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PANPIPES
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Not classified
3,842
Piano & keyboards
C Instruments
5,507
Piano solo
1,739
Easy Piano
1,680
Piano, Voice
988
Piano, Vocal and Guitar
656
Accordion
71
1 Piano, 4 hands
51
Piano Accompaniment
26
Piano Trio: piano, violin, cello
25
Melody line, Piano
13
Organ
13
Big Note Piano
12
Piano Quartet: piano, violin, viola, cello
12
Piano Quintet: piano, 2 violins, viola, cello
10
Piano (band part)
8
2 Pianos, 4 hands
7
Piano Quartet: piano, 2 violins, cello
5
2 Pianos, 8 hands
2
Accordion, Voice
2
Organ, Trumpet (duet)
1
Fake Book
1
Organ, Piano (duet)
1
Keyboard
1
1 Piano, 6 hands
1
Harpsichord
1
+ 20 instrumentations
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Guitars
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4,851
Ukulele
925
Bass guitar
462
Guitar notes and tablatures
177
Guitar
94
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19
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12
Guitar (band part)
12
Piano, Guitar (duet)
10
2 Guitars (duet)
4
Dulcimer
3
Ukulele Ensemble
2
Banjo
1
Guitar Ensemble
1
4 Guitars (Quartet)
1
3 Guitars (trio)
1
+ 11 instrumentations
-
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Voice
Choral SATB
384
Choral 3-part
122
Choral TTBB
110
Choral SSAA
74
Vocal duet, Piano
66
Choral 2-part
53
Choral Instrumental Pak
28
Voice solo
28
Choral Unison
22
Alto voice, Piano
9
High voice
9
Soprano voice, Piano
8
Choral
6
Tenor voice, Piano
6
Baritone voice, Piano
6
Vocal duet
5
Tenor voice
5
Medium voice, Piano
5
Soprano voice
4
Low voice
1
Choral SSATB
1
Voice, Guitar
1
Choral SSAATTBB
1
+ 18 instrumentations
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Woodwind
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276
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271
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248
Alto Saxophone
233
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208
Clarinet
204
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145
Alto Saxophone and Piano
131
Oboe, Piano (duet)
123
Flute, Oboe, Clarinet, Bassoon
103
Harmonica
91
Tenor Saxophone and Piano
88
Saxophone Quartet: 4 saxophones
75
Soprano Saxophone and Piano
61
Saxophone
54
2 Saxophones (duet)
54
2 Flutes (duet)
53
Flute Quartet: 4 flutes
53
Flute ensemble
49
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
47
English horn, Piano
38
Saxophone Quintet: 5 Saxophones
34
2 Clarinets (duet)
32
Clarinet Quartet: 4 clarinets
27
Flute Trio: 3 flutes
24
Flute Quintet : 5 flutes
21
Flute, Clarinet (duet)
21
3 Saxophones (trio)
20
Recorder
17
Descant (Soprano) Recorder
16
Oboe
15
Oboe, Bassoon (duet)
12
2 Oboes (duet)
12
2 Recorders (duet)
12
Flute and Guitar
11
Baritone Saxophone, Piano
11
Soprano Saxophone
10
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10
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9
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8
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8
2 Saxophones, Piano
7
Flute, Violin, Piano
7
Flute, Cello, Piano (trio)
7
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6
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6
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6
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6
3 Clarinets (trio)
5
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5
Flute, Violoncello
4
Flute (band part)
4
Baritone Saxophone
4
2 Clarinets, Bassoon
4
Piccolo
4
Treble (Alto) Recorder
4
Clarinet, Cello (duet)
4
3 Recorders (trio)
4
Oboe, Clarinet, Bassoon (trio)
3
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3
Flute, Violin
3
Bass Clarinet, Piano
3
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3
2 Flutes, Piano
2
Flute, Oboe, Piano (trio)
2
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Clarinet, Harp (duet)
2
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1
Oboe, Flute
1
Saxophone and Organ
1
Flute, Violin and Violoncello
1
2 clarinets, 2 bassoons
1
5 Recorders
1
Flute, Clarinet, Piano (trio)
1
Recorder, Piano
1
2 Flutes, 2 Clarinets (Quartet)
1
Oboe, Cello
1
Treble (Alto) Recorder, Piano
1
Pennywhistle
1
Eb Instruments
1
Flute, Cello, Guitar
1
Flute, Bassoon, and Piano
1
Recorder Quartet
1
+ 84 instrumentations
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Trumpet
298
Trombone
207
Brass Quintet: 2 trumpets, horn, trombone, tuba
175
Trumpet, Piano
170
Trombone (band part)
148
Tuba or Euphonium or Saxhorn
130
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130
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122
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98
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75
Euphonium
74
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71
Trumpet (band part)
65
Brass quartet : 2 trumpets, trombone, tuba
50
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45
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40
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38
2 Trumpets (duet)
25
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24
2 Trombones (duet)
22
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19
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13
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13
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9
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6
French horn (band part)
5
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3
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2
2 Euphoniums (duet)
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1
Trombone ensemble
1
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17
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7
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3
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String trio
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Saxophone and Organ
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What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
#
Saxophone and Organ
#
ADVANCED
#
Contemporary
#
Judith Cloud
#
What Would Nina Simone Say? Fo
#
Judith Cloud
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and...
(+)
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
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