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String Quartet No. 3 "Old-Time" (violin 1 part - two vlns, vla, cel) #String Quartet: 2 violins, viola, cello #ADVANCED #Mark Oâ€™Connor

#Mark O'Connor #String Quartet No. 3 "Old-Time #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861789 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score an...(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861789 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 34 pages. Mark O'Connor Musik International #6201731. Published by Mark O'Connor Musik International (A0.861789). String Quartet No. 3 Old-Time (Score â€“ two vlns, vla, cel) MO169BViolin 1 Part (score and parts available)Music by Mark Oâ€™Connor30 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169BCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 3 "Old-Time" (viola part - two vlns, vla, cel) #String Quartet: 2 violins, viola, cello #ADVANCED #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 3 "Old-Time #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score an...(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201735. Published by Mark O'Connor Musik International (A0.861790). String Quartet No. 3 Old-Time (viola â€“ two vlns, vla, cel) MO169DViola Part (score and parts available)Music by Mark Oâ€™Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169DCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 3 "Old-Time" (cello part - two vlns, vla, cel) #String Quartet: 2 violins, viola, cello #ADVANCED #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 3 "Old-Time #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score an...(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 pages. Mark O'Connor Musik International #6201737. Published by Mark O'Connor Musik International (A0.861791). String Quartet No. 3 Old-Time (cello part â€“ two vlns, vla, cel) MO169ECello Part (score and parts available)Music by Mark Oâ€™Connor24 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169ECopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 3 "Old-Time" (violin 2 part - two vlns, vla, cel) #String Quartet: 2 violins, viola, cello #ADVANCED #Mark Oâ€™Connor
#Mark O'Connor #String Quartet No. 3 "Old-Time #Mark O'Connor Musik International #SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861788 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score an...(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861788 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201733. Published by Mark O'Connor Musik International (A0.861788). String Quartet No. 3 Old-Time (violin 2 part â€“ two vlns, vla, cel) MO169CViolin 2 Part (score and parts available)Music by Mark Oâ€™Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169CCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$15.00

String Quartet No. 1: One of Those Daze, Reflections, Good Times #String Quartet: 2 violins, viola, cello #ADVANCED #Contemporary #Mary Jane Lang #String Quartet No. 1: One of T #MaryJaneLang #SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.889278 Composed by Mary Jane Lang. 20th Century. Score and parts. 32 pages. MaryJaneLa...(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.889278 Composed by Mary Jane Lang. 20th Century. Score and parts. 32 pages. MaryJaneLang #2019995. Published by MaryJaneLang (A0.889278). This is not my first string quartet, but I think this is great program music; the titles of the movements (One of Those Daze, Reflections, Good Times) speak for themselves. The first movement explores rhythms and different meters (same pulse). The second movement is calming and reflective, like a prayer. The third movement is euphoric and probably the easiest one to play, which can be welcome if your group is giving a concert. Needless to say, the two outer movements are good for gigs such as receptions and parties. The score and each part is included in one PDF. Audio will be forthcoming upon being recorded.

$24.99
The First Time Ever I Saw Your Face - string quartet with score and parts #String Quartet: 2 violins, viola, cello #ADVANCED #Rock #Glee Cast, Roberta Flack #David F Wainwright #The First Time Ever I Saw Your #D F Wainwright #SheetMusicPlus

String Quartet - Advanced - Digital Download By Glee Cast, Roberta Flack. Arranged by David F Wainwright. Score, Set of Parts. 7 pages. Published by D F Wa...(+)

String Quartet - Advanced - Digital Download By Glee Cast, Roberta Flack. Arranged by David F Wainwright. Score, Set of Parts. 7 pages. Published by D F Wainwright

$14.99
Movement for String Quartet #String Quartet: 2 violins, viola, cello #ADVANCED #Paul Dessau #Movement for String Quartet #Schott Music - Digital #SheetMusicPlus

String quartet - advanced - Digital Download SKU: S9.Q22733 Composed by Paul Dessau. This edition: score and parts. Downloadable, Score and parts. Durati...(+)

String quartet - advanced - Digital Download SKU: S9.Q22733 Composed by Paul Dessau. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q22733. Published by Schott Music - Digital (S9.Q22733). Dessauâ€™s String Quartet movement was written while he was also working on Brechtâ€™s opera Puntila. After Brechtâ€™s death in 1956 Dessau found himself looking for a new direction. On the one hand he was still working on music begun in collaboration with the poet, while on the other hand Dessau was trying to work towards a socially oriented musical aesthetic, which led him to compose songs for political purposes. Even this Quartet movement does not owe its inspiration purely to an artistic vision. In spite of its technical demands, the piece is intended to be comprehensible and could even be played by an amateur ensemble in its cleverly reduced form. Only discovered after the composerâ€™s death, the Movement for String Quartet is published for the first time in this edition.

$16.99
No. 38 #String Quartet: 2 violins, viola, cello #ADVANCED #Richard Ayres #No. 38 #Schott Music - Digital #SheetMusicPlus

String quartet - difficult - Digital Download SKU: S9.Q20004 Three Small Pieces for String Quartet. Composed by Richard Ayres. This edition: score...(+)

String quartet - difficult - Digital Download SKU: S9.Q20004 Three Small Pieces for String Quartet. Composed by Richard Ayres. This edition: score and parts. Gallop - Maria TÄƒnase - horses. Downloadable, Score and parts. Duration 12 minutes. Schott Music - Digital #Q20004. Published by Schott Music - Digital (S9.Q20004). Richard Ayresâ€™ Three Small Pieces for String Quartet each have distinct characters that illustrate the composerâ€™s vivid imagination and skill for combining energetic, touching and sometimes wild music. The first piece is a short tribute to the Romanian singer Maria Tanase, a long forgotten performer who was once a star in her country. The second is a rough, fast and folk-like section in 11/16 time and the third, subtitled â€œCountess Eva von Spendu (on a horse) gallops through the forest (pausing four times to contemplate natural splendour)â€, contains (in the words of the composer) â€œhunting gallops, a Feldmanesque 19 bar blues, some devilish fiddling, moments of repose and contemplation, and a lyrical finale.â€.

$66.99
String Quartet - William and Mary #String Quartet: 2 violins, viola, cello #ADVANCED #Mike Strand, ASCAPâ€ƒ
< #Mike Strand #String Quartet - William and M #Michael M. Strand #SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Mi...(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand #4837117. Published by Michael M. Strand (A0.970731). By Mike Strand, ASCAPâ€ƒI wrote this String Quartet in a composition class at the College of William and Mary in 2010. It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below). This causes the dissonance you'll hear in parts of this work.On one occasion, when I felt stressed, I enjoyed listening to Morton Feldman's String Quartet II (1983), which lasts about 6 hours. This quiet but lovely music soothed and pacified me. On the other hand, if you want something to energize and alert you in less than 11 minutes, this quartet may be for you -- whenever you acquire a recording of it by some lucky quartet ensemble. Have a cup of coffee with it, for insurance!In the meantime, enjoy the audio sample, Movement I of my quartet. This alone may suffice to get you going, in only two and a half minutes. String Quartet - William and Mary: Four movements, total time 10:45: I. Allegro moderato (2:32) A tango-like dance movement: Preface, Introduction, A, B, Aâ€™, C, Coda (two variations). II. Lento (2:44) Counting to twenty in 5-4, 4-4, and 12-8 time. 5-4 time predominates (five groups of four measures each), then 4-4 (two groups of five measures each) and 12-8 (one group of five measures). Throughout there are 72 counts per minute, with quarter notes counted in the 5-4 and 4-4 time signatures, and with dotted quarter notes counted in the 12-8 time signature. The five measures of 12-8 also introduce the theme for movement III.Fun with three different time signatures! III. Allegro (2:11) Variations on a Scottish-like folk tune and fragments of it. One variation is an example of tonal pointillism. The closing measures are an extended coda based on a transformed version of the original tune. IV. Swing (3:18) West Coast swing tempo for the Introduction and Part A; triple swing tempo for Part B. Note* on the fracturing technique This is my method to produce systematically new types of dissonance and corresponding modifications and resolutions. Fracturing consists of changing pitches in a melody or chord as follows: (a) Decide on the root note position within the staff or line of music. (b) Represent the applicable chord in half-step notation, with the root given the value 0. (c) Alternatively subtract and add a prescribed number of half steps from, and to, each successive number in the annotated chord (except for the root). (d) Use the new fractured annotation to define the new pitches. The actual or implied root of the chord (tonal center) remains unchanged. The resulting new chord or melody is thus related or resolvable to the parent tonal harmony or chord. Fracturing appears mainly in the first and third movements, with spare use in the second and fourth movements.

$7.00
String Quartet No. 3: Among Friends #String Quartet: 2 violins, viola, cello #ADVANCED #Contemporary #Robert M #String Quartet No. 3: Among Fr #Robert M. Greenberg #SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robe...(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.

$36.00
Study on Beethoven #String Quartet: 2 violins, viola, cello #ADVANCED #Studies #Joerg Widmann #Study on Beethoven #Schott Music - Digital #SheetMusicPlus

String quartet - difficult - Digital Download SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Dura...(+)

String quartet - difficult - Digital Download SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes. Schott Music - Digital #Q778767. Published by Schott Music - Digital (S9.Q778767). My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works ranging from the (in my opinion) quasi revolutionary Quartet No. 1 to the Quartet No. 5 entitled Versuch über die Fuge [Attempt at a Fugue]. The Quartet No. 6 – Study on Beethoven – composed fourteen years after No. 5 should be conceived as a new approach and the commencement of a new quartet cycle with an unknown ending. All that can be said is that the subsequent quartets will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Despite a reverence for Beethoven at a very early stage, my own compositions have steered well clear of this unapproachable cosmos with the exception of my concert overture Con brio. The perhaps only link with the five quartets of the first cycle of quartets is the single-movement structure of the thirty-minute Quartet No. 6. The fundamental coordinates have otherwise been reset to zero. This is therefore also a ‘study’ in a literal sense. In the Quartet No. 6, I set out with a state of tonality displaying significant extensions whose centrifugal forces are barely containable. My focus is the detection of the inherent gravitation of tonality, including phenomenons such as tension/relaxation, suspension/resolution and fixation/deviation. From a formal aspect, the work is too experimental and unsentimental for explorations in a nostalgic-romantic sense. On the contrary, tonality or at least its fundamental assumptions are initially set down in the sense of a study or test assembly in order to permit subsequent experimentation, variation and the formulation of exceptions with the desire and firm conviction that it is possible to express something innovative and never previously heard with this seemingly exhausted fundamental material. I have been repeatedly astonished by the unfolding in the progression of this piece which has taken me to unknown locations, especially from a formal aspect. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. The Quartet No. 6 has been created in close artistic and friendly cooperation with Anne-Sophie Mutter and she is the dedicatee of this work. Jörg Widmann, July 2019My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works. The Quartet No. 6 composed fourteen years after No. 5 now opens a new cycle of quartets which will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Perhaps the only link with the five quartets of the first cycle is the single-movement structure of the almost thirty- minute Quartet No. 6. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. Jörg Widmann.

$82.99
Better Days #String Quartet: 2 violins, viola, cello #ADVANCED #OneRepublic #Kyle Pudenz #Better Days #ViolinVagabond Music #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.845979 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Te...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.845979 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedder. Arranged by Kyle Pudenz. Contemporary,Pop,Rock. Score and parts. 29 pages. ViolinVagabond Music #5739335. Published by ViolinVagabond Music (A0.845979). Whether you are a tried and true OneRepublic fan looking to add to your ensemble's catalog, a struggling musician hoping for Better Days, or simply want to create a little social media buzz by playing that song that you saw in a commercial about a Jeep, or ESPN, or NBC... THIS is the chart you are looking for!Check out Dallas String Quartet performing this chart in their latest music video: https://youtu.be/BBEdsXRELywWhat you have here, ladies & gentlemen, is no half-baked attempt at a transcription that you might find illegally floating around the internet for a few bucks. This meticulously-arranged instrumental reimagining of OneRepublic's new smash is much, MUCH more. Your journey through the pop-string realm starts out with a silky, cinematic intro that will filter out the commotion of your futile existence, opening the curtains to reveal a plane of pure musical ecstasy. When the groove finally drops, and OH, does it DROP... you will not be able to stop yourself from foot-tapping, head-banging, or otherwise moving one or more body parts in a definitively rhythmic fashion. Hip rhythmic chopping grooves, fingerboard slaps, and a healthy dose of syncopation will take this sick beat to another level! And if that isn't enough to pique your interest, be on the lookout for some sexy reharminizations throughout the tune that will make you honestly wonder why those chords weren't in the song to begin with...Just when you thought this couldn't get any better: THERE IS A SOLO SECTION!! I've included some written solos, but if you prefer to improvise your own, that is allowed and encouraged. You can also vamp it if you need to kill a little time, or just want to show off for a few more bars.**This score is also available with Rhythm Section Parts for guitar, bass & drum set, which your ensemble can use to perform with a full band. Visit https://www.sheetmusicplus.com/title/21765313?aff_id=655189 for more details**Having a great ensemble may be the first step to successfully landing the big gigs, but having repertoire that gives your musicians the chance to shine will make you stand out from the rest. So don't settle for reading off of a piano score or hacking through questionably-obtained transcriptions when you can have the real deal. Fresh tunes, arranged by a real string player who has been in your shoes and knows how to wow the crowd!Thanks for visiting, and I hope this chart brings us all to some Better DaysPerformance time - 4:00 as written, longer if you vamp the solo, shorter if you cut the intro. Because I get it; we all need flexibility when wedding parties and/or emcee's are involved.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond

$19.99
Rudolph The Red-nosed Reindeer #String Quartet: 2 violins, viola, cello #ADVANCED #Rock #John Denver #Des McNutty #Rudolph The Red-nosed Reindeer #Des Press #SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.977355 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks. Arrang...(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.977355 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks. Arranged by Des McNutty. Rock. Score and parts. 16 pages. Des Press #6445813. Published by Des Press (A0.977355). Rudolph, the Red-Nosed Reindeer first hit number one in the US charts sung by Gene Autry over Christmas in 1949, becoming the first No. 1 of the 1950s. Songwriter, Johnny Marks, based this song on the eponymous book first published in 1939. Before its chart-topping success, Rudolph was first heard in November 1949 on New York Radio (WOR) by crooner Harry Brannon. Since then it has remained an extremely popular seasonal song and has been covered many times by such diverse artists as Bing Crosby, Spike Jones, Alvin and the Chipmunks and The Temptations. This is a new arrangement, rather than a transcription of a known reccording. It is jazzy in style and rhythmically playful. Watch out for the little tags, such as the intro, coda and between refrains! They symbolise how lost the other reindeer would have been on that foggy night without their red-nosed hero, Rudolph! The level is on the easier side of advanced; quickly rehearsed by professional quartets and an accessible challenge for experienced students. Enjoy!

$12.99
Shadow Puppets (String Quartet) #String Quartet: 2 violins, viola, cello #ADVANCED #Dave Kenney #Shadow Puppets #davekenneymusic #SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.966499 Composed by Dave Kenney (davekenneymusic@gmail.com). 20th Century,Contemporary,...(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.966499 Composed by Dave Kenney (davekenneymusic@gmail.com). 20th Century,Contemporary,World. Score and parts. 22 pages. Davekenneymusic #3638713. Published by davekenneymusic (A0.966499). Shadow Puppets is the second movement of my first string quartet. My inspiration came from watching a video of a shadow puppet show presented in Indonesia.  The puppets irregular and sudden movements inspired me to use the pizzicato and arco staccato sounds of the string quartet. The music is essentially a playful fugue with the second violin stating the main subject in imitation and which recurs frequently in the course of the work.  I used a lot of different time signatures to mimic the irregular movements of the puppets.The fabric of the string quartet is based on my studies of the Bartok quartets with my composition teacher in NYC, Hall Overton. (davekenneymusic@gmail.com).length 2 minutes 52 seconds  Thanks Dave Kenney copyright davekenneymusic 2013 https://youtu.be/CYROP1dQnLk

$5.99
Elgar, E. - Chanson De Matin for String Quartet #String Quartet: 2 violins, viola, cello #ADVANCED #Classical #Edward Elgar #Linda M #Elgar, E. - Chanson De Matin f #Linda M Scott #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.540464 Composed by Edward Elgar. Arranged by Linda M. Scott. 20th C...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.540464 Composed by Edward Elgar. Arranged by Linda M. Scott. 20th Century,Romantic Period. Score and parts. 13 pages. Linda M Scott #4288985. Published by Linda M Scott (A0.540464). Sir Edward Elgar (1857-1934) was a well-respected English composer. His Enigma Variations written in 1899, was one of his first works that established him as noteworthy composer of his time. Another work that remains popular is the Pomp and Circumstance March. This piece, Chanson De Matin, was written originally for violin and piano, and later orchestrated for chamber orchestra.

$5.99
Moving Between for string quartet #String Quartet: 2 violins, viola, cello #ADVANCED #Haydn Reeder #Moving Between for string quar #Haydn Reeder #SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.953836 Composed by Haydn Reeder. Concert,Contemporary. Score and parts. 14 pages. Hayd...(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.953836 Composed by Haydn Reeder. Concert,Contemporary. Score and parts. 14 pages. Haydn Reeder #4575989. Published by Haydn Reeder (A0.953836). This string quartet movement is the first of three which can be played separately or as a set. The others are titled Breathing and Drama, also available here. Moving Between requires a modicum of theatrical movement / gestures by the players. Composed in 2010, Moving Between has its origins in the abstract thinking which characterized some of my earlier pieces such as DiasynthÃ¨se for piano or Chromatalea for small ensemble. A fuller title may have been Moving Between Extremes, as it deals with the contrast between monody (unaccompanied melody) and the simultaneous sounding of different pitches (harmony). Transforming one of these extreme types of texture into the other is achieved in a number of ways. There are areas where such a transformation is taking place; however, quite often a texture arrived at remains the same for some time. The piece has the potential to evolve further along its own free-wheeling path.

$7.50
Die Mozartisten #String Quartet: 2 violins, viola, cello #ADVANCED #Opera #Classical #Joseph Lanner #Stephen Levintow #Die Mozartisten #Cypress Publishing #SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1335178 Composed by Joseph Lanner (1801-1843). Arranged by Stephen Levintow. 19th Cent...(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1335178 Composed by Joseph Lanner (1801-1843). Arranged by Stephen Levintow. 19th Century,Chamber,Opera,Romantic Period. 55 pages. Cypress Publishing #921020. Published by Cypress Publishing (A0.1335178). Lanner, along with his colleague (and later rival) Johann Strauss the Elder, led the first great flowering of dance music specialist composers in Vienna. This wonderful curiosity is Lanner's homage to Mozart, setting some of his most famous opera melodies in waltz time, introduced by a medley of other Mozart opera hits. The finale, a waltz rendition of the overture to Die ZauberflÃ¶te, is not to be missed! The 3rd waltz includes a section where Lanner, a brilliant violinist, wrote out what sounds like the sort of improvisation he would have made in performance. It is marked with an optional cut in the arrangement.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.Â The goal is to produce high-quality, musically satisfying arrangements faithful to the composerâ€™s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in SibeliusÂ© software format, with careful attention to legibility and page turns.

$10.00
Supreme #String Quartet: 2 violins, viola, cello #ADVANCED #Pop music #Robbie Williams #Des McNutty #Supreme #Des Press #SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.977358 By Robbie Williams. By Dino Fekaris, Francois de Roubaix, Frederick Perren, Guy...(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.977358 By Robbie Williams. By Dino Fekaris, Francois de Roubaix, Frederick Perren, Guy Anthony Chambers, and Robert Peter Williams. Arranged by Des McNutty. Pop. Score and parts. 15 pages. Des Press #6445791. Published by Des Press (A0.977358). Supreme was one of Robbie Williams' hits in year 2000 from the album Sing When Youâ€™re Winning on the label Chrysalis Records. It is possible that it took less time to put this song together than the legal teams needed to negotiate the distribution of royalties because it contains two interpolations, or re-recorded samples from other works. The more familiar of these is the bridge, interpolated from I Will Survive (by Dino Fekaris, Frederick Perren) first sung by Gloria Gaynor. The other is the main string riff, which is interpolated from music to the 1970 French-Italian film Dernier domicile connu (Last Known Address) composed by FranÃ§ois de Roubaix. The rap section after the bridge is replaced with an excerpt from this. Otherwise, this arrangement for string quartet is a relatively straight-forward idiomatic transcription in the same tonalities as the original recording, so you could even play along with it for fun. The level is on the easier side of advanced; quickly rehearsed by professional quartets and an accessible challenge for experienced students. Enjoy!

$12.99
HUNGARIAN RHAPSODY NO 2 – STRING QUARTET #String Quartet: 2 violins, viola, cello #ADVANCED #Classical #Franz Liszt #RUSSELL T #HUNGARIAN RHAPSODY NO 2 – ST #EMK Music #SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.834090 Composed by Franz Liszt. Arranged by RUSSELL T. KING. Romantic Period,Standards...(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.834090 Composed by Franz Liszt. Arranged by RUSSELL T. KING. Romantic Period,Standards. 33 pages. EMK Music #6492461. Published by EMK Music (A0.834090). One of the most recognizable pieces written for the piano, Liszt's Hungarian Rhapsody No. 2 has remained within popular culture in one way or another since he first penned the work in 1847. Performance time is around 7.30 but may be reduced to 4.50 by cutting the section from letter C to Letter D as indicated by the coda signs.Can be played by String Orchestra by doubling on parts.

$14.00
Elegies and Dances (2016) (String Quartet #3) #String Quartet: 2 violins, viola, cello #ADVANCED #Contemporary #James Sclater #Elegies and Dances #James S Sclater #SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.961282 Composed by James Sclater. 20th Century,Concert,Contemporary. Score and parts. ...(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.961282 Composed by James Sclater. 20th Century,Concert,Contemporary. Score and parts. 79 pages. James S Sclater #5998739. Published by James S Sclater (A0.961282). This four-movement work was premiered in 2016 by the Fondren Quartet. Movement 1, Morning Song, is an angular study in instrumental interplay. The 3rd movement, Graveyard Hoedown, is a type of Devil's Bluegrass dance. The elegy for quiet heroes honors those who risked their lives during WWII to hide Jews from the Nazis. The elegy for Jerzy Popieluszko is a memorial to the Polish Catholic priest who was murdered by the authorities for his outspokenness during the tumult in that country. If time is a factor, this work can be successfully done by just playing the first three movements, or perhaps performing movements 1, 4, and 3 in that order. This is serious, reflective music with rewards for both performers and audience. For advance players.

$27.95
Bennie And The Jets #String Quartet: 2 violins, viola, cello #ADVANCED #Elton John #Greg Woodward #Bennie And The Jets #Greg Woodward #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1316164 By Elton John. By Bernie Taupin and Elton John. Arranged by...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1316164 By Elton John. By Bernie Taupin and Elton John. Arranged by Greg Woodward. Jazz,Pop,R & B,Rock,Singer/Songwriter. 16 pages. Greg Woodward #904901. Published by Greg Woodward (A0.1316164). This arrangement of Elton John's 1973 classic Bennie and the Jets leans heavily into the dragging groove of the song that made it so popular on the R&B charts at the time. The first two verses stick largely to the original whilst sharing the melody amongst all players, but the extended middle section of the song is replaced by an alternative section that develops the ideas of the verse and chorus, before a quick reprise of a fragment of the verse melody played wistfully on the cello to end.

$30.00
Jacques Leguerney: String Quartet in D for two violins, viola and cello #String Quartet: 2 violins, viola, cello #ADVANCED #Contemporary #Jacques Leguerney #II. Intermezzo #Jacques Leguerney: String Quar #Musik Fabrik Music Publishing #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor Ã cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist ThÃ©rÃ¨se Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor Ã cordes (inÃ©dit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor Ã cordes en rÃ© mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor Ã cordes en rÃ© mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??AcadÃ©mie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of FaurÃ©, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor Ã cordes en rÃ© mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.

$38.95
String Quartet #3 - A Year in the Life #String Quartet: 2 violins, viola, cello #ADVANCED #Greg Woodward #String Quartet #3 - A Year in #Greg Woodward #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1460359 Composed by Greg Woodward. 21st Century,Chamber,Classical. ...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1460359 Composed by Greg Woodward. 21st Century,Chamber,Classical. 54 pages. Greg Woodward #1039292. Published by Greg Woodward (A0.1460359). My third string quartet is a playful and melodic work, encompassing a wide range of styles and moods with a high degree of thematic unity. The joyful, dance-like character of the opening eventually disintegrates into a moment of sorrow, before a pensive, introspective section with elements of Herrmann and Shostakovich. A grand crescendo leads to a huge A major chord (a reference to the Beatles' A Day In The Life) that gradually becomes more dissonant as it progresses underneath a constant high A pedal point in the first violin. A chant-like section featuring open fifths follows, before a driving, angular section in 5/4. This recurs a few times interspersed with some musical episodes before ushering in a majestic transformation of the earlier chant-like section. After this runs its course and dies out, a final section revisits the dance-like energy of the first section which borrows thematic material from all through the piece before speeding into a final jazzy major sixth pizzacato chord.This would make a good concert piece.Visit my YouTube page for more performances, arrangements and compositions.

$55.00
String Quartet No. 5 #String Quartet: 2 violins, viola, cello #ADVANCED #Peteris Vasks #String Quartet No. 5 #Schott Music - Digital #SheetMusicPlus

String quartet - difficult - Digital Download SKU: S9.Q6235 Composed by Peteris Vasks. This edition: score and parts. Downloadable, Score and parts. Dura...(+)

String quartet - difficult - Digital Download SKU: S9.Q6235 Composed by Peteris Vasks. This edition: score and parts. Downloadable, Score and parts. Duration 25 minutes. Schott Music - Digital #Q6235. Published by Schott Music - Digital (S9.Q6235). String Quartet No. 5 consists of two contrasting movements. The first movement, being present, immediately leads to an atmosphere of high emotional tension. The prevailing atmospheric elements of the music are dramatic and passionate, alternating with each other like a kaleidoscope. In contrast to that, a second theme is intoned three times â€“ an invitation, a memory of the existence of another world, a light-house which illuminates the twilight in which we live so often. But this invitation remains unheard. The first movement concludes with dissonances in the upper register â€“ a cry of utter desperation. The second movement, so distant ... yet so near, is the calm, unhurried vocal section of the quartet. A forgiving, loving look at a world tortured by grief and contradictions. Gradually, the singing becomes more personal, more emotional and more dramatic. The rhythmic figure of a funeral march in the recapitulation of the second movement is a gesture of loss. Eventually, the quartet loses itself in an atmosphere of light-filled grief. PÄ“teris Vask.

$35.99

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