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CLARINET
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DJ GEAR
DRUM
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ENGLISH HORN
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FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
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MUSIC COURSE
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ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
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4 Works
Not classified
1,778
Piano & keyboards
Piano solo
1,023
Organ
295
Piano, Voice
124
Piano, Vocal and Guitar
105
Easy Piano
81
1 Piano, 4 hands
71
2 Pianos, 4 hands
52
C Instruments
47
Piano Quartet: piano, violin, viola, cello
18
Piano Trio: piano, violin, cello
17
Piano Quintet: piano, 2 violins, viola, cello
6
Organ, Piano (duet)
4
Harpsichord
3
Accordion
3
Piano Quartet: piano, 2 violins, cello
2
Piano Accompaniment
2
Organ, Trumpet (duet)
2
2 Pianos, 8 hands
1
+ 13 instrumentations
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Retract
Guitars
Guitar
120
Guitar notes and tablatures
47
Piano, Guitar (duet)
46
2 Guitars (duet)
31
Melody line, (Lyrics) and Chords
22
4 Guitars (Quartet)
18
Ukulele
6
Guitar Ensemble
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Dulcimer
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3 Guitars (trio)
3
Bass guitar
2
Guitar, Violin, Cello (trio)
2
Banjo
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Guitar (band part)
1
2 Ukuleles
1
Ukulele Ensemble
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+ 11 instrumentations
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Retract
Voice
Choral SATB
305
Choral 3-part
79
Choral TTBB
76
Choral Unison
42
Choral 2-part
28
Choral SSAA
27
Baritone voice, Piano
17
Soprano voice, Piano
12
Low voice, Piano
6
Alto voice, Piano
6
Vocal duet, Piano
6
High voice
6
Medium voice, Piano
5
Vocal duet
5
Tenor voice, Piano
3
Soprano voice
2
Tenor voice
1
Low voice
1
Choral SSAB, Piano
1
Voice solo
1
Choral SSAATTBB
1
Mezzo-Soprano voice, Piano
1
Voice, Guitar
1
Soli, Mixted choir and accompaniment
1
+ 19 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
406
Clarinet Quartet: 4 clarinets
342
Flute and Piano
175
Flute Quartet: 4 flutes
167
Clarinet and Piano
159
Oboe, Piano (duet)
143
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
134
Alto Saxophone and Piano
123
Tenor Saxophone and Piano
107
2 Saxophones (duet)
83
Flute, Oboe, Clarinet, Bassoon
71
2 Flutes (duet)
60
Soprano Saxophone and Piano
56
Flute
48
Clarinet
44
Clarinet Ensemble
40
Clarinet Quintet: 5 clarinets
38
Saxophone Quintet: 5 Saxophones
38
2 Clarinets (duet)
37
Alto Saxophone
35
Baritone Saxophone, Piano
35
Saxophone (band part)
33
3 Saxophones (trio)
28
4 Oboes
23
Tenor Saxophone
22
Oboe (band part)
21
2 Oboes (duet)
20
Bass Clarinet, Piano
18
English horn, Piano
18
Flute ensemble
18
Oboe, Bassoon (duet)
17
Saxophone ensemble
16
Clarinet, Bassoon (duet)
13
Flute, Violin
13
Flute, Clarinet (duet)
13
Flute, Violoncello
13
Recorder Quartet
12
Flute Trio: 3 flutes
12
Flute, Oboe (duet)
11
Flute and Guitar
11
2 Recorders (duet)
11
Flute, Saxophone (duet)
10
Clarinet, Violin (duet)
10
Clarinet, Guitar (duet)
9
Flute, Trumpet (duet)
9
Clarinet, Cello (duet)
8
Clarinet (band part)
8
Flute, Viola (duet)
8
3 Clarinets (trio)
8
Oboe, Clarinet (duet)
7
Oboe, Cello
6
Flute, Clarinet and Bassoon.
6
Saxophone, Clarinet (duet)
5
Flute, Tuba (duet)
5
Flute, Trombone (duet)
5
Clarinet, Trumpet (duet)
4
Saxophone, Violin (duet)
4
Flute Quintet : 5 flutes
4
Flute, Cello, Piano (trio)
4
Flute (band part)
4
Flute, Violin, Piano
4
Flute, Oboe, Bassoon
3
Oboe, Flute
3
Oboe, Violin (duet)
3
Clarinet and Viola
3
Piccolo, Piano
3
Oboe, Clarinet, Bassoon (trio)
3
Flute, Oboe, Piano (trio)
2
Flute, Violin, Violoncello and Piano
2
2 Saxophones, Piano
2
Oboe
2
Recorder
2
Flute, Oboe, Clarinet (trio)
2
Flute, Violin and Violoncello
2
Clarinet, Double bass (duet)
2
5 Recorders
2
3 Recorders (trio)
2
Descant (Soprano) Recorder
2
Clarinet, Trombone (duet)
1
Flute, Basso continuo
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
3 Oboes
1
Eb Instruments
1
Clarinet, Harp (duet)
1
Treble (Alto) Recorder, Piano
1
2 Clarinets, Piano
1
Oboe ensemble
1
2 Flutes, Piano
1
Recorder, Guitar (duet)
1
Descent (Soprano) Recorder, Piano
1
2 Clarinets, Bassoon
1
2 English horns and Pianoforte
1
Recorder Ensemble
1
Tenor Recorder
1
Piccolo
1
English Horn
1
Treble (Alto) Recorder
1
+ 92 instrumentations
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Retract
Woodbrass
Trombone and Piano
130
Brass Quintet: 2 trumpets, horn, trombone, tuba
129
Brass Quartet: 4 trombones
108
Trumpet, Piano
86
Trumpet
79
Brass quartet : 2 trumpets, trombone, tuba
66
French Horn and Piano
54
Brass Quartet: 4 horns
46
Euphonium, Piano (duet)
36
4 Tubas
35
Brass Quartet: 2 trumpets, horn, trombone
32
Tuba and Piano
29
Brass Quartet: 4 trumpets
29
2 French horns (duet)
27
2 Trombones (duet)
25
Trumpet (band part)
21
English horn, Piano
18
2 Trumpets (duet)
18
Trombone
17
Brass Quartet
16
Trombone ensemble
15
Trumpet ensemble
15
French horn
14
Trombone (band part)
14
Trumpet, Trombone (duet)
12
Tuba
10
Trumpet, Saxophone (duet)
9
Trumpet, Cello (duet)
9
3 Trombones (trio)
8
Trumpet, violin (duet)
7
Euphonium, Tuba (duet)
6
2 Tubas (duet)
5
3 French horns (trio)
5
Brass Trio
5
Euphonium
5
2 Euphoniums and 2 Tubas
4
3 Trumpets (trio)
4
Horn Ensemble
4
Horn, Cello (duet)
4
Trombone, Tuba (duet)
3
2 Euphoniums (duet)
3
Bass Trombone
2
Trumpet, Horn (duert)
2
French horn (band part)
2
Horn, Tuba (duet)
2
Horn and Organ
1
Tuba ensemble
1
Bass Trombone and Piano
1
Bass Clef Instruments
1
F Instruments
1
Bb Instruments
1
2 English horns and Pianoforte
1
English Horn
1
+ 48 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
336
Violin and Piano
170
Cello, Piano
155
Viola, Piano
139
Violin
57
Violin, Cello (duet)
55
4 Cellos
53
Cello
52
2 Violins (duet)
50
String Trio: violin, viola, cello
45
String quartet: 4 violins
37
String Quartet : 4 violas
37
Violin, Viola (duet)
36
Viola
34
2 Violas (duet)
26
2 Cellos (duet)
26
Harp
20
Double bass, Piano (duet)
18
4 Double Basses
18
Cello, String Bass (duet)
16
String Trio: 3 violins
14
Viola, Cello (duet)
12
Violin, Guitar (duet)
11
Cello, Guitar (duet)
11
Viola (band part)
11
Viola, Guitar (duet)
10
Double Bass
8
String Trio: 2 violins, viola
6
String Trio: 3 cellos
5
2 Double basses (duet)
5
String Quintet: 2 violins, viola, cello, bass
5
String Trio: 2 violins, cello
5
String Trio: 3 violas
4
Flute, Doublebass (duet)
4
Violin (band part)
4
Harp, Flute (duet)
3
String trio
2
4 Harps
2
Cello (band part)
2
Cello, Orchestra
2
3 double basses
2
Doublebass (band part)
2
String Quintet: 2 violins, 2 violas, cello
1
Harp and mandolin
1
Harp, Violin (duet)
1
Piano Trio: Violin, Viola, Piano
1
Viola ensemble
1
Viola and Bassoon
1
Cello Ensemble
1
Violin ensemble
1
Violoncello, Basso continuo
1
+ 46 instrumentations
-
Retract
Orchestra & Percussion
Concert band
247
String Orchestra
158
Brass ensemble
119
Orchestra
89
Chamber Orchestra
72
Jazz Ensemble
56
Jazz combo
26
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21
Percussion Ensemble
15
Marching band
7
Vibraphone
5
Drums
4
Marimba
4
3 Marimbas
2
Orchestra, Violin
1
2 Marimbas
1
Xylophone, Piano
1
Drum (band part)
1
Percussion (band part)
1
Piano and Orchestra
1
Timpani (band part)
1
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Retract
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4 Works
String Trio: violin, viola, cello
Sheetmusic to print
45 sheet music found
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1
26
Overture (Music for the Royal Fireworks)
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String Trio: violin, viola, cello
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Georg Frideric Haendel
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Josef STASTNY
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Overture
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Josef STASTNY
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SheetMusicPlus
Composed by Georg Frideric Haendel. Arranged by Josef STASTNY. Baroque Period, Repertoire, Classroom, Anniversary, Wedding. Score, Set of Parts. 4 pages. Publi...
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Composed by Georg Frideric Haendel. Arranged by Josef STASTNY. Baroque Period, Repertoire, Classroom, Anniversary, Wedding. Score, Set of Parts. 4 pages. Published by Josef STASTNY (S0.226935). - Score,Set of Parts - Baroque Period,Repertoire,Classroom,Anniversary,Wedding - Josef STASTNY
$9.99
La Réjouissance (Music for the Royal Fireworks)
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String Trio: violin, viola, cello
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Classical
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Sacred music
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George Frideric Handel
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Josef STASTNY
#
La Réjouissance
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Josef STASTNY
#
SheetMusicPlus
Composed by George Frideric Handel (1685-1759). Arranged by Josef STASTNY. Baroque Period, Repertoire, Anniversary, Birthday, Wedding. Score, Set of Parts. 4 p...
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Composed by George Frideric Handel (1685-1759). Arranged by Josef STASTNY. Baroque Period, Repertoire, Anniversary, Birthday, Wedding. Score, Set of Parts. 4 pages. Published by Josef STASTNY (S0.256317). - Score,Set of Parts - Baroque Period,Repertoire,Anniversary,Birthday,Wedding - Josef STASTNY
$4.99
String Trio No. 4 in E major
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String Trio: violin, viola, cello
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INTERMEDIATE
#
Classical
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
March (from "The Nutcracker Suite") (F) (String Octet - 3 Violins, 1 Viola, 4 Cellos)
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
#
Classical
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
March
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.813884 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christma...
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String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.813884 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 43 pages. Regis Bookshar #6612683. Published by Regis Bookshar (A0.813884). String Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (43 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video. The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere. Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a String Octet, consisting of 3 Violins, 1 Viola and 4 Violoncellos, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$32.00
Trio Sonata No.4 in E minor, BWV 528
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
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Classical
#
Johann Sebastian Bach
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Inacio Saldanha
#
Trio Sonata No.4 in E minor, B
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Inacio Saldanha
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.798113 Composed by Johann Sebastian Bach. Arranged by Inacio Saldanha...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.798113 Composed by Johann Sebastian Bach. Arranged by Inacio Saldanha. Baroque,Concert,Graduation,Standards,World. Score and parts. 37 pages. Inacio Saldanha #5289517. Published by Inacio Saldanha (A0.798113). The organ sonatas, BWV 525–530 by Johann Sebastian Bach are a collection of six sonatas in trio sonata form. Each of the sonatas has three movements, with three independent parts in the two manuals and obbligato pedal. The collection was put together in Leipzig in the late 1720s and contained reworkings of prior compositions by Bach from earlier cantatas, organ works and chamber music as well as some newly composed movements. The sixth sonata, BWV 530, is the only one for which all three movements were specially composed for the collection. When played on an organ, the second manual part is often played an octave lower on the keyboard with appropriate registration. Commentators have suggested that the collection might partly have been intended for private study to perfect organ technique, some pointing out that its compass allows it to be played on a pedal clavichord. The collection of sonatas is generally regarded as one of Bach's masterpieces for organ. The sonatas are also considered to be amongst his most difficult compositions for the instrument.Arranged for String Trio. Keys of E minor (1st and 3rd moviments) and B minor (2nd moviment). Advanced intermediate.
$12.99
Beethoven: Bagatelle Op. 33 No. 4 for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1203853 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. G...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1203853 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 8 pages. Jmsgu3 #802416. Published by jmsgu3 (A0.1203853). Score and performance parts:  Score: 4 pages. Duration: ca. 2:35 minutes.Contents: AndanteBeethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.
$24.95
Pepusch, J. - Sonata in F (Mvt. 4) for Violin Viola and Cello
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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J
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Linda M
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Pepusch, J. - Sonata in F
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Linda M Scott
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.540513 Composed by J. Pepusch. Arranged by Linda M. Scott. Baroque. S...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.540513 Composed by J. Pepusch. Arranged by Linda M. Scott. Baroque. Score and parts. 5 pages. Linda M Scott #4293549. Published by Linda M Scott (A0.540513). Johann Pepusch (1667 – 1752), was a German composer who spent most of his working life in England, where for a time he worked with George Frideric Handel. Although Pepusch is now best known for his arrangement of the music for The Beggar's Opera, he composed many other works including stage and church music as well as concertos and continuo sonatas such as this work. This fun, easy piece for a trio of violin, viola and cello is accessible for the advanced beginning ensemble, and all other subsequent chamber group levels.
$5.99
Baroque Wedding Music for String Trio, vol. 2
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String Trio: violin, viola, cello
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ADVANCED
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Nicholas Palmer
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The contents are:
1
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Baroque Wedding Music for Stri
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Nicholas D Palmer
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.782834 Arranged by Nicholas Palmer. Concert,Standards,Wedding. Score ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.782834 Arranged by Nicholas Palmer. Concert,Standards,Wedding. Score and parts. 75 pages. Nicholas D Palmer #6130093. Published by Nicholas D Palmer (A0.782834). This second volume contains works from the Baroque era suitable for weddings and other occasions, that are less likely to be in standard collections, with a couple of exceptions. The contents are:1. Wachet auf, ruft uns die Stimme (J.S. Bach)2. Liebster Jesu, wir sind hier (J.S. Bach) - this is a beautiful organ chorale prelude that translated well into a trio.3. Pastorale (J.S. Bach) - An arrangement of a particularly lovely movement of the organ piece Pastorale in F).4. Bouree (G.F. Handel) - a lively piece from Watermusic.5. The Peace (G.F. Handel) - a lovely movement from the Fireworks suite.6. Concerto in G for Violin (Antonio Vivaldi) - a flashy violin part across three movements makes for a festive set.7. Fughetta (Dietrich Buxtehude) - originally for organ, a lively gigue fugue.8. Trio (Francois Dandrieu) - a disciplined, lively imitative piece from the organ repertoire of this French master.9. Aria in F (Henry Purcell) - a short, vigorous piece by this early English Baroque composer.10. Saraband with Division (Henry Purcell) - a slower piece, reminiscent of Byrd's Pavan, that can be paired with #9.
$20.00
BACH: Trio Sonata No. 1 BWV 525 for Violin Duo & Cello
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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cello
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BACH: Trio Sonata No. 1 BWV 52
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.552648 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,...
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.552648 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 35 pages. Jmsgu3 #6491581. Published by jmsgu3 (A0.552648). Sonata No. 1 BWV 525, originally for organ, arranged for violin duo & cello.Duration: 14:15, Score: 19 pages In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
BACH: Trio Sonata No. 2 BWV 526 for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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cello
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BACH: Trio Sonata No. 2 BWV 52
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.552653 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,...
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.552653 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 59 pages. Jmsgu3 #6494883. Published by jmsgu3 (A0.552653). Trio Sonata No. 2 BWV 526, originally for organ, arranged for string trio: violin, viola & cello. Duration: ca. 10:00, Score: 35 pages. J.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
Bach: Wachet auf for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for String Tr
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,C...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
String Trio No. 3 in A major
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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String Trio: violin, viola, cello
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Classical
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Ed...
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String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Mozart: Sonata K. 331 “Alla Turca” for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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James M
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Mozart: Sonata K. 331 “Alla
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jmsgu3
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1212300 Composed by Wolfgang Amadeus Mozart (1756 – 1791). Arranged by James M...
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1212300 Composed by Wolfgang Amadeus Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Standards,Wedding. 53 pages. Jmsgu3 #809797. Published by jmsgu3 (A0.1212300). Duration: ca. 24:20Mozart's Sonata K. 331, is a significant piece in music history. Composed between 1781 and 1783, the sonata is known for its third movement, the Alla Turca, which has become one of Mozart's most famous works. The sonata is also notable for its use of variations in the first movement, a technique that Mozart would later use in his famous Twinkle, Twinkle, Little Star variations. The sonata's influence can be seen in the works of later composers, such as Beethoven and Chopin, who were inspired by Mozart's use of form and structure. Mozart's K. 331 remains a beloved and important piece in the classical music canon, showcasing the composer's genius and innovation.
$36.95
Mozart: Sonata K. 284 “Durnitz” for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
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Classical
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W
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James M
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Mozart: Sonata K. 284 “Durni
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1201012 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ...
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1201012 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Standards,Wedding. 70 pages. Jmsgu3 #798993. Published by jmsgu3 (A0.1201012). Sonata No. 6, “Durnitz†for String TrioScore and performance parts:  Score: 32 pages. Duration: ca. 28:54Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece that was composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious piano sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.There is no concrete evidence to support the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$42.95
Bull: Gloria tibi trinitas for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
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Dr
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James M
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Bull: Gloria tibi trinitas for
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Re...
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Religious,Renaissance,Wedding. 12 pages. Jmsgu3 #875746. Published by jmsgu3 (A0.1284572). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Beethoven: Seven Bagatelles Op. 33 Complete for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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James M
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Beethoven: Seven Bagatelles Op
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1205174 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. G...
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1205174 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 72 pages. Jmsgu3 #803356. Published by jmsgu3 (A0.1205174). Duration: ca. 20:00 minutes.1.    Andante grazioso, quasi allegretto.2.    Scherzo: Allegro.3.    Allegretto.4.    Andante.5.    Allegro ma non troppo.6.    Allegretto quasi andante.7.    Presto.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.
$87.95
Bobbing for Apples
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String Trio: violin, viola, cello
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EASY
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Miriam Troxler
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Bobbing for Apples
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Miriam Troxler
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1294203 Composed by Miriam Troxler. Chamber,Children,Instructional. 2 pages. Miriam T...
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1294203 Composed by Miriam Troxler. Chamber,Children,Instructional. 2 pages. Miriam Troxler #884628. Published by Miriam Troxler (A0.1294203). Bobbing for Apples is an A flat major round in 4/4 time. One section works on staccato octaves and another legato playing. Â The violin and the viola parts double for smaller ensembles. An optional piano part is included for rehearsal convenience.
$3.99
Butterfly's Day Out (double bass part - mandolin/misc. instr., cel, bs)
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String Trio: violin, viola, cello
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ADVANCED
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Mark O'Connor
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Butterfly's Day Out
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861880 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pa...
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861880 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6205027. Published by Mark O'Connor Musik International (A0.861880). Butterfly’s Day Out (double bass part – mandolin/misc instr., cel, bs) MO110DDouble Bass Part (score and parts available)Music by Mark O’Connor4 pages - 4:45 minutes in length Butterfly’s Day Out for mandolin/misc. instr., cello and doublebass by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO110DCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Butterfly's Day Out (mandolin part - mandolin/misc. instr., vla, cel)
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String Trio: violin, viola, cello
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ADVANCED
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Mark O'Connor
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Butterfly's Day Out
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861879 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pag...
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861879 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6205029. Published by Mark O'Connor Musik International (A0.861879). Butterfly’s Day Out (score – mandolin/misc instr., vla, cel) MO111AMandolin Part (score - cel/bs, parts available)Music by Mark O’Connor4 pages - 4:45 minutes in length Butterfly’s Day Out adapted for mandolin/misc. instr., viola and cello by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO111ACopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
String Trio No.1 in E flat major
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No.1 in E flat maj
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Canon K508
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String Trio: violin, viola, cello
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EASY
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Classical
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Wolfgang Amadeus Mozart
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André Nusa
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Canon K508
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Andre_Nusa
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1421735 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Class...
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1421735 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical. 4 pages. Andre_Nusa #1003081. Published by Andre_Nusa (A0.1421735). Indulge in the timeless elegance of Mozart's Canon K508 with this exquisite arrangement for violin, viola and cello. Crafted for intermediate players, this rendition captures the essence of Mozart's genius while offering an engaging challenge for advancing musicians. Immerse yourself in the intricate counterpoint and lush harmonies of this beloved composition, perfect for ensemble performances and chamber music settings. Whether you're refining your skills or exploring Mozart's masterful works, this arrangement promises a rewarding musical experience for all.
$2.99
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