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Piano Trio: piano, violin, cello
Sheetmusic to print
7 sheet music found
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1
An Elegy for Hopes and Dreams
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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William Heath
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An Elegy for Hopes and Dreams
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William Heath
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. ...
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Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.
$27.99
Firebird Suite
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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Classical
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Igor Stravinsky
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Rob Bushnell
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Firebird Suite
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RBMusic
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.752437 Composed by Igor Stravinsky. Arranged by Rob Bushnell. 20th Cen...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.752437 Composed by Igor Stravinsky. Arranged by Rob Bushnell. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 12 pages. RBMusic #6294559. Published by RBMusic (A0.752437). The Firebird suite, by Russian-born composer Igor Stravinsky, is based on his 1910 ballet of the same name. It, in turn, is based on the Russian fairy tales of the Firebird and the blessing/curse it possesses for anyone who owns it. The ballet premiered at Opéra de Paris as part of Sergei Diaghilev's Ballets Russes company and was an immediate successful, bringing Stravinsky international fame. The ballet tells the story of the journey of Prince Ivan. He strays into the realm of the evil Koschei, whose immortality is preserved by keeping his soul in a magic egg. Ivan is about to kill the Firebird but is spared. As a token of thanks, she offers him a feather that can be used to summon her should Ivan be in dire need. Prince Ivan then meets princesses who are under Koschei’s spell, falling in love with one of them. After confronting the magician, Koschei sends his minions after Ivan, who summons the Firebird. She intervenes and bewitches the monsters. Exhausted, the creatures and Koschei then fall into a deep sleep. Ivan is then directed by the Firebird to the egg containing Koschei's soul, which Ivan destroys, freeing all those under his spell. Ivan and the princesses celebrate their victory. The music features in Disney’s Fantasia 2000. This arrangement of The Princesses’ Round Dance is for piano trio (violin, violoncello and piano). Great as background music or as a concert item in its own right. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4U5xhOISyvA. Other searchable terms: L'Oiseau de feu, Жар-птица, The Princesses’ Round Dance, Rondo, Khorovod, Suite 1919, 1919 Version, Ronde, Khorovode, РОÐДО, ХОРОВОД, ПРИÐЦЕСС, ЛЮКС 1919 Г., ВЕРСИЯ 1919 Г., Rise of the Guardians, New York Philharmonic Young People's Concerts
$12.99
Piano Trio in C minor, Op. 143
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Classical
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Art...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
180 Shift for piano trio
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Piano Trio: piano, violin, cello
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ADVANCED
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Contemporary
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Robert M
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180 Shift for piano trio
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Robert M. Greenberg
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Sco...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69 pages. Robert M. Greenberg #90269. Published by Robert M. Greenberg (A0.987846). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://www.youtube.com/watch?v=dZvxnzZ1oA8 Duration: ca. 18 minutes Year of composition: 2013 Program Note: I. Elegy and Variations II. Song and Dance (Shake, Rattle and Roll) III. Re-Invention (Toccatissima) Aside from being an obvious (if hackneyed) reference to the commissioning ensemble, Trio 180, the title 180 Shift well describes the large-scale dramatic action of the piece: from beginning to end, it traverses an expressive distance of 180 degrees, from elegiac sorrow to hot-footed sizzle. 180 Shift is cast in three movements. Each movement is based on the same thematic material, although that material is transformed continuously across the span of the piece. Movement one, Elegy and Variations consists of a series of a theme, six free variations of the theme and a quiet intermezzo before the sixth and final variation. The movement is melancholy, reflective, and generally subdued in tone. Movement two, entitled Song and Dance (Shake, Rattle, and Roll) sees materials introduced in the Elegy transformed first into a introspective song and finally into a vigorous, gigue-like dance. The three parts of the movement are characterized, respectively, by shakes (tremolos), rattles (in the piano; we’ll know them when we hear them) and rolls (arpeggios). Movement three – Re-Invention (Toccatissima) is fast and virtuosic, a (mostly) two-part invention that sees the basic thematic material re-invented once again. 180 Shift is dedicated, with great affection and respect, to Trio 180: Ann Miller, Nina Flyer, and Sonia Leong.
$32.00
If You But Trust in God to Guide You (Violin and Cello Duet with Piano accompaniment)
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Piano Trio: piano, violin, cello
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EASY
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Sacred music
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Georg Neumark and Sharon Wilso
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Sharon Wilson
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If You But Trust in God to Gui
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1050446 By Georg Neumark and Sharon Wilson. By Georg Ne...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1050446 By Georg Neumark and Sharon Wilson. By Georg Neumark. Arranged by Sharon Wilson. 20th Century,Easter,Praise & Worship,Sacred. Score and parts. 22 pages. Sharon Wilson #654802. Published by Sharon Wilson (A0.1050446). This deeply moving hymn is arranged as an instrumental trio (for VIOLIN and CELLO duet with PIANO accompaniment). Verse 1 and 3 are the same with the VIOLIN playing the melody. Verse 2 is slower and quieter with the VIOLIN and CELLO alternating leading with the melody. The piano provides a flowing, delicate accompaniment throughout. After a faith-building experience when Georg Neumark claimed the promise found in Psalm 55:22, he wrote the lyrics to this song: If you but trust in God to guide you and place your confidence in him, you'll find him always there beside you to give you hope and strength within…. The range for each part is as follows: VIOLIN – F#4 to B5; CELLO – G2 to C4 (middle C). All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (2 pages each) and PIANO (4 pages)3. a combined VIOLIN and CELLO score (3 pages) This hymn represents PATIENCE and is one of the 10 songs in the collection inspired by Galatians 5:22-23: The Fruit of the Spirit (10 Hymns for Violin and Cello Duet with Piano Accompaniment) Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
Gian Paolo Chiti : Cahier des Rêves for violin, violoncello and piano
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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Contemporary
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Gian Paolo Chiti
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Gian Paolo Chiti : Cahier des
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.533163 Composed by Gian Paolo Chiti. 20th Century,Concert,Contemporary...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.533163 Composed by Gian Paolo Chiti. 20th Century,Concert,Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #1792005. Published by Musik Fabrik Music Publishing (A0.533163). Cahier des Rêves or Book of Dreams is an aleatoric work for violin, violoncello and piano (piano trio). GENERAL NOTE FOR THE PERFORMANCE: - The part for each individual instrumental is divided into sections ( A.B,C, etc ) - The sections are to be performed, according to the order indicated, one after another and without interruptions The violin begins; at the momento given in the part, the player must indicate to the violoncellist that he must now begin : in the same way this performer will give the entry signal to the pianist These are the only reference points for the three performers who must play their parts following the instructions given only. Alterations are valid only for the single note.
$16.95
Christe Sanctorum with Down Ampney for Piano Trio
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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Paris Antiphoner
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Joseph I
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Christe Sanctorum with Down Am
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Joseph I. Corporon
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1459941 Composed by Paris Antiphoner (1681) and Ralph Vaughan Williams. Arranged by Jo...
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Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1459941 Composed by Paris Antiphoner (1681) and Ralph Vaughan Williams. Arranged by Joseph I. Corporon (ASCAP). Chamber,Christian,Classical,Historic,Sacred. 11 pages. Joseph I. Corporon #1038898. Published by Joseph I. Corporon (A0.1459941). Christe Sanctorum with Down Ampney for Piano TrioTwo beautiful hymn tunes have been arranged for Piano Trio in the style of a parter song, or quodlibet: CHRISTE SANCTORUM DOWN AMPNEY Beginning in D Major, The Piano part provides a noble accompaniment throughout the piece. The Violin plays CHRISTE SANCTORUM through once and is answered by the Cello playing DOWN AMPNEY. After a key change to E-flat Major, the Violin and Cello switch tunes and play at the same time. Each plays an Amen accompanied by the Piano before a soft ending.
$14.99
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