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--INSTRUMENTS--
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Not classified
898
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694
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446
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202
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44
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34
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19
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11
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6
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5
Piano Accompaniment
4
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2 Pianos, 4 hands
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2
Piano (band part)
1
Keyboard
1
Piano Quartet: piano, 2 violins, cello
1
Organ, Piano (duet)
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+ 12 instrumentations
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Retract
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390
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124
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79
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154
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53
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26
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16
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12
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11
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7
Vocal duet
6
Tenor voice, Piano
4
Choral
3
Soprano voice, Piano
3
High voice
2
Low voice, Piano
1
Choral SSAB, Piano
1
Voice solo
1
Soprano voice
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Baritone voice, Piano
1
Low voice
1
+ 14 instrumentations
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Retract
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296
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105
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98
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92
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74
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54
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51
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47
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45
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43
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40
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38
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33
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32
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31
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30
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26
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22
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22
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21
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21
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21
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20
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20
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17
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17
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16
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11
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10
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8
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7
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7
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7
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6
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6
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6
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5
English Horn
5
Recorder
5
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3
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3
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3
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3
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3
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3
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3
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2
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2
Wind ensemble
2
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2
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2
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2
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2
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1
Flute, Oboe, Bassoon
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2 Flutes, Piano
1
Harmonica
1
Flute (band part)
1
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1
Flute, Cello, Piano (trio)
1
Flute, Viola and Piano
1
5 Recorders
1
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1
Flute, Bassoon, and Piano
1
Oboe, Violin (duet)
1
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1
Ocarina
1
+ 76 instrumentations
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107
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93
Trumpet
60
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54
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51
2 Trumpets (duet)
49
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46
2 Trombones (duet)
45
Trombone
25
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19
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18
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14
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13
Tuba
12
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12
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9
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8
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6
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6
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5
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5
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4
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3
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3
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2
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1
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1
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1
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1
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251
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175
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134
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117
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67
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64
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47
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33
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26
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17
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11
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11
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3
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1
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1
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1
Harp, Cello (duet)
1
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1
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1
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1
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1
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1
2 Violins, Piano
1
+ 37 instrumentations
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156
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132
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83
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38
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10 sheet music found
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1
Always On My Mind
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Chamber Orchestra
#
INTERMEDIATE
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Elvis Presley
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Roger Young
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Always On My Mind
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Roger Young
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1093914 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Roger...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1093914 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Roger Young. 20th Century,Pop,Rock. Score and parts. 39 pages. Roger Young #698011. Published by Roger Young (A0.1093914). This is an instrumental chamber orchestra arrangement of Always on my mind which works equally well with single strings as it does with a string section. Melodies are passed throughout the sections for musical interest and enjoyment for the musicians.
$49.99
Infinite Voyage for small orchestra
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Chamber Orchestra
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INTERMEDIATE
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Mark Bisson
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Infinite Voyage for small orch
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Mark Bisson
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.900878 Composed by Mark Bisson. Contemporary,Film/TV. Score and parts. 39 pages. Mark Bisson #3258...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.900878 Composed by Mark Bisson. Contemporary,Film/TV. Score and parts. 39 pages. Mark Bisson #3258187. Published by Mark Bisson (A0.900878). Film music for small orchestra in the style of a Star Trek theme (the influences of Jerry Goldsmith, Aaron Copeland and W. Snuffy Walden are present). It is in a brass-friendly key but the string parts are fairly easy. The trumpet parts are high, though, so confident and experienced players will be needed. T Although I retain the publishing and licensing rights to the music you are free to perform it in any way you wish. I would appreciate that any copying or sharing of the files or music is kept within the one institution. video clip: https://www.youtube.com/watch?v=ktth6id_SKg&feature=youtu.be.
$9.99
Piano Concerto No. 1 - Score Only
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Chamber Orchestra
#
INTERMEDIATE
#
Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Piano Concerto No. 1 - SECOND movement [score and parts]
#
Chamber Orchestra
#
INTERMEDIATE
#
Juan MarÃa Solare
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - SECOND
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th C...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Chamber Orchestra
#
INTERMEDIATE
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Sco...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
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Chamber Orchestra
#
INTERMEDIATE
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Contemporary
#
Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Dreams - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
PEACE, MY HEART, from "Across the Wide" for soprano and string ensemble with piano
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Chamber Orchestra
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INTERMEDIATE
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Gabriel Ruiz-Bernal
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PEACE, MY HEART, from "Across
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.893968 Composed by Gabriel Ruiz-Bernal. Contemporary,Musical/Show. Score and parts. 33 pages. Gabr...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.893968 Composed by Gabriel Ruiz-Bernal. Contemporary,Musical/Show. Score and parts. 33 pages. Gabriel Ruiz-Bernal #6328079. Published by Gabriel Ruiz-Bernal (A0.893968). PEACE, MY HEART. For soprano and string ensemble with piano. Also available for soprano and piano.(from song cycle Across the Wide: Songs of Farewell)Text by Rabindranath TagoreLevel of difficulty for the voice: IntermediateLevel of difficulty for the pianist: Low intermediateLevel of difficulty for the string ensemble: Low intermediateApproximate length: 3 minutes, 46 secondsPeace, my heart, let the time for the parting be sweet.Let it not be a death but completeness.Let love melt into memory and pain into songs.Let the flight through the sky end in the folding of the wings over the nest.Let the last touch of your hands be gentle like the flower of the night.Stand still, O Beautiful End, for a moment, and say your last words in silence.I bow to you and hold up my lamp to light you on your way.
$40.00
Bruch - Romanze for Viola and Orchestra, Op. 85 (Accompaniment Reduction for Wind Quintet & String Q
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Chamber Orchestra
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INTERMEDIATE
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Classical
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M
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C
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Bruch - Romanze for Viola and
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Amnael Orozco-Diaz
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.826896 Composed by M. Bruch. Arranged by C. A. Orozco-Diaz. Romantic Period. Score and parts. 21 p...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.826896 Composed by M. Bruch. Arranged by C. A. Orozco-Diaz. Romantic Period. Score and parts. 21 pages. Amnael Orozco-Diaz #18311. Published by Amnael Orozco-Diaz (A0.826896). Want to take your recital to the next level? This reduction is specially tailored to bring the orchestral colors right down into the chamber music stage with two quintets playing accompaniment with you. No need to hire the whole symphony, just gather your pals and blow your audience away with this arranger's personal favourite! All woodwind solos are unchanged from the original score, and tutti's will strike with full power. This item contains a set of parts for the accompaniment (wind quintet and string quintet). Listen to some nice arrangements with the Weston String QuartetContact us at facebook.com/HouseOfLilithMusic for comments and requests!
$24.99
Overture to "A Lucky Star" A 1920s Musical, Full Orchestra Score and Individual Parts
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Chamber Orchestra
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INTERMEDIATE
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James Nathaniel Holland
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Overture to "A Lucky Star" A 1
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James Nathaniel Holland
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.730508 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Jazz,Musical/Show,Patrio...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.730508 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Jazz,Musical/Show,Patriotic. Score and parts. 74 pages. James Nathaniel Holland #5955675. Published by James Nathaniel Holland (A0.730508). Overture to American composer James Nathaniel Holland's early 1920s-styled musical A Lucky Star. The story about coming to terms with where you're from while attaining your dreams. Featured are 4 popular songs: A Lucky Star; O Baby, You Treat Me Too Rough; New York The City, The Town of Your Dreams; and Indiana. Perfect for period 20s jazz concert or opening to pops orchestra concert. Full score in concert pitch and individual instrument parts included. Instr: picc, fl12, ob12, cl12, bsn, hrn12, tpt, trmb, timp, drum set, piano (w/opt. banjo), strings. Duration: 8:28.
$15.95
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