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Choral SSAA
Sheetmusic to print
3 sheet music found
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1
I Don't Want To Miss A Thing
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Choral SSAA
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INTERMEDIATE
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Rock
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David Cook
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Liz Garnett
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I Don't Want To Miss A Thing
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856256 By David Cook. By Diane Warren. Arranged by Liz Garnett. Rock. Octavo. 4 pages. Liz Garne...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856256 By David Cook. By Diane Warren. Arranged by Liz Garnett. Rock. Octavo. 4 pages. Liz Garnett #6295585. Published by Liz Garnett (A0.856256). This song was originally written for Celine Dion, but in fact became a hit for soft-rock band Aerosmith after it was featured on the soundtrack to the movie <i>Armageddon</i>. The arrangement includes an optional double descant in the intro and the final section to evoke the opulence of the original's soundworld.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Descant 1: F#4 - F#5
$2.99
You Took The Words Right Out Of My Mouth
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Choral SSAA
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INTERMEDIATE/ADVANCED
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Meat Loaf
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Michael Thomas Coull
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You Took The Words Right Out O
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MTC Publishing
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1267123 By Meat Loaf. By Jim Steinman. Arranged by Michael Thomas Coull. 20th Century,Con...
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Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1267123 By Meat Loaf. By Jim Steinman. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Pop,Rock,Standards. 18 pages. MTC Publishing #859757. Published by MTC Publishing (A0.1267123). You Took The Words Right Out Of My Mouth - Choral Arrangement for SSAA and Piano by Michael Thomas Coull.You Took the Words Right Out of My Mouth (also known as You Took the Words Right Out of My Mouth (Hot Summer Night)) is the first solo single by the American singer Meat Loaf, released in 1977.  It is a track from his album Bat Out of Hell, written by Jim Steinman. According to his autobiography, Meat Loaf asked Jim Steinman to write a song that was not 15 or 20 minutes long, and, in Meat Loaf’s words, a ‘pop song’.  His autobiography also dates the writing of the song to 1975, the song reportedly being a key factor in Meat Loaf and Steinman deciding to do an album together. The song was the first single released from the album, with an edit of For Crying Out Loud as the B-side.  The record peaked at No. 73 in the Record World singles chart, and didn't appear at all in Billboard Hot 100.  Billboard reviewed the single, finding the guitar introduction to be energetic, the beat to be ‘catchy’ and the vocal performance to be somewhat similar to Bruce Springsteen. Billboard also commented on how occasional pauses in the instruments allow the ‘infectious’ vocals to be highlighted.  Following the success of the next two singles, Two Out of Three Ain't Bad and Paradise by the Dashboard Light, the song was re-released in October 1978 with Paradise as the B-side.  This issue peaked at No. 39 on the Billboard Hot 100 chart, over a year after the first release of the song.This exciting and energetic choral arrangement is voiced for SSAA women's choir with piano accompaniment, and will lend a touch of contemporary pop/rock to your next concert.Also available for SATB.
$3.99
God Only Knows
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Choral SSAA
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EASY
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Rock
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The Beach Boys
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Helping You Harmonise
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God Only Knows
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856153 By The Beach Boys. By Brian Wilson and Tony Asher. Arranged by Helping You Harmonise. Pop...
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856153 By The Beach Boys. By Brian Wilson and Tony Asher. Arranged by Helping You Harmonise. Pop,Rock. Octavo. 2 pages. Liz Garnett #3591543. Published by Liz Garnett (A0.856153). From the Pet Sounds album, this song sees the Beach Boys move from their happy-boppy-surfing persona into a more three-dimensional and emotionally engaged world. When it was first released it was much more successful in the UK than in America, though it has come to be recognised as a real landmark in twentieth-century popular music. The arrangement was commissioned to sing at a wedding.It is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Vocal Ranges:Tenor: F4 - E flat 5Lead: B flat - DBari: C4 - B flat 4Bass: E flat 3 - E flat4www.HelpingYouHarmonise.com
$2.99
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