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You've selected:
Just Like That
SheetMusicPlus
String Trio: violin, viola, cello
Sheetmusic to print
5 sheet music found
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1
Just The Two Of Us
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
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Grover Washington Jr
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James Widden
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Just The Two Of Us
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James Widden
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1206457 By Grover Washington Jr. With Bill Withers. By Bill Withers, ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1206457 By Grover Washington Jr. With Bill Withers. By Bill Withers, Ralph MacDonald, and William Salter. Arranged by James Widden. Funk,Pop,Rock,Wedding. Score and parts. 5 pages. James Widden #804661. Published by James Widden (A0.1206457). The soul/funk classic by Grover Washington, featuring the glorious vocals of Bill Withers. Â All James Widden's arrangements are beautifully made and carefully edited so that players and listeners alike will get maximum pleasure from the performance.
$14.99
Eleanor Rigby
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
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Pop music
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The Beatles
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Mattia Mugnai
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Evens Ltd
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Eleanor Rigby
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Matt80
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1205501 By The Beatles. By John Lennon and Paul McCartney. Arranged b...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1205501 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mattia Mugnai. Pop. Score and parts. 9 pages. Matt80 #803702. Published by Matt80 (A0.1205501). Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with Yellow Submarine.The song continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, it broke sharply with popular music conventions, both musically and lyrically. Eleanor Rigby topped singles charts in Australia, Belgium, Canada and New Zealand.McCartney said that the idea to call his character Eleanor was possibly because of Eleanor Bron, the actress who starred with the Beatles in their 1965 film Help! Rigby came from the name of a store in Bristol, Rigby & Evens Ltd. McCartney noticed the store while visiting his girlfriend of the time, actress Jane Asher, during her run in the Bristol Old Vic's production of The Happiest Days of Your Life in January 1966. He recalled in 1984: I just liked the name. I was looking for a name that sounded natural. 'Eleanor Rigby' sounded natural. In the sting trio arrangement the beauty of this song is finely preserved, as much as it's original stucture.The file includes both score and parts.
$14.00
Blow Winds, Blow (Wehe, Windgen, wehe)
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String Trio: violin, viola, cello
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EASY
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Classical
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Samuel Scheidt
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Derrick Thom
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Blow Winds, Blow
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Derrick Thom. Lewis
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.975915 Composed by Samuel Scheidt. Arranged by Derrick Thom. Lewis. B...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.975915 Composed by Samuel Scheidt. Arranged by Derrick Thom. Lewis. Baroque,Instructional. Score and parts. 19 pages. Derrick Thom. Lewis #6719751. Published by Derrick Thom. Lewis (A0.975915). DON'T FEAR PRE-BACH MUSIC! The idea of 'Progress' in art is fallacious (within reason). Scheidt- Variations on Wehe, Windgen, wehe (Blow Little Winds, Blow) [1624, Halle] This gem of mid-Baroque German meister Sam Scheidt, who (for reference) was 23 yrs. younger than Shakespeare and 98 yrs. than Bach, sounds not-a-bit strange to today's ears. Donald J. (no, not him) Grout says that John Dowland's songs of 1590's sound entirely modern. Well, they do! STING recorded them, if that means anything to you. So then, what have composers been up to for the last 430 years?! I jest, but this piece is terrific. Be advised, the 'runs' are modal, in that the 7th degree is usually NOT just a semitone under the 8th/1st, but a whole tone. A bit like bagpipe music, in our day.
$50.00
Mysterious Moment for alto flute and string trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 p...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Over The River
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String Trio: violin, viola, cello
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INTERMEDIATE
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Contemporary
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Reed Benson
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Over The River
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Reed Benson
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.1024619 Composed by Reed Benson. Contemporary. Score and parts. 10 pages. Reed Benson #3...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.1024619 Composed by Reed Benson. Contemporary. Score and parts. 10 pages. Reed Benson #3380657. Published by Reed Benson (A0.1024619). Over The River is a Waltz that features a Celesta with a String Quartet Accompaniment. It is a song that is suppose to represent the peace of quiet of the forest and how calm a river can be. The duration of Over The River is just under 4 minutes and it is for intermediate groups and performers. I believe this can work for church services due to how mellow and peaceful this piece is. If you like to contact me, please check out my social media sites and my email:Email: reedbensoncompositions@gmail.comYouTube: www.youtube.com/channel/UCZfIO9o7N_iw28ZYJkhMVewSoundCloud: https://soundcloud.com/reed-bensonFacebook: www.facebook.com/reedbensoncompositions/Instagram: www.instagram.com/reed_benson_compositions/?hl=enTwitter: twitter.com/reedbenson2015
$5.00
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