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Not classified
717
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Piano solo
362
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307
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81
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69
C Instruments
63
Piano Accompaniment
61
Easy Piano
21
1 Piano, 4 hands
10
Piano Trio: piano, violin, cello
6
Harpsichord
2
Organ, Piano (duet)
1
2 Pianos, 4 hands
1
Keyboard
1
Organ, Trumpet (duet)
1
+ 9 instrumentations
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Retract
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Guitar notes and tablatures
347
Guitar
24
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10
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6
Bass guitar
5
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5
Ukulele
3
2 Guitars (duet)
3
Piano, Guitar (duet)
2
+ 4 instrumentations
-
Retract
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Choral SATB
206
Choral 3-part
71
Choral TTBB
30
Choral SSAA
24
Tenor voice, Piano
18
Choral 2-part
17
Soprano voice, Piano
10
Vocal duet, Piano
10
Choral Unison
9
Alto voice, Piano
7
Voice solo
6
Tenor voice
4
Vocal duet
3
Choral SSAB, Piano
2
Choral
2
Medium voice, Piano
2
Soprano voice
1
High voice
1
Baritone voice, Piano
1
Choral SSATB
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+ 15 instrumentations
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
37
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37
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28
Saxophone Quartet: 4 saxophones
28
Saxophone Quintet: 5 Saxophones
27
Oboe, Piano (duet)
24
Clarinet and Piano
21
Alto Saxophone and Piano
21
Clarinet Ensemble
19
Clarinet Quartet: 4 clarinets
14
2 Flutes (duet)
13
Flute ensemble
13
Saxophone ensemble
12
Tenor Saxophone and Piano
12
Flute Quartet: 4 flutes
11
Baritone Saxophone, Piano
10
2 Clarinets (duet)
10
Flute Quintet : 5 flutes
10
Clarinet Quintet: 5 clarinets
9
Alto Saxophone
7
Flute Trio: 3 flutes
7
Flute
6
Bass Clarinet, Piano
6
3 Clarinets (trio)
6
Soprano Saxophone and Piano
6
Flute, Clarinet (duet)
5
Oboe, Clarinet, Bassoon (trio)
4
3 Saxophones (trio)
3
English horn, Piano
3
Clarinet
3
Oboe (band part)
3
Oboe, Flute
3
Wind ensemble
2
Tenor Saxophone
2
Flute and Guitar
2
Saxophone (band part)
2
Saxophone and Guitar
2
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2
Flute, Oboe (duet)
2
2 Saxophones (duet)
2
2 Flutes, 2 Clarinets (Quartet)
2
Oboe, Clarinet (duet)
2
Flute, Clarinet and Bassoon.
2
Eb Instruments
1
Oboe, Harp
1
Clarinet, Cello, Piano (trio)
1
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1
Ocarina
1
Flute, Oboe, Clarinet (trio)
1
Clarinet, Guitar (duet)
1
Clarinet, Harp (duet)
1
Clarinet, Organ
1
Oboe, Bassoon (duet)
1
English Horn, Guitar (duet)
1
Piccolo, Piano
1
Oboe
1
Flute, Cello, Piano (trio)
1
2 Flutes, Piano
1
Descant (Soprano) Recorder
1
English Horn
1
+ 55 instrumentations
-
Retract
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Brass Quintet: 2 trumpets, horn, trombone, tuba
60
Brass quartet : 2 trumpets, trombone, tuba
36
Trumpet
14
Trumpet, Piano
14
French Horn and Piano
13
Trombone and Piano
12
Brass Quartet: 2 trumpets, horn, trombone
10
Brass Quartet: 4 trombones
8
Euphonium, Piano (duet)
6
Trombone ensemble
6
Brass Quartet
4
Tuba
4
Trumpet ensemble
4
Trombone
3
English horn, Piano
3
Trumpet, Trombone (duet)
3
2 Trumpets (duet)
3
French horn
3
3 Trumpets (trio)
2
Bb Instruments
1
Trumpet, Trombone, Piano
1
Bass Clef Instruments
1
2 French horns, Piano
1
2 Trombones (duet)
1
Tuba and Piano
1
English Horn, Guitar (duet)
1
Brass Quartet: 4 horns
1
Euphonium
1
English Horn
1
+ 24 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
94
Violin and Piano
37
Cello, Piano
25
String Trio: violin, viola, cello
17
Viola, Piano
15
Harp
15
Violin
13
String Trio: 2 violins, cello
13
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11
Cello
9
Viola
9
2 Cellos (duet)
6
2 Violins (duet)
5
2 Harps (duet)
5
2 Violas (duet)
5
Viola ensemble
4
Violin, Viola (duet)
4
String Quintet: 2 violins, viola, cello, bass
4
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4
Double bass, Piano (duet)
3
Harp, Flute (duet)
2
Piano Trio: Violin, Viola, Piano
2
Violin, Guitar (duet)
2
3 Harps
1
4 Cellos
1
Harp, Violin (duet)
1
Flute, Doublebass (duet)
1
String Trio: 2 violins, viola
1
Viola, Guitar (duet)
1
Cello, Guitar (duet)
1
Violin (band part)
1
String Trio: 3 violins
1
+ 27 instrumentations
-
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64
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60
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36
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36
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32
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19
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16
Chamber Orchestra
13
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12
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7
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2
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1
2 Xylophones
1
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Piano Trio: piano, violin, cello
Sheetmusic to print
6 sheet music found
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Flibbertigibbets
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Kurt Noack
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Wolfgang Birtel
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Flibbertigibbets
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Schott Music - Digital
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SheetMusicPlus
Piano trio - intermediate - Digital Download SKU: S9.Q6534 Composed by Kurt Noack. Arranged by Wolfgang Birtel. This edition: score and parts. Downloadab...
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Piano trio - intermediate - Digital Download SKU: S9.Q6534 Composed by Kurt Noack. Arranged by Wolfgang Birtel. This edition: score and parts. Downloadable, Score and parts. Op. 5. Schott Music - Digital #Q6534. Published by Schott Music - Digital (S9.Q6534). The only work still known today by Noack, 'Heinzelmännchens Wachtparade' [Parade of the Brownies] Op. 5 was called a 'character piece' by the composer himself, and this 'marche en miniature' conveys wit and good humour from the beginning; you can immediately imagine a picture of the brownies tripping along! The second part of the trio offers an ironical and very effectie ending with its enticing harmonies and surprising effects.
$18.99
Be Merciful to Me ~ Psalm 57 (for Violin and Cello Duet with Piano accompaniment)
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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CELLO – B2 to B3
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Be Merciful to Me ~ Psalm 57
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Sharon Wilson
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.565309 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. ...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.565309 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Holiday,Praise & Worship,Sacred. Score and parts. 21 pages. Sharon Wilson #3873107. Published by Sharon Wilson (A0.565309). This original Scripture song based on Psalm 57 verses 1 and 7-10 is arranged as an instrumental trio (for CELLO and VIOLIN Duet with PIANO Accompaniment).String ranges are as follows: VIOLIN – B4 to B5; CELLO – B2 to B3.  All notes for both the VIOLIN and CELLO are playable in the first position making this an excellent selection for beginning string players.The purchase price includes these printing options:1. a grand staff (9 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (2 pages each) and PIANO (3 pages)3. a combined CELLO and VIOLIN score (4 pages)This Psalm is a prayer written by David while in a cave when he was fleeing from Saul (1 Samuel 22). It is presented here as a song of meditation and praise, drawing the listeners into an atmosphere of prayer and trust in God. The beautiful, lyrical style of this instrumental piece creates an atmosphere of worship and is an ideal selection for any church setting.The lyrics (not included on the sheet music) were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:VERSE 1Be merciful to me, O God, be merciful to me,For my soul takes refuge in you,In the shadow of your wings.Be merciful to me, O God, be merciful to me,For in the shadow of your wingsMy soul will always findRefuge, refuge, refuge in You.VERSE 2My heart is fixed on you, O God, my heart is fixed on you.I’ll sing and give you praises.I’ll wake up at dawn and give you thanks.I’ll sing your praises to all people,For your love is great.You loving kindness reaches far beyond the starry skies.Wake up, wake up, wake up and sing.ENDINGBe merciful to me, O God, be merciful to me,For my soul takes refuge in the shadow of your wings.For my soul takes refuge in the shadow of your wings.
$5.99
Shall We Gather at the River (Violin and Cello Duet with Piano accompaniment)
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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CELLO ~ D3 to D4
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Shall We Gather at the River
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Sharon Wilson
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.565816 By Sharon Wilson. By Robert Lowry. Arranged by Sharon Wilson. Christian,Praise ...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.565816 By Sharon Wilson. By Robert Lowry. Arranged by Sharon Wilson. Christian,Praise & Worship,Romantic Period,Sacred,Traditional. 13 pages. Sharon Wilson #6257209. Published by Sharon Wilson (A0.565816). This bright and encouraging hymn by Robert Lowry is arranged as an instrumental trio (for VIOLIN and CELLO duet with PIANO accompaniment). The VIOLIN leads with the melody throughout, but the CELLO has plenty of movement to make it interesting and also gets to play melody for the last phrase of each verse. An optional repeat and second ending is included in case a longer song is desired. This joyful and uplifting instrumental arrangement is an ideal selection for a church setting and a valuable addition for your ensemble sacred repertoire. Duration 2:10 with the repeat.The range for each string part is as follows: VIOLIN ~ F#4 to G5; CELLO ~ D3 to D4. For both the VIOLIN and CELLO, all notes are playable in the first position making this piece an excellent choice for early intermediate string players.The purchase price includes these printing options: 1. a grand staff (5 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (1 page each) and PIANO (2 pages)3. a combined CELLO and VIOLIN score (2 pages) This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments, Book 2 (Collection of 10 Hymns for Violin, Cello, and Piano).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Joy to the World with This Is My Father's World - Cello and Violin duet with piano accompaniment
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sacred music
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Handel
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K
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Joy to the World with This Is
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K L Phillips
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.751517 Composed by Handel (Joy to the World) Franklin L...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.751517 Composed by Handel (Joy to the World) Franklin L. Sheppard (This Is My Father's World). Arranged by K.L. Phillips. Christian,Christmas,Concert,Praise & Worship,Sacred. Score and parts. 14 pages. K L Phillips #4996171. Published by K L Phillips (A0.751517). This cello and violin duet begins as it intertwines the beautiful melodies of Joy to the World and This is My Father's World to create a thoughtful interpretation that highlights our Father's love in sending His Son. It ends with an exuberant, worshipful rendition of Joy to the World.A piano accompaniment track is available for this piece ITEM ID: S0.863027 at Sheet Music Plus.
$4.99
Piano Trio in C minor, Op. 143
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Classical
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Art...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
Piano Trio in E flat major, Op. 2
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Classical
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Ferdinand Ries
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Dianne James
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Piano Trio in E flat major, Op
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Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Art...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
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