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You've selected:
Phil Cross
SheetMusicPlus
String Trio: violin, viola, cello
Sheetmusic to print
3 sheet music found
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Near the Cross - Violin, Viola and Cello Trio with Piano Accompaniment
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String Trio: violin, viola, cello
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EASY
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Sacred music
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Fanny J
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K
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Near the Cross - Violin, Viola
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K L Phillips
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1193466 Composed by Fanny J. Crosby (text) and William H. Doane (music). Arranged by ...
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1193466 Composed by Fanny J. Crosby (text) and William H. Doane (music). Arranged by K.L. Phillips. Christian,Easter,Praise & Worship,Religious,Sacred. 8 pages. K L Phillips #792931. Published by K L Phillips (A0.1193466). Arranged for violin, viola and cello trio with piano accompaniment, this piece would be a lovely addition to any Christian worship service, but is especially appropriate for Lent, Good Friday or Easter services. (This arrangement was influenced by the work of Clara Schumann.)Â Included in the pdf is the piano accompaniment score and individual violin, viola and cello parts.Performance time - 1:50A piano accompaniment track is available separately at Sheet Music Plus - Piano Accompaniment Track for Near the Cross - Violin, Viola and Cello Trio
$5.99
Romp #1-String Sextet
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String Trio: violin, viola, cello
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EASY
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Phil Beaman
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Romp #1-String Sextet
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Phil Beaman
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.845128 Composed by Phil Beaman. 20th Century,Jazz. Score and parts. 11 pages. Phi...
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String Ensemble Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.845128 Composed by Phil Beaman. 20th Century,Jazz. Score and parts. 11 pages. Phil Beaman #6207967. Published by Phil Beaman (A0.845128). Pure energy! Pure fun! This short piece has a driving pulse with jazz influenced rhythms and an infectious tune. Everybody will want to dance and groove when they hear it. Rich jazz chords spread across the sextet.
$8.99
The Sundials: II; Pereunt et Imputantur (They pass and are counted)
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String Trio: violin, viola, cello
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Contemporary
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Matthew Scott Phillips
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The Sundials: II; Pereunt et I
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Matthew Scott Phillips
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SheetMusicPlus
String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. ...
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String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
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