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Imagine The Song
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You've selected:
Imagine The Song
Choral SSAA
Sheetmusic to print
6 sheet music found
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1
Show Me The Way
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Choral SSAA
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INTERMEDIATE
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Styx
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Cris Conerty
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Show Me The Way
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Cris Conerty
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.941930 By Styx. By Dennis Deyoung. Arranged by Cris Conerty. A Cappella,Barbershop,Contem...
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.941930 By Styx. By Dennis Deyoung. Arranged by Cris Conerty. A Cappella,Barbershop,Contemporary,Pop,Rock. 6 pages. Cris Conerty #5728763. Published by Cris Conerty (A0.941930). This arrangement stays true to STYX's iconic anthem about maintaining faith and hope amidst adversity and inhumanity - still relevant today. 4 min. in length, but easy to learn with repeating musical phrases. Imagine your bass section belting out their feature at the bridge: And if I see a light, will I believe? Tell me, how will I know?! The counterpoint between parts during the repeated chorus sections are fun and breaths have been built in so no one needs to run out of air! Tenors will love their melody moments and the baritone voice leading brings ease and flow to their part. This song could be the focal point fo your next show!
$1.99
Imagine
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Choral SSAA
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INTERMEDIATE
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John Lennon And The Plastic On
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Chris Arnold
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Imagine
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Chris Arnold
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.874615 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Chris Arnold. A Capp...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.874615 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Chris Arnold. A Cappella,Rock. Octavo. 4 pages. Chris Arnold #4285525. Published by Chris Arnold (A0.874615). Famous song by John Lennon with his vision of world peace.Written for women's barbershop ensemble, it features the bass part on melody. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff.This arrangement would also be suitable for SSAA high-school/college jazz ensembles.$1.99 US per copy, suitable for choruses and choirs. For quartets, look for the same title available under small ensembles.Visit us at https://qsvp.com if you have any questions or are looking for learning tracks.
$1.99
Who Would Imagine A King
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Choral SSAA
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INTERMEDIATE
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Sacred music
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Whitney Houston
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Jen Squires
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Who Would Imagine A King
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Jenergy
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.940788 By Whitney Houston. By Hallerin Hilton Hill and Mervyn Warren. Arranged by Jen Squires. 2...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.940788 By Whitney Houston. By Hallerin Hilton Hill and Mervyn Warren. Arranged by Jen Squires. 20th Century,A Cappella,Pop,Praise & Worship. Octavo. 4 pages. Jenergy #4278347. Published by Jenergy (A0.940788). As sung by Whitney Houston in the movie The Preacher's Wife. Beautiful story of parents marvelling over how their baby son could grow up and change the world, in this case the baby Jesus. Can be used as a Christmas song, or just a lovely story to add to your repertoire. Arranged for treble barbershop/a cappella in four parts. This arrangement includes sections that highlight the Lead part with bell chord accompaniment.
$2.00
Demons
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Choral SSAA
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Rock
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Imagine Dragons
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Carolyn Goates
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Demons
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Carolyn Goates
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SheetMusicPlus
Choral Choir (SSAA) - Digital Download SKU: A0.762525 By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Reynolds, Daniel Sermon, and Josh Mo...
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Choral Choir (SSAA) - Digital Download SKU: A0.762525 By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Reynolds, Daniel Sermon, and Josh Mosser. Arranged by Carolyn Goates. Rock. Octavo. 5 pages. Carolyn Goates #3627041. Published by Carolyn Goates (A0.762525). This chart-topping song has been covered many times. I hope you like this arrangement for 4 voices. It is in the original key of Eb major, so if you already know the song it is a very familiar sing-along in a familiar place for the voice. The melody starts with Sopranos while Altos provide rhythmic accompaniment. As the song develops the melody splits into 3 and then 4 part harmony, with the tune taken by different parts here and there. Soprano 1s have a soaring descant over the tune towards the end. (Top note G a twelfth above middle C for a short while)SAB and TTBB soon to follow. .
$2.49
Wintertide (acapella, sssaa)
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Choral SSAA
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INTERMEDIATE/ADVANCED
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Jenny Walker
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Wintertide
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J Walker
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.923472 Composed by Jenny Walker. A Cappella,Contemporary. Octavo. 8 pages. J Walker #6526367. Pu...
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.923472 Composed by Jenny Walker. A Cappella,Contemporary. Octavo. 8 pages. J Walker #6526367. Published by J Walker (A0.923472). Imagine fairies sprinkling snow as they travel through the forest .... this is what this song depicts. There are a lot of repeated phrases sung by the lower voices, as the upper voices sing a soaring melody. A challenge, but worth the effort. .
$5.99
Vampire
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Choral SSAA
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Contemporary
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R
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Vampire
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R. LaBanca
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SheetMusicPlus
Choral Choir (SSAA) - Digital Download SKU: A0.1007507 Composed by R. LaBanca. Contemporary. Octavo. 7 pages. R. LaBanca #3416041. Published by R. LaBanc...
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Choral Choir (SSAA) - Digital Download SKU: A0.1007507 Composed by R. LaBanca. Contemporary. Octavo. 7 pages. R. LaBanca #3416041. Published by R. LaBanca (A0.1007507). This piece is based on text that I wrote several years ago. As a lover of the horror genre I have always had a fascination with the romantic creature known in modern culture as the vampire. I imagined in my mind the interaction between a mortal and an immortal creature. How would the mortal describe a romantic encounter with this creature that exists in the shadows, untouched by time? I used descriptive text to communicate the visceral details of this experience and make the listener create in their mind how the experience would have felt if they had experienced it. The encounter is intense, and painful but once it ends the narrator feels empty and only has a mysterious melody to keep as a memory. I set the text for treble voices because I felt that the close harmonies I could accomplish with voices in the same register would lend itself well to the imagery. The piece is lush and smooth when the text demands it and sharp and angular when the text calls for that sound. Once the interaction is over, the voices break off into an aleatoric section in which each voice sings the phrase Songs only bones can hear fading away into nothingness just as the text suggests the vampire moves into the velvet void.
$3.99
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