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When It\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s Over
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Choral SSAA
Sheetmusic to print
8 sheet music found
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1
When We Were Young
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Choral SSAA
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INTERMEDIATE
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Adele
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Thomas J
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When We Were Young
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Thomas J. West
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.928368 By Adele. By Adele Adkins and Tobias Jesso Jr. Arranged by Thomas J. West. A Cappella,Hip...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.928368 By Adele. By Adele Adkins and Tobias Jesso Jr. Arranged by Thomas J. West. A Cappella,Hip-Hop,Pop,R & B. Octavo. 16 pages. Thomas J. West #5896795. Published by Thomas J. West (A0.928368). This arrangement of one of Adele's chart-topping hits was originally commissioned by a treble voices barbershop chorus. It features a soprano lead vocal over a full SSAA chorus. The choral parts are written with a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. Parts are labeled in traditional barbershop style (tenor, lead, baritone, bass) but apply to the SSAA vocal ranges using the standard barbershop clefs (bass clef for alto parts). The bass part range is from Eb3 to Eb4. Tenor part range is from Eb4 to D5. www.thomasjwestmusic.com
$1.99
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Choral SSAA
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INTERMEDIATE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
Candlemas Carol
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Choral SSAA
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INTERMEDIATE/ADVANCED
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Alan Wagstaff
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Alan Wagstaff
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Candlemas Carol
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Alan Wagstaff
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.505695 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Holiday,Irish,...
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.505695 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Holiday,Irish,Jewish,Traditional. Octavo. 23 pages. Alan Wagstaff #117353. Published by Alan Wagstaff (A0.505695). This original song uses English folk idioms to retell a traditional snowdrop legend. The chorus is an English 'weather rhyme'. It has been set for choir (SSAA), piano, harp, fiddle, and flute. One of the Snowdrop’s folk names is ‘Eve’s Comforter’; another ‘Maid of February’. Candlemas Carol Maid of February, if you will, grace mantle, hearth, and windowsill. So let us all be of goodwill and gather round, together. When Winter holds the world in thrall, and ice and snow lie over all, the Maiden can at once recall, the coming Summer weather. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. When Eve and Adam left Eden fair, the snow and ice lay ev’rywhere, which filled their hearts with bleak despair, for they could find no pardon. They glimpsed the flowers of paradise, beyond the earthly cold and ice, but they could not be perfect, twice, nor get back to the garden. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. A teardrop fell from Eve’s sad eye, and froze upon the ground close by. An angel raised it up on high, and called for Heaven’s power. The ice became a snowdrop, then. Thus hope returned to Eve again. And all the people say: ‘Amen!’ in praise of Winter’s flower. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. Alan Wagstaff The legend tells that, after Adam and Eve were banished from Eden’s perpetual summer, they wandered, despondently, into Earth’s freezing winter. Eve wept as the snow fell around them. Seeing her tears, an angel intervened. He caught a teardrop when it froze and breathed on it, turning it into a snowdrop. When the angel left more snowdrops sprang up. Thus, snowdrops in Winter, serve as a reminder, that better times will come around. The tale was often recalled at Candlemas: February 2nd.
$100.00
Fuck You
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Choral SSAA
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INTERMEDIATE/ADVANCED
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Greg Kurstin, Gregory Allen Ku
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Rowena Harper
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Fuck You
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Rowena Harper
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.762501 Composed by Greg Kurstin, Gregory Allen Kurstin, and Lily Allen. Arranged by Rowena Harpe...
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.762501 Composed by Greg Kurstin, Gregory Allen Kurstin, and Lily Allen. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 13 pages. Rowena Harper #5361953. Published by Rowena Harper (A0.762501). Despite the profanities, this arrangement is a really fun, upbeat a cappella version of Lily Allen's jovial and rather tongue-in-cheek song F**k You. Perfect for open-minded and diverse groups with a sense of humour, this song would be fantastic for an after-glow or as an audience pleaser, assuming the audience could also appreciate the message over the lyrics! Not every audience will appreciate it, of course - pick and choose when it is performed!Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass E-E, Baritone B-A, Lead A-C, Tenor G-E.Key = GThis is a per copy price. Also available as a Quartet version / set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com.
$3.00
Silver Dagger
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Choral SSAA
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INTERMEDIATE
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Amelia Wellers
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Amelia Wellers
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Silver Dagger
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Awelia Music
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1290533 Composed by Amelia Wellers. Arranged by Amelia Wellers. 21st Century,Chamber,Cont...
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1290533 Composed by Amelia Wellers. Arranged by Amelia Wellers. 21st Century,Chamber,Contemporary,Folk,New Age. 4 pages. Awelia Music #881249. Published by Awelia Music (A0.1290533). From the arranger: I first came across this traditional English folk ballad on the podcast mini-series “Dolly Parton’s Americaâ€. Dolly’s version was fast-based and up-beat, but the melody struck me as distant yet clear, mournful yet timeless. When I could not find a version that let the voice further explore these qualities, I made my own. The first exists on my record (WALLFLOWER by Aerhart), the second as a live solo act accompanied by a Yamaha Reface CS Synth, and the third as a Silver Dagger choral arrangement, made with and for the Young New Yorker's Chorus Treble Ensemble. The original Silver Dagger tune is a haunting memory in its spirit as much as its history (its many possible origins trace back to the early 1800s). To this day, we wonder whether it’s love, fear or both that sway our overprotected heroine’s decision to “sleep alone all of my life.†Despite her careful consideration, the melody never grants the finality of her decision. This arrangement holds this dissonance within a meditative space - a small moment of stillness in which to let all the big thoughts and emotions come and go. We begin with the memory of the melody, gather momentum and clarity in its pulsing visceral storytelling, then release it, unresolved yet somehow changed.
$2.00
Days
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Choral SSAA
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BEGINNER
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Kirsty MacColl
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Kirstie Smith
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Days
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Kirstie Smith
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 1 - Digital Download SKU: A0.1471999 By Kirsty MacColl. By Ray Davies. Arranged by Kirstie Smith. 20th Century,Co...
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Choral Choir,Choral,SSAA Chorus - Level 1 - Digital Download SKU: A0.1471999 By Kirsty MacColl. By Ray Davies. Arranged by Kirstie Smith. 20th Century,Contest,Festival,Folk,Historic,Pop. 5 pages. Kirstie Smith #1049694. Published by Kirstie Smith (A0.1471999). An enjoyable SSAA and guitar chord arrangement of 'Days', perfectly tailored for Ladies’ Choirs and highly suitable for mixed voice choral groups. Written by Ray Davies and released by The Kinks in 1968, this choral arrangement has been lovingly crafted to capture the essence of Kirsty MacColl's 1989 cover version, making great use of rich alto voices to harmonise and on occasion even sing the melody!‘Days’ is an absolute classic to delight audiences and singers alike, and may be performed with instrumental ensemble or with the accompanying backing track audio. In 1994, Kirsty MacColl told James Bennett, I think my version is a bit slower [than the Kinks' original], I wanted to give it the ABBA treatment. I wanted people to think that it's a Kirsty MacColl song when they hear it. Related Items;SSAA Choral Score with guitar chords ID 1574445 Instrumental Accompaniment Audio (Band) MP3 – ID 1574524 Full Audio Performance MP3 ID 1574447Bass Part PDF – ID 1574457
$2.49
Slipping Through My Fingers - SSAA a cappella for choir
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Choral SSAA
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INTERMEDIATE
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Rock
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ABBA
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Chandra Grover
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Slipping Through My Fingers -
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Chandra Grover
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SheetMusicPlus
By ABBA. Arranged by Chandra Grover. 6 pages. Published by Chandra Grover
By ABBA. Arranged by Chandra Grover. 6 pages. Published by Chandra Grover
By Benny Andersson and Bjorn Ulvaeus. Arranged by Chandra Grover. 6 pages. Duration ca. 4:00.
The song is about a mother's regret at how quickly her daughter is growing up, and the lack of time they spent together. It was used in the movie Mamma Mia when the mother, Donna, is helping her daugher, Sophie, to get ready for her wedding. It was sung by Meryl Streep and Amanda Seyfried.
This beautiful ballad would be a superb choice for a concert.
$2.99
I'm So Excited
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Choral SSAA
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INTERMEDIATE
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The Pointer Sisters
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Liz Garnett
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I'm So Excited
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856205 By The Pointer Sisters. By Anita Pointer, June Pointer, Ruth Pointer, and Trevor Lawrence...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856205 By The Pointer Sisters. By Anita Pointer, June Pointer, Ruth Pointer, and Trevor Lawrence. Arranged by Liz Garnett. Contemporary,Dance. Octavo. 6 pages. Liz Garnett #4293523. Published by Liz Garnett (A0.856205). This is one of those songs that wasn't a huge hit when it was first released, but has persisted in popular culture since. It has appeared in at least four movies, and was associated for years in the UK with commercials for Cadbury's Crunchie bars.Like the several cover versions of the song that have appeared this millenium, this arrangement takes a strong lead from the details of the original version, particularly in the use of vocalised embellishments that break out at phrase ends.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F4 - F5Lead: A flat 3 - C 5Bari: A flat 3 - B flat 5Bass: D flat 3 - F4www.HelpingYouHarmonise.com
$2.99
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