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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Father
Not classified
2,336
Piano & keyboards
Piano solo
1,125
Piano, Voice
537
Piano, Vocal and Guitar
352
Easy Piano
240
Organ
182
C Instruments
83
Piano Accompaniment
52
Big Note Piano
26
Accordion
24
Piano Trio: piano, violin, cello
17
1 Piano, 4 hands
17
Organ, Piano (duet)
7
Organ, Trumpet (duet)
5
2 Pianos, 4 hands
5
Piano Quartet: piano, violin, viola, cello
5
Piano Quintet: piano, 2 violins, viola, cello
2
Piano (band part)
2
Accordion, Voice
2
Accordion ensemble
1
Harpsichord
1
Piano Quartet: piano, 2 violins, cello
1
+ 16 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
165
Melody line, (Lyrics) and Chords
128
Guitar
62
Ukulele
45
Lyrics and Chords
31
Bass guitar
15
2 Guitars (duet)
12
Mandolin
7
Dulcimer
5
Baritone Ukulele
4
Guitar Ensemble
3
Piano, Guitar (duet)
3
Ukulele Ensemble
1
4 Guitars (Quartet)
1
Banjo
1
Plectrum Orchestra
1
+ 11 instrumentations
-
Retract
Voice
Choral SATB
746
Choral 3-part
150
Choral 2-part
130
Choral Instrumental Pak
122
Choral Unison
88
Choral TTBB
72
Alto voice, Piano
55
Vocal duet, Piano
43
Soprano voice, Piano
41
Vocal duet
33
Tenor voice, Piano
29
Choral
23
Voice solo
22
Medium voice, Piano
15
Choral SSAA
9
High voice
9
Baritone voice, Piano
4
Low voice, Piano
4
Soprano voice
3
Low voice
2
Choral SSAATTBB
2
Baritone voice
2
Voice, Guitar
2
Choral SSATB
1
Choral SSATTB
1
Soli, Mixted choir and accompaniment
1
Choral SSAATB
1
Tenor voice
1
Mezzo-Soprano voice, Piano
1
+ 24 instrumentations
-
Retract
Woodwind
Flute and Piano
122
Clarinet and Piano
77
Flute
76
Clarinet
72
Alto Saxophone and Piano
59
Saxophone Quartet: 4 saxophones
56
Oboe, Piano (duet)
54
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
52
Saxophone (band part)
51
Alto Saxophone
50
2 Saxophones (duet)
48
Clarinet Quartet: 4 clarinets
39
Saxophone
36
Tenor Saxophone
35
Flute, Oboe, Clarinet, Bassoon
34
2 Flutes (duet)
34
Tenor Saxophone and Piano
32
2 Clarinets (duet)
28
Clarinet (band part)
28
Soprano Saxophone and Piano
27
Oboe (band part)
26
3 Clarinets (trio)
22
Flute (band part)
22
Flute Quartet: 4 flutes
18
3 Saxophones (trio)
16
Harmonica
15
Baritone Saxophone, Piano
15
Flute Trio: 3 flutes
13
Flute, Clarinet (duet)
11
Bass Clarinet, Piano
11
Oboe, Bassoon (duet)
11
Clarinet Ensemble
11
Recorder
10
Clarinet, Violin (duet)
10
Clarinet, Bassoon (duet)
10
English horn, Piano
10
Saxophone Quintet: 5 Saxophones
10
Oboe
9
Flute and Guitar
8
Flute ensemble
7
Flute, Violin, Piano
7
Flute, Oboe (duet)
6
Saxophone ensemble
6
2 Clarinets, Piano
6
Flute, Trumpet (duet)
6
Clarinet Quintet: 5 clarinets
6
2 Oboes (duet)
6
Oboe, Clarinet (duet)
6
Saxophone, Clarinet (duet)
5
Clarinet, Guitar (duet)
5
Flute, Violin
5
Flute, Oboe, Clarinet (trio)
5
Saxophone and Piano
4
Clarinet and Viola
4
2 Recorders (duet)
4
Flute Quintet : 5 flutes
4
Oboe, Flute
4
Flute, Viola and Piano
3
Flute, Violoncello
3
Ocarina
3
Oboe, Guitar (duet)
3
Oboe, Cello
2
2 Clarinets, Bassoon
2
Saxophone and Guitar
2
Flute, Oboe, Violin
2
Soprano Saxophone
2
Clarinet, Cello (duet)
2
3 Oboes
2
Clarinet, Harp (duet)
2
English Horn
2
Flute, Clarinet and Bassoon.
2
Flute, Clarinet, Violin (trio)
2
Flute, Saxophone (duet)
2
Flute, Viola (duet)
2
Flute, Oboe, Bassoon
2
Piccolo, Piano
1
Flute, Violin and Violoncello
1
Pennywhistle
1
4 Oboes
1
Clarinet, Bassoon, Piano (trio)
1
Flute, harp and violin
1
Piccolo
1
Oboe, Clarinet, Bassoon (trio)
1
Recorder Ensemble
1
Baritone Saxophone
1
English Horn, Guitar (duet)
1
2 English horns and Pianoforte
1
Flute, Bassoon, and Piano
1
Bass Clarinet
1
Tenor Recorder
1
Flute, Organ (duet)
1
Treble (Alto) Recorder, Basso continuo
1
2 Flutes and Harp
1
Flute, Oboe, Piano (trio)
1
Recorder Quartet
1
Eb Instruments
1
+ 91 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
79
Trumpet
72
Trumpet, Piano
46
Trombone
46
Trombone and Piano
44
Trumpet (band part)
35
Trombone (band part)
31
Brass quartet : 2 trumpets, trombone, tuba
22
French Horn and Piano
22
French horn
20
Brass Quartet: 4 trombones
17
Tuba and Piano
16
Brass Quartet: 2 trumpets, horn, trombone
15
2 French horns (duet)
14
Brass Quartet
12
Euphonium, Piano (duet)
11
2 Trumpets (duet)
11
French horn (band part)
11
Tuba
10
English horn, Piano
10
2 Trombones (duet)
10
Brass Quartet: 4 horns
9
Tuba (band part)
6
2 Euphoniums and 2 Tubas
5
Euphonium
4
Brass Trio
4
Trumpet, Saxophone (duet)
4
Trombone ensemble
4
3 Trombones (trio)
4
Trumpet, Horn (duert)
3
Horn Ensemble
3
Trumpet, Trombone (duet)
3
Trombone, Tuba (duet)
3
2 Trumpets, Keyboard (piano or organ)
3
4 Tubas
2
2 Euphoniums (duet)
2
English Horn
2
Trumpet ensemble
1
F Instruments
1
Bass Trombone and Piano
1
4 Euphoniums
1
English Horn, Guitar (duet)
1
Bb Instruments
1
3 Trumpets (trio)
1
2 English horns and Pianoforte
1
Trumpet, Trombone, Piano
1
Euphonium, Tuba (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
+ 43 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
143
Violin and Piano
119
Violin
77
Cello, Piano
74
String Trio: violin, viola, cello
61
Viola, Piano
56
Cello
52
Harp
52
Violin, Cello (duet)
34
Viola
31
Violin, Viola (duet)
28
2 Cellos (duet)
21
2 Violins (duet)
16
Viola, Cello (duet)
16
Violin (band part)
16
2 Harps (duet)
14
2 Violas (duet)
11
Viola (band part)
11
Double Bass
10
String Trio: 2 violins, cello
10
Harp, Voice
8
Piano Trio: Violin, Viola, Piano
8
Harp, Flute (duet)
8
String Trio: 3 violins
7
Cello (band part)
7
Cello, Guitar (duet)
6
String Quintet: 2 violins, viola, cello, bass
6
Viola, Guitar (duet)
6
Double bass, Piano (duet)
5
Harp, Violin (duet)
5
String Trio: 3 cellos
5
4 Cellos
5
String Trio: 2 violins, viola
4
Violin, Guitar (duet)
4
String trio
3
String quartet: 4 violins
3
Cello, Orchestra
2
Viola and Harp
2
Harp, Cello (duet)
2
Doublebass (band part)
2
Cello Ensemble
2
Cello, String Bass (duet)
2
Violin, Organ
2
Harp, Violin, Violoncello
2
3 Harps
2
2 Violins, Piano
2
Cello, Organ
1
Violin ensemble
1
String Trio: 3 violas
1
Viola ensemble
1
+ 45 instrumentations
-
Retract
Orchestra & Percussion
Concert band
183
Orchestra
90
Handbells
83
Jazz Ensemble
60
String Orchestra
58
Brass ensemble
43
Chamber Orchestra
25
Jazz combo
14
Drums
13
Percussion (band part)
12
Marching band
4
Marimba
3
Timpani (band part)
2
Orchestra, Violin
1
Drum (band part)
1
Percussion
1
Timpani
1
Percussion Ensemble
1
+ 13 instrumentations
-
Retract
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Father
Chamber Orchestra
Sheetmusic to print
25 sheet music found
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1
Gloria Patri (Glory Be to the Father)
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Chamber Orchestra
#
INTERMEDIATE
#
Sacred music
#
Charles Meineke
#
D
#
Gloria Patri
#
Tully Road Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1135140 Composed by Charles Meineke (1844). Arranged by D. Jason Bishop. 19th Century,Christian,Pr...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1135140 Composed by Charles Meineke (1844). Arranged by D. Jason Bishop. 19th Century,Christian,Praise & Worship,Sacred,Traditional. Score and Parts. 25 pages. Tully Road Music #735183. Published by Tully Road Music (A0.1135140). This is an orchestration by D. Jason Bishop of the 1844 Gloria Patri (Glory Be to the Father) by Charles Meineke, as printed in The United Methodist Hymnal (page 70) and in 174 other hymnals. Instrumentation is 2.2.2.2 - 2.3.3.0 - timp/perc - org - strings - choir. PDF includes full score and all parts.
$10.00
Bi Baba Ati Omo - (Como pai e Filho) (As father and son)
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Chamber Orchestra
#
INTERMEDIATE
#
GILSON SANTOS
#
Bi Baba Ati Omo -
#
Gilson Santos
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.836815 Composed by GILSON SANTOS. Concert,Contemporary,Graduation,Instructional,Standards. Score a...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.836815 Composed by GILSON SANTOS. Concert,Contemporary,Graduation,Instructional,Standards. Score and parts. 17 pages. Gilson Santos #6360557. Published by Gilson Santos (A0.836815). Horn octet dedicated to Professor Philip Doyle, in honor of Professors Antonio Augusto and Daniel Havens. Antonio and Daniel were great musicians and teachers of tormpa in Brazil. They left an important legacy for the instrument.
$14.99
The Godfather Waltz - Score Only
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Chamber Orchestra
#
INTERMEDIATE
#
Film/TV
#
Nino Rota
#
Chris Siddall Music Publishi
#
The Godfather Waltz - Score On
#
SheetMusicPlus
Composed by Nino Rota (1911- 1979). Arranged by Chris Siddall Music Publishing. Contemporary. Score and parts. 5 pages. Chris Siddall Music Publishing ...
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Composed by Nino Rota (1911- 1979). Arranged by Chris Siddall Music Publishing. Contemporary. Score and parts. 5 pages. Chris Siddall Music Publishing #6795023. Published by Chris Siddall Music Publishing
$4.99
Variations on a Rossini Theme op.Posth
#
Chamber Orchestra
#
Classical
#
Frederik François Chopin
#
James Strauss
#
Variations on a Rossini Theme
#
James Strauss
#
SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Sco...
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Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
Story No. 2, for narrator and chamber orchestra
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Chamber Orchestra
#
Contemporary
#
Music by Ofer Ben-Amots, Story
#
Story No. 2, for narrator and
#
The Composer's Own Press
#
SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944028 Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages...
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Chamber Orchestra - Digital Download SKU: A0.944028 Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages. The Composer's Own Press #4605319. Published by The Composer's Own Press (A0.944028). COMPOSER’S NOTE: Story Nr. 2 for chamber ensemble and a narrator, was written as a commission for the 1983 Children's Music Festival in St. Omer, France. Since its inception, the work has been widely performed in French, German and English. The narrative of Story Nr. 2 is a little known children's story by the great French author and playwright Eugene Ionesco (1912 – 1994). The story is about play on words. Little Josette has a conversation with her father who teaches her the new meaning of words: A Telephone is called Cheese, a Cheese is a Music Box, the Music Box is called a Rug and so on. The meanings become funnier and stranger ad absurdum. Then Josette and her father combine the words into sentences and practice the new mismatched names and objects. The characters participating in the story beside of Josette and her father are Josette's pretty mother and the maid Jacqueline. Each of the characters has its own musical theme and color represented by distinguished instrumentation: Jossette's theme is played by the flute, the father is represented by the trumpet and trombone, the pretty mother by the oboe and Jacqueline by the xylophone and piano. The new orchestral version which includes the string section was written in 1990. Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00
Cappuccino Concertino
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Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
David Rubinstein
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Cappuccino Concertino
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David Rubinstein
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1387444 Composed by David Rubinstein. Baroque,Broadway,Musical/Show,Opera. 281 pages. David Rubins...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1387444 Composed by David Rubinstein. Baroque,Broadway,Musical/Show,Opera. 281 pages. David Rubinstein #971294. Published by David Rubinstein (A0.1387444). This baroque operetta (composed 2000) was inspired by the “Coffee Cantata†by J.S. Bach, wherein the father tells his daughter to stop drinking coffee. In this work the roles are reversed: the daughter tells her father to quit cappuccino. Text in English. Premiered October, 2001 at Church of the Lighted Window, La Canada, California. The entire score and parts are available here on one pdf. To obtain them as separate files contact me here: rubinsteinway@gmail.com.
$39.00
In Memoriam - Score Only
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Chamber Orchestra
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INTERMEDIATE
#
Robert A
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In Memoriam - Score Only
#
Robert A. Howard
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
Zemira
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
#
Jose Mauricio Nunes Garcia
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Steven Nunes
#
Zemira
#
Nagamon Publications
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1394923 Composed by Jose Mauricio Nunes Garcia. Arranged by Steven Nunes. 19th Century,Classical. ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1394923 Composed by Jose Mauricio Nunes Garcia. Arranged by Steven Nunes. 19th Century,Classical. 60 pages. Nagamon Publications #978408. Published by Nagamon Publications (A0.1394923). José MaurÃcio Nunes Garcia (September 20, 1767 – April 18, 1830) was a Brazilian classical composer, one of the greatest exponents of Classicism in the Americas.Born in Rio de Janeiro, son of two bi-racial parents, Nunes Garcia lost his father at an early age. His mother perceived that her son had an inclination for becoming a musician and, for this reason, improved her work to allow him to continue his musical studies.Nunes Garcia became a priest and, when King John VI of Portugal came to Rio de Janeiro with his 15,000 people, Nunes Garcia was appointed Master of the Royal Chapel. He sang and played the harpsichord, performing his compositions as well as those of other composers such as Domenico Cimarosa and Wolfgang Amadeus Mozart. He was a very prestigious musician in the royal court of John VI.His musical style was strongly influenced by Viennese composers of the period, such as Mozart and Haydn. This edition has been prepared from the composer's manuscript, and the PDF contains the Full Score and a full set of parts. Please note that the string parts have been formatted for larger paper.
$50.00
Variations on "Non piu mesta" for Flute and Orchestra - Set of Parts
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Gioachino Rossini, Frederic Ch
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Yoon Jae Lee
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Variations on "Non piu mesta"
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Ondine Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866121 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Ope...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.866121 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Set of parts. 71 pages. Ondine Press #6230163. Published by Ondine Press (A0.866121). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a set of parts to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The full score, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://bit.ly/3hJgXxP.
$100.00
O du Fröhliche - Full Score
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Chamber Orchestra
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EASY
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N
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O du Fröhliche - Full Score
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.931479 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 7 pages. Pubbl...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.931479 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 7 pages. Pubblicato da Nicola Marasco #6430227. Published by Pubblicato da Nicola Marasco (A0.931479). O du fröhliche is a German Christmas carol. The author of the original text was the prominent Weimar orphan father Johannes Daniel Falk (1768–1826).In late 1815, he dedicated this song to the children of the orphanage. The melody was taken from the anonymous Catholic hymn O Sanctissima (also known as Sicilian Mariners Hymn), which he found in the posthumous edition of J.G. Herder's Stimmen der Völker in Liedern after hearing it sung by Pietro Granucci, an Italian foundling under his care. In Falk's original text, the song was titled Allerdreifeiertagslied (A song for three holidays), highlighting the three major festivals of Christianity: Christmas, Easter and Pentecost.
$9.99
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
When I Survey the Wondrous Cross - Orchestration
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Chamber Orchestra
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INTERMEDIATE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sa...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
O du fröhliche - Orchestral parts set
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Chamber Orchestra
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EASY
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N
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O du fröhliche - Orchestral p
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.931480 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 15 pages. Pubb...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.931480 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 15 pages. Pubblicato da Nicola Marasco #6430229. Published by Pubblicato da Nicola Marasco (A0.931480). O du fröhliche is a German Christmas carol. The author of the original text was the prominent Weimar orphan father Johannes Daniel Falk (1768–1826).In late 1815, he dedicated this song to the children of the orphanage. The melody was taken from the anonymous Catholic hymn O Sanctissima (also known as Sicilian Mariners Hymn), which he found in the posthumous edition of J.G. Herder's Stimmen der Völker in Liedern after hearing it sung by Pietro Granucci, an Italian foundling under his care. In Falk's original text, the song was titled Allerdreifeiertagslied (A song for three holidays), highlighting the three major festivals of Christianity: Christmas, Easter and Pentecost.
$19.99
MY DEAR PARENTS
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Chamber Orchestra
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INTERMEDIATE
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Do Kien Cuong
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MY DEAR PARENTS
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Do Kien Cuong
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1024504 Composed by Do Kien Cuong. Holiday,World. Score and parts. 23 pages. Do Kien Cuong #339494...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1024504 Composed by Do Kien Cuong. Holiday,World. Score and parts. 23 pages. Do Kien Cuong #3394943. Published by Do Kien Cuong (A0.1024504). I composed this composition MY DEAR PARENTS when I was far away from home for continuing my study at Brooklyn College - Conservatory of Music. The composition, is a letter to MY DEAR PARENTS, contains my emotions toward my parents.The duration is about 4 minutes.I think on the time of Mother's Day and Father's Day and Holidays can be a good reason to play this composition.The pdf file includes a full score and all parts.
$10.00
Variations on 'Non piu mesta' for Flute and Orchestra - Score Only
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Gioachino Rossini, Frederic Ch
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Yoon Jae Lee
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Variations on 'Non piu mesta'
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Ondine Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866119 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Ope...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.866119 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. 40 pages. Ondine Press #5377029. Published by Ondine Press (A0.866119). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a full score to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The set of parts, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/00_full_score_e_major.
$25.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Chamber Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Mu...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Clémence de Grandval
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Clémence de Grandval: Ronde d
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabr...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publishing #5721673. Published by Musik Fabrik Music Publishing (A0.534651). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings, this item is the score and complete parts. The score only is availabel as a seperate item.
$103.95
Clémence de Grandval: Ronde de Nuit for orchestra, score only
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Clémence de Grandval
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Clémence de Grandval: Ronde d
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabr...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publishing #5721669. Published by Musik Fabrik Music Publishing (A0.534650). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings. The score and complete parts are for sale as a seperate item.
$19.95
[Eaton] The End of It
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Chamber Orchestra
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Contemporary
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John Eaton
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[Eaton] The End of It
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American Composers Alliance Inc.
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.952949 Composed by John Eaton. Contemporary. Score and parts. 72 pages. American Composers Alliance Inc. #46...
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Chamber Orchestra - Digital Download SKU: A0.952949 Composed by John Eaton. Contemporary. Score and parts. 72 pages. American Composers Alliance Inc. #4631953. Published by American Composers Alliance Inc. (A0.952949). Seven songs for soprano with flute (doubling piccolo, alto flute, and bass flute), clarinet, percussion, harp, piano, and strings, sectioned as a pierrot+ ensemble, string quartet, soprano, and harp. Includes: Holy Sonnet V (John Donne), Leaving the Party (Karen Swenson), Holy Sonnet III (John Donne), Styx Pier (Karen Swenson), Circumambulating Mount Kailash (Karen Swenson), Father Death (Frederick Borsch), Excerpt from Paradiso (Dante).PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$39.95
Guitar and Orchestra Suite 1st movement (with added spoken words - Dreaming)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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David Warin Solomons
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Guitar and Orchestra Suite 1st
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.576763 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 36 pages. Dav...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.576763 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 36 pages. David Warin Solomons #419559. Published by David Warin Solomons (A0.576763). Suite for classical guitar and orchestra, published on this site in these versions: 1st movement - Dreaming 1st movement - Dreaming - with spoken poem written by my father - Complete Suite - SCORE only Complete Suite - SCORE and PARTS The complete suite comprises: Dreaming, Folksy Waltz, Sanctus and Benedictus, with Hosannas, and finally Distant Storm The pdf file contains score and parts. The sound sample is an electronic preview.
$12.00
Where am I? for string quartet and flute
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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Where am I? for string quartet
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.576513 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 18 pages. Dav...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.576513 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 18 pages. David Warin Solomons #27327. Published by David Warin Solomons (A0.576513). Inspired by the poem Care Home by my father SN Solomons,
$12.00
Ophelia for string quartet and guitar
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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Ophelia for string quartet and
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.577982 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 16 pages. Dav...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.577982 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 16 pages. David Warin Solomons #3479241. Published by David Warin Solomons (A0.577982). Based on my song setting of the scene in Shakespeare's play Hamlet in which Ophelia is losing her mind out of grief for her murdered father.
$14.00
Oboe Concerto in C minor
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Benedetto Marcello
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Arte Nova Music Lab
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Oboe Concerto in C minor
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742476 Composed by Benedetto Marcello. Arranged by Arte Nova Music Lab. Baroque,Concert,Easter,Sta...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742476 Composed by Benedetto Marcello. Arranged by Arte Nova Music Lab. Baroque,Concert,Easter,Standards,World. Score and parts. 43 pages. Arte Nova Music Lab #4602679. Published by Arte Nova Music Lab (A0.742476). Benedetto Giacomo Marcello (Italian: [beneˈdetto marˈtʃɛllo]; (31 July or 1 August 1686 – 24 July 1739) was an Italian composer, writer, advocate, magistrate, and teacher. Born in Venice, Benedetto Marcello was a member of a noble family and his compositions are frequently referred to as Patrizio Veneto. Although he was a music student of Antonio Lotti and Francesco Gasparini, his father wanted Benedetto to devote himself to law. Benedetto managed to combine a life in law and public service with one in music. In 1711 he was appointed a member of the Council of Forty (in Venice's central government), and in 1730 he went to Pola as Provveditore (district governor). Due to his health having been impaired by the climate of Istria, Marcello retired after eight years in the capacity of Camerlengo to Brescia where he died of tuberculosis in 1739. Benedetto Marcello was the brother of Alessandro Marcello, also a notable composer. On 20 May 1728 Benedetto Marcello married his singing student Rosanna Scalfi in a secret ceremony. However, as a nobleman his marriage to a commoner was unlawful and after Marcello's death the marriage was declared null by the state. Rosanna was unable to inherit his estate, and filed suit in 1742 against Benedetto's brother Alessandro Marcello, seeking financial support. Taken from https://en.wikipedia.org/wiki/Benedetto_Marcello Cover Image by https://commons.wikimedia.org/w/index.php?curid=11552469
$25.00
Parla Piu Piano
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Chamber Orchestra
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INTERMEDIATE
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Film/TV
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Giandomenico Boncompagni, Lawr
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Marek Czekala
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Parla Piu Piano
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Marek Czekala
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1098364 Composed by Giandomenico Boncompagni, Lawrence Kusik, and Nino Rota. Arranged by Marek Cze...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1098364 Composed by Giandomenico Boncompagni, Lawrence Kusik, and Nino Rota. Arranged by Marek Czekala. Film/TV. Score and parts. 29 pages. Marek Czekala #702226. Published by Marek Czekala (A0.1098364). Love Theme from The Godfather is an instrumental theme from the 1972 film The Godfather, composed by Nino Rota.
$49.99
Fitch Overture for chamber orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Joseph Dillon Ford
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Fitch Overture for chamber orc
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David Warin Solomons2
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.
$10.00
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