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--INSTRUMENTS--
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CHORAL - VOCAL…
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DIDGERIDOO
DJ GEAR
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Fast
Not classified
967
Piano & keyboards
Piano solo
985
Easy Piano
267
Piano, Vocal and Guitar
163
Piano, Voice
111
C Instruments
38
Organ
31
1 Piano, 4 hands
27
Accordion
16
Piano Trio: piano, violin, cello
11
Piano Accompaniment
10
2 Pianos, 4 hands
5
Piano (band part)
4
Piano Quartet: piano, violin, viola, cello
3
Organ, Piano (duet)
3
Big Note Piano
2
Keyboard
1
1 Piano, 6 hands
1
Piano Quintet: piano, 2 violins, viola, cello
1
Organ, Trumpet (duet)
1
Piano Quartet: piano, 2 violins, cello
1
+ 15 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
141
Guitar
104
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44
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38
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21
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11
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9
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5
Banjo
4
4 Guitars (Quartet)
4
2 Guitars (duet)
2
Dulcimer
2
Guitar Ensemble
2
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2
Mandolin, Guitar (duet)
1
3 Guitars (trio)
1
Baritone Ukulele
1
Guitar, Flute, Clarinet
1
+ 13 instrumentations
-
Retract
Voice
Choral SATB
228
Choral 3-part
77
Choral TTBB
58
Choral 2-part
46
Choral SSAA
30
Choral Unison
27
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7
Vocal duet, Piano
6
Vocal duet
6
Low voice, Piano
3
Choral
3
High voice
3
Soprano voice, Piano
2
Baritone voice, Piano
2
Voix Masculines
2
Choral, Organ
2
Voice solo
2
Soprano voice
1
Choral SSAATTBB
1
Medium voice, Piano
1
+ 15 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
124
Flute and Piano
79
2 Clarinets (duet)
74
Saxophone Quartet: 4 saxophones
73
2 Flutes (duet)
73
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
60
Saxophone, Clarinet (duet)
56
Clarinet, Violin (duet)
46
Flute, Oboe, Clarinet, Bassoon
45
Clarinet, Trumpet (duet)
38
Flute
37
Clarinet Quartet: 4 clarinets
37
Alto Saxophone and Piano
33
Clarinet and Piano
33
Clarinet
29
Tenor Saxophone and Piano
29
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28
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26
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26
Flute, Saxophone (duet)
25
Flute Quartet: 4 flutes
25
2 Oboes (duet)
25
Oboe, Clarinet (duet)
23
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22
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22
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21
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20
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19
Clarinet Ensemble
19
Flute, Viola (duet)
19
3 Clarinets (trio)
19
Oboe, Flute
19
Saxophone ensemble
18
Flute, Trumpet (duet)
18
Oboe (band part)
16
Flute Trio: 3 flutes
15
Tenor Saxophone
14
Saxophone
12
Flute ensemble
11
Saxophone Quintet: 5 Saxophones
11
3 Saxophones (trio)
10
Clarinet (band part)
9
Baritone Saxophone, Piano
9
Bass Clarinet, Piano
7
Flute and Guitar
7
English horn, Piano
7
Flute (band part)
6
Recorder
6
Recorder Quartet
5
Flute, Oboe (duet)
5
Flute, Clarinet and Bassoon.
5
2 Recorders (duet)
5
Descant (Soprano) Recorder
5
Clarinet Quintet: 5 clarinets
4
3 Recorders (trio)
4
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4
Oboe
3
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3
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3
Flute, Oboe, Bassoon
3
Clarinet, Bassoon (duet)
3
Ocarina
2
Soprano Saxophone
2
Harmonica
2
Oboe, Guitar (duet)
2
Flute Quintet : 5 flutes
2
Saxophone and Harp
1
2 English horns and Pianoforte
1
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1
Piccolo, Piano
1
Flute, Violin, Piano
1
2 Saxophones, Piano
1
Recorder, Guitar (duet)
1
Clarinet Quintet: Clarinet, String Quartet
1
Recorder Ensemble
1
2 Clarinets, Bassoon
1
5 Recorders
1
Oboe, Harp
1
Tenor Recorder
1
Clarinet, Bassoon, Piano (trio)
1
Treble (Alto) Recorder, Piano
1
Baritone Saxophone
1
Descent (Soprano) Recorder, Piano
1
Clarinet, Harp (duet)
1
Flute, Violoncello
1
Flute, Harp and Cello
1
+ 81 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
77
Brass quartet : 2 trumpets, trombone, tuba
46
Trumpet, Saxophone (duet)
42
Trombone and Piano
36
Trumpet, Piano
29
Trumpet
29
2 Trombones (duet)
28
Trombone
27
French Horn and Piano
26
2 Trumpets (duet)
26
Trumpet (band part)
24
Trumpet, Trombone (duet)
23
Trombone (band part)
19
French horn
19
Tuba and Piano
17
Brass Quartet: 4 trombones
16
Euphonium, Piano (duet)
14
Tuba
8
Brass Quartet
7
Trombone ensemble
7
English horn, Piano
7
French horn (band part)
6
Euphonium
5
2 French horns (duet)
3
Tuba (band part)
3
Trumpet ensemble
3
3 Trombones (trio)
2
Brass Quartet: 4 horns
2
Brass Quartet: 2 trumpets, horn, trombone
2
2 Tubas (duet)
2
2 English horns and Pianoforte
1
Brass Quartet: 4 trumpets
1
Trumpet, Harp
1
Bass Trombone and Piano
1
Horn, Trumpet, Trombone (trio)
1
Tuba ensemble
1
2 Euphoniums (duet)
1
Bass Trombone
1
Brass Trio
1
+ 34 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
185
Violin and Piano
114
Cello
76
Violin
65
Harp
56
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48
2 Violins (duet)
42
Cello, Piano
41
2 Cellos (duet)
34
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33
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30
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26
2 Violas (duet)
25
Viola
21
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19
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15
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12
Double Bass
9
String Trio: 2 violins, cello
8
Double bass, Piano (duet)
8
Cello (band part)
8
4 Cellos
6
2 Harps (duet)
6
String Quintet: 2 violins, viola, cello, bass
5
String Trio: 3 violins
2
Viola, Cello (duet)
2
Violin, Guitar (duet)
2
Harp, Flute (duet)
2
String Trio: 3 cellos
1
Viola and Harp
1
2 Double basses (duet)
1
String Trio: 2 violins, viola
1
String trio
1
Viola and orchestra
1
Violin ensemble
1
String Quintet: 2 violins, 2 violas, cello
1
Violin, Clarinet, Piano (trio)
1
Cello, String Bass (duet)
1
Violin, Bassoon (duet)
1
4 Harps
1
Viola, Guitar (duet)
1
Cello, Guitar (duet)
1
Harp, Trombone (duet)
1
Cello Ensemble
1
Viola ensemble
1
+ 40 instrumentations
-
Retract
Orchestra & Percussion
Concert band
720
String Orchestra
146
Orchestra
88
Jazz Ensemble
87
Brass ensemble
55
Handbells
50
Drums
46
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28
Jazz combo
27
Chamber Orchestra
19
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10
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8
School Ensemble
6
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4
Marimba
3
Drum (band part)
3
Percussion
2
Xylophone, Piano
1
Voice Mezzo-Soprano, Orchestra
1
Piano and Orchestra
1
+ 15 instrumentations
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Retract
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9 sheet music found
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1
Moon River - Breakfast at Tiffany's (Easy Level)
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Double Bass
#
BEGINNER
#
Johnny Mercer,Mancini
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Moon River
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Tomplay
Téléchargez la partition Contrebasse Moon River - Diamants sur canapé (niveau facile) de Johnny Mercer. Partition pour Contrebasse avec accomp. orchestre -- ...
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Téléchargez la partition Contrebasse Moon River - Diamants sur canapé (niveau facile) de Johnny Mercer. Partition pour Contrebasse avec accomp. orchestre -- Musique de film
5.99€
Moon River - Breakfast at Tiffany's (Easy/Intermediate Level)
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Double Bass
#
EASY
#
Johnny Mercer,Mancini
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Moon River
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Tomplay
Téléchargez la partition Contrebasse Moon River - Diamants sur canapé (niveau facile/intermédiaire) de Johnny Mercer. Partition pour Contrebasse avec accomp...
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Téléchargez la partition Contrebasse Moon River - Diamants sur canapé (niveau facile/intermédiaire) de Johnny Mercer. Partition pour Contrebasse avec accomp. orchestre -- Musique de film
5.99€
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
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Double Bass
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ADVANCED
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Thomas Oboe Lee
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I told him That is great
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Toccata for Double Bass and Pi
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Thomas Oboe Lee
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romanti...
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99
Sub-Bass
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Double Bass
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ADVANCED
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Jazz
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Contemporary
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Robert A
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Sub-Bass
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Robert A. Howard
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.998814 Composed by Robert A. Howard. 20th Century,Contemporary,Jazz,Standards. Individu...
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.998814 Composed by Robert A. Howard. 20th Century,Contemporary,Jazz,Standards. Individual part. 4 pages. Robert A. Howard #6078477. Published by Robert A. Howard (A0.998814). Sub-Bass explores the whole range of the 5-string solo double bass. The piece demands much agility from the performer, alternating in fast sections of arco and pizzicato. The work is in a rondo form, with the opening theme recurring between contrasting ideas, all related to the overall tonal centre of G. Most themes are characterised by the use of the seventh degree (in addition to the notes of the triad), which gives a touch of the blues style. There is much use of changing and irregular time signatures, as the piece explores rhythmic interplay and displacement. The work also plays with tonal ambiguity between major, minor and modality, in an almost jazz-like manner that is befitting to the double bass. This work is accessible for the listener and is appropriate for advanced double bassists, including students and professional players. Sub-Bass can even be used as a virtuosic encore.
$3.49
Kommos (Lamentation) / "When the World Moved On" - Contrabass
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Double Bass
#
INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 ...
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
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Double Bass
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Strings
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 ...
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Razzleberry Rag
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Double Bass
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INTERMEDIATE
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Jo Asker
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Razzleberry Rag
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Jo Asker Publishing
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SheetMusicPlus
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1026120 Composed by Jo Asker. 20th Century,Contemporary,Instructional,Ragtime. Individu...
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1026120 Composed by Jo Asker. 20th Century,Contemporary,Instructional,Ragtime. Individual part. 2 pages. Jo Asker Publishing #5946327. Published by Jo Asker Publishing (A0.1026120). A fast, syncopated ragtime inspired piece for solo double bass. .
$3.99
Tarantella
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Double Bass
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INTERMEDIATE
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Wedding/Ballad
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Traditional
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Jeremy Glaser
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Tarantella
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Jeremy Glaser
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SheetMusicPlus
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.926893 Composed by Traditional. Arranged by Jeremy Glaser. Wedding. Individual part. 1 ...
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.926893 Composed by Traditional. Arranged by Jeremy Glaser. Wedding. Individual part. 1 pages. Jeremy Glaser #2998489. Published by Jeremy Glaser (A0.926893). This lively traditional Tarantella is a favorite at Italian weddings and restaurants. It is rather fast and requires careful bowing. While this arrangement is intended for double bass it could be played on any bass clef instrument.
$3.99
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