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First Impression
Piano Trio: piano, violin, cello
Sheetmusic to print
5 sheet music found
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Flashback of Ravel
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Piano Trio: piano, violin, cello
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Jean Ahn
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Flashback of Ravel
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Jean Ahn
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Digital Download SKU: A0.949304 Composed by Jean Ahn. Concert,Contemporary. Score and parts. 21 pages. Je...
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Piano Trio,String Ensemble Cello,Piano,Violin - Digital Download SKU: A0.949304 Composed by Jean Ahn. Concert,Contemporary. Score and parts. 21 pages. Jean Ahn #4786483. Published by Jean Ahn (A0.949304). Suppose a composer had a glimpse of the first movement of Ravel's trio in a fast forward flash. Then she is left with images. I was trying to organize my impression on Ravel’s trio. The piece uses a loose Sonata form. The first theme and the second theme is somewhat related to Ravel’s, although it is not a direct quotation. The Development is focusing on not only the two themes, but the ornaments from the exposition. The Recapitulation starts in a conventional matter but quickly move onto an improvisatory coda which is a dream-like summarization of all the impressions. The fade out ending suggests that the composer's thought is ongoing.
$15.00
Holy, Holy, Holy (Easy Violin and Cello Duet with Piano Accompaniment)
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Piano Trio: piano, violin, cello
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EASY
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Sharon Wilson
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Sharon Wilson
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Holy, Holy, Holy
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Sharon Wilson
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.565537 By Sharon Wilson. By John Bacchus Dykes. Arranged by Sharon Wilson. Christian,F...
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Piano Trio Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.565537 By Sharon Wilson. By John Bacchus Dykes. Arranged by Sharon Wilson. Christian,Folk,Romantic Period,Sacred,Traditional. 12 pages. Sharon Wilson #4736091. Published by Sharon Wilson (A0.565537). Here is a powerful and uplifting instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the beloved hymn tune NICAEA by John Bacchus Dykes. This bold and energetic arrangement will direct the listeners' focus to the majesty of God. This upbeat arrangement makes a memorable impression during a church or worship service whether used as a call-to-worship, offertory, or postlude.The VIOLIN plays the melody for the first verse and the CELLO plays the melody for the second verse. The song begins in the key of G major and then promptly transitions to the key of D major for the final verse.All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes a 6-page combined score (grand staff) with all three parts on each page (VIOLIN, CELLO, and PIANO) plus separate 1-staff scores for the VIOLIN and CELLO (1 page each) and also a PIANO only score (3 pages). This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments, Book 1 (Collection of 10 Hymns for Violin, Cello, and Piano).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Piano Trio in B flat major, Op. 28
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Classical
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Ferdinand Ries
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Dianne James
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Piano Trio in B flat major, Op
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Art...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1065109. Published by Artaria Editions (A0.1488223). Ferdinand Ries (1784-1838) was one of the greatest pianists of his time and a composer of exceptional abilities. Ries studied pianoforte (but not composition) with Beethoven in Vienna and the two men remained on cordial terms for the rest of their lives. In the last year of his life Ries co-wrote a book of Beethoven reminiscences that remain one of the most valuable sources of information about his life and character. The place and date of composition of the Sonate Sentimentale is uncertain in spite of the apparently conclusive evidence to the contrary: Ries's autograph score is dated 'Godesberg 1814' but by this time Ries was living in London. The discrepancy is probably due to the fact that Ries added the date to this manuscript, as he did to many others, in the 1820s. One of the most intriguing aspects of this work is the difference between Ries's original conception and the work as it appeared in its first published edition in 1834. The extent of the changes points to a substantial authorial revision of the work made prior to publication rather than a garbled transmission of the original text. Among the most striking of these changes is the inclusion of a brief introduction to the first movement; but other passages are extensively rewritten and in some instances lengthened by the inclusion of additional material. As with all Ries's works for flute, the Sonate Sentimentale is exceptionally well written for the instrument and yet perhaps even more impressive is the way in which Ries balances the musical texture and exploits the full potential of both the flute and piano. The beautiful work is arguably the most impressive flute sonata of the early 19th century. Allan Badley.
$37.00
Rest Now, My Love (Trio for Violin, Cello and Celesta)
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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Adam Lenhart
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Rest Now, My Love
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Adam Lenhart
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.949389 Composed by Adam Lenhart. Contemporary,Standards. 15 pages. Adam Lenhart #67029...
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Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.949389 Composed by Adam Lenhart. Contemporary,Standards. 15 pages. Adam Lenhart #6702903. Published by Adam Lenhart (A0.949389). Solemn, yet warm and comforting, Rest Now, My Love is a unique take on the classical piano trio, substituting in the sweet and resonant celesta. The name celesta comes from the French word for heavenly, and this feature of the instrument is utilized thoroughly throughout the piece, with long arpeggiated chords as well as soloistic cadenzas. The violin and cello provide a warm foundation for the bell-like timbre of the celesta to rest on. Rest Now, My Love celebrates a life lived, and the relief of pain and sorrow as said loved one receives their heavenly reward.Duration: 5:30This PDF score includes a full score as well as individual parts.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99
Piano Trio in C minor, Op. 143
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Classical
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Art...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
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