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String Trio: violin, viola, cello
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7 sheet music found
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1
What Child is This for String Trio
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String Trio: violin, viola, cello
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EASY
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Traditional
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James M
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What Child is This for String
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1324430 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Chri...
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1324430 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Religious,Traditional. 6 pages. Jmsgu3 #912628. Published by jmsgu3 (A0.1324430). Greensleeves is a traditional English folk song that has several interesting facts associated with it:Origin: The song's origin is uncertain, and there is no consensus on who composed it. It has been attributed to Henry VIII, the King of England, but this association is considered erroneous, and the song is more likely to be Elizabethan in origin.Christmas Carol: The tune of Greensleeves is used for the classic Christmas carol What Child Is This?Lyrics: The song's lyrics are about a painful romantic problem and include what some historians view as subtly salacious content. The lyrics deal with a spurned lover accusing Lady Greensleeves of casting him off discourteously despite his love for her. The song's scandalous twist is hidden in its title, and its exact meaning has been debated for centuries.Cultural References: The tune was used as the slow march of the London Trained Bands in the 16th and 17th centuries. It was adopted as the quick march of the 7th (City of London) Battalion London Regiment during World War I. Additionally, the tune has been referenced in literature, such as in Shakespeare's The Merry Wives of Windsor.Popularity: In some parts of the world, the Greensleeves tune is famous as a standard chime for ice cream vans.These facts make Greensleeves a fascinating and culturally significant piece of music with a rich history and diverse interpretations.
$24.95
Fughette Op.44 N.8 for Cello Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Max Reger
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Cristiano Vecchi
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Cello, Violin &
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Fughette Op.44 N.8 for Cello T
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Cristiano Vecchi
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.963567 Composed by Max Reger. Arranged by Cristiano Vecchi. Concert,Contemporary,Instruc...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.963567 Composed by Max Reger. Arranged by Cristiano Vecchi. Concert,Contemporary,Instructional,Romantic Period,Standards. Score and parts. 9 pages. Cristiano Vecchi #6521359. Published by Cristiano Vecchi (A0.963567). This precious fughette, composed 1899 by Max Reger, combines Bachian reminiscences in the subject with a more liberty sensibility, with nuances and humoral modulations that make it fascinating to listen to.Version for Cello Trio, transposed a fifth below respect to the original in A minor. Extra parts included to replace first Cello by Violin or Viola, second Cello by Viola.Other possible combinations are: 2 Violas & Cello, Violin & Viola & Cello, Viola & 2 Cellos, Violin & 2 Cellos.Also available for String Trio (Violin, Viola, Cello) in the original key of A minor on this website.Duration: 1'59. MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
$4.99
Fughette Op.44 N.8 for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Max Reger
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Cristiano Vecchi
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Fughette Op.44 N.8 for String
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Cristiano Vecchi
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.963555 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Cent...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.963555 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Children,Concert,Romantic Period,Standards. Score and parts. 8 pages. Cristiano Vecchi #6266889. Published by Cristiano Vecchi (A0.963555). This precious Fughette, composed 1899 by Max Reger, combines Bachian reminiscences in the subject with a more liberty sensibility, nuances and humoral modulations that make it fascinating to listen to. Version for Vl Vla Vlc. Extra parts included to replace Violin by Viola, Viola by Violin. Also playable by Vla Vla Vc or Vl Vl Vc. Duration: 1'57. SCORE and PARTS. Mp3 also available on this website. My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
$3.99
Bach: Wachet auf for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for String Tr
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,C...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
Fughette Op.44 N.8 for Cello Trio (MP3)
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String Trio: violin, viola, cello
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Max Reger
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Cristiano Vecchi
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Fughette Op.44 N.8 for Cello T
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Cristiano Vecchi
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SheetMusicPlus
Cello - Digital Download SKU: A0.1066505 Composed by Max Reger. Arranged by Cristiano Vecchi. Contemporary,Instructional,Romantic Period,Standards. Full ...
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Cello - Digital Download SKU: A0.1066505 Composed by Max Reger. Arranged by Cristiano Vecchi. Contemporary,Instructional,Romantic Period,Standards. Full Performance. Duration 125. Cristiano Vecchi #6521363. Published by Cristiano Vecchi (A0.1066505). This precious fughette, composed 1899 by Max Reger, combines Bachian reminiscences in the subject with a more liberty sensibility, with nuances and humoral modulations that make it fascinating to listen to.Version for Cello Trio, transposed a fifth below respect to the original in A minor.Also available for String Trio (Violin, Viola, Cello) in the original key of A minor on this website.Duration: 1'59. Score and parts (with extra parts for Violin and Viola) also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
$1.99
Fughette Op.44 N.8 for String Trio MP3
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String Trio: violin, viola, cello
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Max Reger
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Cristiano Vecchi
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Fughette Op.44 N.8 for String
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Cristiano Vecchi
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SheetMusicPlus
Cello,Viola,Violin - Digital Download SKU: A0.1066494 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Children,Romantic Period,Standard...
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Cello,Viola,Violin - Digital Download SKU: A0.1066494 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Children,Romantic Period,Standards. Full Performance. Duration 123. Cristiano Vecchi #6266911. Published by Cristiano Vecchi (A0.1066494). This precious Fughette, composed 1899 by Max Reger, combines Bachian reminiscences in the subject with a more liberty sensibility, nuances and humoral modulations that make it fascinating to listen to. Version for Vl Vla Vlc. Duration: 1'57. Score and parts also available on this website. My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
$1.99
Mysterious Moment for alto flute and string trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 p...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
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