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Fall at Last
String Quartet: 2 violins, viola, cello
Sheetmusic to print
4 sheet music found
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1
(you're The) Devil In Disguise
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Elvis Presley
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Thomas Graf
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(you're The) Devil In Disguise
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1230706 By Elvis Presley. By Bernie Baum, Bill Giant, and Florence ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1230706 By Elvis Presley. By Bernie Baum, Bill Giant, and Florence Kaye. Arranged by Thomas Graf. Broadway,Country,Film/TV,Musical/Show,Pop,Rock. 9 pages. Thomas Graf - the-hit-factory.com #826416. Published by Thomas Graf - the-hit-factory.com (A0.1230706). (You're the) Devil in Disguise is a 1963 single by Elvis Presley which was written by Bill Giant, Bernie Baum and Florence Kaye. It was published by Elvis Presley Music in June 1963. The song peaked at No. 3 in the US on the Billboard singles chart on August 10, 1963, and No. 9 on the Billboard Rhythm and Blues singles chart, becoming his last top ten single on the Rhythm and Blues charts. The single was certified Gold by the RIAA for sales in excess of 500,000 units in the US. The song also topped Japan's Utamatic record chart in the fall of 1963.About this arrangement:Â Composed by: By Bernie Baum, Florence Kaye, Bill GiantArranged by: Thomas H. GrafInstrumentation:Â Full Score and Parts as listed below:Violin 1Violin 2ViolaVioloncelloAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 Â E-Mail: info@the-hit-factory.com. Â www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$14.00
Plasir d'Amour: Classic French love song - string quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Jean-Paul-Égide Martini
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Yoel Epstein
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Plasir d'Amour: Classic French
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Yoel Epstein
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SheetMusicPlus
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.773288 Composed by Jean-Paul-Égide Martini. Arranged by Yoel Epstein. Classical,Ho...
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.773288 Composed by Jean-Paul-Égide Martini. Arranged by Yoel Epstein. Classical,Holiday,Love,Sacred,Wedding. Score and parts. 17 pages. Yoel Epstein #2930403. Published by Yoel Epstein (A0.773288). https://youtu.be/HW0EvzsKtEUThe classic French love song composed by Jean-Paul-Égide Martini in 1784, to the words of French poet Jean-Pierre Claris de Florian. The song's timeless message (The pleasure of love lasts only a moment, the grief of love lasts a lifetime) and it's lovely, lilting melody have made it a favorite of great singers, including great opera stars and popular songsters. Elvis Presley used the melody as the basis for his song Can't Help Falling in Love with You. This arrangement is part of my collection of love songs, Love!, which you can see at http://www.sheetmusicplus.com/title/love-a-string-quartet-collection-of-songs-for-valentines-day-digital-sheet-music/20370256 . You can see all my arrangements at http://www.sheetmusicplus.com/publishers/yoel-epstein-sheet-music/3001988?ac=1. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me at yoelepst@gmail.com, and I will try to accommodate.
$9.99
Multiplied
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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NEEDTOBREATHE
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Kyle Pudenz
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Multiplied
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.845972 By NEEDTOBREATHE. By Nathaniel Bo Rinehart, Nathaniel Rineha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.845972 By NEEDTOBREATHE. By Nathaniel Bo Rinehart, Nathaniel Rinehart, William Bear Rinehart, and William Rinehart. Arranged by Kyle Pudenz. Contemporary,Pop,Praise & Worship,Wedding. Score and parts. 52 pages. ViolinVagabond Music #5297799. Published by ViolinVagabond Music (A0.845972). Most folks might tell you that covering a song like this without an acoustic guitar would be impossible.Nay! I say. Impossible is nothing when you have an ambitious group of string players and a thirst for greatness! So I made an interlocking pizzicato part between the 1st & 2nd violin, which re-creates the pulse of the fingerpicking guitar from Needtobreathe's original track. With a little bit of rehearsal, your quartet will soon be sailing through these verses with no need for any assistance from an accompanist.That being said, if your thirst for greatness falls a little short, you can also dial this tune back to easy mode and perform with a guitarist. I have included an acoustic guitar part specifically for this purpose, because I, like you, have done my fair share of wedding gigs where someone calls a tune at the last minute and you have no time (or desire) to waste on a rehearsal.This arrangement uses strum bowing and ghost notes fairly extensively as a means to create rhythmic grooves. If you are unfamiliar with these concepts, I recommend checking out the following series of videos: https://youtu.be/kfX3kxjC93sPerformance time - approximately 4:30Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$17.99
String Quartet No.2
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Contemporary
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Frederick Paul Naftel
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String Quartet No.2
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Frederick Naftel
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Fre...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded cello’s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel
$19.99
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