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Do You Want To Dance?
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String Quartet: 2 violins, viola, cello
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You've selected:
Do You Want To Dance?
String Quartet: 2 violins, viola, cello
Sheetmusic to print
2 sheet music found
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Gaillarde l'Esmerillonne - Gaillarde No 6 (Premier Livre de Danseries, 1571)
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String Quartet: 2 violins, viola, cello
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EASY
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Gaillarde l'Esmerillonne - Gai
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.990228 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Scor...
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.990228 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #595907. Published by Colin Kirkpatrick Publications (A0.990228). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody parts are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone color. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Gaúcho - Corta Jaca (Brazilian Music)
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String Quartet: 2 violins, viola, cello
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Chiquinha Gonzaga
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Renato Esteves
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Gaúcho - Corta Jaca
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Renato Esteves
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SheetMusicPlus
String Quartet String Quartet - Digital Download SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and...
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String Quartet String Quartet - Digital Download SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages. Published by Renato Esteves (A0.508952). The famous Corta-jaca, the name with which the Gaucho tango became popular, is one of the most recorded and known songs by Chiquinha Gonzaga, alongside Ó abre alas, Lua Branca and Atraente. He was born on the stages of musical theaters, where he was danced in the final scene of the burlesque operetta of national customs Zizinha Maxixe, imitated from French by an anonymous author, performed at Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa ), anonymous author of the play, ended up putting verses in Corta-jaca's music, helping to popularize it, especially after its version was recorded on disk by the duo Os Geraldos. Throughout history, Corta-jaca attended other stages and repertoires: coffee-singers, beer-beauties, choro circles… But it was at the Palácio do Catete, in 1914, that it reached its glory. Performed on the guitar by First Lady Nair de Teffé, it caused political scandal and ended up calling the administration Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa delivered from the gallery. When inquiring what the cut-jaca that he had heard so much about is, he concludes: “The lowest, the most foul, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions, the cut-jaca is performed with all the honors of Wagner's music, and we don't want the conscience of this country to revolt, our faces redden and the youth to laugh!†Never before in the history of Brazil has eminently popular music been performed in the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca became a classic of the great repertoire of Brazilian instrumental music, deserving recordings, among others, by Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, numerous bands and some sung versions. It was also written by the conductor for singing and piano and for a small orchestra: oboe, viola, timpani, horns (fá), bassoon. Edinha Diniz, 2011.
$20.00
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