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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
2009
Sheetmusicplus
Not classified
736
Piano & keyboards
Piano solo
2,717
Piano, Voice
2,195
Easy Piano
87
Piano, Vocal and Guitar
76
Organ
49
1 Piano, 4 hands
45
Piano Accompaniment
27
C Instruments
21
2 Pianos, 4 hands
7
Piano Trio: piano, violin, cello
6
Piano Quintet: piano, 2 violins, viola, cello
5
Harpsichord
3
Accordion
3
Big Note Piano
3
Piano Quartet: piano, violin, viola, cello
2
Piano Quartet: piano, 2 violins, cello
1
Organ, Trumpet (duet)
1
+ 12 instrumentations
-
Retract
Guitars
Guitar
72
Guitar notes and tablatures
58
Melody line, (Lyrics) and Chords
47
Ukulele
23
Bass guitar
13
Lyrics and Chords
11
Piano, Guitar (duet)
4
Banjo
2
Mandolin
2
Guitar Ensemble
1
2 Guitars (duet)
1
Dulcimer
1
2 Dulcimers (duet)
1
4 Guitars (Quartet)
1
Mandolin, Guitar (duet)
1
+ 10 instrumentations
-
Retract
Voice
Choral SATB
263
Choral Instrumental Pak
48
Choral 3-part
45
Choral TTBB
38
Choral 2-part
33
Choral
11
Choral Unison
9
Choral SSAA
8
Baritone voice, Piano
6
Vocal duet, Piano
6
Soprano voice, Piano
4
Voice solo
4
Tenor voice, Piano
4
Voice, Guitar
3
Vocal duet
3
High voice
3
Choral SSAATTBB
2
Medium voice, Piano
2
Tenor voice
1
Soprano voice
1
Low voice
1
Choral SSAB, Piano
1
Alto voice, Piano
1
+ 18 instrumentations
-
Retract
Woodwind
Flute and Piano
47
2 Saxophones (duet)
40
Flute
33
Saxophone Quartet: 4 saxophones
28
Clarinet
27
Clarinet and Piano
27
Alto Saxophone and Piano
24
2 Flutes (duet)
24
Oboe, Piano (duet)
22
Clarinet Quartet: 4 clarinets
22
Saxophone (band part)
19
Alto Saxophone
19
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
18
2 Clarinets (duet)
16
Flute, Oboe, Clarinet, Bassoon
14
Flute Quartet: 4 flutes
13
3 Saxophones (trio)
12
Tenor Saxophone
12
Oboe (band part)
11
Tenor Saxophone and Piano
9
3 Clarinets (trio)
8
Oboe, Flute
7
2 Oboes (duet)
7
Descent (Soprano) Recorder, Piano
6
Flute and Guitar
6
Flute ensemble
6
Oboe, Clarinet (duet)
6
Oboe, Bassoon (duet)
6
Clarinet (band part)
6
Clarinet, Guitar (duet)
5
Clarinet, Violin (duet)
5
Saxophone Quintet: 5 Saxophones
5
Flute, Clarinet (duet)
5
Clarinet Quintet: 5 clarinets
5
Saxophone, Clarinet (duet)
5
Soprano Saxophone and Piano
5
Flute Trio: 3 flutes
4
2 Recorders (duet)
4
Flute, Violin
4
Clarinet, Trumpet (duet)
4
Clarinet Ensemble
4
Flute, Oboe, Clarinet (trio)
3
Flute, Trumpet (duet)
3
Clarinet, Bassoon (duet)
3
Saxophone ensemble
3
Recorder Ensemble
3
Flute, Viola (duet)
3
Flute, Violin and Violoncello
3
Clarinet and Viola
2
3 Oboes
2
Flute, Oboe, Bassoon
2
Flute, Clarinet and Bassoon.
2
Pennywhistle
2
Flute, Saxophone (duet)
2
Treble (Alto) Recorder
2
Saxophone
2
2 Saxophones, Piano
2
Harmonica
2
Soprano Saxophone
2
Clarinet, Harp (duet)
1
Oboe, Violin (duet)
1
Flute, Violoncello
1
Eb Instruments
1
Baritone Saxophone, Piano
1
Clarinette, Viola and Piano (trio)
1
Saxophone and Organ
1
Oboe, Harp
1
Flute, Clarinet, Violin (trio)
1
Saxophone, Violin (duet)
1
Flute, Clarinet, Piano (trio)
1
Flute, Violin, Violoncello and Piano
1
Oboe, Clarinet, Bassoon (trio)
1
Piccolo
1
Clarinet, Bassoon, Piano (trio)
1
English Horn, Guitar (duet)
1
Clarinet, Cello, Piano (trio)
1
English Horn
1
Saxophone and Harp
1
Oboe
1
Descant (Soprano) Recorder
1
English horn, Piano
1
Flute, Oboe (duet)
1
Saxophone, Tuba (duet)
1
Bagpipe
1
Flute, Bassoon, and Piano
1
+ 80 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
26
Trumpet
24
Brass quartet : 2 trumpets, trombone, tuba
21
Trumpet, Piano
19
French horn
18
Trombone
17
Trombone and Piano
16
2 Trombones (duet)
13
Trombone (band part)
11
2 Trumpets (duet)
11
French Horn and Piano
10
Trumpet (band part)
10
2 French horns (duet)
10
Trumpet, Trombone (duet)
8
Brass Quartet: 2 trumpets, horn, trombone
7
Tuba
6
Euphonium
4
Tuba and Piano
4
Trumpet, Saxophone (duet)
4
French horn (band part)
3
Tuba and Organ
3
2 Tubas (duet)
2
Euphonium, Piano (duet)
2
Trumpet, Horn (duert)
2
2 Euphoniums and 2 Tubas
2
Trombone ensemble
2
Brass Quartet
2
Bass Trombone
1
Trumpet ensemble
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trumpet, Harp
1
3 French horns (trio)
1
3 Trombones (trio)
1
Brass Quartet: 4 horns
1
Tuba (band part)
1
Trumpet, Tuba (duet)
1
English Horn, Guitar (duet)
1
English Horn
1
Bass Trombone and Piano
1
French Horn and Harp
1
English horn, Piano
1
Trombone, Tuba (duet)
1
2 Euphoniums (duet)
1
+ 38 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
93
Violin and Piano
52
Violin
32
Cello, Piano
31
Violin, Guitar (duet)
29
Cello
23
Harp
20
Viola, Piano
20
Violin, Cello (duet)
15
Viola
14
2 Cellos (duet)
13
2 Violins (duet)
12
String Trio: 2 violins, cello
11
Viola (band part)
10
2 Violas (duet)
10
String Trio: violin, viola, cello
9
Violin, Viola (duet)
9
String Quintet: 2 violins, viola, cello, bass
7
2 Harps (duet)
7
Double Bass
6
Violin (band part)
5
Harp, Flute (duet)
5
String Trio: 3 violins
4
Double bass, Piano (duet)
4
4 Cellos
4
Piano Trio: Violin, Viola, Piano
3
String Trio: 2 violins, viola
3
String quartet: 4 violins
2
Viola, Cello (duet)
2
Cello, String Bass (duet)
2
String Trio: 3 violas
2
String Trio: 3 cellos
2
2 Double basses (duet)
1
Violin, Bassoon (duet)
1
Doublebass (band part)
1
Viola and Harp
1
String Quintet: 2 violins, 2 violas, cello
1
String trio
1
Harp, Violin (duet)
1
+ 34 instrumentations
-
Retract
Orchestra & Percussion
Concert band
228
String Orchestra
47
Orchestra
38
Drums
34
Jazz Ensemble
32
Chamber Orchestra
29
Marching band
28
Brass ensemble
15
Handbells
7
Jazz combo
6
Percussion Ensemble
4
Marimba
2
Vibraphone
2
Drum (band part)
1
Timpani (band part)
1
Vibraphone and Marimba
1
Xylophone or Marimba or Vibraphone
1
+ 12 instrumentations
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Retract
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2009
SheetMusicPlus
Chamber Orchestra
Sheetmusic to print
29 sheet music found
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1
26
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Chamber Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Mu...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Adagio Cantabile for Orchestra from Beethoven Sonata Pathétique
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Chamber Orchestra
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Classical
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Ludwig van Beethoven
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Tyler Hughes
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Adagio Cantabile for Orchestra
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Tyler Justin Hughes
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SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827). Arranged by Tyler Hughes . Romantic Period, Classical Period. Score. 21 pages. Published by Tyler Justin Hughes (S...
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Composed by Ludwig van Beethoven (1770-1827). Arranged by Tyler Hughes . Romantic Period, Classical Period. Score. 21 pages. Published by Tyler Justin Hughes (S0.64371). - Score - Romantic Period,Classical Period - Tyler Justin Hughes
$50.00
Adagio Cantabile for Orchestra from Beethoven Sonata Pathétique Parts
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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Tyler Hughes
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Adagio Cantabile for Orchestra
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Tyler Justin Hughes
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SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827). Arranged by Tyler Hughes . For Chamber Orchestra. Romantic Period,Classical Period. Intermediate. Set of Parts. 13...
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Composed by Ludwig van Beethoven (1770-1827). Arranged by Tyler Hughes . For Chamber Orchestra. Romantic Period,Classical Period. Intermediate. Set of Parts. 13 pages. Published by Tyler Justin Hughes
$20.00
Des Pas Sur La Neige
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Thomas Stearn
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Des Pas Sur La Neige
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THOMAS STEARN
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1017999 Composed by Claude Debussy (1862-1918). Arranged by Thomas Stearn. 20th Century,Classical,...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1017999 Composed by Claude Debussy (1862-1918). Arranged by Thomas Stearn. 20th Century,Classical,Contemporary. Score and parts. 24 pages. THOMAS STEARN #6357723. Published by THOMAS STEARN (A0.1017999). Des Pas Sur La Neige is Claude Debussy's sixth prelude in his first book of preludes. The title translates to 'Footprints in The Snow'.This piece was orchestrated for chamber orchestra and is suitable for intermediate to advanced levels, including community ensembles, schools, amateur, and professional orchestras. Duration: 3'30'' Format: full score and partsOrchestration: Thomas Stearn (2021) (www.tstearn.com)
$13.49
Three Laments of Heloise for Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Sinfony from The Messiah for Chamber Orchestra
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Chamber Orchestra
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ADVANCED
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Classical
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George Frideric Handel
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Doug Clyde
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Parts
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Sinfony from The Messiah for C
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ALBEDO MUSIC
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.713000 Composed by George Frideric Handel. Arranged by Doug Clyde. Baroque,Christian,Christmas,Eas...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.713000 Composed by George Frideric Handel. Arranged by Doug Clyde. Baroque,Christian,Christmas,Easter,Sacred. Score and parts. 34 pages. ALBEDO MUSIC #4822255. Published by ALBEDO MUSIC (A0.713000). Sinfony from The Messiah for Chamber Orchestra. Composed by George Frideric Handel. No. 1. HWV 56. Full Score & Parts. Arranged by Doug Clyde. Instrumentation: Oboe 1, Oboe 2, Bassoon, Harpsichord, Violin I, Violin II, Viola, Cello. Performance Duration 3:45. AMDS6. © 2009 by ALBEDO MUSIC.
$20.00
Comfort Ye from The Messiah for Solo Tenor Voice and Chamber Orchestra
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Chamber Orchestra
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ADVANCED
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Classical
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George Frideric Handel
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Doug Clyde
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Parts
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Comfort Ye from The Messiah fo
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ALBEDO MUSIC
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.713002 Composed by George Frideric Handel. Arranged by Doug Clyde. Baroque,Christian,Christmas,Eas...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.713002 Composed by George Frideric Handel. Arranged by Doug Clyde. Baroque,Christian,Christmas,Easter,Sacred. Score and parts. 13 pages. ALBEDO MUSIC #4824607. Published by ALBEDO MUSIC (A0.713002). Comfort Ye from The Messiah for Solo Tenor Voice and Chamber Orchestra. Composed by George Frideric Handel. No. 2. HWV 56. Full Score & Parts. Arranged by Doug Clyde. Instrumentation: Tenor, Harpsichord, Violin I, Violin II, Viola, Cello. Performance Duration 2:25. AMDS8. © 2009 by ALBEDO MUSIC.
$10.00
VALSE MOLLE , OP. 17 (Flabby waltz)
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Chamber Orchestra
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ADVANCED
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Serge OLLIVE
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VALSE MOLLE , OP. 17
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Serge Ollive
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.892072 Composed by Serge OLLIVE. 20th Century,Concert,Contemporary. Score and parts. 15 pages. Ser...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.892072 Composed by Serge OLLIVE. 20th Century,Concert,Contemporary. Score and parts. 15 pages. Serge Ollive #3488139. Published by Serge Ollive (A0.892072). Serge Ollive : Valse molle (Flabby Waltz) Op.17, for clarinet & String quartet- Composed in 2009- Duration : 3 minutes - Performing Rights Organization : Sacem (France)
$6.99
Stefano Maria Torchio: En Arche en o Logos - Full score
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Chamber Orchestra
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ADVANCED
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Christian contemporary
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Sacred music
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano Torchio #3142405. Published by Stefano Torchio (A0.1022761). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$19.50
Tasto
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Chamber Orchestra
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Ser
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Tasto
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Sergio Roberto de Oliveira
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.962364 Composed by Ser. Contemporary,World. Score and parts. 56 pages. Sergio Roberto de Oliveira #5992129. ...
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Chamber Orchestra - Digital Download SKU: A0.962364 Composed by Ser. Contemporary,World. Score and parts. 56 pages. Sergio Roberto de Oliveira #5992129. Published by Sergio Roberto de Oliveira (A0.962364). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$35.72
Prayer (Mov.3 of "Symphony-The Art of Imaginal Listening')
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Rocco Di Pietro
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an extended spritual struggle
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Prayer
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Rocco Di Pietro
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004752 Composed by Rocco Di Pietro. 20th Century,Contemporary. Score and parts. 21 pages. Rocco D...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004752 Composed by Rocco Di Pietro. 20th Century,Contemporary. Score and parts. 21 pages. Rocco Di Pietro #4355245. Published by Rocco Di Pietro (A0.1004752). 'Prayer' is the third movement of my 5 movement Symphony-The Art of Imaginal Listening under way since 2009. This 'Prayer' has a wordless Female Chorus,a solo cellist and a modest orchestra of: Oboe, English Horn,2 Clarinets,2 Horns, Harp, and Strings.It was inspired by several sources, which all seem to have played themselves out, as the work involved an extended spritual struggle.You could say it was the struggle of someone who was not a believer,but who might have liked to be.The text of the chorus was erased,and became wordless. A symbolic of this spritual struggle.
$20.00
Pr'os lados do Piaui, entre a Turquia e a Alemanha
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Chamber Orchestra
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Sergio Roberto de Oliveira
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Pr'os lados do Piaui, entre a
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Sergio Roberto de Oliveira
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. ...
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Chamber Orchestra - Digital Download SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto de Oliveira #5011347. Published by Sergio Roberto de Oliveira (A0.962358). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.58
Stefano Maria Torchio: En Arche en o Logos - Vocal score
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Chamber Orchestra
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ADVANCED
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Christian contemporary
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Sacred music
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022760 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 8 pages. Stefano ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022760 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 8 pages. Stefano Torchio #3142459. Published by Stefano Torchio (A0.1022760). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter
$11.00
Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
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Chamber Orchestra
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ADVANCED
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Christian contemporary
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Sacred music
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871. Published by Stefano Torchio (A0.1022759). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comYou can find me also on: facebook, instagram and twitter.
$4.00
Quadrado
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Chamber Orchestra
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Sergio Roberto de Oliveira
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Quadrado
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Sergio Roberto de Oliveira
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.962367 Composed by Sergio Roberto de Oliveira. Contemporary,World. Score and parts. 110 pages. Sergio Robert...
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Chamber Orchestra - Digital Download SKU: A0.962367 Composed by Sergio Roberto de Oliveira. Contemporary,World. Score and parts. 110 pages. Sergio Roberto de Oliveira #6248427. Published by Sergio Roberto de Oliveira (A0.962367). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.50
2 Momentos
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Chamber Orchestra
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Contemporary
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Sergio Roberto de Oliveira
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2 Momentos
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Sergio Roberto de Oliveira
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.962308 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 102...
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Chamber Orchestra - Digital Download SKU: A0.962308 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 102 pages. Sergio Roberto de Oliveira #2951589. Published by Sergio Roberto de Oliveira (A0.962308). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$28.80
Stefano Maria Torchio: En Archè en o Logos - Violin 2 part
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Chamber Orchestra
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ADVANCED
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Christian contemporary
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Sacred music
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875. Published by Stefano Torchio (A0.1022758). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
Stefano Maria Torchio: En Archè en o Logos - Viola part
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Chamber Orchestra
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ADVANCED
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Christian contemporary
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Sacred music
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022762 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 5 pages. Stefano ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022762 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 5 pages. Stefano Torchio #3142879. Published by Stefano Torchio (A0.1022762). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
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Stefano Maria Torchio: En Archè en o Logos - Double bass part
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Chamber Orchestra
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ADVANCED
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Christian contemporary
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Sacred music
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022765 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 2 pages. Stefano ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022765 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 2 pages. Stefano Torchio #3142887. Published by Stefano Torchio (A0.1022765). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
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