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7
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7
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6
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6
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18
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13
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12
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10
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2 Oboes (duet)
1
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73
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26
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23
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21
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13
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12
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12
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11
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10
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7
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6
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52
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48
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41
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36
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32
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19
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18
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17
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15
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11
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8
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8
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7
String Trio: violin, viola, cello
5
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5
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4
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Excerpt
Choral SSAA
Sheetmusic to print
7 sheet music found
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1
Shallow
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Choral SSAA
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BEGINNER
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Pop music
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Lady Gaga
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Sam Hubbard
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Shallow
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Sam Hubbard
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SheetMusicPlus
Choral Choir (SSAA) - Level 1 - Digital Download SKU: A0.849895 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. A...
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Choral Choir (SSAA) - Level 1 - Digital Download SKU: A0.849895 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged by Sam Hubbard. Pop. Octavo. 5 pages. Sam Hubbard #5032365. Published by Sam Hubbard (A0.849895). This is an arrangement for women's barbershop groups. Note that the traditional barbershop part names (Tenor, Lead, Baritone & Bass) are used, despite the women's (SSAA) ranges.Duration c.3:40.Originally arranged for Vocal Lincs.Visit https://www.facebook.com/SamHubbardVocalArrangements/ for more information.The audio sample is an excerpt from a set of learning tracks produced by HBTEACHTRACKS. Find them at https://www.hbteachtracks.co.uk/
$1.99
Here Comes The Light (SSAA with piano) - original choral piece by Sarah Jaysmith, text by Gil Jaysmi
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Choral SSAA
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INTERMEDIATE
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Contemporary
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Sarah Jaysmith
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Here Comes The Light
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Sarah Jaysmith
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.849294 Composed by Sarah Jaysmith. Contemporary. Octavo. 15 pages. Sarah Jaysmith #4969685. Publ...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.849294 Composed by Sarah Jaysmith. Contemporary. Octavo. 15 pages. Sarah Jaysmith #4969685. Published by Sarah Jaysmith (A0.849294). This stunning piece for SSAA and piano tells the story of starlight - how it journeys through the universe and comes to rest in our eyes. The piece begins sparsely, evoking the grandeur of space, but builds into a passionate finale. It is suitable for early to advanced intermediate SSAA choirs, and would also be suitable for an advanced choir. The piece is approximately 4'22'' in duration. The ranges are perfectly suited for a choir of women's voices. This recording is an excerpt from the piece played by MIDI instruments.Sarah Jaysmith has been composing and arranging choral music for many years, and has received several commissions from women's choirs, including Elektra Women's Choir, a very highly regarded choir in Vancouver, BC. Find her at www.sarahjaysmith.com
$2.50
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Choral SSAA
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INTERMEDIATE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
Somewhere Only We Know
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Choral SSAA
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INTERMEDIATE
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Film/TV
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Keane
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Sam Hubbard
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Somewhere Only We Know
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Sam Hubbard
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.849925 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Sam Hubbard. Fi...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.849925 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Sam Hubbard. Film/TV. Octavo. 6 pages. Sam Hubbard #6616279. Published by Sam Hubbard (A0.849925). This is a barbershop arrangement written for SSAA ensembles. Note that the traditional barbershop part names (Tenor, Lead, Baritone & Bass) are used, despite the SSAA ranges.Duration c.4:10.Originally arranged for The Red Rosettes.Visit https://www.facebook.com/SamHubbardVocalArrangements/ for more information.The audio sample is an excerpt from a set of learning tracks produced by me. Get in touch via email or Facebook page (above) to go about purchasing them.
$1.99
Over The Rainbow
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Choral SSAA
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EASY
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Broadway
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Film/TV
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Judy Garland
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Sam Hubbard
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Over The Rainbow
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Sam Hubbard
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1035476 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Sam Hubbard. A Cappel...
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1035476 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Sam Hubbard. A Cappella. Octavo. 3 pages. Sam Hubbard #640689. Published by Sam Hubbard (A0.1035476). This is an arrangement written for SSAA barbershop groups. Note that the traditional barbershop part names (Tenor, Lead, Baritone & Bass) are used, despite the SSAA vocal ranges. This arrangement is primarily based on the original recording of this song, as heard in The Wizard of Oz, but in the final verse incorporates some changes that were introduced in the brilliant cover by Eva Cassidy. Duration c.4:00. Designed for use in barbershop contests. Originally arranged for Harmony InSpires. Visit https://www.facebook.com/SamHubbardVocalArrangements/ for more information. The audio sample is an excerpt from a set of learning tracks produced by HBTEACHTRACKS (https://www.hbteachtracks.co.uk/).
$1.99
Refuge from Sing Evermore!
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Choral SSAA
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EASY
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Gwyneth W
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Refuge from Sing Evermore!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SSAA choir and piano - Moderately Easy - Digital Download SKU: MQ.9222-E Composed by Gwyneth W. Walker. 12 pages. E. C. Schirmer Music Company - Digital ...
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SSAA choir and piano - Moderately Easy - Digital Download SKU: MQ.9222-E Composed by Gwyneth W. Walker. 12 pages. E. C. Schirmer Music Company - Digital #9222-E. Published by E. C. Schirmer Music Company - Digital (MQ.9222-E). English.An assuring text from master poet Sara Teasdale, its central theme is that one can take refuge in singing. Ever sensitive to the text, Walker crafts word painting throughout with shimmering accompaniment figures, textural changes, and fanfare-like passages in the voices on the word free. Excerpted from the larger work Sing Evermore! and available in both SATB and TTBB voicings.
$2.65
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