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The G-A-B-C-D Song!
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You've selected:
The G-A-B-C-D Song!
SheetMusicPlus
Choral SSAA
Sheetmusic to print
5 sheet music found
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1
That's When The Music Takes Me
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Choral SSAA
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INTERMEDIATE/ADVANCED
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Neil Sedaka
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Rebecca (Boo) de Bruin
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That's When The Music Takes Me
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbersho...
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,Pop. Octavo. 11 pages. Rebecca de Bruin #713452. Published by Rebecca de Bruin (A0.1111174). Words and Music by Neil Sedaka in 1972. Arranged in 2022 by Boo de Bruin. 11 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar ranges, but perform different functions). That's when the music takes me is taken from Neil Sedaka's Solitaire LP. The song was notable as it was one of the only songs for which Sedaka wrote the lyrics in addition to the music. He often finishes his song using the song. (The ending of the arrangement is inspired by how he performs the song live, rather than the recording edit). It reached #18 on the UK singles chart, #27 on the US Billboard Hot 100, and #7 on the US Billboard Easy Listening chart. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. The melody sits with the lead for the vast majority of the song, but with the bass part taking a few of the lowest notes. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - G5 (D above middle C to G above high C) Lead: B3 - D5 (B below middle C to D above high C) Baritone: G3 - C5 (G below middle C to D above high C) Bass: D3 - D4 (D below middle C to D above middle C).
$1.99
Love Song
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Choral SSAA
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EASY
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Pop music
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Sara Bareilles
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Rebecca de Bruin
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Love Song
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.881167 By Sara Bareilles. By Sara Bareilles. Arranged by Rebecca de Bruin. Pop. Octavo. 7 pages....
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.881167 By Sara Bareilles. By Sara Bareilles. Arranged by Rebecca de Bruin. Pop. Octavo. 7 pages. Rebecca de Bruin #6492785. Published by Rebecca de Bruin (A0.881167). Words and Music by Sara Bareilles. Arranged in 2020 by Boo de Bruin. 7 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA).Love Song was Sara Bareilles' debut single, reaching number four in the Billboard chart. It received Grammy Award nominations for Song of the Year and Best Female Pop Vocal Performance.This arrangement was written for a barbershop quartet, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are:Tenor: F4 - E5 (F above middle C to E above high C)Lead: G3 - D5 (Gb below middle C to D above high C)Baritone: B3 - A4 (B below middle C to A above middle C)Bass: D3 - G4 (D below middle C to G above middle C)
$12.99
Money, Money, Money
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Choral SSAA
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ADVANCED
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ABBA
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Rowena Harper
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Money, Money, Money
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Rowena Harper
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SheetMusicPlus
Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.762509 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Rowena Harper. A Cappella,Barb...
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Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.762509 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Rowena Harper. A Cappella,Barbershop,Broadway,Musical/Show,Pop. Octavo. 7 pages. Rowena Harper #6341475. Published by Rowena Harper (A0.762509). A full bodied ABBA spectacular with a few twists and turns that make this a fun chart to sing thanks to some interesting chord additions and treatments. The verse starts squarely in low baritone land to kick the song off. Some interesting embellishments are used to mimic the instrumental sections of the song, the key change is there, as is the final flourish - all hallmarks of the song, which add interest but also complexity for the singer. Not for the faint hearted, but the potential to be dramatic, as well as the potential for corn-row performance elements should a chorus wish to mimic Mamma Mia the stage show with chorus members peeking out from behind and popping out for that's too bad! Have a lot of fun with this one!Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass E-D, Baritone B-B, Lead C-D, Tenor G-F#.Key = GThis is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com.
$3.00
Money, Money, Money
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Choral SSAA
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ADVANCED
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ABBA
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Rowena Harper
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Money, Money, Money
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Rowena Harper
#
SheetMusicPlus
Voice (SSAA) - Level 5 - Digital Download SKU: A0.762508 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Rowena Harper. A Cappella,Barbershop,...
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Voice (SSAA) - Level 5 - Digital Download SKU: A0.762508 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Rowena Harper. A Cappella,Barbershop,Broadway,Musical/Show,Pop. Barbershop Quartet. 7 pages. Rowena Harper #6341479. Published by Rowena Harper (A0.762508). An ABBA spectacular with a few twists and turns that make this a fun chart to sing thanks to some interesting chord additions and treatments. The verse starts squarely in low baritone land to kick the song off. Some interesting embellishments are used to mimic the instrumental sections of the song, the key change is there, as is the final flourish - all hallmarks of the song, which add interest but also complexity for the singer. Not for the faint hearted, but the potential to be dramatic - have a lot of fun with this one!Range (Lowest-Highest): Bass E-D, Baritone B-B, Lead C-D, Tenor G-F#.Key = GThis one sale is for a set of parts (four copies included). Individual copies are available for choirs - minimum purchase of 10.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com.
$15.95
Piece Of My Heart
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Choral SSAA
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INTERMEDIATE/ADVANCED
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Contemporary
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Janis Joplin
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Liz Garnett
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Piece Of My Heart
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856230 By Janis Joplin. By Bert Berns and Jerry Ragovoy. Arranged by Liz Garnett. Contemporary. ...
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856230 By Janis Joplin. By Bert Berns and Jerry Ragovoy. Arranged by Liz Garnett. Contemporary. Octavo. 5 pages. Liz Garnett #4802044. Published by Liz Garnett (A0.856230). This song lives on the cusp of Second Wave Feminism. Its lyrics portray a woman fighting to maintain her pride in a neglectful, if not outright abusive, relationship, although it remains, at this stage, still essentially masochistic. She berates, but - in the lyrics at least - does not challenge. The iconic performances from the late 1960s (Erma Franklin, Janis Joplin, Dusty Springfield), though, tell a different story. Anger is erupting into the voices: the personal is poised to become overtly political.The arrangement sets the narrative verses in a melody-and-accompaniment texture, with the harmony parts largely on vocables to let the story through, then builds up to a primarily homophonic texture with everyone participating in the lyrics for the declarative mode of the choruses. It is built to chart a wide dynamic range, charting the emotional range of the original.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: D#4 - E5Lead: G#3 - C#5Bari: B3 - A4Bass: E3 - E4www.HelpingYouHarmonise.com
$2.99
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