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Take That
Not classified
1,587
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926
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305
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304
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165
C Instruments
101
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63
Piano Accompaniment
41
1 Piano, 4 hands
28
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17
2 Pianos, 4 hands
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5
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+ 16 instrumentations
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1
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1
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1
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1
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Retract
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162
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98
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67
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57
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55
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49
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46
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44
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42
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39
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38
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35
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32
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29
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27
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+ 48 instrumentations
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257
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18
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17
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12
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10
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7
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7
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6
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4
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4
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4
String Quintet: 2 violins, viola, 2 cellos
4
String quartet: 4 violins
3
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2
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2
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2
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1
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1
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4 Double Basses
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1
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Take That
Alto voice, Piano
Sheetmusic to print
6 sheet music found
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1
My Big Mistake (Now That I Found You)
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Alto voice, Piano
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Jazz
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Rose Hysten Godfrey
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My Big Mistake
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Rose Hysten Godfrey
#
SheetMusicPlus
Alto Voice,Vocal Solo - Digital Download SKU: A0.1016940 Composed by Rose Hysten Godfrey. Jazz. 8 pages. Rose Hysten Godfrey #5990881. Published by Rose ...
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Alto Voice,Vocal Solo - Digital Download SKU: A0.1016940 Composed by Rose Hysten Godfrey. Jazz. 8 pages. Rose Hysten Godfrey #5990881. Published by Rose Hysten Godfrey (A0.1016940).
$4.99
Nature's Dream
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Alto voice, Piano
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EASY
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Bill Taylor and Jaye Alison Mo
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Nature's Dream
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William R Taylor
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1022081 Composed by Bill Taylor and Jaye Alison Moscariello, lyrics and Bill Taylor music. Con...
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Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1022081 Composed by Bill Taylor and Jaye Alison Moscariello, lyrics and Bill Taylor music. Contemporary,Jazz,Sacred. 7 pages. William R Taylor #6475263. Published by William R Taylor (A0.1022081). Nature’s Dream (©2012) – Piano, Vocal, Flute, Soprano Sax, Upright Bass. The first several bars came to me in a 2011 vivid dream in which Paul McCandless was playing soaring soprano sax melodies and Jaye Alison Moscariello was singing lyrics I did not remember from the dream. It was originally in D with some Dad-related chord progressions. This version is in A to better fit the alto voice. After writing 3 verses of rather convoluted lyrics about healing the planet, Jaye helped pare it down to one powerful verse that could be a world anthem. George and Paul play solos during the instrumental break. We think this would make a great national, or international, anthem. This is our planet, the one that we all share Let us remember that all life breathes the air Our world is sacred, its future in our trust And it continues after bodies turn to dust Shall we continue to think we own the beasts? Or know the truth that all of us share the feast? Grow for each other and for the creatures too Plant life and fungi nourish the whole zoo Lessons we’ve learned from species that have passed Transform our ways or we may not last Take time to learn what ancestors teach us Honor the spirit residing in that which feeds us Act for the future of seven generations And together we can share in this dance of life Act for the future of seven generations Act for the welfare of seven generations
$3.99
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Alto voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Pe...
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
To be Called Children of God (piano/alto)
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Alto voice, Piano
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Melody Mills
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Jon Burr
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To be Called Children of God
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Melody Mills
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SheetMusicPlus
Alto Voice,Vocal Solo - Digital Download SKU: A0.993101 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 7 pages. Melody Mills...
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Alto Voice,Vocal Solo - Digital Download SKU: A0.993101 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 7 pages. Melody Mills #3686947. Published by Melody Mills (A0.993101). Sacred solo for church service. Inspired by I John 3:1 and Isaiah 66:13. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Take a moment to consideran incredible love we hardly can grasp:God, our Father, clearly loves us,To have named us as heirs to all that will last;Think of it! Born of Love!Ponder it! Heirs of Life!Sons and daughters of all Truth!This is the greatest love that could be given you:to be called children of God;to be known as God's own.To be called children of God!
$4.27
All Good Gifts
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Alto voice, Piano
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INTERMEDIATE/ADVANCED
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Broadway
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Stephen Schwartz
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W
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All Good Gifts
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Diamond S Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790033 By Stephen Schwartz. By Stephen Schwartz. Arranged by W. Brent Sawyer. Broadway. 9 page...
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790033 By Stephen Schwartz. By Stephen Schwartz. Arranged by W. Brent Sawyer. Broadway. 9 pages. Diamond S Music #3553685. Published by Diamond S Music (A0.790033). ALL GOOD GIFTS from the musical GODSPELL. VOCAL SOLO in the KEY OF G (for Alto Voice) with piano accompaniment. This is a pop contemporary arrangement of the song from the beloved popular 1970s musical. The arrangement is similar in style to the original with a more modern take to it. The hymn is predominantly used as a hymn to give thanks to God for the harvest and it has also been used in the United States as a hymn for Thanksgiving. In 1862 in England, Jane Montgomery Campbell translated the original German poem by Matthias Clauduis into English. She translated Wir pflÑŒgen und wir streuen into English as We Plough the Fields and Scatter. The hymn was later published in Charles Bere's Garland of Songs and Children's Chorale Book. And Stephen Schwartz used these lyrics for his setting that was used in GODSPELL. GODSPELL was made into a motion picture in 1973 and has had several revivals in NYC and around the world, the most recent Broadway revival was in 2011. This arrangement is available in the KEY of A (for Mezzo Soprano or Bass Voice), KEY of C (for Soprano or Baritone), KEY of D (for Tenor Voice), KEY of G (for Alto Voice). Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
To Marie (alto and guitar)
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Alto voice, Piano
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INTERMEDIATE
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David Warin Solomons
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To Marie
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1096313 Composed by David Warin Solomons. 20th Century,Chamber,Classical,Singer/Songwriter. 4 ...
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1096313 Composed by David Warin Solomons. 20th Century,Chamber,Classical,Singer/Songwriter. 4 pages. David Warin Solomons #700277. Published by David Warin Solomons (A0.1096313). This manuscript is the origin of the flute and guitar piece To Marie ( https://www.sheetmusicplus.com/title/19984390?aff_id=175705 ). It has not been notated on computer, and not yet recorded, but I present it here just for interest. As you can see, it takes advantage of the many puns available on the French phrase for weeping willow. It is addressed to the poet Marie Keyser. The references to Chatterton, Enderby and Buddenbrooks relate to Marie's studies in German literature, in particular Chatterton's suicide. To Marie Sad soul, why don't you weep in company? Saule pleureur, seule pleureuse Why luxuriate in your nomadic liturgy? Saoule pluvieuse, seule pleureuse. The others do not seek to understand The power that holds you ever banned Sales pleurs de sel pluvieux A unicorn has carried off your innocence Saule pleureur, seule pleureuse But no ambition comes to conquer indigence Saoule pluvieuse, seule pleureuse. So on you wander, homeless poetess, Begging shelter for your misconstrued distress Sales pleurs de sel pluvieux. Hold down a job, my girl, hold down a job from nine to five. Souple leurre s'il le peut To keep you happy, settled and alive Saule pleureur For this short time - day in day out Forget you do not know what life's about Sales pleurs de ciel plus vieux. And then, when evening comes, too tired Saule pleureur, seule pleureuse. Your sad old inspiration all expired Saoule pluvieuse, seule pleureuse. You will cease to understand the power that held you forever banned. Souple leurre s'il le peut. No, in the name of Chatterton and Enderby! For who could wilful poetry's defender be? Long live poor Buddenbrooks and poor Marie With mind or body hopelessly at sea. Saules pleureurs, seuls plus vieux.
$7.00
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