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Piano Trio: piano, violin, cello
Sheetmusic to print
2 sheet music found
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1
O Come All Ye Faithful for Piano Trio
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Piano Trio: piano, violin, cello
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BEGINNER
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Christmas
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 1 - Digital Download SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Publis...
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Piano Trio - Level 1 - Digital Download SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A0.548647). O Come, All Ye Faithful O Come, All Ye Faithful arranged for piano trio ( piano, violin & cello) featuring a thought-provoking re-harmonization of the final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
Like a River Glorious (Easy Violin and Cello Duet with Piano Accompaniment)
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Piano Trio: piano, violin, cello
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BEGINNER
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Sacred music
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James Mountain and Sharon Wi
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Sharon Wilson
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Worship, Sacred, Traditional
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Like a River Glorious
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Sharon Wilson
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SheetMusicPlus
By James Mountain and Sharon Wilson. By Frances R. Havergal, Frances Ridley Havergal, and James Mountain. Arranged by Sharon Wilson. Children, Folk, P...
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By James Mountain and Sharon Wilson. By Frances R. Havergal, Frances Ridley Havergal, and James Mountain. Arranged by Sharon Wilson. Children, Folk, Praise & Worship, Sacred, Traditional. Score and parts. 15 pages. Sharon Wilson #654804. Published by Sharon Wilson
Here is an easy instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the peaceful hymn \"Like a River Glorious\" by James Mountain. This gently flowing arrangement will inspire calm reflection as the listeners are reminded of the lyrics penned by Frances Havergal: \"Like a river glorious is God\'s perfect peace, over all victorious in its bright increase…..Trusting in the Father, hearts are fully blest, finding, as he promised, perfect peace and rest.\"
Both the VIOLIN and the CELLO get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The verse begins with each instrument playing a phrase independently followed by the VIOLIN on melody and the CELLO on harmony. The first verse concludes with the CELLO on melody and the VIOLIN on harmony. Duration 2:00
The range for each part is as follows: VIOLIN – C5 to A5; CELLO – G2 to C4 (middle C). All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player.
$5.99
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