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--INSTRUMENTS--
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CHORAL - VOCAL…
CLARINET
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DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
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HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
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ORGAN
PANPIPES
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Jan
Not classified
1,800
Piano & keyboards
Piano solo
2,565
Piano, Vocal and Guitar
758
Easy Piano
515
Piano, Voice
461
Organ
216
C Instruments
175
1 Piano, 4 hands
51
Accordion
37
Piano Quintet: piano, 2 violins, viola, cello
18
Big Note Piano
14
Piano Trio: piano, violin, cello
12
2 Pianos, 4 hands
9
Piano Accompaniment
5
Piano (band part)
5
Organ, Trumpet (duet)
4
2 Accordions
2
1 Piano, 6 hands
2
Organ, Piano (duet)
2
Accordion ensemble
1
Melody line, Piano
1
Harpsichord
1
Piano Quartet: piano, 2 violins, cello
1
+ 17 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
435
Guitar
289
Melody line, (Lyrics) and Chords
195
Lyrics and Chords
65
Ukulele
58
Bass guitar
56
Banjo
24
4 Guitars (Quartet)
23
2 Guitars (duet)
20
Piano, Guitar (duet)
14
Dulcimer
7
3 Guitars (trio)
5
Guitar (band part)
5
Guitar Ensemble
3
Mandolin
3
Baritone Ukulele
2
Dobro
1
+ 12 instrumentations
-
Retract
Voice
Choral SATB
816
Choral 3-part
274
Choral 2-part
151
Choral SSAA
115
Choral TTBB
84
Choral
76
Choral Unison
46
Choral Instrumental Pak
42
Voice solo
17
Choral, Organ
14
High voice
14
Vocal duet, Piano
13
Soprano voice, Piano
11
Children choir
10
Baritone voice, Piano
10
Choral SSAATTBB
6
Vocal duet
5
Voice, Guitar
5
Choral SSATB
4
Alto voice, Piano
3
Medium voice, Piano
2
Mezzo-Soprano voice, Piano
2
Tenor voice, Piano
2
Choral SSATTB
1
Tenor voice
1
Low voice, Piano
1
Choral SSAATB
1
Soprano voice
1
+ 23 instrumentations
-
Retract
Woodwind
Flute and Piano
204
Saxophone
181
Clarinet
146
Alto Saxophone and Piano
144
Flute
140
Tenor Saxophone and Piano
129
Clarinet and Piano
125
Soprano Saxophone and Piano
107
Alto Saxophone
97
Saxophone (band part)
89
Tenor Saxophone
83
Saxophone Quartet: 4 saxophones
82
2 Saxophones (duet)
74
Oboe, Piano (duet)
71
Flute, Oboe, Clarinet, Bassoon
47
2 Clarinets (duet)
43
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
43
Clarinet Quartet: 4 clarinets
42
3 Saxophones (trio)
39
Flute and Guitar
37
Flute, Violin, Piano
33
Oboe (band part)
25
Saxophone Quintet: 5 Saxophones
25
Clarinet (band part)
25
Flute Quartet: 4 flutes
24
2 Flutes (duet)
24
Saxophone, Clarinet (duet)
23
Piccolo, Piano
21
English horn, Piano
18
Flute Trio: 3 flutes
18
3 Clarinets (trio)
17
Flute (band part)
16
Clarinet, Guitar (duet)
15
Flute, Organ (duet)
14
Bass Clarinet, Piano
14
Clarinet Quintet: 5 clarinets
14
Oboe, Guitar (duet)
13
Saxophone and Guitar
13
Baritone Saxophone, Piano
12
Flute ensemble
12
English Horn
11
Clarinet Ensemble
11
Clarinet, Trumpet (duet)
11
Oboe, Bassoon (duet)
11
2 Oboes (duet)
10
Flute, Clarinet (duet)
10
Recorder Quartet
9
Saxophone ensemble
9
Oboe, Flute
9
Clarinet, Violin (duet)
9
Flute, Oboe, Clarinet (trio)
8
Oboe, Clarinet (duet)
7
Descant (Soprano) Recorder
7
Tenor Recorder
7
Eb Instruments
7
Descent (Soprano) Recorder, Piano
6
Clarinet and Viola
6
Recorder Ensemble
6
Flute, Oboe (duet)
6
Flute, Saxophone (duet)
5
2 Flutes, Piano
5
Flute, Violin
5
Harmonica
5
Recorder
5
Flute Quintet : 5 flutes
5
Flute, Oboe, Bassoon
4
Soprano Saxophone
4
Oboe
4
Flute, Violoncello
4
Flute, Trumpet (duet)
4
Oboe, Clarinet, Bassoon (trio)
4
2 Clarinets, Piano
4
Clarinet, Bassoon (duet)
3
2 Recorders (duet)
3
3 Oboes
3
English Horn, Guitar (duet)
3
3 Recorders (trio)
3
2 Saxophones, Piano
3
Flute, Viola (duet)
3
Treble (Alto) Recorder
3
Treble (Alto) Recorder, Piano
2
Flute, harp and violin
2
Flute, Clarinet, Piano (trio)
2
Piccolo
2
Flute, Violin, Violoncello and Piano
2
Flute, Bassoon, and Piano
1
Flute, Viola and harp
1
Saxophone and Organ
1
Clarinet, trumpet and piano
1
Pan Flute
1
Flute and Strings Trio
1
Flute, Oboe, Piano (trio)
1
Recorder, Piano
1
Flute, Violin and Violoncello
1
English horn, Harp (duet)
1
Oboe ensemble
1
Flute, Viola and Piano
1
Flute, Clarinet and Bassoon.
1
Clarinet, Harp (duet)
1
5 Recorders
1
Flute, Cello, Piano (trio)
1
+ 96 instrumentations
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Retract
Woodbrass
Trumpet
131
Trombone
119
Brass Quintet: 2 trumpets, horn, trombone, tuba
75
Trombone and Piano
57
Trumpet, Piano
55
Trumpet (band part)
43
Trombone (band part)
41
Brass quartet : 2 trumpets, trombone, tuba
40
French Horn and Piano
34
French horn
26
English horn, Piano
18
Brass Quartet: 4 trombones
16
Euphonium, Piano (duet)
16
Tuba and Piano
13
Trumpet, Saxophone (duet)
12
English Horn
11
Trumpet, Trombone (duet)
11
2 Trombones (duet)
11
2 Trumpets (duet)
10
Brass Quartet: 2 trumpets, horn, trombone
10
Tuba (band part)
10
Bass Clef Instruments
9
Tuba
9
French horn (band part)
9
2 Euphoniums and 2 Tubas
8
Trombone ensemble
8
Bb Instruments
7
Brass Quartet: 4 horns
7
Euphonium
7
Brass Trio
6
2 French horns (duet)
6
Bass Trombone and Piano
5
Tuba and Organ
5
Trumpet ensemble
4
Trumpet, Horn (duert)
4
English Horn, Guitar (duet)
3
Brass Quartet
3
3 Trombones (trio)
2
Trombone, Tuba (duet)
2
Euphonium, Tuba (duet)
2
Bass Trombone
2
Horn Ensemble
2
Trumpet, Tuba (duet)
2
2 Tubas (duet)
2
Euphonium (band part)
2
French Horn and Harp
1
Brass Quartet: 4 trumpets
1
Horn and Organ
1
Trumpet, Euphonium (duet)
1
Trumpet, Trombone, Piano
1
4 Tubas
1
3 French horns (trio)
1
Tuba ensemble
1
English horn, Harp (duet)
1
3 Tubas (trio)
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trombone, Horn (duet)
1
+ 52 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
420
Violin and Piano
249
Harp
244
Violin
201
Viola, Piano
147
Cello
104
Cello, Piano
103
Viola
72
Violin (band part)
40
Violin, Cello (duet)
39
String Trio: violin, viola, cello
39
Double Bass
37
2 Violins (duet)
35
2 Cellos (duet)
22
Violin, Viola (duet)
20
2 Violas (duet)
19
Cello, Guitar (duet)
19
Violin, Guitar (duet)
19
Viola (band part)
18
Harp, Flute (duet)
15
String Quintet: 2 violins, viola, cello, bass
15
Viola, Guitar (duet)
13
Doublebass (band part)
13
Cello (band part)
12
4 Cellos
11
Viola, Cello (duet)
11
Harp and Piano
10
String Trio: 2 violins, cello
10
Double bass, Piano (duet)
9
String Trio: 3 violas
7
String Trio: 3 violins
7
Harp, Violin (duet)
6
String Trio: 3 cellos
5
2 Harps (duet)
5
String quartet: 4 violins
4
Harp, Voice
4
Violin, Organ
3
Harp, Cello (duet)
3
String Quartet : 4 violas
2
Cello, String Bass (duet)
1
String trio
1
Harp, Trombone (duet)
1
2 Violins, Piano
1
Violin, Clarinet, Piano (trio)
1
Violin ensemble
1
Viola ensemble
1
String Quintet: 2 violins, viola, 2 cellos
1
4 Double Basses
1
+ 43 instrumentations
-
Retract
Orchestra & Percussion
Concert band
313
String Orchestra
166
Orchestra
128
Jazz Ensemble
109
Drums
75
Brass ensemble
53
Chamber Orchestra
42
Handbells
36
Marching band
34
Jazz combo
14
Percussion Ensemble
11
Percussion (band part)
9
Drum (band part)
8
Marimba
8
Vibraphone
3
Timpani (band part)
2
Xylophone
2
Piano and Orchestra
2
Timpani
2
Percussion
1
Xylophone, Piano
1
2 Marimbas
1
+ 17 instrumentations
-
Retract
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You've selected:
Jan
String Trio: violin, viola, cello
Sheetmusic to print
39 sheet music found
<
1
26
Fan Tan
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String Trio: violin, viola, cello
#
ADVANCED
#
Jan and Dean
#
Jan Berry and George Tipton
#
Fan Tan
#
Fiji Printing
#
SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1414111 By Jan and Dean. By Don Altfeld, Jan Berry, and Jill Gibson. Arranged by ...
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String Ensemble Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1414111 By Jan and Dean. By Don Altfeld, Jan Berry, and Jill Gibson. Arranged by Jan Berry and George Tipton. 20th Century,Classical,Pop,Rock. 10 pages. Fiji Printing #995880. Published by Fiji Printing (A0.1414111). Fan Tan — String Sextet from Carnival of Sound.Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record the original track in 1967. Extracted from the full music score for Fan Tan. This sophisticated string arrangement picks up where Pop Symphony left off in 1965. Transcribed by Mark A. Moore from Jan Berry's music archive, in association with his estate. Moore is the author of Dead Man’s Curve: The Rock ‘n’ Roll Life of Jan Berry (McFarland 2021) and The Jan & Dan Record (McFarland 2016).Fiji Printing #14. Distributed by ArrangeMe and the Hal Leonard Corporation.Perfect for string sections that want to tackle a challenging piece that merges classical music with the burgeoning Psychedelic era of 1967.Full Music Score and Individual Charts:STRINGS: Violin 1-2; Viola 1-2; Cello 1-2.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on Fan Tan, the Carnival of Sound LP,  and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.10 Pages; 10 x 14Learn more about Jan Berry and Jan & Dean: https://jananddean-janberry.com/
$12.99
Alejandro
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String Trio: violin, viola, cello
#
INTERMEDIATE
#
Pop music
#
Lady Gaga
#
Lena Seeger
#
Alejandro
#
Lena A Seeger
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.716141 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Lena Seeger. Po...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.716141 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Lena Seeger. Pop. Score and parts. 13 pages. Lena A Seeger #3561955. Published by Lena A Seeger (A0.716141). The europop song by Lady Gaga, arranged for string trio: violin, viola, and cello.
$12.99
Alejandro
#
String Trio: violin, viola, cello
#
INTERMEDIATE
#
Pop music
#
Lady Gaga
#
Lena Seeger
#
Alejandro
#
Lena A Seeger
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.716143 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Lena Seeger. Po...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.716143 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Lena Seeger. Pop. Score and parts. 13 pages. Lena A Seeger #3562177. Published by Lena A Seeger (A0.716143). Europop song by Lady Gaga, arranged for modified string trio: two violins and cello.
$12.99
Danish Christmas Carols for String Quartet arranged by Peter Vind
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String Trio: violin, viola, cello
#
INTERMEDIATE/ADVANCED
#
Christmas
#
Traditional
#
Peter Vind
#
Danish Christmas Carols for St
#
Jan Villum Hansen
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.979444 Composed by Traditional. Arranged by Peter Vind. Christian,Chr...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.979444 Composed by Traditional. Arranged by Peter Vind. Christian,Christmas. Score and parts. 7 pages. Jan Villum Hansen #3874215. Published by Jan Villum Hansen (A0.979444). Danske julesalmer (Danish Christmas hymns) arranged for String Quartet by Peter Vind. Violin, Viola and Cello. Contents: Dejlig er jorden, Det kimer nu til julefest, En rose så jeg skyde, Her Mommer, Jesus, dine små, Julen har bragt velsignet bud, Mit hjerte altid vanker. .
$9.99
String Trio No. 3 in A major
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String Trio: violin, viola, cello
#
INTERMEDIATE
#
Classical
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
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String Trio: violin, viola, cello
#
INTERMEDIATE
#
Classical
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 4 in E major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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String Trio: violin, viola, cello
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Classical
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Ed...
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String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No.1 in E flat major
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No.1 in E flat maj
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Eleanor Rigby
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
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Pop music
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The Beatles
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Mattia Mugnai
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Evens Ltd
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Eleanor Rigby
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Matt80
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1205501 By The Beatles. By John Lennon and Paul McCartney. Arranged b...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1205501 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mattia Mugnai. Pop. Score and parts. 9 pages. Matt80 #803702. Published by Matt80 (A0.1205501). Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with Yellow Submarine.The song continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, it broke sharply with popular music conventions, both musically and lyrically. Eleanor Rigby topped singles charts in Australia, Belgium, Canada and New Zealand.McCartney said that the idea to call his character Eleanor was possibly because of Eleanor Bron, the actress who starred with the Beatles in their 1965 film Help! Rigby came from the name of a store in Bristol, Rigby & Evens Ltd. McCartney noticed the store while visiting his girlfriend of the time, actress Jane Asher, during her run in the Bristol Old Vic's production of The Happiest Days of Your Life in January 1966. He recalled in 1984: I just liked the name. I was looking for a name that sounded natural. 'Eleanor Rigby' sounded natural. In the sting trio arrangement the beauty of this song is finely preserved, as much as it's original stucture.The file includes both score and parts.
$14.00
Kde Domov Muj?
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String Trio: violin, viola, cello
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EASY
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Contemporary
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Frantisek Jan Skroup
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Dominic Meccia
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Kde Domov Muj?
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Dominic Meccia
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.705200 By Frantisek Jan Skroup. By Josef Kajetan Tyl. Arranged by Dom...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.705200 By Frantisek Jan Skroup. By Josef Kajetan Tyl. Arranged by Dominic Meccia. Contemporary. Score and parts. 5 pages. Dominic Meccia #6105627. Published by Dominic Meccia (A0.705200).
$12.99
Bull: Galliard for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Dr
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James M
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Bull: Galliard for String Trio
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282833 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Contest,Earl...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282833 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 11 pages. Jmsgu3 #874076. Published by jmsgu3 (A0.1282833). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Fantasia upon a Plainsong for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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John Bull
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James M
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Bull: Fantasia upon a Plainson
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jmsgu3
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Hist...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874502. Published by jmsgu3 (A0.1283308). Fitzwilliam Virginal Book, XXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Christe Redemptor for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Dr
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James M
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Bull: Christe Redemptor for St
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283457 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283457 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874639. Published by jmsgu3 (A0.1283457). Fitzwilliam Virginal Book CXXV.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Sweelinck: Praeludium Toccata XCVI for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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J
#
James M
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Sweelinck: Praeludium Toccata
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jmsgu3
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1286467 Composed by J. P. Sweelinck. Arranged by James M. Guthrie. Chamber,Early Musi...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1286467 Composed by J. P. Sweelinck. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 18 pages. Jmsgu3 #877523. Published by jmsgu3 (A0.1286467). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.
$24.95
Bull: In Nomine for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Dr
#
James M
#
Bull: In Nomine for String Tri
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jmsgu3
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282881 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Hi...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282881 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 9 pages. Jmsgu3 #874131. Published by jmsgu3 (A0.1282881). XXXVII from the Fitzwilliam Virginal Book.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Fantasia CXIII for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Dr
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James M
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Bull: Fantasia CXIII for Strin
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 16 pages. Jmsgu3 #875691. Published by jmsgu3 (A0.1284518). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
He Arose (String Trio): Violin, Viola and Cello
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String Trio: violin, viola, cello
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INTERMEDIATE
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Sacred music
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Robert Lowry, Ignaz Jan Padere
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John A
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He Arose
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John A. Dempsey
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1357784 Composed by Robert Lowry, Ignaz Jan Paderewski. Arranged by John A. Dempsey. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1357784 Composed by Robert Lowry, Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christian,Easter,Holiday,Sacred,Traditional. 16 pages. John A. Dempsey #942286. Published by John A. Dempsey (A0.1357784). Also known as Low in the Grave He Lay and Hallelujah, Christ Arose, this string trio for violin, viola and cello celebrates Easter with a musical sojourn that's varied, sparkling and alive with both the solace and elation of the season. Â This hymn arrangement, complete with mood and tempo changes, is filled with moments of quiet beauty, prayerful reflection and joyful thanksgiving. Â The serene incidental music is from a Paderewski nocturne. Â Recommended for traditional church services and other worship events, including Good Friday services and Easter sunrise worship, as a prelude, postlude, an offertory, interlude and special music. Â 12 pages of music (that includes separate two-page parts for each instrument). Â Key: C major.
$9.99
Bull: Gloria tibi trinitas for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
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Dr
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James M
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Bull: Gloria tibi trinitas for
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Re...
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Religious,Renaissance,Wedding. 12 pages. Jmsgu3 #875746. Published by jmsgu3 (A0.1284572). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Dr. Bull's Juell for String Trio
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String Trio: violin, viola, cello
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EASY
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Dr
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James M
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Bull: Dr. Bull's Juell for Str
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1283915 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,...
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1283915 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 10 pages. Jmsgu3 #875096. Published by jmsgu3 (A0.1283915). Fitzwilliam Virginal Book CXXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
How Far I'll Go
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
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Film/TV
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Takida
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Fabio Britto
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How Far I'll Go
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SheetMusicPlus
By Takida. By Christian Bror Rehn, Robert Karl Pettersson, Thomas Jan Vallin, and Lin- Manuel Miranda (1980-). Arranged by Fabio Britto. Film/TV, Pop, ...
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By Takida. By Christian Bror Rehn, Robert Karl Pettersson, Thomas Jan Vallin, and Lin- Manuel Miranda (1980-). Arranged by Fabio Britto. Film/TV, Pop, Wedding. Score and parts. 9 pages. Minhas Partituras #6691593. Published by Minhas Partituras
$12.99
Beethoven 7th 2.Mov. String trio
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String Trio: violin, viola, cello
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Classical
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Ludwig van Beethoven
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Alejandra Navarro
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Beethoven 7th 2.Mov. String tr
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Alejandra Navarro
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.996702 Composed by Ludwig van Beethoven. Arranged by Alejandra Navarro. Romanti...
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String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.996702 Composed by Ludwig van Beethoven. Arranged by Alejandra Navarro. Romantic Period. Score and parts. 5 pages. Alejandra Navarro #5017547. Published by Alejandra Navarro (A0.996702).
$3.00
Song of the Sea for Intermediate String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Janice Malan
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Song of the Sea for Intermedia
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Janice Malan
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.509287 Composed by Janice Malan. Concert,Standards. Score and parts. ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.509287 Composed by Janice Malan. Concert,Standards. Score and parts. 7 pages. Janice Malan #6364123. Published by Janice Malan (A0.509287). This original Sea Song introduces the intermediate string students to the Theme and Variation form. The last note is a harmonic in both parts which introduces the young players to a softer touch and new sound. The melody is smooth with long bows and the cello has eighth notes rolling back and forth like the sea. Enjoy!
$7.99
Illusions for Intermediate String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Janice Malan
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Illusions for Intermediate Str
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Janice Malan
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.509260 Composed by Janice Malan. Instructional,Standards. Score and p...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.509260 Composed by Janice Malan. Instructional,Standards. Score and parts. 7 pages. Janice Malan #5896635. Published by Janice Malan (A0.509260). Illusions begins with the violin and viola in canonic form then splits into harmony. The cello begins joining in for a full sound then ends with the viola alone. Great experience playing largo with long continuous bowing and expressive mood with practice in vibrato methods. This piece has one measure in third position which is a good practice for your violinist to begin work in the positions. Before playing this piece, practice the F scale in whole notes with long, slow bows. .
$9.99
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