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Come on Come Over
Not classified
600
Piano & keyboards
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444
Piano solo
273
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90
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80
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57
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42
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26
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21
1 Piano, 4 hands
11
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7
Piano Quintet: piano, 2 violins, viola, cello
5
Piano Quartet: piano, 2 violins, cello
4
Accordion
3
2 Pianos, 4 hands
3
Keyboard
2
2 Pianos, 8 hands
1
Piano Quartet: piano, violin, viola, cello
1
+ 12 instrumentations
-
Retract
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247
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101
Bass guitar
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Banjo
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3 Guitars (trio)
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+ 9 instrumentations
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Retract
Voice
Choral SATB
112
Choral 3-part
39
Choral 2-part
23
Choral TTBB
17
Choral Unison
16
Choral SSAA
13
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5
Vocal duet, Piano
4
High voice
4
Baritone voice, Piano
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Tenor voice, Piano
4
Voice solo
3
Soprano voice, Piano
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Low voice, Piano
2
Voice, Guitar
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Medium voice, Piano
2
Vocal duet
2
Choral
2
Tenor voice
1
Choral SSATB
1
Alto voice, Piano
1
+ 16 instrumentations
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Retract
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58
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55
2 Saxophones (duet)
35
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32
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2 Flutes, Piano
25
2 Flutes (duet)
24
Alto Saxophone
24
Oboe (band part)
23
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
21
Alto Saxophone and Piano
21
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16
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Saxophone, Clarinet (duet)
11
3 Saxophones (trio)
11
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10
Soprano Saxophone and Piano
9
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9
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9
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8
2 Clarinets (duet)
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Descant (Soprano) Recorder
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7
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6
Oboe, Clarinet (duet)
6
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3 Clarinets (trio)
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4
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4
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Clarinet and Viola
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3
Oboe, Flute
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Flute, Clarinet, Horn and Bassoon (Quartet)
3
Flute Quintet : 5 flutes
3
Recorder Quartet
2
Clarinet, Bassoon (duet)
2
Soprano Saxophone
2
Clarinet Quintet: Clarinet, String Quartet
1
Ocarina
1
2 Recorders (duet)
1
3 Recorders (trio)
1
Flute, Oboe, Bassoon
1
Oboe, Clarinet, Bassoon (trio)
1
Oboe, Harp
1
Flute Trio: 3 flutes
1
English Horn
1
Saxophone
1
Treble (Alto) Recorder, Basso continuo
1
Clarinet, Harp (duet)
1
Flute, Viola (duet)
1
Flute, Clarinet, Piano (trio)
1
Flute, Violin, Piano
1
Treble (Alto) Recorder, Piano
1
Clarinet, Trombone (duet)
1
Pennywhistle
1
Treble (Alto) Recorder
1
5 Recorders
1
Clarinet, Tuba
1
Flute and Guitar
1
Flute, Oboe, Clarinet (trio)
1
Recorder
1
Clarinet, Double bass (duet)
1
Piccolo, Piano
1
Oboe, Cello
1
+ 75 instrumentations
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Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
54
Brass quartet : 2 trumpets, trombone, tuba
28
Brass Quartet
28
Trumpet
24
Brass Quartet: 2 trumpets, horn, trombone
21
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19
Brass Quartet: 4 trombones
14
Trombone
13
French Horn and Piano
10
Trumpet, Piano
9
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8
Euphonium, Piano (duet)
8
Tuba
8
Trombone ensemble
8
French horn
7
Trumpet ensemble
7
Trumpet (band part)
6
2 Trombones (duet)
6
Trumpet, Trombone (duet)
6
English horn, Piano
5
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5
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5
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4
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2
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2
2 Tubas (duet)
2
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1
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1
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1
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1
English Horn
1
Tuba (band part)
1
Trumpet, Cello (duet)
1
Tuba ensemble
1
2 French horns (duet)
1
+ 31 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
109
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45
Violin
40
Cello, Piano
34
Cello
27
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25
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22
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21
2 Violins (duet)
18
Harp
18
2 Cellos (duet)
12
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11
String Trio: 2 violins, cello
9
Double Bass
7
Viola (band part)
6
2 Violas (duet)
5
String Quintet: 2 violins, viola, cello, bass
4
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4
Piano Trio: Violin, Viola, Piano
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4 Cellos
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Viola
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Violin ensemble
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Viola ensemble
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String Quartet : 4 violas
2
String quartet: 4 violins
2
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2
String Quintet: 2 violins, 2 violas, cello
2
Viola, Cello (duet)
1
Flute, Doublebass (duet)
1
String Trio: 3 cellos
1
Violin, Clarinet, Piano (trio)
1
Harp, Violin (duet)
1
Viola and Harp
1
Violin, Tuba (duet)
1
Cello, Guitar (duet)
1
2 Violins, Piano
1
String Trio: 3 violins
1
Cello, String Bass (duet)
1
String Trio: 3 violas
1
2 Double basses (duet)
1
Harp, Voice
1
Doublebass (band part)
1
+ 38 instrumentations
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Retract
Orchestra & Percussion
Concert band
134
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96
Chamber Orchestra
40
String Orchestra
30
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27
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22
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21
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11
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7
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5
School Ensemble
4
Marching band
3
Brass Quintet: other combinaisons
2
Percussion (band part)
1
Marimba
1
Piano and Orchestra
1
+ 11 instrumentations
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Come on Come Over
Choral SSAA
Sheetmusic to print
13 sheet music found
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1
Now The Day Is Over
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Choral SSAA
#
INTERMEDIATE
#
Folkloric/Traditional
#
Additional Material Anon
#
Claire F
#
Now The Day Is Over
#
Claire F Miley
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.934901 Composed by Additional Material Anon., American Late 19th Century and Barnby/Baring Gould...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.934901 Composed by Additional Material Anon., American Late 19th Century and Barnby/Baring Gould. Arranged by Claire F. Miley. Folk. Octavo. 8 pages. Claire F Miley #5751607. Published by Claire F Miley (A0.934901). ISWC: T-933.032.942-5. This classic lullaby becomes a grown-up meditation on the beauty of nature. Drop me a line or follow me at: Website: clairemileymusic.com Post: @claire_miley Twitter @claire_miley Instagram @clairemileymusic.
$1.99
That Don't Impress Me Much
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Choral SSAA
#
INTERMEDIATE
#
Country
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Shania Twain
#
Liz Garnett
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That Don't Impress Me Much
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Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856162 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Liz Garnett. Cou...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856162 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Liz Garnett. Country. Octavo. 9 pages. Liz Garnett #3863255. Published by Liz Garnett (A0.856162). From Shania Twain's 1997 album Come on Over, this song is a reminder that such an inviting title does not mean the singer has abandoned her critical faculties. There has rarely been such a clear statement of womankind's general indifference to the things men use to jostle for status with each other.The arrangement contrasts stark sections that are mostly in two parts (occasionally blossoming out into more for effect) with sections in full four-part harmony. The splitting and joining of parts makes me think of it as more suitable for an ensemble with multiple voices per part than a quartet.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written).Vocal Ranges:Tenor: B flat 3 - E flat 5
$2.99
A Night Like This
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Choral SSAA
#
INTERMEDIATE
#
Contemporary
#
Caro Emerald
#
Liz Garnett
#
A Night Like This
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856227 By Caro Emerald. By David Schreurs, Jan van Wieringen, and Vincent Degiorgio. Arranged by...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856227 By Caro Emerald. By David Schreurs, Jan van Wieringen, and Vincent Degiorgio. Arranged by Liz Garnett. Contemporary. Octavo. 7 pages. Liz Garnett #4755071. Published by Liz Garnett (A0.856227). This song was the second single released by Caro Emerald, and its story is based on a scene in the 1967 James Bond film Casino Royale. It is based on Latin rhythm, that comes over as seductive in the minor-key verses that describe the encounter, and as celebratory in the major-key choruses that relish the experience.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E4 - F5Lead: G3 - C5Bari: C4 - C5Bass: D3 - G4www.HelpingYouHarmonise.com
$2.99
Piece Of My Heart
#
Choral SSAA
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Janis Joplin
#
Liz Garnett
#
Piece Of My Heart
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856230 By Janis Joplin. By Bert Berns and Jerry Ragovoy. Arranged by Liz Garnett. Contemporary. ...
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856230 By Janis Joplin. By Bert Berns and Jerry Ragovoy. Arranged by Liz Garnett. Contemporary. Octavo. 5 pages. Liz Garnett #4802044. Published by Liz Garnett (A0.856230). This song lives on the cusp of Second Wave Feminism. Its lyrics portray a woman fighting to maintain her pride in a neglectful, if not outright abusive, relationship, although it remains, at this stage, still essentially masochistic. She berates, but - in the lyrics at least - does not challenge. The iconic performances from the late 1960s (Erma Franklin, Janis Joplin, Dusty Springfield), though, tell a different story. Anger is erupting into the voices: the personal is poised to become overtly political.The arrangement sets the narrative verses in a melody-and-accompaniment texture, with the harmony parts largely on vocables to let the story through, then builds up to a primarily homophonic texture with everyone participating in the lyrics for the declarative mode of the choruses. It is built to chart a wide dynamic range, charting the emotional range of the original.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: D#4 - E5Lead: G#3 - C#5Bari: B3 - A4Bass: E3 - E4www.HelpingYouHarmonise.com
$2.99
Skye Boat Song
#
Choral SSAA
#
INTERMEDIATE/ADVANCED
#
anonymous/traditional
#
Stella Claire ter Hart
#
Skye Boat Song
#
Stella ter Hart
#
SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1163839 Composed by anonymous/traditional. Arranged by Stella Claire ter Hart. Celtic,Con...
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Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1163839 Composed by anonymous/traditional. Arranged by Stella Claire ter Hart. Celtic,Contest,Festival,Folk,Historic,Irish,Multicultural,World. 14 pages. Stella ter Hart #749496. Published by Stella ter Hart (A0.1163839). A new, exciting arrangement for SSAA choir of this much loved Scottish folk song. Stirring, powerful, harmonically rich and innovative, Skye Boat Song arranged by Stella ter Hart is perfect for advanced high school choirs, community and professional choirs. The words behind this well-known song carry significant historical significance. The piece is actually not just a isn't that a lovely tune folksong. The familiar main chorus Speed bonny boat like a bird on the wing... is repeated between the four verses which tell the story of the brutal battle of Culloden in Scotland and the end of the Highland way of life. The accompanying violin and piano are characters in their own right and use word painting to highlight the emotional text. Scottish snare adds drama! The vocal writing uses different effects to ensure each verse has its own impact and expression. Sure to be a favourite with intermediate and higher level treble choirs!Speed bonny boat like a bird on the wing. Onward! the sailors cry. Carry the lad that is born to be King over the sea to Skye. Loud the winds howl, loud the waves roar. Thunder clouds rend the air. Baffled our foes stand by the shore. Follow they do not dare. Though the waves leap soft shall ye sleep ocean's a royal bed. Rocked in the deep, Flora will keep watch by your weary head. Many's the lad fought on that day. Well the claymore did wield. When the night came silently lay Dead in Culloden's field. Burned are our homes. Exile and death scatter the loyal men. Yet e'er the sword cools in the sheath Charlie will come again. Speed bonny boat like a bird on the wing. Onward! the sailor’s cry. Carry the lad that is born to be King over the sea to Skye.
$2.45
Candlemas Carol
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Choral SSAA
#
INTERMEDIATE/ADVANCED
#
Alan Wagstaff
#
Alan Wagstaff
#
Candlemas Carol
#
Alan Wagstaff
#
SheetMusicPlus
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.505695 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Holiday,Irish,...
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.505695 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Holiday,Irish,Jewish,Traditional. Octavo. 23 pages. Alan Wagstaff #117353. Published by Alan Wagstaff (A0.505695). This original song uses English folk idioms to retell a traditional snowdrop legend. The chorus is an English 'weather rhyme'. It has been set for choir (SSAA), piano, harp, fiddle, and flute. One of the Snowdrop’s folk names is ‘Eve’s Comforter’; another ‘Maid of February’. Candlemas Carol Maid of February, if you will, grace mantle, hearth, and windowsill. So let us all be of goodwill and gather round, together. When Winter holds the world in thrall, and ice and snow lie over all, the Maiden can at once recall, the coming Summer weather. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. When Eve and Adam left Eden fair, the snow and ice lay ev’rywhere, which filled their hearts with bleak despair, for they could find no pardon. They glimpsed the flowers of paradise, beyond the earthly cold and ice, but they could not be perfect, twice, nor get back to the garden. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. A teardrop fell from Eve’s sad eye, and froze upon the ground close by. An angel raised it up on high, and called for Heaven’s power. The ice became a snowdrop, then. Thus hope returned to Eve again. And all the people say: ‘Amen!’ in praise of Winter’s flower. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. Alan Wagstaff The legend tells that, after Adam and Eve were banished from Eden’s perpetual summer, they wandered, despondently, into Earth’s freezing winter. Eve wept as the snow fell around them. Seeing her tears, an angel intervened. He caught a teardrop when it froze and breathed on it, turning it into a snowdrop. When the angel left more snowdrops sprang up. Thus, snowdrops in Winter, serve as a reminder, that better times will come around. The tale was often recalled at Candlemas: February 2nd.
$100.00
She Moved Through The Fair
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Choral SSAA
#
Trad
#
Liz Garnett
#
She Moved Through The Fair
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Digital Download SKU: A0.856141 Composed by Trad. Arranged by Liz Garnett. A Cappella. Octavo. 4 pages. Liz Garnett #3023053. Publi...
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Choral Choir (SSAA) - Digital Download SKU: A0.856141 Composed by Trad. Arranged by Liz Garnett. A Cappella. Octavo. 4 pages. Liz Garnett #3023053. Published by Liz Garnett (A0.856141). For solo plus chorus, this arrangement takes its cue from the elegaic feel of the traditional Irish song on which it is based. The backing starts off as a gentle pulsation in open harmonies, and develops into mysterious Phyrgian harmonies as the story becomes more poignant. The soloist starts off telling the narrative, but hands this over to the chorus to take off in soaring modal melismas, finally taking the story back in the final verse over an atmospheric sound-wash.Ranges:Tenor: C4 - D5Lead: B flat 3 - C5Bari: C4 - G4Bass: G3 - D4Solo: D4 - F5(N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.
$3.99
Silver Dagger
#
Choral SSAA
#
INTERMEDIATE
#
Amelia Wellers
#
Amelia Wellers
#
Silver Dagger
#
Awelia Music
#
SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1290533 Composed by Amelia Wellers. Arranged by Amelia Wellers. 21st Century,Chamber,Cont...
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1290533 Composed by Amelia Wellers. Arranged by Amelia Wellers. 21st Century,Chamber,Contemporary,Folk,New Age. 4 pages. Awelia Music #881249. Published by Awelia Music (A0.1290533). From the arranger: I first came across this traditional English folk ballad on the podcast mini-series “Dolly Parton’s Americaâ€. Dolly’s version was fast-based and up-beat, but the melody struck me as distant yet clear, mournful yet timeless. When I could not find a version that let the voice further explore these qualities, I made my own. The first exists on my record (WALLFLOWER by Aerhart), the second as a live solo act accompanied by a Yamaha Reface CS Synth, and the third as a Silver Dagger choral arrangement, made with and for the Young New Yorker's Chorus Treble Ensemble. The original Silver Dagger tune is a haunting memory in its spirit as much as its history (its many possible origins trace back to the early 1800s). To this day, we wonder whether it’s love, fear or both that sway our overprotected heroine’s decision to “sleep alone all of my life.†Despite her careful consideration, the melody never grants the finality of her decision. This arrangement holds this dissonance within a meditative space - a small moment of stillness in which to let all the big thoughts and emotions come and go. We begin with the memory of the melody, gather momentum and clarity in its pulsing visceral storytelling, then release it, unresolved yet somehow changed.
$2.00
Hernando's Hideaway
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Choral SSAA
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INTERMEDIATE
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Jerry Ross and Richard Adler
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Solveig Harris
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Hernando's Hideaway
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Solveig Harris
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1258721 Composed by Jerry Ross and Richard Adler. Arranged by Solveig Harris. A Cappella,Barbers...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1258721 Composed by Jerry Ross and Richard Adler. Arranged by Solveig Harris. A Cappella,Barbershop,Broadway,Comedy,Latin,Musical/Show. Octavo. 4 pages. Solveig Harris #851981. Published by Solveig Harris (A0.1258721). This sultry tango describes a private club where lovers can meet for a secret rendezvous. The singers imitate pizzicato strings to give a stealthy feel, and the central, swaying section picks up on the passion of the lovers in their romantic tango. Look out for snatches of other well known tangos in the final section.
$1.99
The Star Spangled Banner
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Choral SSAA
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INTERMEDIATE
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Americana
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Patriotic
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Francis Scott Key, John Staffo
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Eric Hagmann
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The Star Spangled Banner
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Eric Hagmann
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.796823 Composed by Francis Scott Key, John Stafford Smith. Arranged by Eric Hagmann. A Cappella,...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.796823 Composed by Francis Scott Key, John Stafford Smith. Arranged by Eric Hagmann. A Cappella,Holiday,Instructional,Patriotic,Standards. Octavo. 2 pages. Eric Hagmann #4362333. Published by Eric Hagmann (A0.796823). A staple at sporting events, 4th of July outings, school assemblies, and more, The Star-Spangled Banner is an important tradition in American culture. This SSAA a cappella arrangement adds a rich, new layer of harmony to the common melody that we've all come to know. Standard progressions are given a fresh approach with chords smoothly moving from one to the other in a manner influenced by changes found directly in jazz theory. A pinch of syncopation, without overdoing it, adds new bounce to lines that were once stiff and rigid. If your ensemble is looking for a version of the US National Anthem that has some flavor without straying too far from the original form, this arrangement is for you!Feel free to follow me on Facebook and reach out with any questions or comments: https://www.facebook.com/erichagmannmusic/
$2.25
In These Shoes
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Choral SSAA
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INTERMEDIATE
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Kirsty MacColl
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Solveig Harris
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In These Shoes
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Solveig Harris
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1257559 By Kirsty MacColl. By Kirsty MacColl and Peter Glenister. Arranged by Solveig Harris. A ...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1257559 By Kirsty MacColl. By Kirsty MacColl and Peter Glenister. Arranged by Solveig Harris. A Cappella,Comedy,Contemporary,Latin,Pop. Octavo. 6 pages. Solveig Harris #850854. Published by Solveig Harris (A0.1257559). This feisty song has a latin feel, with a catchy spanish chorus and shows Kirsty Maccoll's great sense of humour. Singers will really enjoy the interplay of the parts and the chance to mimic mariachi band trumpets! Kirsty Maccoll said the song was about 'being a fashion victim and crippling yourself in the process' but it is also very sexy and fun.  While Maccoll didnt have much chart success herself with it, it has been used in TV and film and was covered by Bette Midler on her album Bette in 2000.
$1.99
Julian's Hazelnut for SSAA and B flat clarinet
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Choral SSAA
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INTERMEDIATE/ADVANCED
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Adrienne Inglis
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Julian's Hazelnut for SSAA and
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. O...
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.
$1.99
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