Download Digital Sheet Music of That's It! - Bass for 2 Euphoniums and 2 Tubas

That's It! - Bass

It's Hard To Be Humble #2 Euphoniums and 2 Tubas #EASY #Country #Mac Davis #Tim Olt #It's Hard To Be Humble #Olt Music #SheetMusicPlus

Tuba Quartet Euphonium,Tuba - Level 2 - Digital Download SKU: A0.1215763 Composed by Mac Davis. Arranged by Tim Olt. Country,Pop. 13 pages. Olt Music #81...(+)

Tuba Quartet Euphonium,Tuba - Level 2 - Digital Download SKU: A0.1215763 Composed by Mac Davis. Arranged by Tim Olt. Country,Pop. 13 pages. Olt Music #812494. Published by Olt Music (A0.1215763). This fun song by Mac Davis is sure to get your audience singing along!Â Not that we low brass players have any problem being humble....

Brass Ensemble Euphonium,Tuba - Level 5 - Digital Download SKU: A0.755334 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 48 pages. Sy Brandon #6607353. Published by Sy Brandon (A0.755334). I. The grass is always greener on the other side of the fence. The interpretation of this adage is that one always wants what someone else has instead of accepting oneâ€™s own uniqueness. During the movement, counterpoint is used to depict one instrument copying another. Towards the middle of the movement, tuba 2 eventually realizes its independence and states a bold melody of its own. The movement ends with the euphonium 1 playing its melody alone with pauses between the phrases as if looking over its shoulder wondering where the other musicians are. II. Absence makes the heart grow fonder. This setting represents a growing love despite the emptiness of being apart. Hollow intervals of fourths and fifths representing longing, occur at the beginning and end. A short love duet between two instruments occurs in the middle. III. Time flies when you are having fun. A rollicking six-eight meter is used to represent a childrenâ€™s game of tag. There is a lot of alternation of short phrases as if one instrument is trying to tag the other and the other is trying to avoid being tagged. The dissonance and short accented notes represent taunting. IV. Every cloud has a silver lining. This movement is a prayer-like setting with alternation of minor and major harmonies representing the cloud and the silver lining respectively. V. He who hesitates is lost. This movement is very rhythmic and syncopated with the instruments alternating phrases in the manner of a call and response. It calls for split-second precision between the performers, therefore representing the adage. VI. A rolling stone gathers no moss. The last movement is a perpetual motion in a rolling six-eight meter. The musical ideas are very chromatic with the exception of main theme that appears first as a solo melody, then as several instruments together, and later as instruments in imitation. Towards the end, there are a few brief pauses and low accented notes as a life of activity has a few bumps along the way.

Concerto for Euphonium and Tuba-Euphonium Quartet #2 Euphoniums and 2 Tubas #ADVANCED #Matthew Nunes #Concerto for Euphonium and Tub #Matthew Nunes Music #SheetMusicPlus

Tuba Quartet Euphonium,Tuba - Level 5 - Digital Download SKU: A0.1263852 Composed by Matthew Nunes. Chamber,Classical,Contemporary. 99 pages. Matthew Nun...(+)

Tuba Quartet Euphonium,Tuba - Level 5 - Digital Download SKU: A0.1263852 Composed by Matthew Nunes. Chamber,Classical,Contemporary. 99 pages. Matthew Nunes Music #856765. Published by Matthew Nunes Music (A0.1263852). Listen to this piece hereIn May of 2015 I completed the Concerto for Euphonium and Wind Band for one of my former teachers. Soon after I began realizing that concerti written with tuba-euphonium quartet as the supporting ensemble were extremely rare (and possibly non-existent). Ideal for soloists visiting schools with resident quartets this piece is an attempt to fill a gap in the literature. It is also ideal for larger ensembles.Each movement is connected by manipulations of the motive F, A-flat, and B-flat. Of the plethora of options the relationships between these notes presented I used the minor third and the upper or lower neighbor tones the most frequently, whether it be hidden inside the themes or outlining the workâ€™s largest structures.- Matthew NunesWindsor, September 2015.