traditional arranged by Jan Powell. By Unknown. Arranged by Jan Powell. Jazz. Score. 10 pages. Jan Powell #743447. Published by Jan Powell (A0.1143083). After trying to track down this song for years I finally just arranged it for a cabaret singer friend of mine and here it is. Very 1920's Berlin.
$5.00
That's My Desire
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Piano, Voice
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INTERMEDIATE
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Carroll Loveday and Helmy Kres
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Dave Gingras and John E
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That's My Desire
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1303878 Composed by Carroll Loveday and Helmy Kresa. Arranged by Dave Gingras and John E. Dosher. ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1303878 Composed by Carroll Loveday and Helmy Kresa. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #893403. Published by DAVID LEE GINGRAS (A0.1303878). That's My Desire is a 1931 popular song with music by Helmy Kresa and lyrics by Carroll Loveday. The highest-charting version of the song was recorded by the Sammy Kaye orchestra in 1946, although a version of the song recorded by Frankie Laine has become better known over the years, being one of Laine's best-known recordings. It has been recorded by many other singers, including a number of doo-wop groups. This version was developed from the original 1931 sheet music and features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this classic tune!
$4.99
You'll Get All the Love (That's Coming to You)
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Piano, Voice
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George L
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You'll Get All the Love
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.24017 Composed by George L. Boyden. Soldiers, Silhouettes, Bombardment, Correspondence, Courtship, Love, World...
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Piano and voice - Digital Download SKU: LV.24017 Composed by George L. Boyden. Soldiers, Silhouettes, Bombardment, Correspondence, Courtship, Love, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24017). You'll Get All the Love (That's Coming to You). Words and Music by George L. Boyden. Published 1918 by George L. Boyden, Music Publisher, no. 181 Tremont St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Soldiers, Silhouettes, Bombardment, Correspondence, Courtship, Love, World War I. First line reads I just received a loving letter It comes from someone I love better.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
I Guess That's Why They Call It The Blues
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Piano, Voice
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INTERMEDIATE
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Rock
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Elton John
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Ian Meacom
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I Guess That's Why They Call I
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Ian Meacom
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1274778 By Elton John. By Bernie Taupin, Davey Johnstone, and Elton John. Arranged by Ian Meacom. ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1274778 By Elton John. By Bernie Taupin, Davey Johnstone, and Elton John. Arranged by Ian Meacom. Pop,Rock. Score. 5 pages. Ian Meacom #866929. Published by Ian Meacom (A0.1274778). This is an arrangement for piano & voice. It contains the harmonica solo trancribed for the piano part.
$7.99
Piano Sonata No. 1 Movement 3 "Reflection of Passing"
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Piano, Voice
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INTERMEDIATE
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Samuel Warren Hatch
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Piano Sonata No. 1 Movement 3
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Samuel Warren Hatch
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Wa...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. It’s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonata’s start, as the strings will need to be exposed in order for you to sing into the piano’s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (don’t worry, I’m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story they’re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.
$3.99
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 21, No. 3: Le Matin au bor
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 3: Vous ne voulez
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 3: Adieu from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 3: Adieu from Songs
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-27E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-27E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Let's Get Away From It All
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Piano, Voice
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INTERMEDIATE
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Matt Dennis and Tom Adair
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Dave Gingras and John E
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Let's Get Away From It All
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1474678 Composed by Matt Dennis and Tom Adair. Arranged by Dave Gingras and John E. Dosher. Broadw...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1474678 Composed by Matt Dennis and Tom Adair. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show,Pop. Score. 3 pages. DAVID LEE GINGRAS #1052256. Published by DAVID LEE GINGRAS (A0.1474678). Let's Get Away from It All is a popular song with music by Matt Dennis and lyrics by Tom Adair, published in 1941. The song is most commonly associated with Frank Sinatra (who had a hit with it as a member of The Pied Pipers while he was a part of Tommy Dorsey's orchestra and later for his Come Fly with Me album), but many others have recorded it and it is considered a standard of traditional pop music. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We added what we think are some pretty cool left-hand fills that we hope you will like! It's a fun song and not too hard to play! We hope you like what we've done with this great ol' tune!
$4.99
THE FEVER'S YOU
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Piano, Voice
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INTERMEDIATE
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Pop music
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Joe Procopio THE FEVER’
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Joe Procopio
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THE FEVER'S YOU
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JoeCopio Music LLC
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.876426 Composed by Joe Procopio. Pop. Score. 2 pages. JoeCopio Music LLC #2036577. Published by Jo...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.876426 Composed by Joe Procopio. Pop. Score. 2 pages. JoeCopio Music LLC #2036577. Published by JoeCopio Music LLC (A0.876426). THE FEVER’S YOU By Joe Procopio THE FEVER’S YOU is a pop song written by one who is trying to describe the feeling of being so deeply in love that it feels like a fever. What’s more, the song is written as though it was composed by someone who is suffering a slight fever so that the lyrics, the melody and chord changes are a little bit frenzied and frenetic. The song is also recorded in a special way with very high frequencies that are easily heard by pets but can only be heard by people as unusual brightness. THE FEVER’S YOU can be found in a fuller version on a CD entitled PETHOVEN - PET MUSIC by Joe Procopio. PETHOVEN is special music for pets and people. THE FEVER’S YOU on the CD is called ALWAYS TOGETHER. The printed sheet music here is shows the song as a Lead Sheet. That is, the melody, the lyrics and the chords. JOE PROCOPIO IS THE AUTHOR OF THE VERY BEST AND LOWEST PRICED MUSIC EBOOKS AVAILABLE WORLDWIDE INCLUDING THE AWARD WINNING BASIC MUSIC THEORY.
$3.99
That Old Feeling
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Piano, Voice
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INTERMEDIATE
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Lew Brown and Sammy Fain
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Dave Gingras and John E
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That Old Feeling
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1387481 Composed by Lew Brown and Sammy Fain. Arranged by Dave Gingras and John E. Dosher. Broadwa...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1387481 Composed by Lew Brown and Sammy Fain. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #971336. Published by DAVID LEE GINGRAS (A0.1387481). That Old Feeling is a popular song about nostalgia written by Sammy Fain, with lyrics by Lew Brown - it was published in 1937. The song first appeared in the movie Walter Wanger's Vogues of 1938, which was actually released in 1937. Sung there by Virginia Verrill, it was nominated for the Academy Award for Best Original Song in 1937 but lost out to Sweet Leilani. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We added what we think are some pretty cool left-hand fills that we hope you will like! It's a fun song and not too hard to play!
$4.99
It's A Sin To Tell A Lie
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Piano, Voice
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INTERMEDIATE
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Billy Mayhew
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Dave Gingras and John E
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It's A Sin To Tell A Lie
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1345723 By Billy Mayhew. By Billy Mayhew. Arranged by Dave Gingras and John E. Dosher. Broadway,Fi...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1345723 By Billy Mayhew. By Billy Mayhew. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #930605. Published by DAVID LEE GINGRAS (A0.1345723). It's a Sin to Tell a Lie is a 1936 popular song written by Billy Mayhew, introduced early that year on records by many dance bands including Dick Robertson on the 78rpm record Champion 40106, and later popularized by Fats Waller on Victor Records.  It was recorded in French by Cajun singer Cléoma Breaux in 1936 or 1937. Four further recordings of the song were made in 1936, namely by Freddy Ellis and His Orchestra (April), Victor Young and His Orchestra (April), Elton Britt (September), Roy Smeck and His Serenaders and Vera Lynn. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills that we hope you like!
$4.99
What's Going On
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Piano, Voice
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INTERMEDIATE
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Rock
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All Star Tribute
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Dave Gingras and John E
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What's Going On
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1474842 By All Star Tribute. By Al Cleveland, Marvin Gaye, and Renaldo Benson. Arranged by Dave Gi...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1474842 By All Star Tribute. By Al Cleveland, Marvin Gaye, and Renaldo Benson. Arranged by Dave Gingras and John E. Dosher. Pop,Rock. Score. 3 pages. DAVID LEE GINGRAS #1052463. Published by DAVID LEE GINGRAS (A0.1474842). What's Going On is a song by American singer-songwriter Marvin Gaye, released in 1971 on the Motown subsidiary Tamla. It is the opening track of Gaye's studio album of the same name. Originally inspired by a police brutality incident witnessed by Renaldo Obie Benson, the song was composed by Benson, Al Cleveland, and Gaye and produced by Gaye himself. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We added what we think are some pretty cool left-hand fills that we hope you will like! It's a fun song and not too hard to play! We hope you like what we've done with this great ol' tune!
$4.99
She's Leaving Home
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Piano, Voice
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INTERMEDIATE
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Rock
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The Beatles
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Jeff Tincher
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She's Leaving Home
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Jeff Tincher
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.584180 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score. 1...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.584180 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score. 10 pages. Jeff Tincher #5316069. Published by Jeff Tincher (A0.584180). This is one of The Beatles' songs that has a classical flare to it. In the original key, this song had a profound effect at the time it was released. The story of a daughter leaving home and the reaction of her parents was just beginning to happen in families of that time. This is one of the few over 3 minute songs of that time as well. I catagorized the arrangement as intermediate because of the ranges the instruments have to play. Duration = 3:22. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99
Don't It Make My Brown Eyes Blue
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Piano, Voice
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INTERMEDIATE
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Crystal Gayle
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Dave Gingras and John E
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Don't It Make My Brown Eyes Bl
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1438461 By Crystal Gayle. By Richard Leigh. Arranged by Dave Gingras and John E. Dosher. Country,P...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1438461 By Crystal Gayle. By Richard Leigh. Arranged by Dave Gingras and John E. Dosher. Country,Pop. Score. 4 pages. DAVID LEE GINGRAS #1018479. Published by DAVID LEE GINGRAS (A0.1438461). Don't It Make My Brown Eyes Blue is a song written by Richard Leigh, and recorded by American country music singer Crystal Gayle. It was released in June 1977 as the first single from Gayle's album We Must Believe in Magic. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We added what we think are some pretty cool left-hand fills that we hope you will like! It's a fun song and not too hard to play!
$4.99
I Heard It Through The Grapevine
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Piano, Voice
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INTERMEDIATE
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Marvin Gaye
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Arabella Berman and Sam LaGreg
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I Heard It Through The Grapevi
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Arabella's Voice Studio
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1186657 By Marvin Gaye. By Barrett Strong and Norman Whitfield. Arranged by Arabella Berman and Sa...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1186657 By Marvin Gaye. By Barrett Strong and Norman Whitfield. Arranged by Arabella Berman and Sam LaGrego. Funk,Hip-Hop,Instructional,R & B. Score. 10 pages. Arabella's Voice Studio #786297. Published by Arabella's Voice Studio (A0.1186657). Piano and vocal arrangement of I Heard it Through the Grapevine sung by Marvin Gaye. Arranged for Arabella's Voice Studio, Boston MA, for use in Piano for the Vocalist classes. Piano for the Vocalist is a revolutionary way to learn to play all of your favorite songs, no matter your current ability level. This format is designed to get you playing music right away and to teach you music fundamentals while you play. Piano for the Vocalist was inspired by the scaffolding and leveling provided in yoga classes. Yogis understand that muscles can be developed and that leveling can allow everyone to enjoy an activity, regardless of what they can do on any given day. Like yoga, this arrangement will provide you with a basic suggestion for starting the piece. These initial recommendations will help you play the entire song while you sing. As you progress through each song, suggestions will be offered to increase the complexity of the accompaniment. You can choose which suggestions work for you, as you build your musical skills. Arabella's Voice Studio: arabella@arabellavoicestudio.com, 617-468-6461Sam LaGrego:  samlagregomusic@gmail.com.
$6.99
Lord's Prayer
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Piano, Voice
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INTERMEDIATE
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Sacred music
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Rosanne Irene Brown
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Lord's Prayer
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Rosanne Irene Brown
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.899032 Composed by Rosanne Irene Brown. Christian,Easter,Praise & Worship,Sacred. Score. 2 pages. ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.899032 Composed by Rosanne Irene Brown. Christian,Easter,Praise & Worship,Sacred. Score. 2 pages. Rosanne Irene Brown #4277427. Published by Rosanne Irene Brown (A0.899032). This lovely contemporary setting of the Lord's prayer can be played with a mixed piano/strings setting on a digital piano for worship. The music embraces the text of each petition so that those who sing it will experience this prayer personally and thoughtfully. The whole prayer is allowed to settle a bit at the end with a restatement of the introduction. If you are tired of going through this prayer so fast that you can't process it, this may be a good solution for your congregation. It works well in any season. .
$5.00
There's A Small Hotel
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Piano, Voice
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INTERMEDIATE
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Broadway
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Charlie Byrd
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David Lee Gingras and John E
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There's A Small Hotel
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1036626 By Charlie Byrd. By Lorenz Hart and Richard Rodgers. Arranged by David Lee Gingras and Joh...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1036626 By Charlie Byrd. By Lorenz Hart and Richard Rodgers. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #641629. Published by DAVID LEE GINGRAS (A0.1036626). There's a Small Hotel is a 1936 song composed by Richard Rodgers, with lyrics by Lorenz Hart. Originally written for but dropped from the musical Billy Rose's Jumbo (1935), it was used in On Your Toes (1936), where it was introduced by Ray Bolger and Doris Carson. This version features a root-based chord blocking that John and I have used in a number of our arrangements. It sounds great as-written, but feel free to make it your own!
$4.99
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