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I Move On
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You've selected:
I Move On
Tenor Saxophone
Sheetmusic to print
3 sheet music found
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1
Four Episodes (solo tenor sax)
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Tenor Saxophone
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ADVANCED
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Brandon Nelson
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Four Episodes
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Brandon Nelson
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SheetMusicPlus
Tenor Saxophone Solo - Level 5 - Digital Download SKU: A0.912916 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 7 pages. Brandon Nels...
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Tenor Saxophone Solo - Level 5 - Digital Download SKU: A0.912916 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 7 pages. Brandon Nelson #1998629. Published by Brandon Nelson (A0.912916). An ideal piece to showcase high level playing with intriguing, colorful music. Appropriate for any concert or recital setting. The first in this set, from darkness, rising, is a lyric caprice which gradually moves from darker modes to brighter modes (locrian to lydian). The next selection, Eidólons, has a veiled, mysterious quality. In this piece, I explore variations based on rhythmic alteration. An eidólon is a spirit or phantasm; the term was a favorite of American poet Walt Whitman. The third entry, Homeostatic, is built upon a concept I refer to as biofeedback music. In this case, I took regularly-spaced readings of my pulse rate and blood oxygen saturation percentage and performed basic arithmetic operations on these figures, the results of which I used to determine a number of musical facets (most notably the essential constituents of the rhythmic gestures). The final piece, Sapta Bodhyanga, I built on a wedge concept (in this case, seven intervals, each becoming larger, ending with the octave). The number seven also features prominently in the design of the rhythmic motives (with chance procedures used in the deployment of these figures). Given the concentration on this number and the use of aleatoric methods, I titled this piece after the Zen Buddhist concept sapta-bodhyang, or seven degrees of enlightenment. Learn more about me at bnelsonmusic.wordpress.com.
$8.99
You're Sorry
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Tenor Saxophone
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INTERMEDIATE/ADVANCED
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Jun Fukamachi
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Jun Fukamachi
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Popnroll 1976
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You're Sorry
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Popnroll 1976
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SheetMusicPlus
Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.1296730 By Jun Fukamachi. By Jun Fukamachi. Arranged by Popnroll 1976. 20th Century,Funk,Jazz. ...
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Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.1296730 By Jun Fukamachi. By Jun Fukamachi. Arranged by Popnroll 1976. 20th Century,Funk,Jazz. Individual part. 19 pages. Popnroll 1976 #886897. Published by Popnroll 1976 (A0.1296730). You’re Sorry - Jun Fukamachi (Tenor Sax/Viraphone/Bass/Piano Chords)Condensed band score for You're Sorry, from the album On The Move with New York musicians by Japanese keyboardist and composer Jun Fukamachi, featuring a groovy melody by Michael Brecker's saxophone (Michael Brecker (with a complete transcription of the saxophone solo).PDF format, 19 pages in total. Contents: Score 6 pages, Tenor Sax (Bb) 4 pages, Vibraphone 2 pages, Bass 3 pages, Keyboard (chord notation) 4 pages. (as Chord Sheet)(There is no score for drums. I'm sorry)Composed by Jun Fukamachi.Composed by Jun Fukamachi Performed by: Michael Brecker (Tenor Sax), Mike Mainielli (Vibraphone), Will Lee (Bass), Jun Fukamachi (Keyboards).
$19.99
Proteus
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Tenor Saxophone
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INTERMEDIATE/ADVANCED
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Brandon Nelson
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Proteus
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Brandon Nelson
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SheetMusicPlus
Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.912905 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 6 pages. Brandon Nels...
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Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.912905 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 6 pages. Brandon Nelson #1954833. Published by Brandon Nelson (A0.912905). According to Homer (Odyssey iv:412), the sandy island of Pharos, situated off the coast of the Nile delta, was the home of Proteus, the old god of the sea. In the Odyssey, Menelaus relates to Telemachus that he had been becalmed here on his journey home from the Trojan War. He learned from Proteus’ daughter Eidothea that if he could capture her father, he could force him to reveal which of the gods he had offended and how he could propitiate them and return home. Proteus emerged from the sea to sleep among his colony of seals, but Menelaus was successful in holding him, though Proteus took the forms of a lion, a serpent, a leopard, a pig, even of water or a tree. Proteus then answered truthfully, further informing Menelaus that his brother Agamemnon had been murdered on his return home, that Ajax the Lesser had been shipwrecked and killed, and that Odysseus was stranded on Calypso’s Isle Ogygia. This piece, for solo tenor sax, illustrates that mighty conflict between Menelaus and Proteus. Each movement illustrates a different form the god took in his attempt to evade sharing his knowledge. Composition The rhythmic motives are based on the ancient Greek poetic meters. I translated these patterns of long and short sounds to musical notation (using the sixteenth note as the basic unit). I randomized the order and deployed the resulting phrase as a sort of idee fixe. Each movement uses this rhythmic idea beginning at a different point. The melodic content is based on a pentatonic set and its permutations, primarily its modes. I arrayed these pitches into a grid (not unlike the matrix used in dodecaphonic music) and assigned pitches to the rhythmic motives using differing deployment schemes (rotation, chaining, etc). Learn more about me: bnelsonmusic.wordpress.com.
$7.99
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