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5 sheet music found
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1
America the Beautiful - String Quartet or Group Score and Parts PDF
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Chamber Orchestra
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EASY
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Patriotic
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Samuel A
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Brendan Elliget MAGA 537
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America the Beautiful - String
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BJE Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.750975 Composed by Samuel A. Ward 1895. Arranged by Brendan Elliget MAGA 537. Patriotic. Score and...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.750975 Composed by Samuel A. Ward 1895. Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 12 pages. BJE Music #5789233. Published by BJE Music (A0.750975). America the Beautiful is an American patriotic song. The lyrics were written by Katharine Lee Bates, and the music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. The two never met. Bates originally wrote the words as a poem, Pikes Peak, first published in the Fourth of July edition of the church periodical The Congregationalist in 1895. At that time, the poem was titled America for publication. Ward had originally written the music, Materna, for the hymn O Mother dear, Jerusalem in 1882, though it was not first published until 1892. Ward's music combined with the Bates poem was first published in 1910 and titled America the Beautiful. The song is one of the most popular of the many U.S. patriotic songs. [Wikipedia]It has been arranged here for a String Quartet or Group [Key of C] including a Violin 3 which doubles the Viola part with appropriate range changes. There is also an optional Piano Part (Not shown on the score).The MP3 was recorded with NotePerformer 3.Grade = 2.5 Duration = 1:40 mins (2 verses)
$7.50
Amazing Grace
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Chamber Orchestra
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EASY
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Sacred music
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Christopher Smith, John Newton
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Sidnei Borgani
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Amazing Grace
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Sidnei Borgani
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1348855 Composed by Christopher Smith, John Newton, and Traditional. Arranged by Sidnei Borgani. J...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1348855 Composed by Christopher Smith, John Newton, and Traditional. Arranged by Sidnei Borgani. Jazz,Praise & Worship,Religious,Spiritual,Traditional. 24 pages. Sidnei Borgani #933563. Published by Sidnei Borgani (A0.1348855). Amazing Grace (Small Orchestra + Voice with Lyrics) in F.Traditional Spiritual arrangement for Chamber Orchestra with optional voice(lyric verses 1,2 and 5).Score and parts are included. Voice, Flute, Clar., Oboe, Alto Sax., Basson, Horn in F, Tpt., Trb., Tuba, Timpani, Perc., String quintet (Viol. 1&2, Viola ,Violoncello, Bass)Easy and Intermediated level.
$49.99
Rejoice Mary (tune of O Come O Come Emmanuel) - strings and piano
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Chamber Orchestra
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EASY
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Connie Boss
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Rejoice Mary
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801467 Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 7 pages. Connie Boss ...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801467 Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 7 pages. Connie Boss #5987555. Published by Connie Boss (A0.801467). This is a song about Mary and the Angel Gabriel. It is set to the tune of O Come O Come Emmanuel, but It has a unique intro and the lyrics are changed for the verses after verse 1. You can purchase the mp3 and vocal music on here. cdboss@cvalley.net for questions. See Lyrics below:
$5.50
Concertino - for clarinet, mandolin and symphony orchestra
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Chamber Orchestra
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Klezmer
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, man
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own...
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Chamber Orchestra
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own...
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
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