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Red Rag
Not classified
1,143
Piano & keyboards
Piano solo
713
Piano, Vocal and Guitar
428
Easy Piano
158
Piano, Voice
117
Organ
62
C Instruments
27
Piano Accompaniment
22
1 Piano, 4 hands
15
Piano Trio: piano, violin, cello
13
Piano (band part)
9
2 Pianos, 4 hands
7
Piano Quintet: piano, 2 violins, viola, cello
3
Big Note Piano
3
Piano Quartet: piano, 2 violins, cello
2
1 Piano, 6 hands
1
Harpsichord
1
Accordion
1
Organ, Piano (duet)
1
+ 13 instrumentations
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Retract
Guitars
Guitar
41
Bass guitar
37
Guitar notes and tablatures
36
Melody line, (Lyrics) and Chords
28
Guitar (band part)
25
Piano, Guitar (duet)
13
Ukulele
10
Dulcimer
8
Lyrics and Chords
8
Banjo
5
2 Guitars (duet)
3
4 Guitars (Quartet)
3
Mandolin
3
Baritone Ukulele
2
Lap Steel Guitar
1
Dobro
1
Guitar, Orchestra
1
Guitar Ensemble
1
+ 13 instrumentations
-
Retract
Voice
Choral SATB
334
Choral 3-part
75
Choral 2-part
64
Choral TTBB
40
Choral Instrumental Pak
30
Vocal duet, Piano
30
Choral Unison
21
Choral SSAA
17
High voice
16
Vocal duet
12
Soprano voice, Piano
12
Baritone voice, Piano
6
Low voice, Piano
5
Mezzo-Soprano voice, Piano
5
Tenor voice, Piano
3
Voice solo
3
Low voice
3
Soprano voice
2
Alto voice, Piano
2
Choral
2
Choral SSAATTBB
1
Medium voice, Piano
1
Choral SSAB, Piano
1
Choral SSATB
1
+ 19 instrumentations
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112
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111
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109
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99
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74
Tenor Saxophone and Piano
68
Clarinet (band part)
65
Alto Saxophone and Piano
62
2 Saxophones (duet)
59
Clarinet Quartet: 4 clarinets
59
Oboe, Piano (duet)
57
Clarinet and Piano
48
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45
Soprano Saxophone and Piano
43
2 Clarinets (duet)
32
2 Flutes (duet)
29
3 Saxophones (trio)
28
Flute
24
Flute (band part)
22
Oboe (band part)
21
Clarinet Ensemble
21
Clarinet
19
2 Oboes (duet)
19
Flute Quartet: 4 flutes
17
Alto Saxophone
17
Clarinet, Violin (duet)
15
2 Flutes, Piano
14
Flute ensemble
13
Saxophone ensemble
13
Baritone Saxophone, Piano
13
Descant (Soprano) Recorder
12
Flute Quintet : 5 flutes
12
Flute, Clarinet (duet)
12
Flute, Clarinet, Piano (trio)
11
Tenor Saxophone
11
2 Clarinets, Piano
10
2 Saxophones, Piano
10
Flute, Oboe, Piano (trio)
9
Saxophone, Clarinet (duet)
9
Recorder
9
Oboe
9
Oboe, Clarinet (duet)
8
2 Oboes, Piano
8
Clarinet, Trumpet (duet)
8
Bass Clarinet, Piano
7
Flute, Oboe (duet)
6
Baritone Saxophone
6
Flute, trombone and piano
6
Flute, Cello, Piano (trio)
6
Oboe, Bassoon (duet)
6
Flute, Viola (duet)
6
Flute, Violin
6
Clarinet and Viola
6
Soprano Saxophone
5
2 Recorders, Piano
5
3 Clarinets (trio)
5
Flute, Saxophone (duet)
5
Clarinet, Cello, Piano (trio)
5
5 Recorders
4
2 Recorders (duet)
4
Tenor Recorder
4
Recorder Quartet
4
Treble (Alto) Recorder
4
English horn, Piano
4
Flute, Trumpet (duet)
4
Flute Trio: 3 flutes
4
Flute and Guitar
4
Flute, Viola and Piano
3
Clarinet Quintet: 5 clarinets
3
Oboe, Violin (duet)
3
Flute, Violin, Piano
3
Oboe, Flute
3
Flute, Violin and Violoncello
2
Harmonica
2
Saxophone and Organ
2
Saxophone and Guitar
1
Flute, Oboe, Clarinet (trio)
1
Flute, Violin, Guitar
1
Flute, Bassoon, and Piano
1
Oboe, Clarinet and Piano (Trio)
1
Flute, Clarinet, Violin (trio)
1
Clarinet, trumpet and piano
1
Clarinet, Harp (duet)
1
Piccolo
1
Clarinet, Guitar (duet)
1
3 Recorders (trio)
1
Treble (Alto) Recorder, Piano
1
+ 82 instrumentations
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Woodbrass
Trombone (band part)
125
Brass Quintet: 2 trumpets, horn, trombone, tuba
85
Trumpet (band part)
79
Brass quartet : 2 trumpets, trombone, tuba
63
Trombone and Piano
56
Trumpet, Piano
48
French Horn and Piano
36
Tuba (band part)
30
French horn (band part)
28
Tuba and Piano
27
Trumpet
27
Brass Quartet: 2 trumpets, horn, trombone
25
Trombone ensemble
22
Trombone
22
Euphonium, Piano (duet)
22
2 Trumpets (duet)
19
2 Trombones (duet)
16
French horn
14
Tuba
12
2 French horns (duet)
11
Trumpet ensemble
10
Trumpet, Saxophone (duet)
9
2 Trumpets, Keyboard (piano or organ)
7
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6
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5
Trumpet, Cello, Piano
5
2 Tubas (duet)
4
English horn, Piano
4
2 French horns, Piano
3
3 Trumpets (trio)
3
2 Euphoniums and 2 Tubas
3
Brass Quartet: 4 horns
2
Brass Quartet: 4 trumpets
2
2 Euphoniums (duet)
1
Euphonium
1
Brass Quartet
1
Bass Trombone
1
Brass Quartet: 2 trumpets, 2 trombones
1
Bass Trombone and Piano
1
+ 34 instrumentations
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Strings
String Quartet: 2 violins, viola, cello
118
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98
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68
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56
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50
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37
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37
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35
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34
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22
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20
Cello
19
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Harp
16
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15
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14
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11
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11
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10
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9
Double Bass
9
Viola (band part)
9
String Quintet: 2 violins, viola, cello, bass
9
4 Cellos
6
String Trio: 2 violins, cello
6
String Trio: 3 violins
6
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5
2 Violins, Piano
5
Violin, Clarinet, Piano (trio)
4
Harp and Piano
3
String quartet: 4 violins
3
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3
2 Violas, Piano
2
2 Cellos, Piano
2
Cello, Guitar (duet)
2
2 Double basses (duet)
1
String Quintet: 2 violins, viola, 2 cellos
1
Harp, Flute (duet)
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1
Cello, Orchestra
1
String Quartet : 4 violas
1
Cello, Organ
1
Viola, Guitar (duet)
1
Viola, Cello (duet)
1
String Trio: 2 violins, viola
1
Violin, Bassoon (duet)
1
+ 42 instrumentations
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Retract
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908
Jazz Ensemble
124
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114
String Orchestra
107
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35
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26
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22
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15
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9
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5
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2
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2
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2
Piano and Orchestra
1
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Red Rag
Saxophone and Organ
Sheetmusic to print
2 sheet music found
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1
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
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Saxophone and Organ
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ADVANCED
#
Contemporary
#
Judith Cloud
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What Would Nina Simone Say? Fo
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Judith Cloud
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and...
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00
David Hurd: Sonata for Alto Saxophone and Organ
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Saxophone and Organ
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ADVANCED
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David Hurd
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David Hurd: Sonata for Alto Sa
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 5 - Digital Download SKU: A0.534347 Composed by David Hurd. Concert,Contemporary,Standar...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 5 - Digital Download SKU: A0.534347 Composed by David Hurd. Concert,Contemporary,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3364727. Published by Musik Fabrik Music Publishing (A0.534347). In three movements: 1. Fantasia 2. Aria 3. FugueDavid Hurd was born in Brooklyn, New York, on 27 January 1950. Prior to his under-graduate studies at Oberlin College, he attended both the High School of Music and Art and the Juilliard School. Upon graduation from Oberlin in 1971 (Mus.B.), he was appointed Assistant Organist of Trinity Parish in lower Manhattan where he served under the direction of Larry King. He was appointed to the faculty of Duke University in 1972 concurrent with graduate studies at the University of North Carolina, Chapel Hill. In 1973 he returned to New York as Organist and Music Director at the Chapel of the Intercession, a position he retained until 1978 when he was named Composer in Residence for a season. In 1976 he was appointed to the faculty of The General Theological Seminary in New York City where he is presently Professor of Church Music and Organist. In addition, has served as Director of Music at All Saints Church, New York City, from 1985 to 1997 and is currently Director of Music at The Church of the Holy Apostles. In 1977 he was awarded first prizes both in organ playing and in improvisation at the International Congress of Organists. He has concertized throughout North America since that time under the representation of Phillip Truckenbrod. He has performed both at National and Regional Conventions of the American Guild of Organists. In 1981 he was invited to perform at the Internationaal Orgelfestival Haarlem, meeting in Gouda, the Netherlands, during which he received the diploma for improvisation of the Stichting Internationaal Orgelconcours. His principal organ teachers were Bronson Ragan, Garth Peacock, and Arthur Poister. In 2009, Dr. Hurd was named the 15th Distinguished Composer of the American Organ Guild. Other composers who have received this award include Virgil Thomson, Ned Rorem, Daniel Pinkham, Conrad Susa, William Bolcom and Dominick Argento. Dr. Hurd will be honored at a special concert during the 2010 AGO convention which will feature a newly commissioned work. He has received many commissions for choral, organ, and instrumental works, and has composed much liturgical music. Among his published works are organ pieces, choral works and many original hymn settings. His liturgical compositions and arrangements are also found in several major hymnals. He served on the Standing Commission on Church Music of the Episcopal Church from 1976 to 1985. He has been a visiting lecturer at the Yale Institute of Sacred Music and a visiting professor at the Yale School of Music. In 1987 he was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received two honorary degrees; the Doctor of Sacred Music from The Church Divinity School of the Pacific, Berkeley, California, and the Doctor of Humane Letters from Seabury-Western Theological Seminary, Evanston, Illinois.
$25.95
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