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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
William-S.-Pitts
Sheetmusicplus
Not classified
1,241
Piano & keyboards
Piano solo
891
Piano, Voice
535
Easy Piano
203
Piano, Vocal and Guitar
143
Organ
74
Big Note Piano
49
C Instruments
48
Piano (band part)
29
1 Piano, 4 hands
20
Piano Trio: piano, violin, cello
18
Piano Accompaniment
13
Accordion
8
Organ, Trumpet (duet)
7
2 Pianos, 4 hands
6
Piano Quartet: piano, violin, viola, cello
2
Keyboard
2
Harpsichord
2
Piano Quintet: piano, 2 violins, viola, cello
2
Piano Quartet: piano, 2 violins, cello
1
Fake Book
1
+ 15 instrumentations
-
Retract
Guitars
Guitar
79
Guitar notes and tablatures
66
Bass guitar
32
Ukulele
30
Melody line, (Lyrics) and Chords
28
Guitar (band part)
28
Lyrics and Chords
10
Electric Bass (band part)
6
2 Guitars (duet)
6
3 Guitars (trio)
4
Ukulele Ensemble
3
Mandolin
3
Dulcimer
3
4 Guitars (Quartet)
3
Piano, Guitar (duet)
1
Banjo
1
Mandolin, Piano (duet)
1
+ 12 instrumentations
-
Retract
Voice
Choral SATB
500
Choral 3-part
121
Choral TTBB
109
Choral 2-part
59
Choral SSAA
51
Choral Unison
36
Vocal duet, Piano
12
Soprano voice, Piano
11
Alto voice, Piano
11
Vocal duet
9
Voice, Guitar
7
Voice solo
7
Baritone voice, Piano
6
Tenor voice, Piano
5
High voice
5
Mezzo-Soprano voice, Piano
2
Choral SSAATTBB
2
Choral
2
Medium voice, Piano
1
Choral SSATB
1
+ 15 instrumentations
-
Retract
Woodwind
Saxophone (band part)
1,026
Clarinet (band part)
981
Flute (band part)
327
Oboe (band part)
306
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
100
Flute and Piano
95
Saxophone Quintet: 5 Saxophones
61
Saxophone Quartet: 4 saxophones
54
Clarinet and Piano
52
Flute
44
Alto Saxophone
43
Oboe, Piano (duet)
42
Clarinet
35
Tenor Saxophone
34
Alto Saxophone and Piano
34
Flute, Oboe, Clarinet, Bassoon
33
Clarinet Quartet: 4 clarinets
28
Tenor Saxophone and Piano
28
2 Clarinets (duet)
27
Saxophone ensemble
24
2 Flutes (duet)
24
2 Saxophones (duet)
19
Flute Quartet: 4 flutes
16
Soprano Saxophone and Piano
15
Clarinet Ensemble
15
Flute, Clarinet (duet)
13
3 Clarinets (trio)
12
Flute and Guitar
11
Flute ensemble
11
Flute Trio: 3 flutes
10
Baritone Saxophone, Piano
9
Flute Quintet : 5 flutes
8
Oboe
7
Clarinet Quintet: 5 clarinets
7
English horn, Piano
6
2 Oboes (duet)
6
Flute, Clarinet and Bassoon.
6
Saxophone, Clarinet (duet)
5
Clarinet, Trumpet (duet)
5
Clarinet, Violin (duet)
5
Flute, Oboe, Bassoon
5
Flute, Oboe, Clarinet (trio)
5
Flute, Violin, Piano
5
3 Saxophones (trio)
5
Flute, Clarinet, Piano (trio)
5
Flute, Violin
4
Pennywhistle
4
2 Clarinets, Piano
4
2 Flutes, Piano
4
Oboe, Bassoon (duet)
4
Clarinet and Viola
3
Harmonica
3
Flute, trombone and piano
3
Recorder Quartet
3
Flute, Viola and Piano
3
Flute, Violoncello
3
Baritone Saxophone
3
Flute, Viola (duet)
3
3 Recorders (trio)
3
Oboe, Clarinet (duet)
3
Oboe, Clarinet, Bassoon (trio)
3
Soprano Saxophone
2
Recorder
2
Clarinet, Guitar (duet)
2
Saxophone and Guitar
2
Clarinet, Cello, Piano (trio)
2
Ocarina
2
Flute, Oboe, Piano (trio)
2
Flute, Trumpet (duet)
2
Flute, Saxophone (duet)
2
English Horn, Guitar (duet)
2
Flute, Cello, Piano (trio)
2
English Horn
1
Clarinet, Cello (duet)
1
Flute, Oboe, Violin
1
Flute, Oboe (duet)
1
Flute, Violin, Violoncello and Piano
1
Oboe, Flute
1
Wind ensemble
1
Descent (Soprano) Recorder, Piano
1
Bass Clarinet, Piano
1
Oboe, Guitar (duet)
1
Clarinet, Bassoon (duet)
1
Oboe and viola (duet)
1
Treble (Alto) Recorder
1
Clarinet, Double bass (duet)
1
Saxophone
1
Treble (Alto) Recorder, Basso continuo
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Oboe, Violin (duet)
1
Descant (Soprano) Recorder
1
2 Saxophones, Piano
1
Oboe, Cello
1
+ 88 instrumentations
-
Retract
Woodbrass
Trombone (band part)
771
Trumpet (band part)
512
French horn (band part)
400
Tuba (band part)
289
Brass Quintet: 2 trumpets, horn, trombone, tuba
127
Brass quartet : 2 trumpets, trombone, tuba
76
Trumpet
45
Trombone and Piano
39
Trumpet, Piano
38
Trumpet ensemble
29
Trombone
27
French horn
22
Trombone ensemble
21
Brass Quartet
21
French Horn and Piano
21
2 Trumpets (duet)
13
Tuba
13
Brass Quartet: 4 trombones
11
Brass Quartet: 2 trumpets, horn, trombone
8
Tuba and Piano
7
2 Euphoniums and 2 Tubas
6
2 Trombones (duet)
6
English horn, Piano
6
Horn Ensemble
5
Trumpet, Trombone (duet)
5
Trumpet, Saxophone (duet)
4
Euphonium
4
Brass Trio
4
Euphonium, Piano (duet)
3
Euphonium (band part)
3
Brass Quartet: 4 horns
3
Bass Trombone and Piano
3
Brass Quartet: 4 trumpets
2
Bass Trombone
2
3 Trombones (trio)
2
2 Tubas (duet)
2
English Horn, Guitar (duet)
2
4 Tubas
2
2 Trumpets, Keyboard (piano or organ)
2
English Horn
1
2 Euphoniums (duet)
1
Trumpet, Horn (duert)
1
2 French horns, Piano
1
2 French horns (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
2 Trombones, Piano
1
3 Trumpets (trio)
1
Tuba and Organ
1
Tuba ensemble
1
+ 44 instrumentations
-
Retract
Strings
Violin (band part)
324
String Quartet: 2 violins, viola, cello
203
Doublebass (band part)
151
Cello (band part)
105
Violin and Piano
99
Viola (band part)
80
Violin
58
Viola, Piano
53
Cello, Piano
48
String Trio: violin, viola, cello
45
Cello
42
Harp
36
Viola
33
Violin, Cello (duet)
32
2 Violins (duet)
29
String Quintet: 2 violins, viola, cello, bass
12
2 Cellos (duet)
11
Double Bass
11
String Trio: 3 violins
10
Violin, Viola (duet)
9
2 Harps (duet)
9
String Trio: 2 violins, cello
8
Violin ensemble
8
2 Violas (duet)
7
Viola ensemble
6
Double bass, Piano (duet)
6
Harp (band part)
5
Piano Trio: Violin, Viola, Piano
5
4 Cellos
4
String Trio: 2 violins, viola
3
String trio
3
Harp, Voice
2
2 Violins, Piano
2
String Trio: 3 cellos
2
Flute, Doublebass (duet)
1
Violin, Clarinet, Piano (trio)
1
Violin, Bassoon (duet)
1
Cello, String Bass (duet)
1
Cello Ensemble
1
Cello, Organ
1
Cello, Guitar (duet)
1
Viola, Cello (duet)
1
Harp, Flute (duet)
1
Violin, Guitar (duet)
1
+ 39 instrumentations
-
Retract
Orchestra & Percussion
Concert band
707
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435
Timpani (band part)
157
Orchestra
139
String Orchestra
98
Marching band
92
Handbells
67
Brass ensemble
57
Jazz Ensemble
43
Drum (band part)
37
Chamber Orchestra
12
Drums
11
Percussion Ensemble
10
Percussion
8
Jazz combo
6
Vibraphone
3
Xylophone
2
Brass Quintet: other combinaisons
1
+ 13 instrumentations
-
Retract
Others
Instruments
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--INSTRUMENTS--
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SheetMusicPlus
String Trio: violin, viola, cello
Sheetmusic to print
45 sheet music found
<
1
26
Bull: Dr. Bull's Juell for String Trio
#
String Trio: violin, viola, cello
#
EASY
#
Dr
#
James M
#
Bull: Dr. Bull's Juell for Str
#
jmsgu3
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1283915 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,...
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1283915 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 10 pages. Jmsgu3 #875096. Published by jmsgu3 (A0.1283915). Fitzwilliam Virginal Book CXXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
The Pedlar's Caravan
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String Trio: violin, viola, cello
#
INTERMEDIATE
#
Alex Tinlin
#
Alex Tinlin
#
The Pedlar's Caravan
#
Alex Tinlin
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1505121 By Alex Tinlin. By William Kaye Fleming. Arranged by Alex Tin...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1505121 By Alex Tinlin. By William Kaye Fleming. Arranged by Alex Tinlin. 20th Century,Chamber,Classical,Folk,Traditional. 6 pages. Alex Tinlin #1080520. Published by Alex Tinlin (A0.1505121). My arrangement and variations for String Trio of William Kaye Fleming's ballad 'The Pedlar's Caravan', with words by W. B. Rands.
$5.99
She's The One
#
String Trio: violin, viola, cello
#
Pop music
#
Robbie Williams
#
John Bass
#
She's The One
#
Music & Strings
#
SheetMusicPlus
String Ensemble,String Trio - Digital Download SKU: A0.747604 By Robbie Williams. By Robbie Williams. Arranged by John Bass. Pop. Score and parts. 8 page...
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String Ensemble,String Trio - Digital Download SKU: A0.747604 By Robbie Williams. By Robbie Williams. Arranged by John Bass. Pop. Score and parts. 8 pages. Music & Strings #3865005. Published by Music & Strings (A0.747604). John Bass offers a professional string music arranging service based in the UK. He studied at Royal Academy of Music in London and is an active professional string player with years of experience producing string quartet, string trio and string duo arrangements. His arrangements are extremely popular, particularly with professional groups who play for weddings and events. www.fb.com/musicandstrings john@musicandstrings.co.uk.
$12.99
Bull: Fantasia upon a Plainsong for String Trio
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String Trio: violin, viola, cello
#
INTERMEDIATE
#
John Bull
#
James M
#
Bull: Fantasia upon a Plainson
#
jmsgu3
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Hist...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874502. Published by jmsgu3 (A0.1283308). Fitzwilliam Virginal Book, XXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Christe Redemptor for String Trio
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String Trio: violin, viola, cello
#
INTERMEDIATE
#
Dr
#
James M
#
Bull: Christe Redemptor for St
#
jmsgu3
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283457 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283457 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874639. Published by jmsgu3 (A0.1283457). Fitzwilliam Virginal Book CXXV.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: In Nomine for String Trio
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String Trio: violin, viola, cello
#
INTERMEDIATE
#
Dr
#
James M
#
Bull: In Nomine for String Tri
#
jmsgu3
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282881 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Hi...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282881 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 9 pages. Jmsgu3 #874131. Published by jmsgu3 (A0.1282881). XXXVII from the Fitzwilliam Virginal Book.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Stay With Me
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
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Sam Smith
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Alicia S
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Stay With Me
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Alicia S.
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1142747 By Sam Smith. By James Napier, Jeff Lynne, Sam Smith, Tom Pet...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1142747 By Sam Smith. By James Napier, Jeff Lynne, Sam Smith, Tom Petty, and William Edward Phillips. Arranged by Alicia S. Contemporary,Hip-Hop,Pop,R & B. Score and parts. 13 pages. Alicia S. #743117. Published by Alicia S. (A0.1142747). By Sam Smith. By James Napier, William Edward Phillips, Tom Petty, Jeff Lynne, and Sam Smith. Arranged by Alicia S. Score & Parts, with Interchangeable Violin 2 and Viola Parts. 8 Pages.
$16.99
String Trio No. 3 in A major
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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String Trio: violin, viola, cello
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Classical
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Ed...
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String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 9 in A major
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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William Shield
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Robert Hoskins
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String Trio No. 9 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions #1065182. Published by Artaria Editions (A0.1488294). Artaria Editions AE429Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 7 in G major
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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William Shield
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Robert Hoskins
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String Trio No. 7 in G major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions #1065178. Published by Artaria Editions (A0.1488290). Artaria Editions AE427Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 8 in F major
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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William Shield
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Robert Hoskins
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String Trio No. 8 in F major
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Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions #1065180. Published by Artaria Editions (A0.1488292). Artaria Editions AE428Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Feel It Still
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String Trio: violin, viola, cello
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INTERMEDIATE
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Portugal
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Sarah Cellobat Chaffee
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Feel It Still
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1138534 By Portugal. The Man. By Asa Taccone, Brian Holland, Eric Andrew Howk, Freddi...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1138534 By Portugal. The Man. By Asa Taccone, Brian Holland, Eric Andrew Howk, Freddie Gorman, Georgia Dobbins, Jason Wade Sechrist, John Baldwin Gourley, John Hill, Kyle O'Quin, Robert Bateman, William Garrett, and Zachary Scott Carothers. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock,Wedding. 14 pages. Sarah Cellobat Chaffee #738876. Published by Sarah Cellobat Chaffee (A0.1138534). *INSTRUMENTATION: VIOLIN, VIOLA, CELLO* Feel It Still was released in 2017 by the band Portugal. The Man., and it was not immediately a hit -- but word got around, and after a few months, it reached the top 5 on the Billboard charts! It has since reached number one on six of the major charts and received a Grammy award, and it's now considered one of the band's signature songs; if you've turned the radio on at all in the last few years, this one was impossible to miss. So you can't go wrong adding this to your gig books! This Cellobat arrangement for your violin/viola/cello trio truly does this monumental song justice; maintaining the original's catchy melodies, unexpected form, back-and-forth lines, and danceable beat, this chart will definitely be as much fun to play as it is to listen to. This will be perfect for weddings, parties, cocktail hour, private events, solo & ensemble contest, or any other occasion you need to get your audience singing along! Rated intermediate; this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99
Hark the Herald Angels Sing for String Trio
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String Trio: violin, viola, cello
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EASY
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Hark the Herald Angels Sing fo
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1324492 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Chambe...
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1324492 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Traditional. 9 pages. Jmsgu3 #912690. Published by jmsgu3 (A0.1324492). Hark! The Herald Angels Sing is a well-known Christmas carol with exciting facts surrounding its creation and evolution. Here are some intriguing details about the song:The original song was published as Hark, How All the Welkin Rings in the 1739 Wesley hymnal, Hymns and Sacred Poems. The second line, as written by Charles Wesley, read Glory to the King of kings, not Glory to the newborn King. The change from welkin to herald angels was made by George Whitfield, altering the meaning of Wesley's metaphor.The tune we usually associate with Hark! The Herald was written by Felix Mendelssohn in 1840 and was not intended as a sacred song. Mendelssohn wrote it to commemorate the four-hundredth anniversary of Gutenberg's printing press.The song was initially intended to be sung to the same tune as Charles Wesley's Easter hymn, Christ the Lord Is Risen Today.In 1855, British musician William Hayman Cummings adapted Mendelssohn's secular music to fit the lyrics of Hark! The Herald Angels Sing by Charles Wesley.The hymn highlights the virgin birth, the universal application of the coming of the incarnate Deity to all nations, and the significance of Christ's birth in Bethlehem.These facts shed light on the historical and musical significance of Hark! The Herald Angels Sing, adding depth to its enduring popularity as a Christmas carol.
$24.95
Silent Night (Bb) (String Octet - 3 Violins, 2 Violas, 3 Cellos)
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String Trio: violin, viola, cello
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INTERMEDIATE
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Christmas
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.813995 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Inst...
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String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.813995 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636653. Published by Regis Bookshar (A0.813995). String Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Octet, consisting of 3 Violins, 2 Violas and 3 Violoncellos, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Bull: Galliard for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Dr
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James M
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Bull: Galliard for String Trio
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282833 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Contest,Earl...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282833 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 11 pages. Jmsgu3 #874076. Published by jmsgu3 (A0.1282833). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Fantasia CXIII for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Dr
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James M
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Bull: Fantasia CXIII for Strin
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 16 pages. Jmsgu3 #875691. Published by jmsgu3 (A0.1284518). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Gloria tibi trinitas for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
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Dr
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James M
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Bull: Gloria tibi trinitas for
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Re...
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Religious,Renaissance,Wedding. 12 pages. Jmsgu3 #875746. Published by jmsgu3 (A0.1284572). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
String Trio No.1 in E flat major
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No.1 in E flat maj
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. ...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Draw Me Nearer (I Am Thine, O Lord)
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String Trio: violin, viola, cello
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INTERMEDIATE
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Marianne Kim
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Marianne Kim
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Draw Me Nearer
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Marianne Kim
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1427500 By Marianne Kim. By William Howard Doane. Arranged by Marianne Kim. Christian....
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1427500 By Marianne Kim. By William Howard Doane. Arranged by Marianne Kim. Christian. 13 pages. Marianne Kim #1008227. Published by Marianne Kim (A0.1427500). Marianne Kim's Piano Trio rendition of Draw Me Nearer delicately intertwines piano, violin, and cello to create a poignant and reflective atmosphere. With graceful melodies and intricate harmonies, Kim's arrangement evokes a sense of longing and spiritual intimacy, drawing listeners into a heartfelt prayerful experience. Through her skillful interpretation, Kim breathes new life into this cherished hymn, inviting audiences to journey deeper into the soul-stirring message of seeking divine closeness.CONNECT WITH MARIANNE KIM ► Website: https://www.mariannekimmusic.com ► Facebook: https://www.facebook.com/mariannekimmusic/ ► Instagram: https://www.instagram.com/kim.marianne/ ► Twitter: https://twitter.com/kim_marianne ► LinkedIn: https://www.linkedin.com/in/mariannekimmusic/ ► YouTube Piano: https://www.youtube.com/c/MarianneKimMusicTV ► YouTube Organ: https://www.youtube.com/c/MarianneKimOrgan.
$14.95
H.o.l.y.
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String Trio: violin, viola, cello
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Florida Georgia Line
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S
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H.o.l.y.
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S. Shanahan
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.481927 By Florida Georgia Line. By Nate Cyphert, William Wiik Larsen, and busbe...
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String Ensemble,String Trio Cello,Viola,Violin - Digital Download SKU: A0.481927 By Florida Georgia Line. By Nate Cyphert, William Wiik Larsen, and busbee. Arranged by S. Shanahan. Country,Wedding. Score and parts. 12 pages. Published by S. Shanahan (A0.481927). A short and sweet song that works really well for a string trio playing a wedding. This arrangement includes both a viola or optional violin 2 part, so depending on the instrumentation of your trio, you can adapt. The viola and violin 2 lines are basically the same, (so there would be a lot of playing in octaves) but it would also work for the string quartet format. The viola (or violin 2) gets the melody! Timing is 2:50' in total.
$16.99
Hymn For The Weekend
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String Trio: violin, viola, cello
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EASY
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Rock
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Coldplay
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Greg Birdwell
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Hymn For The Weekend
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Greg Birdwell
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1276804 By Coldplay. By Christopher Martin, Guy Berryman, Jonathan Buckland, Marc...
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String Ensemble Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1276804 By Coldplay. By Christopher Martin, Guy Berryman, Jonathan Buckland, Marcos Tovar, Mikkel Eriksen, Scott Zant, Tor Hermansen, Venar Yard, and William Champion. Arranged by Greg Birdwell. Pop,Rock. 12 pages. Greg Birdwell #868491. Published by Greg Birdwell (A0.1276804). In this multi combination duet arrangement of Hymn for the Weekend by Coldplay, the song's dynamic energy and emotive qualities shine through as the strings ntertwine melodies and rhythms. The arrangement captures the essence of the original, inviting listeners on a harmonious journey of introspection and celebration, making it a captivating addition to any repertoire.The arrangement includes parts for 2 violins, 2 violas, and 2 cellos so any duet combination can be created.
$12.99
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